Album Review – WitcheR / Lélekharang (2022)

A talented Hungarian duo brings to our avid ears Atmospheric Black Metal in its most magical form, entrancing the senses with its yearning for things lost to the relentless march of progress.

Steeped in the folklore and ancient beliefs of their homeland, Lélekharang, which translates as “soul bell”, is the third full-length opus by Szombathely, Hungary-based Atmospheric Black Metal duo WitcheR, dedicated to fans of Summoning, Wolves in the Throne Room and early Dimmu Borgir. Recorded at Vrag’s Forest Studio, engineered, mixed and mastered by WitcheR themselves, and displaying a stylish artwork by Grafit és Hamu, Lélekharang is Atmospheric Black Metal in its most magical form, entrancing the senses with its yearning for things lost to the relentless march of progress, all carefully brought into being by Karola Gere on vocals and synths, and Roland Neubauer (aka Vrag) on vocals, guitars and drums, leading you through the forests of memory to a place where all that was lost is found once more.

The gentle, atmospheric piano by Karola will embrace us all in the album’s Intro, transporting our souls to the Stygian realm ruled by WitcheR in Hamvak (or “ashes” from Hungarian), exploding into stunning Atmospheric Black Metal where Roland extracts anguish and fear from his riffs while at the same time he dictates the pace with his stylish beats. Moreover, the duo offers us demonic gnarls and endless obscurity throughout the entire song, making it even more compelling; followed by the title-track Lélekharang, an even more enfolding, atmospheric aria by such talented Hungarian duo, with its beautiful background elements and the synths by Karola adding an extra Stygian touch to the overall result, creating a fantastic paradox with the scorching riffage by Roland. Csendesen (“silently”) offers us all seven minutes of majestic passages, imposing synths and drums, and all the energy that only Atmospheric Black Metal can bring to our avid ears, sounding truly enticing from start to finish, and as expected the duo fires another sensational explosion of their fusion of Black and Doom Metal with pure atmospheric elements entitled Hazatérés (“homecoming”), where their deep, devilish roars are spiced up by the razor-edged riffs and hammering drums by Roland, flowing into their delicate cover version for Moonlight Sonata Op. 27. No. 2. I. Adagio sostenuto by Ludwig van Beethoven ( check the original version HERE), putting a climatic finale to the album.

The brand new spawn of obscurity by WitcheR can be fully appreciated on YouTube and on Spotify, but of course you should show your utmost support to the duo and purchase the album from their own BandCamp page, from the Filosofem Records’ BandCamp page, or from the Beverina Productions’ BandCamp page, and don’t forget to also follow the band on Facebook, Instagram and VKontakte, to subscribe to their YouTube channel, and to stream all of their unique creations on Spotify. The bells of Atmospheric Black Metal are tolling majestically thanks to the amazing job done by WitcheR in their new album, taking the Hungarian underground to new heights and leaving us all eager for more of their music in the near future.

Best moments of the album: Lélekharang and Hazatérés.

Worst moments of the album: None.

Released in 2022 Filosofem Records/Beverina Productions/Casus Belli Musica

Track listing
1.Intro 1:48
2.Hamvak 7:44
3.Lélekharang 10:16
4.Csendesen 6:58
5.Hazatérés 9:20
6.Moonlight Sonata Op. 27. No. 2. I. Adagio sostenuto (Ludwig van Beethoven cover) 3:24

Band members
Karola Gere – vocals, synths
Roland Neubauer – vocals, guitars, drums

Album Review – Skverna Liniya / In a Garland of Wax (2021)

Behold the debut full-length album by this uncanny Russian Progressive and Atmospheric Black Metal entity, representing the breakdown of the worldview, spiritual torments and the path of self-destruction.

Forged in the fires of Voronezh, a city on the Voronezh River in southwestern Russia, Progressive/Atmospheric Black Metal entity Skverna Liniya (or Скверна Линия, which translates from Russian as something like “dirty line”) is set to unleash upon humanity their debut full-length album In a Garland of Wax (or В венке из воска), following up on their 2020 EP Snowfall. Mixed and mastered by Mikhail Kurochkin and displaying a stylish artwork by innersys32, In a Garland of Wax is based on the lyrics of Boris Poplavsky (1903-1935), a Russian poet in exile whose work was focused on the soul’s withering and searching in a hostile environment, loneliness and fear in coming into contact with reality. Representing the breakdown of the worldview, spiritual torments and the path of self-destruction, the album is a must-listen for all admirers of atmospheric and extreme music, carefully brought into being by multi-instrumentalists Sergey Chirkov and Andrey Pospelov supported by guest musicians Roman Graver on harsh vocals, Konstantin Bers on clean vocals and Ivan Salo on drums.

The Rustle of Smoldering Life (Шорох тлеющей жизни) sounds and feels atmospheric and enfolding from the very first note, with Ivan and Roman kicking some ass with their respective beats and roars, therefore providing Sergey and Andrey all they need to thrive with their riffage (not to mention the song’s ethereal finale), whereas How Cold It Is. The Empty Soul Keeps Silence… (Как холодно. Молчит душа пустая…) already begins in full force with Roman screaming rabidly nonstop while the strident, piercing riffs by the band’s guitar duo add a touch of progressiveness to the music, resulting in a modern-day Black Metal extravaganza spiced up by the phantasmagorical clean vocals by Konstantin. Then get ready for over seven minutes of first-class Atmospheric Black Metal made in Russia in Green Horror (Зеленый ужас), showcasing a somber ambience to the sound of the crisp guitars by Sergey and Andrey while Roman roars manically for our total delight. The Sunset Blazed O’er The Madhouse… (Пылал закат над сумасшедшим домом…) brings forward sheer devastation and progressiveness, with Ivan sounding infuriated behind his drums accompanied by the thunderous bass punches by Sergey, flowing into an instrumental and utterly atmospheric Interlude (Интерлюдия) that will captivate our senses before the band crushes our souls one last time with the instrumental aria titled In Forgotten Wide Spaces (На забытых просторах), where the keys by Sergey bring a touch of finesse to their Doom Metal-infused sonority.

If you want to know more about this up-and-coming entity hailing from Mother Russia, go check what they’re up to on their official Facebook page, and of course don’t forget to also show your utmost support to the Russian underground by purchasing your copy of In a Garland of Wax from the band’s own BandCamp page, from the Beverina Productions’ BandCamp page, from the Casus Belli Musica’s BandCamp page, or from the BMC Productions’ BandCamp page. And after putting your hands on such dense and enfolding album of extreme music, get ready to be dragged into the Stygian realms ruled by Skverna Liniya for all eternity, and have your soul consumed by darkness while you follow this musical one-way path to self-destruction.

Best moments of the album: The Rustle of Smoldering Life and The Sunset Blazed O’er The Madhouse…

Worst moments of the album: None.

Released in 2021 Casus Belli Musica/Beverina Productions

Track listing
1. The Rustle of Smoldering Life (Шорох тлеющей жизни) 6:14
2. How Cold It Is. The Empty Soul Keeps Silence… (Как холодно. Молчит душа пустая…) 4:22
3. Green Horror (Зеленый ужас) 7:30
4. The Sunset Blazed O’er The Madhouse… (Пылал закат над сумасшедшим домом…) 5:55
5. Interlude (Интерлюдия) 2:03
6. In Forgotten Wide Spaces (На забытых просторах) 8:17

Band members
Sergey Chirkov – guitars, bass, keys
Andrey Pospelov – guitars, additional bass on “The Rustle of Smoldering Life”

Guest musicians
Roman Graver – harsh vocals
Konstantin Bers – clean vocals
Ivan Salo – drums