This blood-soaked creature hailing from Colombia is back with their second tome of monstrosities and malignancy, spewing forth their particular brand of Death Metal sickness.
He’s dead? Not anymore…” – Herbert West, Reanimator
Formed in the time of the global pandemic, Barranquilla, Colombia’s own Funeral Vomit have been spewing forth their particular brand of Death Metal sickness since 2020, becoming a must-listen for fans of Autopsy, Grave, Mortician, and Grave Desecrator, among many other torchbearers of pure death. Now in 2025 the band formed of C. Monsalve on vocals and guitar, Y. Lopez also on the guitar, H. Montaño on bass, and J. Carvajal on drums returns from the grave with their sophomore offering entitled Upheaval of Necromancy, their second tome of monstrosities and malignancy to be released on the same fateful date on which their debut Monumental Putrescence was exhumed, two years ago.
Get ready to be pulverized by Funeral Vomit, as the cadaverous intro The Disentombment will drag us to their Stygian lair where the quarter will crush our putrid bodies and souls with the title-track Upheaval of Necromancy, a lecture in old school, primeval Death Metal where C. Monsalve sounds like a creature from the abyss on vocals. After one of those classy excerpts of some crazy dude talking crazy stuff, we have more of their evil sounds in Sulphuric Regurgitation, with J. Carvajal showing absolute zero mercy for our necks armed with his demented beats and fills, followed by Hematophagia, less frantic but still venomous and absurdly heavy, with C. Monsalve and Y. Lopez firing devilish riffs and solos in great fashion.
The second part of the album kicks off with another phantasmagorical instrumental piece titled Interlude (Mortuary Ecstasy), opening the gates of the underworld for the band to consume our souls with Winds of Exhumation, an evil, no shenanigans Death and Doom Metal creature led by C. Monsalve’s visceral guttural, supported by the thunderous kitchen by H. Montaño and J. Carvajal. Then the band goes absolute berserk in Altars of Doom, demolishing their instruments mercilessly, therefore inviting us all to crush our skulls into the pit. A name like Cryptic Miasma Stench demanded the most putrid form of Death Metal, and the band delivers exactly that with honors led by J. Carvajal’s violent drums; whereas the album ends with the gruesome, devilish Rancid Insorcism, another blast of pure Colombian gore and violence, morphing into the bestial outro Effluvia of the Mass Grave, sounding like the closing credits of a brutal horror flick.
In the end, there will be no escaping Funeral Vomit’s call from the grave to the sound of their demented new album, and you can join them in their quest for extreme music, violence and gore by following the band on Facebook and on Instagram, by streaming their depraved and sick music on Spotify or any other streaming platform with enough guts to host their music, and obviously by putting your impious, dirty hands on the album via Xtreem Music’s BandCamp or webstore. As you listen to the extreme aggression found in Upheaval Of Necromancy, you’ll soon realize this is not just your regular Death Metal. The Funeral Vomit nightmare is real, and it will never end.
Best moments of the album: Upheaval of Necromancy, Winds of Exhumation and Cryptic Miasma Stench.
Worst moments of the album: None.
Released in 2025 Xtreem Music
Track listing
1. Intro (The Disentombment) 1:45
2. Upheaval of Necromancy 3:30
3. Sulphuric Regurgitation 4:05
4. Hematophagia 5:48
5. Interlude (Mortuary Ecstasy) 1:15
6. Winds of Exhumation 4:00
7. Altars of Doom 2:48
8. Cryptic Miasma Stench 3:25
9. Rancid Insorcism 3:40
10. Outro (Effluvia of the Mass Grave) 1:05
Band members
C. Monsalve – vocals, guitar
Y. Lopez – guitar
H. Montaño – bass
J. Carvajal – drums
THE HEADBANGING MOOSE 