Album Review – Skáphe / Skáphe² (2016)

Embrace the psychotic and dissonant uproar pouring from the satanic Black Metal crafted by this implacable duo, and you’ll definitely shorten your descent to the netherworld.

Rating5

skhape2_coverBorn in 2014 as a new project from American multi-instrumentalist A.P., also known as Alex Poole (Chaos Moon, Esoterica, Krieg), and having released their self-titled debut full-length album that same year, Chaotic Black Metal band Skáphe return with their disturbing music and nightmarish vibe in Skáphe², an album that not only will keep haunting your soul just like their first installment, but that also consolidates this talented American duo as one of the most promising Black Metal acts in the world of heavy music.

The addition of Icelandic singer D.G., or Dagur (Misþyrming, Naðra), added a lot of dark power to this band from Philadelphia, located in the state of Pennsylvania in the United States, enhancing the obscurity, impact and malignancy found in their music. In other words, the macabre passages and enigmatic vociferations in Skáphe² will simply bring your deepest fears to light (or maybe I should say to darkness), a usually desired effect of Black Metal on people. Moreover, the hypnotizing artwork by Icelandic musician and artist H.V. Lyngdal, exhibiting an eviscerated devil devouring a human being, is the perfect depiction of our mental insanity and of our souls poisoned by the same fears exposed in the music by Skáphe.

Instead of regular song names, Skáphe simply numbered their creations from 1 to 6 in Roman numerals. The first track, entitled I, offers a darkling psychedelic start followed by a turmoil of dissonant growls and blast beats that will lacerate your soul, proving why they don’t label themselves “chaotic” in vain. In addition to that, D.G. provides his business card as the demonic voice of Skáphe in this bestial Black Metal chant with lots of Atmospheric Doom elements added to increase its infernal aura. II continues right where the opening track stopped, which means more satanic passages and cavernous screams with A.P. putting all his demons and anger into the music, resulting in sheer darkness. Needless to say, the anguished grasps by D.G. will make you feel very uncomfortable (in a good way, of course).

skhape_apIII, the third installment, is even sharper and more mesmerizing. It’s fast and sludgy at the same time thanks to the excellent job done by A.P. with all instruments, resulting in an ode to Black and Doom Metal represented by four minutes of despair with absolutely no hope in sight. In the Stygian tune IV, D.G. howls like a werewolf during its obscure start, and its eight minutes of extreme music are definitely not suitable at all for the faint at heart. Moreover, after an eerie break in the middle of the song, brutal Black Metal nicely explodes from all instruments for our total delight.

Obviously, the fifth chant, named V, keeps the fires of hell burning bright, showcasing a tormented performance by D.G. enhanced by the reverberating riffs and the doomed drumming by A.P. The tone of the guitar throughout the whole song is amazing, sounding like a downward spiral to Hades. And finally, the last tune VI reminds me of the most obscure songs by Triptykon at first, evolving to an extremely disturbing form of dark music. A.P. has an enraged performance, while D.G. continues his demented path to the underworld. And when the blasting Black Metal music stops, we’re treated to about two minutes of wicked background noises, meaning we’ve finally reached the gates of hell.

You can get more details on the apocalyptic loudness engendered by Skáphe at their Facebook page, and if you really want to add more affliction and pandemonium to your everyday life, you can buy a copy of Skáphe² at the band’s official BandCamp page, at the I, Voidhanger Records’s BandCamp page, at the Fallen Empire Records’ webstore (LP version) or at the Vánagandr’s Big Cartel page (cassette version). Embrace the psychotic and dissonant noises pouring from the satanic Black Metal crafted by this implacable duo, and you’ll consequently shorten your descent to the netherworld.

Best moments of the album: III and V.

Worst moments of the album: None.

Released in 2016 I, Voidhanger Records/Fallen Empire Records/Vánagandr

Track listing
1. I 6:32
2. II 4:40
3. III 4:11
4. IV 8:16
5. V 5:42
6. VI 6:34

Band members
D.G. (Dagur) – vocals
A.P. (Alex Poole) – all instruments

Album Review – Serpents Lair / Circumambulating the Stillborn (2015)

If you’re one of those black metallers who can only live in darkness to survive the downfall of our putrescent society, this album is for you.

Rating4

serpents lair coverLet’s keep the streak of darkness alive and burning at The Headbanging Moose with yet another nefarious, caustic and sulphurous Black Metal brigade, this time hailing from the blazing fires of Sjælland, a large island that’s part of Denmark and that’s home to the capital Copenhagen and to the city of Roskilde, among other smaller towns and villages. The band in question is called Serpents Lair, and they’re bringing forth their debut full-length album entitled Circumambulating the Stillborn, a series of dissonant and kaleidoscopic Black Metal hymns tailored for diehard metallers who chose darkness as their sanctuary.

Formed in 2013, Serpents Lair already took the underworld of metal music by storm in 2014, when they released their demo named MMXIV. What was already evil in that demo became even more heinous in Circumambulating the Stillborn due not only to the refined production of the new album, which can also be seen on the amazing cover art by Misanthropic-Art Illustrations, but mainly to the advancements in their compositions, putting together a classic Black Metal sonority with the heartache and sorrow of Doom Metal and Blackened Doom.

What starts like an aria at the house of worship, named by the band as Epipháneia, suddenly becomes a Black Metal attack entitled Epistemology of Death, sounding cleaner than usual but still putrid and devilish. This 9-minute opus, which was one of their demo tracks, offers the listener winged riffs and beats interspersed with obscure and sluggish passages, always blustering those desperate growls and howls of dark music.

serpents lair photoThe title-track, Circumambulating the Stillborn, an old school Black Metal tune with piercing riffs and unholy lyrics (“We salute thee harbingers of the end of man / Oh ye true nihilists, bringer of empty chalices / For thou shalt be the error correcting itself / As thouest thirst to death / In denial of the nothing you bring”), sounds diabolically mesmerizing especially when it slows down; while Mortui Vivos Docent presents an ominous and ritualistic intro before morphing into a profane mass, displaying a demonic musicality with aggressive vocals and fiendish riffs. Furthermore, it never gets too heavy or too fast, just vile enough to disturb our minds from start to finish.

If you thought things couldn’t get more doomed, Serpents Lair bring you an outstanding ode to torment named The Serpentine Gnosis. It is Blackened Doom breathing sulfur from the pits of hell, with its killer drumming and possessed roars only making things even more gripping. And after an eerie instrumental tune named Dwelling on the Threshold to Tartarus, the band burns our souls with the amazing Devouring Wrathe, an ancient form of Black Metal with the album’s high-end production intensifying its blasphemous words (“Spare no praying man, / As he is not of glorious potential / Invite the odious omnipotence / To descend with divine purpose / Let it revelate itself / Upon the congregations of so called righteousness”), its relentless riffs and a morbid feeling of hopelessness to close the album.

In summary, the doomed Black Metal crafted by Serpents Lair at their unhallowed den undoubtedly deserves a shot, in special if you’re one of those metallers who can only live in darkness to survive the downfall of our putrescent society. With that said, you can listen to their music on their YouTube channel, and find Circumambulating the Stillborn for sale at their BandCamp page, at the Fallen Empire Records webstore (US) or at the Duplicate Records webstore (Europe). Just go for it if you have the guts.

Best moments of the album: Circumambulating the Stillborn and The Serpentine Gnosis.

Worst moments of the album: None.

Released in 2015 Hellthrasher Productions/Fallen Empire Records/Duplicate Records

Track listing
1. Epipháneia 1:30
2. Epistemology of Death 9:22
3. Circumambulating the Stillborn 5:17
4. Mortui Vivos Docent 8:30
5. The Serpentine Gnosis 8:57
6. Dwelling on the Threshold to Tartarus 2:55
7. Devouring Wrathe 7:04

Band members
*Information not available*