Album Review – Crucified Barbara / In The Red (2014)

Our beloved Swedish rock goddesses return to give Rock N’ Roll to you and put it in the soul of everyone.

Rating4

coverIt was already time for Swedish bombshells of Rock N’ Roll Crucified Barbara to be back with more of their unmatched heavy rock and their tough attitude. After the awesome releases In Distortion We Trust (2005), ‘Til Death Do Us Party (2009) and The Midnight Chase (2012), those incredible hardrockers offer us, avid metalheads all over the world, another kick-ass album overflowing aggressiveness, sexy tunes and infinite stamina, the electrifying In The Red.

Although all of their albums are so solid and ravishing it’s extremely hard to choose the best one, there’s one major thing that drew my attention on In The Red: the total absence of any type of ballad. The whole album is pure motherfuckin’ heavy and fast rock, with not a single song being slow or romantic at all, and that, my friends, will please the hearts of pretty much all of their diehard fans for sure. In other words, don’t you just love when those sexy beasts simply assault us like that, with no mercy of our bodies and souls?

And their badass Rock N’ Roll party couldn’t kick off on a higher note than with the frantic I Sell My Kids For Rock’N’Roll, which is not only a great name for a song, but also a superb no-frills feast of ultra-hard-riffs and addictive lyrics, with highlights to the mighty bass lines by Ida Evlieye. It’s so thrilling that I challenge you to stand still during this song and to not play it again and again in your car, at home or anywhere else you might be. To Kill A Man, the first single released a while ago, is just an average song, but it’s a good example of how Mia Coldheart’s voice is sounding a lot stronger in In The Red than in any of their previous albums, while the spectacular Electric Sky has their beautiful trademark musicality, being the perfect choice for hitting the road while singing its chorus nonstop, with kudos to Nicki Wicked for her amazing drumming during the song.

crucified barbaraThen we have what can be called “Beer Rock” (or music tailored for drinking beer) in The Ghost Inside, a fast-tempo song with a 70’s Rock intro the likes of Black Sabbath, lots of cool riffs and melodic variations, and the straightforward 80’s Hard Rock in Don’t Call On Me, where their “Motörhead” side strikes again, with the always incredible Mia reaching some really high vocal notes. However, it’s in the title-track In The Red, a thrilling tune with a catchy chorus, where her voice goes even beyond that, enhanced by the awesome job done on guitars by Mia herself and Sweden’s number one blonde stunner Klara Force, and therefore turning the song into one of the best moments of the album.

Lunatic #1 reminds me a lot of “Kid from the Upperclass” from their previous album, with its cool lyrics pushing it to probably being one of their selected new songs for their upcoming live performances, while Shadows was born to be a Rock N’ Roll radio hit, with all instruments in perfect synergy and Nicki amazingly pounding her drums from start to finish. By the way, not only Nicki, but all members of the band seem to have almost reached their peak in terms of what they can do with their instruments in In The Red: they sound a lot more polished and cohesive now (needless to mention, of course, their undeniable talent as musicians), but at the same time they managed to keep that crude resonance so important for true Rock N’ Roll to happen. It’s really exciting to see a band evolving like that, don’t you think?

Fortunately for all of us, there’s a lot more to come before the party is over: the southern sonority in Finders Keepers is not bad, but it doesn’t keep up with the rest of the album; Do You Want Me, with its riffs full of feeling, talks about sex, love and troubled relationships (“Do you want me / I can never be your sacred angel”), just like many of Crucified Barbara’s top songs; and finally, the band closes the album with another fast and raw Rock N’ Roll tune the likes of Motörhead, Follow The Stream, leaving us eager for more of their powerful and invigorating music.

In 1973, British rock band Argent sang for the first time “God gave Rock N’ Roll to you / Gave Rock N’ Roll to you / Put it in the soul of everyone”. Then, in 1991, American Hard Rock giants KISS immortalized those lyrics forever in our hearts. And finally, here we are many years later banging our heads to the rock music by Crucified Barbara who, despite not singing the exact same words, are truly making them become reality and helping us enjoy our lives a lot more. Thus, call them goddesses, demonesses, heroines, female warriors or anything else: as long as they keep on playing such delightful music and putting awesome Rock N’ Roll in our souls, that’s all that really matters.

Best moments of the album: I Sell My Kids For Rock’N’Roll, Electric Sky and In The Red.

Worst moments of the album: To Kill A Man and Finders Keepers.

Released in 2014 Despotz Records

Track listing
1. I Sell My Kids For Rock’N’Roll 2:54
2. To Kill A Man 3:21
3. Electric Sky 3:56
4. The Ghost Inside 4:32
5. Don’t Call On Me 4:02
6. In The Red 3:48
7. Lunatic #1 3:11
8. Shadows 3:25
9. Finders Keepers 2:53
10. Do You Want Me 3:35
11. Follow The Stream 3:46

Band members
Mia Coldheart – vocals, guitar
Klara Force – guitar, backing vocals
Ida Evileye – bass guitar, backing vocals
Nicki Wicked – drums, backing vocals

Metal Chick of the Month – Mia Coldheart

mia01

Rock Me Like The Devil!

Despite the fact that Angela Gossow is German, she is the lead singer of a Swedish band, so let’s stay around that same country for the second edition of the Metal Chick of the Month. This time I’m going to talk about Mia Coldheart, the lead singer and guitar of the awesome all-female hard rock band Crucified Barbara. Actually, I could talk about all four girls from the band, but let’s focus on one at a time to avoid any heart attacks, right?

Of course her last name is not Coldheart, and I’m pretty sure she doesn’t have a cold heart at all. Her real name is Mia Karlsson and she was born on August 21, 1980 in the municipality of Tyresö, located in the Stockholm County in Sweden. And as you can see, she’s the only non-blonde in the band, which doesn’t mean she’s less beautiful than the others. Quite the contrary, her long dark hair makes her stand out among the other girls, and adding to that her powerful voice we have the perfect recipe for not only an amazing singer, but for a true hard rock frontwoman.

I believe Crucified Barbara would not be the same successful band without Mia’s voice. However, for those who don’t know it, the band started as a punk rock band back in 1998 and at that time she used to play the guitar only (unfortunately, I couldn’t finds any old material of the band to show how their music was). She became the lead singer of the band in 2003, just a couple of years before the band released their debut album, and in less than 10 years she has become a reference for many hard rock female singers all over the world.

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One thing that always comes to my mind while listening to Mia Coldeheart singing are the similarities between her voice and Lzzy Hale’s voice, from Halestorm. However, I prefer Mia’s voice a thousand times, and in my opinion the only reason for Crucified Barbara not being as famous as Halestorm is the fact that they’re not from North America, as I mentioned here. Pay attention to Mia’s voice in different songs and you’ll see how versatile her voice is, from a soft and smooth singing in the ballad Count Me In to a more hard rock approach in Rock Me Like The Devil, and a true heavy metal voice in the Motörhead-ish song The Crucifier. Lzzy is a great singer, but her voice sounds the same in every song, and besides, I’ve had the chance to check Mia and Lzzy singing live in some videos and Mia kicks fuckin’ ass. Besides, she plays the guitar all the time while singing, not only in some songs. If you don’t trust me, take a look at Crucified Barbara playing Bad Hangover live at Sweden Rock Festival (also check how cool the Swedish language is) and you’ll see what i’m talking about!

Talking about Mia’s biggest influences in music, I saw an interview where she said she started to play guitar because of Nirvana and the whole Grunge music scene, but then she started listening to bands like Dream Theater, Megadeth, and Helloween, and guys like Marty Friedman helped define her guitar style. Regarding her vocals, she said her biggest influence was Gigi Hangach, from the band Phantom Blue, who by the way was her motivation to actually start singing heavy music.

Mia’s entire career has been built with Crucified Barbara only, with which she has recorded three albums so far: In Distortion We Trust (2005), ‘Til Death Do Us Party (2009), and their most recent and my favorite one called The Midnight Chase (2012). Besides that, she has just recorded some additional vocals to some material from a Swedish progressive metal band called Mind’s Eye in two of their albums (Walking on H20, from 2006, and A Gentleman’s Hurricane, from 2007).

If you’re a fan of Halestorm, but would like to listen to something faster and heavier, you will love Crucified Barbara and especially Mia Coldheart’s voice. She will rock you like the devil, I’m pretty sure about that.

Equipment
Gibson Flying V (Gothic 2001)
Mesa Boogie Dual Rectifier amp
Mesa Boogie 4×12 Rectifier cabinet
Rotosound strings 10-52

Personal website/blog
www.coldheart.se

“Don’t wait to find the perfect band. You can’t sit home and dream about a band. You have to get out, meet people, play with a lot of different people.” – Mia Coldheart

Album Review – Halestorm / ReAniMate 2.0: The CoVeRs eP (2013)

Why instead of launching two EPs with cover songs in less than two years didn’t they launch only one full album?

Rating6

ReAniMate 2.0I’m not a fan of Halestorm nor will ever buy any of their albums, but when I saw they launched another covers EP which included one of my favorite Priest tracks of all time, Dissident Aggressor, I decided to give them a try. In 2011 they launched ReAniMate: The CoVeRs eP with cover versions for Slave To The Grind (Skid Row) and Out Ta Get Me (Guns N’ Roses), among others, and now they come up with another covers EP. This either means that they simply love playing songs from their biggest influences, or that they don’t trust their own music that much, because I can’t understand why they had to launch two covers EPs instead of only one full album, such as the magnificent Undisputed Attitude recorded by Slayer back in 1996.

Dissident Aggressor opens the EP and it’s undoubtedly the best track of all, although I prefer a million times the version from Slayer and a billion times the original song from Judas Priest. Anyway, there’s nothing special in this version, it’s just a well-played cover song. Then comes Get Lucky from Daft Punk, and here we have one of those cases where the cover version is superior to the original, such as DevilDriver’s version of Sail (Awolnation), mainly because the original song is not really heavy, but again nothing special. In Shoot to Thrill (AC/DC), they turned an all-time classic into a regular song, despite all the effort from Lzzy to sing as “Hard N’ Heavy” as possible. Hell is for Children from Pat Benatar and Gold Dust Woman from Fleetwood Mac are so close to the original ones that, in my opinion, do not add any true value to the EP. Finally, their version for Marilyn Manson’s 1996 is not as good as the original one, and it even lacks the energy Manson had when he recorded it.

HALESTORMThe album art is too generic, especially if compared to the first covers EP. And regarding the musicians, although they are all pretty good I guess no one cares too much about any of them except for the beautiful and competent lead singer Elizabeth “Lzzy” Hale: she’s the only reason why Halestorm became so famous in the world of music, and the only thing that can keep the band alive in the following years. Nevertheless, her voice might be powerful but it’s certainly not unique; if you listen to Mia Coldheart, from the Swedish band Crucified Barbara, you’ll understand why I’m saying this. By the way, Crucified Barbara is not as famous as Halestorm only because (GUESS WHAT?) they’re not from North America.

In summary, it’s an interesting EP with some good covers from a band that is currently under the spotlights, but that’s it. And if they launch another ReAniMate covers EP in 2014, well, then they’ll take the 1st place of “best professional band in the world that only plays cover songs” from Finland’s Children of Bodom.

Best moments of the album: Dissident Aggressor and Shoot To Thrill.

Worst moments of the album: As I previously mentioned, the fact that it is their second covers EP turns it into some kind of “rip-off”.

Released in 2013 Atlantic Records

Track listing
1. Dissident Aggressor (Judas Priest cover) 3:12
2. Get Lucky (Daft Punk cover) 3:08
3. Shoot to Thrill (AC/DC cover) 5:07
4. Hell is for Children (Pat Benatar cover) 4:46
5. Gold Dust Woman (Fleetwood Mac cover) 4:10
6. 1996 (Marilyn Manson cover) 4:22

Band members
Lzzy Hale – lead vocals, rhythm and lead guitar, keyboard
Arejay Hale – drums, percussion, backing vocals
Joe Hottinger – lead guitar, backing vocals
Josh Smith – bass guitar, backing vocals