Album Review – Autopsy / Ashes, Organs, Blood And Crypts (2023)

Oakland, California’s own Death Metal institution is back with their pulverizing ninth studio album, featuring brutal bouts of riffery feral attacks, soul crushing doom and all out skull splitting heaviness.

Likely needing no introduction, Oakland, California’s own metal institution Autopsy has been a pioneering Death Metal band for 36 years now. They’ve influenced a generation of bands with their brutal, unhinged brand of violent, grotesque Death Metal with classic releases like Mental Funeral and Severed Survival, and now in 2023 the band formed of Chris Reifert on vocals and drums, Eric Cutler on vocals and guitars, Danny Coralles on the guitars, and Greg Wilkinson on bass returns to the battlefield with their ninth studio album, titled Ashes, Organs, Blood And Crypts. Recorded by Scott Evans and Greg Wilkinson at Sharkbite Studios, mixed by Greg Wilkinson at Earhammer Studio, mastered by Ken Lee at Ken Lee Mastering, and displaying a visceral artwork by Wes Benscoter, the album follows last year’s acclaimed Morbidity Triumphant, while also featuring brutal bouts of riffery feral attacks, soul crushing doom and all out skull splitting heaviness recommended for fans of Obituary, Suffocation, Immolation and Deicide, just to name a few.

Eric and Danny begin their rabid riff attack in Rapid Funeral, a no shenanigans, ass-kicking Death Metal composition that exhales heaviness, rage and violence, and the band needs a little less than three minutes to crush our cranial skulls in Throatsaw, with the hammering drums by Chris walking hand in hand with all deep, guttural vocals blasted throughout the song. Then slowing things down a bit but keeping the atmosphere dark and evil we have No Mortal Left Alive, with Greg adding an extra touch of obscurity to the overall result with his low-tuned bass; whereas their devilish riffs and bass accompanied by the ruthless drums by Greg will haunt your souls in Well of Entrails, offering more of the band’s trademark Death Metal, followed by the title-track Ashes, Organs, Blood and Crypts, where not only they continue to demolish our senses with their undisputed extreme sounds, but there are also hints of Progressive Death Metal and even Doom Metal added to it to make things even more infernal.

And the band’s guitar duo shows no mercy for our spinal cords in Bones to the Wolves, inspiring us to slam into the pit while they deliver sheer awesomeness through their riffs and solos; whereas their guitar madness goes on in Marrow Fiend, also presenting their traditional harsh growls spiced up by the doomed beats by Chris, followed by Toxic Death Fuck, and a beautiful name obviously needed an uncompromised, demonic sonority, which is exactly what Autopsy offer us all with the guitars by Eric and Danny exhaling heaviness. Get ready to break your neck in the name of Death and Doom Metal in Lobotomizing Gods, once again proving why Autopsy are one of the most beloved bands of the underworld, and it’s then time for a destructive onrush titled Death Is the Answer, perfect for diving into the circle pit in the name of gore and violence, with Chris dictating the song’s pace with his demolishing beats. Lastly, the quartet invests in their most Doom Metal vein in Coagulation, bringing to our avid ears gargantuan, vile roars, disturbing riffs and sluggish beats until the very end.

You can see what such important name of the Death Metal scene is up to on Facebook and on Instagram, stream all of their incendiary albums on Spotify, and of course grab your copy of Ashes, Organs, Blood And Crypts by clicking HERE. Based on the quality of the music found in their 2022 album Morbidity Triumphant, and specially on their newborn beast Ashes, Organs, Blood And Crypts, the guys from Autopsy are far from calling it quits, keeping the fires of old school Death Metal burning and, consequently, inviting us all to get into the pit together with them like there’s no tomorrow, and may we keep getting more and more albums of pure, unfiltered Death Metal like their latest installment in the coming years.

Best moments of the album: Throatsaw, Ashes, Organs, Blood and Crypts and Death Is the Answer.

Worst moments of the album: No Mortal Left Alive.

Released in 2023 Peaceville Records

Track listing
1. Rapid Funeral 5:02
2. Throatsaw 2:31
3. No Mortal Left Alive 4:35
4. Well of Entrails 5:06
5. Ashes, Organs, Blood and Crypts 3:45
6. Bones to the Wolves 4:16
7. Marrow Fiend 3:32
8. Toxic Death Fuck 2:41
9. Lobotomizing Gods 2:34
10. Death Is the Answer 3:41
11. Coagulation 3:38

Band members
Chris Reifert – vocals, drums
Eric Cutler – vocals, guitars
Danny Coralles – guitars
Greg Wilkinson – bass

Interview – Hateful Warfare

Take a shot at this fun interview with Hateful Warfare to have a very good depiction of the everyday life, experiences and dreams of a true underground Death Metal band from Brazil.

Hateful WarfareThe Headbanging Moose: As you’re a brand new Death Metal act, I guess we need to start by presenting you to our readers. In other words, who are Hateful Warfare? Can you please share with us some details on how the band got together, why and how you chose the name “Hateful Warfare”, where each band member comes from, and what your main goals are for the future?

Hateful Warfare: The band is comprised of Andrei (bass/vocals), Norba (guitar) and Denis (drums), a traditional Death Metal power trio. The band is a reformation of another project we had in the past, which didn’t end up working well and so the three of us decided to remain together and focus our common ideas on our songwriting and composing. The name of the band came in a moment of anger (laughs), as we were searching for a name that was impactful and that at the same time matched with our personalities on stage. Our goals for the future are recording our first full-length album, shooting a video clip, and then going on a tour of the album across Brazil.

THM: The band might be new, but there has already been a significant change to your music when one of the guitarists left and Hateful Warfare became a power trio. How has that influenced your music and the dynamism among the three band members left? What are the positive outcomes of this important change?

HW: His time with the band was short mainly due to his geographic location/distance to the rest of the band, which was a huge hassle for our rehearsals. It was decided that we would go on as a power trio, and our dynamism only tends to grow because when you’re a power trio you have more freedom in terms of composition, improvisation, harmony, acquaintanceship, among other positive points. In addition to that, Andrei and Norba are father and son, which already helps a lot. We are all comfortable in what we’ve been doing so far and this is very significant for a band to move on.

THM: I had the pleasure of reviewing your short but extremely heavy debut EP, entitled Scenarios Of Execution. If I had to describe the album in just a few words, I would say it’s old school Death Metal exactly the way it’s supposed to be. How was the songwriting and composition period of the album? How long did it take to finalize everything, and what were the highlights of the entire process to you?

HW: Thank you for your kind words, this is very gratifying for us.  The creative process was very demanding, rehearsing two or three times a week, always composing riffs and with focus on creating something new everyday. We all thought about something during the week, wrote something, created the riffs, recorded at home and then presented that during the rehearsal in order to always capitalize on something. The recording was done at the Audio Goblin studio with the local producer and musician Fábio Gorresen (Flesh Grinder/Zombie Cookbook). It took one month to finalize the recording, mixing and mastering, and after that we released a few physical copies of the EP. We believe that the impact of the EP has been very positive, making us even more excited to record our full-length album as soon as possible.

THM: I would like to know more details about my favorite songs of the EP, starting with the excellent Welcome to my Nightmare. As mentioned in our review for the EP, the vocals sound inspired by the early days of the iconic Max Cavalera. Is he one of your main influences in music? How do you prepare your voice for the thunderous Death Metal by Hateful Warfare? In addition, although the riffs are extremely dirty, the overall result of the song is very melodic. How did you manage to reach that amazing level of balance between brutality and harmony?

Hateful Warfare02HW: There is no secret, it’s just a matter of keeping the throat always moist and sing with hatred (laughs). Regarding you mentioning the song being dirty and melodic, I believe that actually comes from our influences, as this song was inspired by classic Death Metal the likes of Scream Bloody Gore (Death)  to the Thrash Metal from the album Extreme Aggression (Kreator). There’s always aggressiveness followed by something harmonious that matches perfectly with the style.

THM:  My other favorite tune, Bloody Night, brings lots of awesome elements from different subgenres of extreme music, such as Black and Doom Metal. Was that something you planned on doing, or did it come up naturally during the writing process? How does the audience react to songs that are not purely Death Metal like this one?

HW: It was something natural, we don’t write our music trying to remain 100% loyal to Death Metal. We have an infinitude of influences inside each of our heads and that was what best suited the music, lyrics thrown to the imaginary with an aggressive theme and several variations in the instrumental, stressing the heaviness and the speed at different times.

THM:  Brazil might not be considered the most metal country in the world, but there’s still a good share of incredible bands spread across the country, not to mention how crazy most Brazilian headbangers are. In your opinion, how is the current Heavy Metal scene in Brazil? Do you feel that there are enough bands, venues and concerts down there to keep the fire of metal burning bright for many years to come? What are the main issues for a heavy band in Brazil?

HW: There are excellent new bands rising month after month, incredible places spread throughout Brazil, high-skilled musicians and the utmost quality. The only disturbing things are the high costs to maintain a band, equipment with extremely high taxes, and if you do not have a studio yourself you have to pay a lot of money to rehearse every single week. What drives metal in Brazil is the underground, we have to be headbangers faithful to the art, because making a living from metal in Brazil is still a dream for all of us, some can do it but that’s just a minority.

THM: What are top 5 albums that influenced the band members the most, and how much do those albums still inspire you to craft your music? What about non-metal bands and artists, are there any you enjoy that also impact the way you write your music?

HW: The top 5 albums that are the most present in the playlists of each one of us are Piece of Mind (Iron Maiden), Leprosy (Death), Severed Survival (Autopsy), Hell Awaits (Slayer) and Arise (Sepultura). Our writing process involves the whole context of what’s going on through our heads. At the moment I don’t have any specific albums to mention, but I would like to stress out that the lyrics for the song Addiction to Kill were written based on the story of the TV series Dexter.

THM: What would be the “dream tour” for Hateful Warfare? I mean, which bands would you feel honored to play with, and what are the cities, venues or festivals you would love to visit together with those bands?

11329653_839212942837134_1148590419_n

Album Review – Hateful Warfare / Scenarios Of Execution EP (2015)

HW: There is an infinity of bands who we dream of playing together, such as Destruction, Gruesome, Cancer, Kreator, Obscura, Obituary, Sodom, Vader and so on (laughs). With every passing year high-quality festivals are born in several countries, but like any headbanger it would be a dream come true to step on the stage at Wacken Open Air, Hellfest, Monsters of Rock, Obscene Extreme, among others.

THM: In regards to your current tour dates, how are the concerts to promote Scenarios Of Execution going? Do you have any funny stories to share with us, or talk about something that went horribly wrong with the band? And do you have any plans for an international tour here in North America, in Europe or anywhere else?

HW: The shows have been taking place only in the state of Santa Catarina, Brazil, and they have been very positive so far for us. We have several good stories happening every night, the funniest being our first show. We were tuning the instruments to hit the stage and the intro was already going to start playing, when we lost sight of our drummer. We sought him all over the venue and no sign of him. We spent about 10 minutes looking for him and when we finally found him he was outside talking to some friends, while we were getting absolutely mad after him for a while (laughs).

THM: Muito obrigado pela entrevista! Please feel free to send a final message to all readers of The Headbanging Moose and to all fans of old school Death Metal all over the word.

HW: First of all, thanks for the compliments on our work, and also to the space provided for the interview. To all fans of old school Death Metal, always seek for novelties in the genre, there is a lot of good stuff emerging but that’s not getting recognized as it should. This genre has a lot to be unraveled yet, and that this Death Metal vein never runs out of blood!

Links
Hateful Warfare Facebook | YouTube
Sangue Frio Produções Facebook | Website