Album Review – Once Human / Scar Weaver (2022)

One of the most distinctive and destructive metal bands of the modern era strikes again with a breathtaking new opus, showcasing their own mutation into an even more devastating beast.

Formed in 2014 in Los Angeles, California, in the United States by guitarist Logan Mader (Machine Head) and vocalist Lauren Hart, the ruthless Groove Metal act known as Once Human has steadily established themselves as one of the most distinctive and destructive metal bands of the modern era. Now in 2022, Logan and Lauren, together with guitarist Max Karon, bassist Damien Rainaud and drummer Dillon Trollope, are ready to kill once again with Scar Weaver, their third full-length album following up on the highly acclaimed releases The Life I Remember (2015) and Evolution (2017), showcasing the band’s own mutation into an even more devastating beast. “It was not an easy path to reach this point, I’ll tell you that,” says Logan Mader. “The original masterplan for the band was really passion-project driven. The first two albums, we were still finding our way. Where we’re at now is with a really strong posture and by far the best album we’ve done. Over the years we’ve done a lot of groundwork and some smaller tours, just grinding things out, sometimes even in a DIY fashion. But now we have legit team around us, the band is firing on all cylinders and everything seems to be lining up this time.”

Dillon begins smashing his drums mercilessly in Eidolon, with Logan and Max extracting sheer violence from their guitars, all of course spiced up by the venomous roars by our she-demon Lauren. Needless to say, it will be an awesome opener for their live concerts. Then we have the menacing Deadlock, featuring Robb Flynn of Machine Head, who makes a pulverizing duo with Lauren on vocals in a modern-day Melodic Death Metal feast with Metalcore nuances, or in other words, a true headbanger by Once Human; followed by the title-track Scar Weaver, which sounds more devilish and darker than its predecessors with Damien hammering his bass nonstop, adding endless groove to the band’s core sonority (not to mention how sharp the riffage by the band’s guitar duo feels). After that the band brings forward Bottom Feeder, sounding infernal and utterly heavy from the very first second while presenting another great job done by Logan and Max with their riffs and solos. Moreover, the metallic bass jabs by Damien will knock you out in the name of Groove Metal, and you better get ready to slam into the circle pit like a true metalmaniac in Where The Bones Lie, with Lauren stealing the show with her flammable growls and vociferations while Damien and Dillon make the earth tremble with their evil kitchen.

More introspective and somber than the rest of the album, Erasure showcases the band’s trademark sound with its first half feeling a little bland while the second half gets back to their usual sonic devastation. And the massive bass lines by Damien attack our senses once again in Deserted, accompanied by the sick, razor-edged riffs by Logan and Max. The high-octane We Ride is a brutal, hellish and absolutely aggressive display of Groove Metal by the band where Lauren is on fire from start to finish, supported by the demented drums by Dillon, whereas in Cold Arrival we’re treated to poetic lyrics growled by Lauren (“I ran so blind / Into the blades of your life / Gray and disguised / And peeled my eyes / As they unfurled”) amidst another thunderous display of Groove and Melodic Death Metal. Lastly, Lauren keeps vociferating wicked words (“No shoulder that won’t cut like a blade / When they’re cold / Turned their backs / I beg them to take your words / Off my chest, take them / Take your worth from my headache / In death”) in Only In Death, putting a beyond sinister ending to the album.

When Logan mentioned Scar Weaver is their strongest album to date he was not joking nor exaggerating at all. Scar Weaver is indeed a powerful and very detailed album of modernized metal music where all band members are in absolute sync until the very last second, providing us fans a very good reason to raise our fists and bang our heads in the name of Heavy Metal. Hence, don’t forget to give Once Human a shout on Facebook and on Instagram, to stream all of their awesome creations on Spotify, and to obviously purchase your copy of Scar Weaver by clicking HERE or HERE. Blessed (or perhaps cursed) with plenty of additional time during the last year’s lockdown situation, Once Human have been able to refine and redefine their sound in Scar Weaver, turning the band into one of the driving forces of modern-day heavy music and, consequently, inviting us all to rock like there’s no tomorrow with Logan, Lauren & Co. for many years to come.

Best moments of the album: Deadlock, Where The Bones Lie and We Ride.

Worst moments of the album: Erasure.

Released in 2022 earMUSIC

Track listing
1. Eidolon 4:06
2. Deadlock 3:39
3. Scar Weaver 4:36
4. Bottom Feeder 5:21
5. Where The Bones Lie 3:50
6. Erasure 5:01
7. Deserted 4:13
8. We Ride 2:50
9. Cold Arrival 4:20
10. Only In Death 5:14

Band members
Lauren Hart – vocals
Logan Mader – guitars
Max Karon – guitars
Damien Rainaud – bass
Dillon Trollope – drums

Guest musician
Robb Flynn – additional vocals on “Deadlock”

Album Review – Infected Rain / Ecdysis (2022)

One of the most prominent bands of the current Metalcore scene returns with an incendiary new album, showcasing their own metamorphosis while blending extreme, progressive groove with dark, haunting melodies.

Since forming in 2008, Chișinău, Moldova-based Progressive Modern Metal outfit Infected Rain has become one of the most exciting new acts in the heavy music world, with multi-talented frontwoman Elena “Lena Scissorhands” Cataraga emerging as one of the fastest-rising leading ladies of the genre. Now, after amassing a slew of new fans since the release of their acclaimed albums Asylum (2011), Embrace Eternity (2014), 86 (2017), and more recently Endorphin (2019), the band redefined themselves with their highly anticipated follow-up opus, the futuristic rebirth entitled Ecdysis. Currently comprised of the aforementioned Lena Scissorhands together with guitarists Vadim “Vidick” Ojog and Serghei Babici, bassist Vladimir Babici and drummer Eugen Voluta, Infected Rain showcases their own metamorphosis in Ecdysis while blending extreme, progressive groove with dark, haunting melodies. Produced by Voluta Valentin, Ecdysis successfully demonstrates the ultramodern brutality from Melodic Death Metal and Metalcore without sacrificing emotion and melody, displaying a new layer of Infected Rain that longtime followers and new fans alike will embrace.

Futuristic waves permeate the air in the opening track Postmortem Pt. 1, a song that flawlessly represents the band’s current sound with Lena starting her she-wolf vocal attack accompanied by the metallic bass by Vladimir; whereas Fighter is modern-day Metalcore at its finest, sounding heavy, ethereal and sinister at the same time with the band’s guitar duo Vidick and Serghei slashing their stringed axes in great fashion. And Vladimir and Eugen keep hammering their respective bass and drums in Longing, another puissant Metalcore extravaganza where Lena alternates between her beastly roars and her mesmerizing clean vocals, followed by Goodbye, a solid tune by Infected Rain bringing forward their trademark riffs, bass lines and pounding drums. Featuring the one and only Heidi Shepherd of Butcher Babies, the stunning The Realm of Chaos “was inspired by the massive depression we all lived in 2020. Dedicated to the lost nation and confused society we live in,” commented Lena herself. Musically speaking, it’s a fierce exhibit of the band’s core sonority with Lena and Heidi being on absolute sync from start to finish; and let’s keep banging our heads together with Lena and the boys in Everlasting Lethargy, with its second half lacking an extra kick, albeit still being a very entertaining song.

Lena’s sexy and whimsical vocals will penetrate deep inside your psyche in These Walls, supported by the disruptive guitar lines by Vidick and Serghei. It should sound amazing if they decide to add it to their live performances, I might say, and more of their unparalleled music comes in the form of Showers, with Lena once again stealing the spotlight with a spot-on vocal performance, not to mention all of the song’s stunning background elements. Then electronic sounds kick off the dancing tune November, evolving into a violent display of Metalcore by the quintet with the razor-edged sound of the guitars bringing an extra touch of darkness to the overall result; whereas blending hints of Groove Metal to their core essence it’s time for the visceral Never the Same, also presenting smooth, gentle passages to the gorgeous clean vocals by Lena and, therefore, resulting in a multi-layered creation that will please all fans of the band. Nine, Ten is one of Infected Rain’s trademark dark ballads, offering us all a hypnotizing sound flirting with New Wave music while making the band’s Alternative Rock and Metal vein pulse stronger, sounding beautiful and enfolding until the very last second. Finally, Postmortem Pt. 2 intentionally closes the circle in Ecdysis, continuing the more atmospheric path of the previous song and focusing on Lena’s passionate vocals while also presenting the heaviness of pure Metalcore thanks to the crushing beats by Eugen and the thunderous bass by Vladimir.

Lena and the boys are waiting for you on Facebook, on Instagram and on VKontakte to know what you think about Ecdysis, which is by the way available for a full listen on YouTube and on Spotify. Also, don’t forget to subscribe to their YouTube channel for more of their sick videos, making of’s and so on, and above all that, to grab your copy of their incendiary new opus by clicking HERE. As already mentioned, Infected Rain nailed it with Ecdysis by smoothly blending the brutality and rage of heavy music with gentle nuances of electronic and futuristic sounds, placing them as one of the most prominent names of the current Metalcore scene and, therefore, pointing to an even more exciting road ahead of such distinguished Moldovan band.

Best moments of the album: Fighter, The Realm of Chaos and Never the Same.

Worst moments of the album: Everlasting Lethargy.

Released in 2022 Napalm Records

Track listing
1. Postmortem Pt. 1 4:59
2. Fighter 5:05
3. Longing 5:14
4. Goodbye 5:28
5. The Realm of Chaos 3:44
6. Everlasting Lethargy 4:13
7. These Walls 4:01
8. Showers 4:29
9. November 4:00
10. Never the Same 3:00
11. Nine, Ten 5:17
12. Postmortem Pt. 2 5:16

Band members
Elena “Lena Scissorhands” Cataraga – vocals
Vadim “Vidick” Ojog – guitars
Serghei Babici – guitars
Vladimir Babici – bass
Eugen Voluta – drums

Guest musician
Heidi Shepherd – vocals on “The Realm of Chaos”

The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2021

“I wanted to play drums because I fell in love with the glitter and the lights, but it wasn’t about adulation. It was being up there playing.” – Charlie Watts

And there goes another year without a single metal concert in Canada. Another year full of uncertainties, fears, polarization, restrictions, and everything else we “love” so much. I honestly don’t know what to say about 2021 apart form the fact it was undoubtedly much better than 2020, but that means nothing considering the total nightmare that 2020 was. We lost a lot of huge names in the rock and metal scene such as Joey Jordison, Dusty Hill, Mike Howe, Johnny Solinger, Marsha Zazula, Alexi Laiho, John Hinch, John Lawton, Charlie Watts and Hank Von Hell, among many others. Tons of festivals including Download, Wacken Open Air, Hellfest, Bloodstock Open Air, Sweden Rock Festival and Dynamo MetalFest were scheduled to return this year after the 2020 editions of those festivals were cancelled due to the COVID-19 pandemic, but unfortunately Sweden Rock, Hellfest, Download and Wacken Open Air were once again cancelled. With that said, why do we metalheads still believe in a better future? Is it because, despite all adversities, our favorite bands released some of their best albums from the past few years?

Hence, as new lockdowns are being imposed upon us in a never-ending pandemic loop, there’s not much we can do but enjoy The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2021, excluding EP’s, best of’s and live albums, keeping us sane until this madness is finally over. Or maybe I should say if it will be over one day, of course. There’s a bit of everything for all types of fans, from classic Heavy Metal to the brutality of Death Metal, from the modern nuances of Melodic Death Metal to old school Thrash Metal, and so on, and in my humble opinions one of the most interesting facts about several albums launched in 2021 is their duration, with many of those surpassing the one hour barrier such as Senjutsu, Helloween, Persona Non Grata, Existence Is Futile and Blood on Blood, not to mention the over four hours of music from the Lordiversity boxset, which for me proves how much the bands responsible for those albums love their fans by offering them a lot of new music to enjoy during such difficult times. I would say that even if there are ZERO metal albums launched in 2022, we’ll still have a lot of great music to enjoy throughout the year thanks to all the amazing records released in 2021, don’t you agree?

1. Iron Maiden – Senjutsu (REVIEW)
Behold another masterpiece by the one and only Iron Maiden with its 82 minutes of tactics, strategy, war, resilience and determination.
Best song of the album: Hell on Earth

2. Helloween – Helloween (REVIEW)
A dream come true for all generations of “Happy, Happy Helloween” fans from all over the world.
Best song of the album: Skyfall

3. Trivium – In the Court of the Dragon (REVIEW)
It’s time to join Trivium in the court of the dragon to the sound of their magnificent new opus.
Best song of the album: Like a Sword Over Damocles

4. Exodus – Persona Non Grata (REVIEW)
Don’t be a “persona non grata” in the world of heavy music and get into the circle pit to the sound of this newborn thrashing beast.
Best song of the album: Lunatic-Liar-Lord

5. Cannibal Corpse – Violence Unimagined (REVIEW)
State of the art Death Metal played with passion and breathless precision by the most violent and unrelenting band of all time.
Best song of the album: Surround, Kill, Devour

6. 1914 – Where Fear and Weapons Meet (REVIEW)
Ukraine’s own doom infantry is back into the battlefield with another masterpiece, telling the gruesome tales of World War I.
Best song of the album: Pillars of Fire (The Battle of Messines)

7. Motorjesus – Hellbreaker (REVIEW)
Let’s drive through the fires of hell together with one of the best bands from the German rock and metal scene.
Best song of the album: Hellbreaker

8. Nervosa – Perpetual Chaos (REVIEW)
A deadly and thrashing lesson in perpetual chaos by four metalheads hailing from Brazil, Italy, Spain and Greece
Best song of the album: Time to Fight

9. Gojira – Fortitude (REVIEW)
Let’s all face up the world to the sound of the new masterpiece by one of the most dynamic bands of the current metal scene.
Best song of the album: Amazonia

10. Blaze Bayley – War Within Me (REVIEW)
The man who will live for a thousand years is back, inspiring us all to fight the war within us and to take our future in our own hands.
Best song of the album: Pull Yourself Up

And here we have the runner-ups, completing the top 20 for the year:

11. Running Wild – Blood on Blood (REVIEW)
12. Lordi – Lordiversity (REVIEW)
13. Cradle of Filth – Existence Is Futile (REVIEW)
14. Diabolizer – Khalkedonian Death (REVIEW)
15. Angelus Apatrida – Angelus Apatrida (REVIEW)
16. Moonspell – Hermitage (REVIEW)
17. Lutharo – Hiraeth (REVIEW)
18. Unflesh – Inhumation (REVIEW)
19. Scarlet Aura – Genesis of Time (REVIEW)
20. Coiled Around Thy Spine – From The Ashes (REVIEW)

In addition to all that, let’s bang our heads with our Top 10 EP’s of 2021 to prove once and for all that not all great albums of the year have to be so long. The EP’s from this list are simply awesome, showcasing the band’s talent and their ability to sound epic even if the music lasts for only a few minutes.

1. Eonian – The Nomad (REVIEW)
2. Lady Beast – Omens (REVIEW)
3. The Agonist – Days Before the World Wept (REVIEW)
4. Tantivy – Eyes in the Night (REVIEW)
5. Grale – AGITACIÓN (REVIEW)
6. Bouquet of Dead Crows – Hemispheres Part 2: Cerebral (REVIEW)
7. Kadavereich – Radiance Of Doom (REVIEW)
8. Wolvencrown – A Shadow Of What Once Was (REVIEW)
9. Juliet Ruin – Dark Water (REVIEW)
10. Black Hole Deity – Lair Of Xenolich (REVIEW)

Do you agree with our list? What are your top 10 albums of 2021? Also, don’t forget to tune in every Tuesday at 10pm BRT on Rádio Coringão to enjoy the best of classic and underground metal with Jorge Diaz and his Timão Metal, and every Thursday at 8pm UTC+2 on Midnight Madness Metal e-Radio for the best of underground metal with The Headbanging Moose Show! And if you lost some or most of our special editions of The Headbanging Moose Show, including our Top 20 Underground Albums of 2021 – Parts I and II, go to our Mixcloud page and there you have hours and hours of the best of the independent scene, sounds good?

Metal Xmas and a Headbanging New Year! See you in 2022!

And before I go, I’ll leave you with some touching words by Mr. Lordi and his crew of monsters…

Something something blah blah to you
All the sincere wishes come true
I put vengeance on my wish list
And that’s what Santa brought
So have a merry something and a happy blah blah blah

Album Review – Swallow The Sun / Moonflowers (2021)

Jyväskylä, Finland’s own Doom Metal unity returns with another stunning album, offering us all eight beautiful, captivating songs blooming in misery.

Formed in 2000 in Jyväskylä, Keski-Suomi, Finland by guitarist Juha Raivio, the five-piece Finnish Melodic Doom/Death Metal outfit Swallow The Sun has just unleashed upon humanity their new opus entitled Moonflowers, the eight in their undisputed career. Currently comprised of Mikko Kotamaki on vocals, Juha Raivio on the guitars and keyboards, Juho Raiha also on the guitars, Matti Honkonen on bass, and Juuso Raatkainen on drums, Swallow The Sun continue to pave the gloomy path of their previous album When a Shadow Is Forced into the Light (inspired by the loss of Juha’s life partner Aleah Stanbridge in 2016), offering fans of the most melodic side of doom eight beautiful, captivating songs in the span of over 52 minutes, being therefore the perfect soundtrack for the darkest days in your life.

The striking opening song Moonflowers Bloom in Misery is absolutely doomed from the very first second, with Mikko already delivering his melancholic, grim vocal lines accompanied by the sluggish beats by Juuso, exploding into a massive feast of Melodic Death and Doom Metal. Then in Enemy we’re treated to beautiful lyrics declaimed by Mikko (“I crawl back to my shadow / From the edge of the light / Deep down into the sea of my own rain sirens / In the eye of the… / Enemy, inside of me / Torn from a trail of light / Grail of serpents lies”) while Juho and Juha’s guitars make an interesting paradox with Juha’s own keys; followed by Woven into Sorrow, a lecture in darkness and sorrow by the band presenting gorgeous, serene guitar lines intertwined with sheer heaviness and whimsical background elements, also featuring guest backing vocals by Antti Hyyrynen from Stam1na. Not only that, t’s impressive how they manage to make their music epic and symphonic without losing their blackened core essence, which is also the case in Keep Your Heart Safe from Me, almost eight minutes of top-of-the-line doom showcasing infernal, headbanging sounds led by Juuso’s drums supported by the low-tuned bass by Matti while also presenting a more cryptic, delicate side of the band.

All Hallows’ Grieve features guest vocals by the stunning Cammie Gilbert (Oceans of Slumber), and she nails it with her soulful vocals (“Before I go, I’ll let you know / My heart was honest, for you / My heart was cruel / You believed / I’m a soul of a ghost to fight for / I believe, I believe, I lost my will to fight for”), resulting in a sensational doom aria, whereas drinking from the fountain of 80’s Gothic and Doom Metal it’s time for the enfolding and somber The Void, where Matti and Juuso once again generate a reverberating ambience with their respective weapons. The Fight of Your Life is another gentle and melancholic composition by Swallow The Sun which despite presenting all elements we love in their music is not as compelling as the rest of the album; and closing the album it’s time for an infernal composition titled This House Has No Home, where the keys by Juha walk hand in hand with both the clean vocals and the demonic roars by Mikko, putting a climatic and dark ending to the album.

In a nutshell, the very pleasant and obscure Moonflowers, which is available for a full listen on YouTube and on Spotify, cements Swallow The Sun’s name as one of the best Doom Metal acts of the past 20 years while at the same time provides admirers of doom with something fresh, leaving us all eager for more of their stunning creations. Hence, don’t forget to follow the band on Facebook and on Instagram for news, tour dates and so on, and obviously to grab your copy of Moonflowers by clicking HERE. Keep in mind that if you go for the mediabook or boxset edition of the album, it comes with a very beautiful bonus disc with classical versions of all songs of the album recorded at the Sipoo Church in Finland by Trio N O X, comprised of Aino Rautakorpi on violin, Helena Dumell on viola and Annika Furstenborg on cello, as for example their gorgeous rendition of the song All Hallows’ Grieve. And while the moonflowers keep blooming in misery, Swallow The Sun will continue to darken the skies with their classy Doom Metal for at least another 20 years.

Best moments of the album: Moonflowers Bloom in Misery, Woven into Sorrow and All Hallows’ Grieve.

Worst moments of the album: The Fight of Your Life.

Released in 2021 Century Media Records

Track listing
1. Moonflowers Bloom in Misery 6:19
2. Enemy 5:39
3. Woven into Sorrow 7:46
4. Keep Your Heart Safe from Me 7:47
5. All Hallows’ Grieve 5:37
6. The Void 5:39
7. The Fight of Your Life 7:13
8. This House Has No Home 6:40

Limited Edition Mediabook/Boxset bonus disc (Trio N O X plays Moonflowers by Swallow the Sun)
1. Moonflowers Bloom in Misery (classical version) 4:52
2. Enemy (classical version) 3:06
3. Woven into Sorrow (classical version) 4:39
4. Keep Your Heart Safe from Me (classical version) 3:13
5. All Hallows’ Grieve (classical version) 4:58
6. The Void (classical version) 4:01
7. The Fight of Your Life (classical version) 4:16
8. This House Has No Home (classical version) 3:03

Band members
Mikko Kotamaki – vocals
Juha Raivio – guitars, keyboards
Juho Raiha – guitars
Matti Honkonen – bass
Juuso Raatkainen – drums

Guest musicians
Cammie Gilbert – vocals on “All Hallows’ Grieve”
Antti Hyyrynen – backing vocals on “Woven into Sorrow”
Jaani Peuhu – backing vocals
Aino Rautakorpi – violin on all classical versions from the Limited Edition Mediabook/Boxset bonus disc “Trio N O X plays Moonflowers by Swallow the Sun”
Helena Dumell – viola on all classical versions from the Limited Edition Mediabook/Boxset bonus disc “Trio N O X plays Moonflowers by Swallow the Sun”
Annika Furstenborg – cello on all classical versions from the Limited Edition Mediabook/Boxset bonus disc “Trio N O X plays Moonflowers by Swallow the Sun”

Album Review – Hand of Kalliach / Samhainn (2021)

Behold the debut full-length album by this rising metal duo, offering us all dual concepts of benevolence and malevolence, all against the backdrop of the history, mythology and land and seascapes of the Scottish islands.

Melding a passion for metal music with traditional Scottish folk elements, Edinburgh, Scotland-based Atmospheric Celtic Metal duo Hand of Kalliach (a name that comes from the legend of the “Cailleach”, a Scottish witch god of winter) has just unleashed their globally awaited debut effort entitled Samhainn, focusing on dual concepts of benevolence and malevolence, all against the backdrop of the history, mythology and land and seascapes of the Scottish islands. Mixed and mastered by Wynter Prior at Sphynx Studios, and displaying a stylish artwork by Brazilian artist VHummel (aka Vinicius Hummel), the album is a lecture in Scottish metal by the couple formed of Sophie Fraser on vocals and bass, and John Fraser on vocals, guitars and drums, drawing  inspiration from the rhythms, time signatures and patterns used in folk music and adapting them for distorted guitars. “We’re both extremely excited to be releasing our debut full-length, Samhainn. Named after the ancient Celtic festival of winter (pronounced “Sah-win”), this album represents a huge gear change in our writing and production from our initial work, bringing a darker and more aggressive energy to our hybrid sound of Melodeath and Folk Metal,” commented John about the duo’s newborn spawn.

The opening tune Beneath Starlit Waters is atmospheric and enfolding form the very first second, with Sophie mesmerizing us all with her gentle vocals before John comes crushing with his deep roars and blast beats in a more epic version of Melodic Death Metal. Then in Solas Neònach we face sheer poetry flowing from the song’s lyrics (“Wake / From dreaming / The warmth departs these shores / From eightfold crones the chants are heard / The sand inverted once again”) while John slashes his stringed axe in great fashion, supported of course by Sophie’s ethereal vocalizations, followed by Each Uisge (roughly pronounced “eyach oosh-keh”), which translates to “water horse”, a demon from Scottish mythology that disguises itself as a horse before binding its flesh to a rider and galloping into the sea to drown and devour them. Musically speaking, it’s another stunning musical voyage showcasing a breathtaking vocal duet, a galloping bass and blast beats for our total delight. John continues to growl like a demonic entity in Roil, a lot more inclined to contemporary Melodic Death Metal, with Sophie embellishing the airwaves with her clean vocals; whereas adding elements from Viking Metal to their core essence it’s time for another epic onrush of sounds by the duo titled Cinders, where Sophie and John are thunderous with their respective bass and drums.

Arising from the depths of the underworld amidst a serene and melancholic ambience, The Lull Of Loch Uigeadail presents a more tribal side of the duo filling our ears with Celtic sounds and tones, bringing peace to our hearts before all hell breaks loose in Ascendant, leaning towards classic Melodic Death Metal while Sophie and John make the perfect metal couple throughout the entire song, resulting in a hybrid of pure rage and madness with smooth and hypnotizing sounds. Òran Na Tein’-éigin brings forward a stunning vocal attack by both Sophie and John, with its visceral drums creating a beautiful paradox with all background elements, and the duo keeps hammering our souls with their Atmospheric Celtic Metal in Trial Of The Beithir-Nimh, a solid, headbanging composition presenting metallic bass lines by Sophie intertwined with the flammable riffage by John. Finally,  get ready for one last round of poetic words (“Lost / On waves / Of an endless sea / Under starlit skies / It returns to me”) in Return to Stone while the music sounds a lot heavier and more doomed than all previous songs, feeling like the band’s farewell and, as a consequence, putting a pensive conclusion to the album.

This beautiful and absolutely atmospheric album made in Scotland can be better appreciated in its entirety on YouTube and on Spotify, but of course if you want to show your utmost support and admiration for such talented duo you can purchase a copy of Samhainn from the band’s own BandCamp page (or simply click HERE for all locations where you can buy or stream the album), and don’t forget to follow Hand of Kalliach on Facebook and on Instagram to know more about this up-and-coming Scottish entity. As the festival of Samhainn marks the end of the harvest season and beginning of winter or “darker-half” of the year, there’s nothing better than listening to an album that perfectly depicts that change from light to darkness and all of its nuances, and we must thank Sophie and john for being able to generate that album with such high level of passion and musicianship.

Best moments of the album: Solas Neònach, Each Uisge and Ascendant.

Worst moments of the album: Cinders.

Released in 2021 Trepanation Recordings

Track listing
1. Beneath Starlit Waters 5:56
2. Solas Neònach 4:53
3. Each Uisge 5:01
4. Roil 3:28
5. Cinders 3:02
6. The Lull Of Loch Uigeadail 3:49
7. Ascendant 3:13
8. Òran Na Tein’-éigin 4:10
9. Trial Of The Beithir-Nimh 3:49
10. Return to Stone 5:21

Band members
Sophie Fraser – vocals, bass
John Fraser – vocals, guitars, drums

Metal Chick of the Month – Haydee Irizarry

Blame the witch! Shame the witch! Hang the witch!

As the days are getting shorter and colder in the Northern Hemisphere, let’s warm things up here at The Headbanging Moose this November with the incendiary vocals and performance of our metal lady of the month, the multi-talented Haydee Irizarry, or Haydée Irizarry if you prefer. Vocalist for Melodic Groove/Death Metal act Carnivora, vocalist, multi-instrumentalist and composer for Alternative Rock/Metal project Zahra Lux, and vocalist and composer for her own solo project, not to mention her six years as the vocalist for Melodic Death Metal outfit Aversed, Haydee owns a very potent and dynamic voice, delivering a wide range of styles that go from smooth, clean vocals to deep and visceral growls, positioning her as one of the most interesting names of the current American underground scene. Having said that, are you ready to know a little more about Haydee, her bands and projects, her influences, and her passion for all types of music?

Born on February 28, 1995 in Chicago, Illinois, in the United States, but currently residing in Salem, Massachusetts, and of Mexican and Puerto Rican descent, Haydee graduated in 2013 from Lincoln Park High School in Chicago and then moved on to study jazz, classical and contemporary music writing and production at the Berklee College of Music in Boston, Massachusetts that same year, where she also became the lead singer for her classmates’ band Aversed. However, before we start talking about her professional career in music, let’s take a step back and go all the way to her childhood years, more specifically to when she was only four years old. At that age, Haydee received a keyboard that ignited her interest in studying and writing songs on the piano, while her grade school was a Lutheran school that introduced hymnals and sight reading to her and prompted her to join choirs at the age of eight, when she realized she had a natural talent and love for singing that was undeniable and she knew she wanted to be a vocalist. Not only a vocalist, but a metal vocalist, as while she remembers her family listened to everything from Redding’s soul to their Latin culture’s salsa when she was a kid in Chicago, she also became enchanted by Rock N’ Roll and Heavy Metal. When asked what attracted her to the harder stuff, she said metal offered release and salvation as she struggled with her parents’ divorce, an abusive brother and her mental health. “When I was getting started, I really connected to the aggression because of all the things I was feeling at the time,” she explained. “I was feeling a lot of dark, intense things that I didn’t really quite know how to express outside of music.” Then at the age of 16 she joined the Chicago School of Rock so she could perform and develop as a performing frontwoman, having also studied guitar, piano and bass through private teachers, and through that plus her choral experience she achieved many honors and had the ability to play Lollapalooza and many other local festivals in Chicago. She learned pop, rock, jazz, blues, metal and so on, all of which directed her to the Berklee College of Music, as already mentioned.

Since 2017, Haydee has been the voice of American Melodic Groove/Death Metal act Carnivora, with whom she has already recorded three singles, those being Bogdweller, in 2019, Witch City, in 2020, and more recently Hypnogenic, featuring guests Jon Donais (Anthrax, Shadows Fall) and Matt Bachand (Shadows Fall, Act Of Defiance). The band’s guitarist Cody Michaud believes Haydee is helping Carnivora evolve in a more sophisticated, more accessible, less testosterone-fueled direction, helping them transition their sound from Metalcore and Melodic Death Metal to a more groove-oriented Heavy Metal with Death Metal influences. “If you’re a fan of folk music, there’s folk metal, and there’s symphonic metal,” commented Haydee in one of her interviews. “It doesn’t have to be the Cookie Monster screams. It isn’t always aggressive. It can be very beautiful.” She also explained how she ended up becoming the band’s new vocalist a few years ago. “I had met the Carnivora members at an early Aversed gig and we had become friends and performed with each others bands’ many times. They were interested in transitioning their style and believed my vocal skills and personality was compatible and here we are!”

Speaking about Boston, Massachusetts-based Progressive/Melodic Death Metal act Aversed, Haydee was the band’s vocalist from 2015 until September 1, 2021, having recorded with the band their 2016 EP Renewal and the full-length opus Impermanent earlier in 2021, not to mention the live album Abandoned in Charlestown, released in August 2021. You can enjoy Haydee kicking some ass with Aversed in the official videos for the songs Laboratory, Impermanent, and Close My Eyes, or simply click HERE to enjoy the album in its entirety. When asked how she was invited to join Aversed, she said the band had been active since 2009, before she lived in Boston, and as she was attending Berklee College of Music she had met many local metal musicians and bands and had been referred to be their new vocalist and joined them in 2015. In addition, Haydee mentioned that she had studied gutturals before joining them and it proved to be a great transition to practice performing the new technique that she had been developing.

Apart from her time with Carnivora and Aversed, our beloved vocalist has also lent her beautiful voice to an array of distinct bands through the years, with the first ever metal band she was officially in, called Ephemeral Sunrise, being a huge learning experience as she was able to get a taste of where she needed to grow and what the local scene was like. Another amazing project she’s currently involved with is called Zahra Lux, which translates to “beautiful light” or “flower light”, combining classical, rock and blues music to form one heavy and delicate musical experience featuring gorgeous piano lines, soulful vocals and orchestral arrangements. “Before I went down the surprising road of melodic death metal and guttural vocals I had thought that I would strictly be a blues and heavy metal vocalist that would sound more like Evanescence, and other female fronted rock and metal bands,” said Haydee, having already released under her Zahra Lux project the EP’s The Deam (2018) and Rosewater (2020), and more recently the single Say No More, in August this year.

You can also enjoy Heydee’s powerful vocals in other bands and projects, such as Symphonic/Progressive Power Metal band Widows Rite, with whom she recorded the album Volume 1 back in 2018, and Queen Boudicca Metal Opera. Haydee has also been a guest in distinct albums by excellent underground bands, those being vocals on the song Shutter, from the 2020 EP Eulogy by American Gothic/Death/Doom Metal band Autumn’s Ashes; vocals on Per Erebus, from the 2018 album Per Erebus ad Astra by American Blackened Thrash Metal band Graviton; vocals as “The Soldier” on Terror of the Cybernetic Space Monster, from the 2018 album Terror of the Cybernetic Space Monster by American Power Metal band Helion Prime; and vocals on A Gathering of Storms, from the 2018 album Genetically Engineered to Enslave, by American Death Metal band Solium Fatalis.

As aforementioned, Haydee grew up listening to all kinds of music such as blues, classic rock, classical, and Latin music, but when the music in question is our beloved Heavy Metal her main influences range from Joe Duplantier of Gojira and Alissa White-Gluz of Arch Enemy to all classic metal vocalists such as Dio, Ozzy and Rob Halford. Her first ever record which introduced her to heavy music was Fallen, by Evanescence, when she was eight years old, taking her down the rabbit hole that would eventually lead her to find Judas Priest, Black Sabbath and all of the icons of early metal, also delving into the early punk scene. Nowadays you can find pretty much anything on her playlist including Chelsea Wolfe, Bjork, Black Sabbath and At The Gates, as well as “guilty pleasures” such as Katy Perry, Sia and Lady Gaga, as long as it’s well-written pop music, of course. When asked which three songs would be perfect for someone listening to her for the first time, Haydee mentioned her cover versions for Sia’s Everyday is Christmas and Arch Enemy’s As The Pages Burn, plus Aversed’s Renewal, because they are diverse and represent her as she is now, still growing but slowly establishing a strong voice within the music industry. By the way, if you want to see how wide Haydee’s range can be and how eclectic her taste for music is, you can take a shot at her cover versions for Iron Maiden’s Hallowed Be Thy Name, Alanis Morissette’s Uninvited, Leonard Cohen’s Chelsea Hotel, and Prince’s Purple Rain, among several others on her personal YouTube channel.

This slideshow requires JavaScript.

Absolutely engaged in the music no matter which band she’s in, Haydee not only has an incendiary voice, but her onstage performance is just as flammable and electrifying, earning her a few unique nicknames including Haydee the Hyena, Metal J.Lo and Metal Selena. “I love the Metal Selena and Metal J.Lo because I like to embrace my culture,” she said, “like wearing my hoops.” Furthermore, she mentioned in one of her interviews the importance of understanding R&B and classical music to become a better metal vocalist. “Both styles have extreme soul and depth that is definitely important in metal music in both style and vocal delivery. Having experienced performing many different songs with different stories and intentions I have a large understanding of what level of emotions, strength, and movements to deliver to any song to make it as effective as it can be. I couldn’t do that if those many styles had not molded my range to be the way it is now as well. Every life and musical experience finds itself in each new performance that you share and it’s really wonderful.”

Regarding touring, Haydee said that she dreams of touring the world with Carnivora and of being able to make a living from her art without having to work a day job. having already played in many small to large stages in a wide variety of local bars and clubs, she would also love to play some major festivals the likes of Maryland Death Fest, NAMM and SWSW, and return to Chicago Open Air, a festival that holds a spot in her heart. “At Chicago Open Air 2017 Aversed and I had performed on the last day alongside acts such as Slayer, Behemoth, and Ozzy Osbourne to name a few. Nearing the end of Ozzy’s set our tour bus crew was giving the band a last call to get on the bus or else it was leaving without us! My phone has been dead and I didn’t know. By the grace of the metal gods I ran into my band mates while I was getting a pretzel and ran back with them. Everyone was there besides our guitarist Sungwoo Jeong. After an awful 10 minutes of frantic calling, searching, and figuring out a way for him to fly back to Boston on his own, we searched the bus one last time and found he’d been asleep the whole time. I had immense luck and Sungwoo cracked us all up and it made one hell of a story.” In addition, her first metal experience as a vocalist was the Iron Maiden vs. Judas Priest show at the Chicago School of Rock in 2011, a huge moment for her because it had really transitioned her from a bedroom performer to a real one, pushing her to keep doing it.

As Carnivora is now a female-fronted metal band, Haydee was asked her opinion about the role of women in the current metal scene. She said that the face of metal is shifting a lot towards women, but the metal community still has a lot to learn and that can be frustrating, mainly because bands with female lead singers often get lumped together even if they’re creating radically different sub-styles, although she’s fine with the label “female-fronted metal”. In addition, she said that as a growing force, women get a lot of attention that may not be given as frequently to an all-male group because there is something different brought to the table that is intriguing. Women have the same depth and aggression as men, and to have an artistic platform to display that (as well as their delicate nature) is a new and amazing thing. The only disadvantage that she sees is the play on sexism and creating sex appeal that purposefully overshadows or interferes with the platform for ones natural talent. “Women work hard to do what they do and they do not need to hide behind sex appeal to be respected for their time, talent, and work. Knowing that and showing that is important,” commented Haydee.

Last but not least, Haydee also provided her comments about things that she learned recording new music during the COVID-19 pandemic, starting by saying how important it was for her to put a strong focus on songwriting, something that we all know cannot be done properly when the musician is on the road most of the time, saying the simplicity of “one-on-one” writing with guitarist Cody Michaud allowed them to present something more refined to the rest of the team. Secondly, she mentioned how hard the entire band worked on the recording process of their demos, saying she pushed herself to knock out vocal takes and stacked harmonies. Then Haydee moved on to talking about their jam sessions, how important it was for them to get back to practicing together as soon as it was safe to meet up, and how tighter their playing got after that, followed by how important it was to release new music during the pandemic even without being able to tour during that time. And last but not least, she mentioned a fun game Carnivora had during the video shoot for Hypnogenic, the first time they had to load in and get together since everything shut down, where each band member had to wear their newest Vans shoes acquired during quarantine and compare them. Let’s say this is indeed a very healthy competition for a group of metalheads eager to get back on the road, and those shoes are beyond awesome for any trip or for a demanding activity like kicking ass on stage, and we cannot wait to see Haydee and Carnivora eating our flesh alive during their upcoming concerts.

Haydee Irizarry’s Official Facebook page
Haydee Irizarry’s Official Instagram
Haydee Irizarry’s Official Twitter
Haydee Irizarry’s Official YouTube channel
Carnivora’s Official Facebook page
Carnivora’s Official Instagram
Carnivora’s Official Twitter
Carnivora’s Official YouTube channel

“The face of metal is shifting a lot towards women and women from all different countries that look so different. It’s awesome to be a part of that change.” – Haydee Irizarry

Album Review – The Agonist / Days Before the World Wept EP (2021)

Canada’s own Melodic Death Metal beast returns with a new EP inspired by real life experiences, exploring a grim, conceptual tale of greed, gluttony, confusion, pain, redemption and hope.

After the excellent full-length albums Eye of Providence and Orphans (and the mediocre Five), Montreal, Canada-based Melodic Death Metal/Metalcore outfit The Agonist is back in 2021 with an amazing new EP beautifully titled Days Before the World Wept, taking another bold step in their musical and lyrical progression. Produced by Christian Donaldson at The Grid Productions (Beyond Creation, Cryptopsy, Despised Icon), Days Before The World Wept is inspired by real life experiences, exploring a grim, conceptual tale of greed, gluttony, confusion, pain, redemption and hope enveloped in a new level of aggression and cohesive, technical prowess carefully brought into being by frontwoman Vicky Psarakis, guitarists Danny Marino and Pascal “Paco” Jobin, bassist Chris Kells and drummer Simon McKay, therefore representing a new solid stone in the metallic castle of one of the most important bands of the Canadian metal scene.

Serene, melancholic piano notes ignite the Melodic Death Metal extravaganza titled Remnants in Time, where Vicky sounds like a she-wolf on vocals, growling like a demented creature while Simon hammers his drums mercilessly, or in other words, it’s old school The Agonist with a modern twist. Immaculate Deception is another shot of brutality and harmony by the quintet, with Danny, Pascal and Chris slashing their stringed weapons in great fashion, therefore putting us all to headbang nonstop; followed by Resurrection a solid metal tune where Vicky continues to shine with both her deep guttural roars and her piercing clean vocals, showcasing tons of intricacy and violence thanks to the rumbling kitchen by Chris and Simon. And the band’s guitar duo keeps extracting sheer electricity and darkness from their weapons while Vicky screams and sings beautifully in Feast on the Living, presenting a classic Melodic Death Metal sound infused with Metalcore elements, not to mention how vibrant the drums by Simon sound and feel. Lastly, the title-track Days Before the World Wept is the most demonic and heaviest of the EP, with Vicky being a beast incarnate on vocals, offering us all six minutes of savagery with the band’s trademark melody while bringing to our ears razor-edged riffs and crushing beats, all spiced up by a delicate and whimsical chorus.

In a nutshell, The Agonist nailed it with Days Before the World Wept, which is by the way available for a full listen on YouTube and on Spotify, bringing to our avid ears the band’s full potential even being just a five-track EP, and you can show your support to Vicky and the boys by following them on Facebook, Instagram and YouTube, and by purchasing the EP by clicking HERE, or in case you have some extra budget left I recommend you go for the outstanding Days Before the World Wept Immortal Bundle including a signed vinyl 45RPM, a signed CD, a signed 11×17 poster, a 4×4 sticker, a pullover hoodie, a stress ball, a bottle opener keychain, and a T-shirt (from five awesome choices). The days before the world wept might be long past us, but the music by The Agonist remains strong, heavy and thrilling just the way we like it in their new opus, paving the way for more of their first-class releases in the coming years.

Best moments of the album: Remnants in Time and Days Before the World Wept.

Worst moments of the album: None.

Released in 2021 Napalm Records

Track listing
1. Remnants in Time 4:53
2. Immaculate Deception 3:35
3. Resurrection 5:11
4. Feast on the Living 3:22
5. Days Before the World Wept 6:05

Band members
Vicky Psarakis – vocals
Danny Marino – guitar
Pascal “Paco” Jobin – guitar
Chris Kells – bass
Simon McKay – drums

Album Review – Voidfallen / The Atlas of Spiritual Apocalypse (2021)

This young and restless Melodic Death Metal band from Finland comes ripping with their debut full-length album, dealing with the narrowness of the human mind.

Mixed by Juhamatti Kauppinen at Shedstudios, mastered by Mika Jussila at Finnvox, and displaying a sinister artwork by Petri Inkinen from Guilty Visuals, The Atlas of Spiritual Apocalypse is the awesome debut album by Helsinki, Finland-based Melodic Death Metal entity Voidfallen, a young but quickly acknowledged band formed in 2019 and currently comprised of Tommi Kangaskortet on vocals, Henri Vuorenmaa and Aleksi Tossavainen on the guitars, Lauri Myllylä on bass and Mika Lumijärvi on drums. Consisting of nine independent songs which still form the album’s own entirety, The Atlas of Spiritual Apocalypse deals with the narrowness of the human mind, the distress caused by that and the moral confrontations that follow, placing it among the must-listen Melodic Death Metal albums of the year and, therefore, representing a beyond solid step in the band’s up-and-coming career.

The sinister and cinematic intro The Atlas of Spiritual Apocalypse invites us all to join Voidfallen in their Melodic Death Metal realm to the sound of Remnants of the Heart, where Henri and Aleksi begin slashing their axes supported by the classic beats by Mika while Tommi roars manically nonstop; whereas The Hollows is even more demented than its predecessor thanks to the fulminating job done by Mika on drums, while Lauri hammers his bass mercilessly providing the band’s guitar duo all they need to shine with their riffage. Then after a serene start everything explodes into sheer savagery in The Daughters, a solid Melodic Death Metal tune spearheaded by the infernal roars by Tommi, and it’s time to bang your head like a beast in From Souls to Embers, featuring guest clean vocals by Inka Inkinen, where epic, imposing background elements elevate their core Melodic Death Metal to a whole new level.

From Embers to Fall, this time with guest clean vocals by Mikko Heikkilä (Dawn of Solace, Kaunis Kuolematon), is another rumbling, pounding creation by Voidfallen where the band’s guitar duo is on fire with their harmonious but at the same time visceral riffs; followed by the awesome Sui Generis, showcasing classy lyrics growled by Tommi (“Rise, the faithless kind and behold, your new king arrived / Now bow to me you peasants of mine / And so another chapter of this madness unfolds / Where man thinks he’s a god and the god’s a hero / Like the only star in the sky / The brightest of lights / Epitome of ego / Sui generis”) while his bandmates kick some ass with their sonic weapons in a powerful display of the band’s epic and heavy music. Featuring guest Vesa Salovaara (Ephemerald, Vorna) on vocals, The Slaves of the Echo Chambers is the second to last blast of aggressiveness with the band’s trademark melodic twist where Mika and Lauri make the earth shake with their respective beats and bass punches; and lastly, Symphonic Black Metal elements spice up the band’s sound in Seen Through Ice, allowing Tommi to deliver deeper, more demonic growls accompanied by the headbanging riffs by Henri and Aleksi.

The ruthless and extremely talented guys from Voidfallen are waiting for you on Facebook, on Instagram and on YouTube with more of their heavy and caustic music, news, tour dates and so on, and if you want to show them all your support and admiration you can stream The Atlas of Spiritual Apocalypse in its entirety on YouTube and on Spotify, and of course purchase the album from their own BandCamp page as well as from Record Shop X or from Apple Music. Finland has always been an endless source of top-of-the-line Melodic Death Metal, and Voidfallen are no exception to that, taking the genre to new heigths with their darker-than-usual approach and visuals, and leaving us really curious to see what’s next in their aggressive and melodic path.

Best moments of the album: From Souls to Embers, Sui Generis and The Slaves of the Echo Chambers.

Worst moments of the album: From Embers to Fall.

Released in 2021 Inverse Records

Track listing
1. The Atlas of Spiritual Apocalypse 1:11
2. Remnants of the Heart 4:04
3. The Hollows 4:16
4. The Daughters 6:02
5. From Souls to Embers 5:21
6. From Embers to Fall 5:21
7. Sui Generis 4:03
8. The Slaves of the Echo Chambers 5:00
9. Seen Through Ice 5:47

Band members
Tommi Kangaskortet – vocals
Henri Vuorenmaa – guitars
Aleksi Tossavainen – guitars
Lauri Myllylä – bass
Mika Lumijärvi – drums

Guest musicians
Vesa Salovaara – clean vocals on “The Slaves of the Echo Chambers”
Mikko Heikkilä – clean vocals on “From Embers to Fall”
Inka Inkinen – clean vocals on “From Souls to Embers”

Album Review – Endarken / The Plague of Truth (2021)

This new underground band formed of seasoned musicians will crush our heads with their debut album, offering us all 14 tracks of in-your-face, fast-paced technical metal music.

With former members of bands the likes of Hatesphere and Chaoswave, a new Death and Thrash Metal band hailing from Copenhagen, Denmark that goes by the name of Endarken has just released their debut full-length opus, entitled The Plague of Truth, offering us fans 14 tracks of in-your-face, fast-paced technical metal music. Mixed and mastered by Tue Madsen (Meshuggah, The Haunted, Rob Halford), and displaying a stunning artwork by Jeff Christensen, an amazing surrealist painter from Seattle, the album is the perfect depiction of the talent and passion for heavy music by vocalist Tim Nederveen, guitarists Anders Høeg and Henrik Rangstrup, bassist Troels Lehmann and drummer Dennis Buhl, being highly recommended for fans of a more modern version of Thrash Metal with a very welcome European twist.

The band wastes no time and begins crushing our heads with their visceral music in Prophets of Apathy, with Anders and Henrik sounding infuriated armed with their axes in a classic Thrash Metal tune with Death Metal nuances. Tim continues to roar like a rabid beast in Da Stargo Tora (or “the black of my eyes”), another lesson in savagery and melody by the quintet showcasing piercing guitar riffs and solos for our total delight, and it’s time to slam into the circle pit to the sound of Insomnia, with Dennis dictating the song’s neck-breaking pace with his beats supported by the rumbling bass by Troels. Then drinking from the same thrashy fountain of bands like Exodus and Overkill while at the same time adding elements of Melodic Death Metal to their core sonority we have Reawake the Wolves, spearheaded by the venomous riffage by Anders and Henrik; and after the atmospheric interlude The Hunt Begins, the band comes crushing with the heavy-as-hell Reign of Disgrace, with Tim’s growls being effectively complemented by clean background vocals while the rest of the band delivers sheer animosity and rage through their sonic weapons. And get ready to bang your head nonstop to the violent Insurmountable, where Dennis blasts his drums with tons of fury and intricacy in another modern-day Thrash Metal tune made in Europe.

More melodic and somber than its predecessors, Seraphim brings forward another awesome riff work by the band’s talented guitar duo, providing Tim with all he needs to kick ass with his deep roaring, whereas more of their fulminating thrashing sounds come in the form of Velvet Redemption, where Tim sounds like a creature from the netherworld while Dennis showcases all his talent and technique behind his drums. In the title-track The Plague of Truth the band decided to invest into a more obscure sound, and although it’s still as heavy and melodic as the other songs it doesn’t really take off; followed by the cinematic bridge Endarkened, setting the tone for the pulverizing The Struggle, led by Dennis’ infernal drums and Troels’ metallic bass. Needless to say, it will inspire you to slam into the circle pit like a maniac without a shadow of a doubt, while their second to last hurricane of Thrash Metal, entitled The Pledge, brings to our ears more of Tim’s bestial gnarls supported by the slashing riffage and sick solos by Anders and Henrik. Last but not least, it’s time for the brutal Dead Swan Ballet, leaning towards pure Scandinavian Melodic Death Metal thanks to the crisp sound of their guitars, therefore putting a demented ending to the album.

This beast of an album can be fully appreciated on Spotify, but of course if you consider yourself a true metal collector you can grab a physical copy of the album from the band’s own webstore, or click HERE for all places where you can buy or stream the album. In addition, don’t forget to give Endarken a shout on Facebook and on Instagram, and to subscribe to their YouTube channel for more of their wicked creations. Endarken put their (blackened) hearts and souls into the making of The Plague of Truth, and all that passion for heavy music becomes crystal clear as soon as you hit play, proving why those underground veterans know exactly what they’re doing when armed with their killer instruments, and of ocurse leaving us eager for more of their music in the near future.

Best moments of the album: Da Stargo Tora, Insomnia, Seraphim and The Struggle.

Worst moments of the album: The Plague of Truth.

Released in 2021 Independent

Track listing
1. Prophets of Apathy 3:38
2. Da Stargo Tora 4:09
3. Insomnia 3:27
4. Reawake the Wolves 3:38
5. The Hunt Begins 0:47
6. Reign of Disgrace 3:20
7. Insurmountable 3:58
8. Seraphim 4:02
9. Velvet Redemption 3:48
10. The Plague of Truth 2:13
11. Endarkened 0:30
12. The Struggle 3:29
13. The Pledge 3:41
14. Dead Swan Ballet 4:30

Band members
Tim Nederveen – vocals
Anders Høeg – guitars
Henrik Rangstrup – guitars
Troels Lehmann – bass
Dennis Buhl – drums

Album Review – Sense of Noise / Sense of Noise (2021)

This newborn Mexican unity is ready to kill armed with their debut opus of ass-kicking Melodic Death Metal deeply rooted in the Gothenburg sound.

Born in 2020 in the midst of the pandemic, Sense of Noise are a Mexico City, Mexico-based Melodic Death Metal band that mixes the speed and strength of Death Metal with catchy melodies, clean vocals, a modern production and several musical influences from metal and non-metal genres. Comprised of vocalist Jero Chanona, guitarist and vocalist Fede d’Empaire, guitarist Diego Caná, bassist Mao Rubio, keyboardist Nibsen and drummer Bart Chanona, all with a remarkable experience in different areas of the music industry within and outside metal, this six-piece act is unleashing upon humanity their debut self-titled effort, presenting a collection of songs deeply rooted in the Gothenburg Melodic Death Metal sound. Produced, recorded and mixed by guitarist Fede himself, mastered by Tony Lindgren at Fascination Street Studios, and displaying a straightforward artwork by the band’s own frontman Jero, the album is highly recommended for fans of Soilwork, In Flames, Dark Tranquillity, Amorphis, At the Gates and Scar Symmetry, among others, positioning the band as one of the strongest names of the current Mexican metal scene.

The cinematic intro A Forgotten Oath will captivate your senses and prepare you for Sense of Noise’s metal attack in The Broken Hope, where Fede and Diego are on absolute fire with their Scandinavian Melodic Death Metal-inspired riffage, setting the tone for Jero to scream like a beast (not to mention the utterly metallic bass jabs by Mao), whereas once again drinking from the same fountain as bands like In Flames, Soilwork and Arch Enemy, it’s time for Bart to hammer his drums in War Within, showcasing a very pleasant balance between guttural roars and clean vocals. Then you better get ready for a headbanging, melodic extravaganza titled Morning Glory, again presenting classic riffs spiced up by the whimsical keys by Nibsen. In other words, it will surely please all fans of the genre, putting everyone to bang their heads nonstop to their solid metal music.

Investing into a darker and groovier sound, the band fires the smashing March of the Fallen, with Jero growling the song’s austere words manically accompanied by the rumbling bass by Mao and the always classy keys by Nibsen; and featuring the one and only Björn “Speed” Strid (Soilwork) on vocals, Zero Killed is a pure, visceral Melodic Death Metal tune that will inspire you to slam into the pit, and Björn adds tons of violence and feeling to the band’s already rumbling sonority as expected. Then after a serene, acoustic start the band offers more of their fusion of Melodic Death Metal with Groove Metal in Our Dying Light, presenting a stylish paradox between their deep roars and ethereal keys; whereas guest Antony Hämäläinen (Meridian Dawn) lends his sick growling to the band in Rage of Existence, another solid composition showcasing their traditional heavy riffs, low-tuned bass punches and crushing drums. And finally, let’s bang our heads one more time with Sense of Noise in Sense of Darkness, where Jero vociferates rabidly as usual supported by Fede’s clean vocals and the Groove Metal bass by Mao.

You can get to know more about such promising band of the Mexican metal scene by following them on Facebook and on Instagram for news, tour dates and other nice-to-know details about those six skillful metallers, by subscribing to their YouTube channel and by streaming their ass-kicking music on Spotify, and by clicking HERE for all that plus the links to pre-save or pre-order their debut album. As already mentioned, Sense of Noise will undoubtedly face among the biggest names in their home country when the music in question is not only Melodic Death Metal, but heavy music in general, and based on the quality of the music found in their debut effort I’m pretty sure they’ll spread their wings and fly even higher, reaching fans from all over the world with their detailed and sharp compositions, and if you consider yourself a true admirer of the Gothenburg sound (albeit made in Mexico) you better hurry and add this melodic gem to your personal collection.

Best moments of the album: War Within, March of the Fallen and Zero Killed.

Worst moments of the album: Rage of Existence.

Released in 2021 Independent

Track listing
1. A Forgotten Oath 1:54
2. The Broken Hope 3:37
3. War Within 3:39
4. Morning Glory 3:44
5. March of the Fallen 3:35
6. Zero Killed 3:59
7. Our Dying Light 4:40
8. Rage of Existence 4:17
9. Sense of Darkness 4:34

Band members
Jero Chanona – harsh and clean vocals
Fede d’Empaire – guitars, clean vocals
Diego Caná – guitars
Mao Rubio – bass
Nibsen – keyboards
Bart Chanona – drums

Guest musicians
Björn “Speed” Strid – vocals on “Zero Killed”
Antony Hämäläinen – vocals on “Rage of Existence”