Album Review – Cultus Sanguine / Tears Painted Sky (2026)

These Italian veterans are back with their fourth opus, immersing us all in dark, powerful sounds that take us on a slow, relentless journey into the depths of the soul, a place where pain and darkness take shape.

Formed in 1993 in Milan, Italy, Cultus Sanguine are one of the most influential and genre defining bands in the history of dark, devilish Blackened Gothic and Doom Metal, having already release the cult albums Shadows’ Blood (1997), The Sum of All Fears (1999), and Dust Once Alive (2023). Written and composed by the band itself, recorded, mixed and mastered by Danilo Dilorenzo at MoonHouse Studio,  and displaying a sinister artwork and layout by Federico Rebusso, Tears Painted Sky is the fourth studio album by Joe Ferrero on vocals, Federico Rebusso on the guitars, Luca Difato on bass, Daniele Bovo on keyboards, and Fabrizio Cislaghi on drums, immersing us all in dark, powerful sounds that take us on a slow, relentless journey into the depths of the soul, a place where pain and darkness take shape.

The quintet wastes no time and fills up every single space in the air with their dark and atmospheric sounds in Tears Painted Sky, led by the striking keys by Daniele and the massive beats by Fabrizio; and the deep vociferations by Joe set the tone in the also obscure Inner Solitude, with their Gothic Metal vein pulsing harder than ever. In When Silence Devours we see the band blend the heaviness of Doom Metal with the delicate sounds of Gothic Rock and Metal, with Daniele being once again on fire behind his drums, followed by My Wounds Are Eternal, a pensive tune that carries a beautiful title, with Federico bringing sheer heaviness through his axe. And then we face Le tue ossa sono fredde, or “your bones are cold” from Italian, featuring guest Luca Difato on the violin, evolving into a visceral display of Doom Metal with atmospheric elements.

Pale Presence offers a more generic version of their own blend of Atmospheric Gothic and Doom Metal. It’s still a solid effort by the boys, but it lacks the same intensity of the previous tunes, whereas Grey, Cold and Unforgiving showcases a more theatrical side of the band, with the reverberating bass by Lucas adding even more obscurity to Daniele’s phantasmagorical keys. Rise to Nowhere continues with their theatre of doom, with Joe again delivering absolute anguish and heaviness through his vocals lines, supported by the minimalist, caustic guitars by Federico, flowing into the closing tune Funeral Farewells, as heavy as it is dynamic, multi-layered and grim, where Joe’s vocals are effectively boosted by the song’s background vocals (not to mention the scathing riffs by Federico), therefore putting a climatic ending to the album.

With the release of Tears Painted Sky, Cultus Sanguine are pushing beyond the already fragile boundaries of their poetic vision, exploring painful territories and surrendering completely to the aesthetics of the end. There is no consolation, no hope, no catharsis; just an elegant and decadent representation of the inner twilight. In case you want to follow the band into such harsh territories, you can find them on Facebook and on Instagram, stream their music on any platform like Spotify, and of course purchase their new album from their own BandCamp or from My Kingdom Music’s BandCamp or webstore (or click HERE for all things Cultus Sanguine). The cult is alive, the sky is painted with tears, and the new album by these Italian veterans is the perfect soundtrack for such darkness and melancholy.

Best moments of the album: Tears Painted Sky, My Wounds Are Eternal and Funeral Farewells.

Worst moments of the album: Pale Presence.

Released in 2026 My Kingdom Music

Track listing
1. Tears Painted Sky 6:06
2. Inner Solitude 5:32
3. When Silence Devours 4:30
4. My Wounds Are Eternal5:20
5. Le tue ossa sono fredde 4:39
6. Pale Presence 5:31
7. Grey, Cold and Unforgiving 5:06
8. Rise to Nowhere 5:38
9. Funeral Farewells 6:55

Band members
Joe Ferrero – vocals
Federico Rebusso – guitars
Luca Difato – bass
Daniele Bovo – keyboards
Fabrizio Cislaghi – drums

Guest musician
Luca Difato – violin on “Le tue ossa sono fredde”

Album Review – Exiled Hope / Apocrypha (2025)

A lone she-wolf of Symphonic and Blackened Power Metal returns with the third and exciting installment of her ongoing musical narrative.

Formed in 2019 in Maryland, United States, Symphonic/Blackened Gothic/Power Metal one-woman army Exiled Hope is set to unleash the project’s third installment of its ongoing musical narrative, entitled Apocrypha. Drawing musical inspiration from the likes of Avantasia, Nightwish, Kamelot and Cradle of Fitlh, to name a few, the lone she-wolf Sofia Frasz is back in action with a twelve-track album that follows a new protagonist who seeks guidance from familiar (yet otherworldly) forces as he uncovers the truth about the path to success laid out before him, further expanding the story Sofia and her Exiled Hope have crafted through the years.

Sofia kicks off the album to the soothing sound of the piano in The Summoning, already showcasing her passion for dark and melancholic music, exploding into Blackened Gothic Metal to the sound of her she-demon gnarls; and our diva strikes again in full force with her classic riffs, low-tuned bass and deep vocals in The Day Will Come, offering a darker version of contemporary Symphonic Metal. She then puts the pedal to the metal in the rockin’ tune Blood Of The Ancients, showcasing all her dexterity behind the drums, whereas she makes a passionate vocal duet with guest Metal Matt in Dreamwalker, a soothing ballad that sounds truly powerful from start to finish. Then we face Over For You, leaning towards the early days of Nightwish with a darker twist, with Sofia kicking some ass with her potent vocal reach and classic riffs; and featuring guest vocalist Imperator Mortem we have Altar Of Moloch, with both Sofia and Imperator Mortem sounding like obscure creatures from the underworld in a lecture in Atmospheric Black Metal.

In The Silence Is Deafening she switches gears to a more Doom Metal-inspired sound with Gothic and Symphonic Metal nuances, once again hypnotizing us all with her vocals, followed by Behold My Shattered Skies, the second ballad of the album, sounding as enfolding as the first one and with Sofia’s deep vocals walking hand in hand with the song’s ambience. After that, we’re treated to Deathslayer, bringing forward over eight minutes of first-class heavy yet delicate music, a trademark sound by Sofia and her Exiled Hope, with her striking riffage, blast beats and devilish growls adding an extra touch of insanity to the music, exploding into a melodic attack of Blackened Power Metal led by her classic guitar lines and crushing drums entitled Lightborn. She then offers another Ambient track titled Remnants, maybe a bit too long for an instrumental interlude, while closing the album we have Forbidden Majesties, where once again Sofia showcases both her delicate and demonic sides at the same time.

“The release of Apocrypha represents three years of practice, exploration, trial and error, learning, and a lot of overthinking,” commented Sofia about her newborn baby. “Apocrypha feels detailed and relatable, yet larger-than-life, and I hope you enjoy the journey of listening to it as much as I enjoyed the journey of creating it. Creating music is about the journey as much as it is about the destination, or the final product.” After such beautiful words by our dauntless diva, you should definitely go check what she’s up to on Facebook and on Instagram, listen to her music on YouTube and on Spotify, and grab a copy of Apocrypha from BandCamp or by clicking HERE, allowing Sofia’s music to penetrate deep inside your soul on another exciting journey by one of the most creative names of the current metal scene.

Best moments of the album: The Day Will Come, Dreamwalker, Deathslayer and Lightborn.

Worst moments of the album: Remnants.

Released in 2025 Independent

Track listing
1. The Summoning 3:19
2. The Day Will Come 3:46
3. Blood Of The Ancients 4:08
4. Dreamwalker 3:40
5. Over For You 4:20
6. Altar Of Moloch 4:25
7. The Silence Is Deafening 4:28
8. Behold My Shattered Skies 4:57
9. Deathslayer 8:11
10. Lightborn 5:27
11. Remnants 3:52
12. Forbidden Majesties 4:25

Band members
Sofia Frasz – vocals, all instruments

Guest musicians
Metal Matt – vocals on “Dreamwalker”
Imperator Mortem – vocals on “Altar of Moloch”