Album Review – Wolfheart / Draconian Darkness (2024)

Finnish frontrunners of icy Melodic Death Metal return with the musical embodiment of frigid, dark winter nights that, while terrifying and foreboding, reveal the majestic power and beauty of the natural world.

Finnish frontrunners of icy Melodic Death Metal, the unstoppable Lahti, Päijät-Häme-based Wolfheart, are preparing to unleash their latest album, Draconian Darkness, taking every aspect of the band’s trademark sound of colossal melodies, growling vocals, and driving drum rhythms to searing new levels. Recorded, produced, mixed and mastered by Saku Moilanen at Deep Noise Studios, the follow-up to their 2022 album King of the North is the musical embodiment of frigid, dark winter nights that, while terrifying and foreboding, reveal the majestic power and beauty of the natural world, all carefully brought into being by Tuomas Saukkonen on vocals and guitars, Vageliss Karzis on lead guitars and clean vocals, Lauri Silvonen on bass and backing vocals, and Joonas Kauppinen on drums.

An imposing, epic start gradually evolves into the metallic feast Ancient Cold, with all background orchestrations adding an extra touch of epicness to the heavy and technical sounds blasted by Tuomas & Co., whereas Joonas pounds his drums in the name of Melodic Death Metal in Evenfall, with their riffs matching perfectly with the deep roars by Tuomas, or in other words, it’s a beautiful song from the North. It’s then pedal to the metal in the just as heavy and multi-layered Burning Sky, where the riffage by Tuomas and Vageliss will pierce your mind like an arrow on fire; while slowing things down but sounding just as melodic we have Death Leads the Way, presenting nice headbanging riffs complemented by the classic drums by Joonas. And in Scion of the Flame the band brings elements from Symphonic Metal to their core Melodic Death Metal, resulting in a very detailed and epic song tailored for fans of Finnish melodeath.

Back to their more vicious sonority, it’s time for the violent Grave, a metal assault showcasing harsh lyrics (“Cross breed of pure violence and virtuous flesh / Driven by the principle of wrath / Overfeed the senses / Let the cancer cells devour / Cranial nerves under profusion of information”) and endless electricity, and their razor-edged guitars will keep cutting our skin deep in Throne of Bones, while Lauri and Joonas fill out every space left in the air with their rumbling bass and drums. It’s not as exciting as the other songs, though, but still really enjoyable. Then in Trial by Fire the quartet once again delivers a high-octane, groovy and incendiary Melodic Death Metal feast where Tuomas deeply roars supported by his bandmates until the very last second. Lastly, we face The Gale, starting in a serene and soothing manner in paradox with the rest of the album, and alternating between more violent moments and pure acoustic sounds, putting a charming yet strong ending to the album.

The guys from Wolfheart are waiting to show you all the glory of the North, and you can join them by following the band on Facebook and on Instagram, by subscribing to their official YouTube channel, by streaming their music on Spotify, and of course by purchasing a copy of the excellent Draconian Darkness by clicking HERE. Melodic Death Metal will always be one of the best genres to translate the harsh yet alluring cold of the winter into music, and the unstoppable Wolfheart are offering exactly that in their powerful and enfolding new album.

Best moments of the album: Evenfall, Burning Sky and Grave.

Worst moments of the album: Throne of Bones.

Released in 2024 Reigning Phoenix Music

Track listing
1. Ancient Cold 5:37
2. Evenfall 4:03
3. Burning Sky 4:15
4. Death Leads the Way 3:22
5. Scion of the Flame 4:01
6. Grave 4:22
7. Throne of Bones 5:28
8. Trial by Fire 3:53
9. The Gale 4:28

Band members
Tuomas Saukkonen – vocals, guitars
Vageliss Karzis – lead guitars, clean vocals
Lauri Silvonen – bass, backing vocals
Joonas Kauppinen – drums

Album Review – Aeonian Sorrow / Katara (2023)

A stunning album of sorrow, grief and melancholy made in Finland and Greece, dedicated to the loving memory of the grandparents of the band’s own vocalist and keyboardist Gogo Melone.

A project of Melodic Gothic and Doom Metal yet funeral and spiritual music that describes the eternal sorrow and misery above the earth, human nature and instincts under the ownership of grief and pain, Finland/Greece-based outfit Aeonian Sorrow has just unleashed upon us their sophomore full-length opus, entitled Katara. Produced, mixed and mastered by Saku Moilanen at Deep Noise Studios, and displaying a stylish and epic artwork by the band’s own vocalist, keyboardist and renowned illustrator Gogo Melone, the album was inspired by the Katara pass, a mountain pass in the Pindus mountains in northern Greece. According to the legend, Katara got its name from a despot who around 1800 set out from Ioannina to go to Trikala, but the bad weather in the area made it so difficult for him that he died on the way, and he cursed the mountain. There are more stories written about this pass; however, Katara is also dedicated to the loving memory of Gogo’s grandparents Georgia and Michail, with the album music being beautifully crafted by Gogo alongside Joel Notkonen on vocals, Taneli Jämsä and Jukka Jauhiainen on the guitars, Achilleas Papagrigoriou on drums, and guest Oskar Englund on bass.

Anemos sounds doomed, grim and pensive from the very first second, with the delicate keys by Gogo bringing a touch of finesse to the music while Achilleas dictates the song’s pace with his sluggish beats, resulting in a powerful Melodic Doom Metal aria that will darken your mind in a stunning way. The band continues their obscure, melancholic path in Elumia, where the bass by Oskar sounds menacing while Gogo embellishes the airwaves with her charming vocals, in paradox with the harsh roars by Joel; and featuring guest vocalist Alejandro Lotero of Exgenesis (and former vocalist for Aeonian Sorrow), Ashes and Death showcases another solid job done by Taneli and Jukka with their Doom Metal-infused riffs and solos. Her Torment is a massive, bold creation by the band where Achilleas crushes our souls with his heavy-as-hell drums, perfect for some slow, intense headbanging in total darkness, followed by the title-track Katara, where once again we’re treated to a gloomy, ethereal feast of Melodic Gothic and Doom Metal spearheaded by the stunning vocals by Gogo, keeping the album as melancholic and emotional as it can be. They managed to get even more doomed and somber in Forbidden Cry, with the guitars by Taneli and Jukka reverberating in great fashion accompanied by Gogo’s passionate vocal performance; whereas lastly, serene, lugubrious piano notes set the tone in Ikuinen Suru (or “eternal sorrow” from Finnish), presenting their trademark slow and steady beats, deep, touching vocal lines, and crying guitars.

“On a personal level, I’ve been through enough difficult changes in my life that it almost made it impossible to keep myself motivated to complete this album. I said several times that I don’t want to do this and I almost didn’t. What kept me going was the reason I started this band and the promise I gave to the grandmother I lost back in 2020 and said that ‘Katara’ album will be recorded in her memory and her husband’s memory too. It will be done for all the years I spent driving to those scary ‘Katara’ roads to go see them. It will be done for each song I wrote inside their empty house when they were gone, and I left to watch the walls and nothing more. On a music level, I think the band has also been through enough and faced the financial critical moments to where we had to take choices, a bit unusual for us, and find ways to make things happen without losing ourselves and our quality. The path to success is full of heavy stones and very lonely so we do what we can and continue writing music from our hearts,” commented Gogo about the album. Hence, you can feel in detail all the sorrow, grief and melancholy from Katara by streaming the album in full on YouTube and on Spotify, by following the band on Facebook and on Instagram, by subscribing to their YouTube channel, and obviously by purchasing Katara from their own BandCamp page or webstore, from Apple Music or from Amazon, joining Gogo and the boys on their doomed path through the Pindus mountains.

Best moments of the album: Anemos and Katara.

Worst moments of the album: None.

Released in 2023 Independent

Track listing
1. Anemos 8:35
2. Elumia 7:07
3. Ashes and Death 6:55
4. Her Torment 7:39
5. Katara 9:22
6. Forbidden Cry 6:21
7. Ikuinen Suru 7:13

Band members
Joel Notkonen – vocals
Gogo Melone – vocals, keyboards
Taneli Jämsä – guitars
Jukka Jauhiainen – guitars
Achilleas Papagrigoriou – drums

Guest musicians
Oskar Englund – bass (session)
Alejandro Lotero – harsh vocals on “Ashes and Death”

Album Review – Admire the Grim / Rogue Five EP (2023)

Let’s all admire the debut EP by a promising new name hailing from the Finnish Melodic Death Metal scene.

Formed by five friends in early 2021 in Lappeenranta, a city and municipality in the region of South Karelia, Finland, the up-and-coming Melodic Death Metal squad known as Admire the Grim is set to release their debut EP, entitled Rogue Five. Recorded by Onni Lappalainen at Crane Studio, and mixed and mastered by Saku Moilanen at Deep Noise Studios, Rogue Five brings forward everything we love in the music by renowned acts the likes of Arch Enemy, Children of Bodom and Dark Tranquility, showcasing all the talent and hard work by frontwoman Katri Snellman, guitarists Jani Loikkanen and Sirja Ojaniemi, bassist Kalle Raatikainen and drummer Tommi Vante, therefore positioning the band as one of the most exciting new names of the current Finnish scene.

Electrifying from the very first second, the opening tune The Flood brings to our avid ears the classic Melodic Death Metal riffage and solos by Jani and Sirja while Kalle dictates the pace with his pounding drums and Katri alternates between her she-wolf roars and piercing clean vocals. Then speeding things up and sounding even heavier and more caustic we have Mad Queen of the Second Sun, where Katri vociferates rabidly while her bandmates generate a massive wall of sounds inspired by renowned acts such as Soilwork and Children of Bodom; whereas the song that carries the name of the band, Admire the Grim, is slower and more melodic than its predecessors, with Kalle and Tommi adding tons of groove to the music through their bass and drums, resulting in a mid-tempo song perfect for banging your head together with the band. Lastly, we’re treated to the title-track Rogue Five, bringing forward rebellious, inspiring lyrics declaimed by Katri (“No compromise, all or nothing / Nothing to lose / Like a maniac, through trouble, the strife / Off to destruction, I’ve got your back”) amidst a frantic, infuriated sonority blasted by her bandmates, with Tommi being once again on fire behind his drums, not to mention the solid guitar work by Jani and Sirja.

Such promising new name from the land of ice and snow (and of course, a land of first-class Melodic Death Metal) can be found on Facebook and on Instagram for news, tour dates and other nice to know details, and on YouTube for more of their music and behind the scenes videos. Furthermore, you will be able to purchase a copy of Rogue Five or stream it in full soon by clicking HERE, as well as on Apple Music and on Amazon. I honestly don’t think it will take long for Admire the Grim to attack us with their first full-length opus based on the quality of the music found in Rogue Five, expanding their reach and proving once again there’s no such thing as bad female-fronted Melodic Death Metal made in Scandinavia.

Best moments of the album: Mad Queen of the Second Sun and Rogue Five.

Worst moments of the album: None.

Released in 2023 Inverse Records

Track listing
1. The Flood 3:53
2. Mad Queen of the Second Sun 4:25
3. Admire the Grim 4:03
4. Rogue Five 3:59

Band members
Katri Snellman – vocals
Jani Loikkanen – guitar
Sirja Ojaniemi – guitar
Kalle Raatikainen – bass
Tommi Vante – drums