Album Review – Midnite City / Bite The Bullet (2025)

The party is just getting started with the new album by these torchbearers of classic Hair Metal and Hard Rock, and everyone is invited.

Since exploding out onto the scene like a tornado back in 2017, UK’s own Hard Rock/Hair Metal heroes Midnite City have taken on the world, grabbed the tired music scene by the scruff of its neck, injected passion, fun, melody, and colour back into it, and climbed to the top of the tree to be crowned the true kings of Hair Metal. Now in 2025 the band formed of Rob Wylde on vocals and guitar, Miles Meakin on lead guitar, Josh Williams on bass, Shawn Charvette on keyboards, and Ryan Biggs on drums returns with their strongest album to date, Bite The Bullet, ticking every single box fans expect from a Midnite City album. Mixed by Chris Laney (Europe, Crash Diet, Crazy Lixx, Pretty Maids), the album offers a bit of everything, from super poppy, catchy, and hook laden party Rock N’ Roll, to Melodic Rock monsters, to arena sized power ballads, to Glam Metal anthems laced with attitude and a side order of Hard Rock, and so on.

Let’s get this Hair Metal party started with Live Like Ya Mean It, where the classic vocal lines by Rob are boosted by the song’s even more classic backing vocals, followed by Worth Fighting For, another old school tune presenting hints of AOR with the guitars by Miles and Rob exhaling the glory of the 80’s, sounding absolutely inspired by the music from all bands who made those years so amazing. It’s Going To Be Alright is a bit too cheesy for my taste, despite Miles still kicking ass with his soulful solo, but in the end it’s a generic song. Then an overdose of Hard Rock and Hair Metal will crush your senses in Heaven In This Hell, led by the striking keys by Shawn, and their  rock and metal celebration goes on in full force in Running Back To Your Heart, with Rob stealing the show with his stylish vocals. Ryan then puts the pedal to the metal, hammering his drums in the best Hard Rock style, in Lethal Dose Of Love, again presenting those catchy backing vocals we all love so much.

After that, it’s time for a whimsical interlude entitled Archer’s Song, as if it was crafted to be featured in a romantic scene of an afternoon movie from the 80’s or 90’s, warming us up for Seeing Is Believing, one of those power ballads that make the hearts of diehard fans of Hair Metal beat even faster and warmer. The guitars by Rob and Miles are boosted by the rumbling bass by Josh and the upbeat keys by Shawn in No One Wins, keeping the adrenaline flowing through the album and making it impossible to stand still to its catchy vibe; whereas their Melodic Rock and AOR vein pulses harder than ever in Hang On Til Tomorrow, led by the crisp vocals by Rob and the classic drums by Ryan. Their rockin’ party ends with When The Summer Ends, a Van Halen-infused Rock N’ Roll extravaganza with Ryan once again kicking ass behind his drums, also presenting a killer keyboard solo by Shawn as the icing on the cake.

In a nutshell, Bite The Bullet delivers a sound that is made for the biggest stadiums around the globe, bringing back everything that was so thrilling, energetic, and flamboyant about late 80’s Hair Metal in one fell swoop, being highly recommended for fans of Tigertailz, Mötley Crüe, Crash Diet, and Crazy Lixx, just to name a few. You can get in touch with those torchbearers of old school Hair Metal by following them on Facebook and on Instagram, get your party going to the sound of their full discography available on Spotify, and of course purchase a copy of the electrifying Bite The Bullet from countless retailers such as HHVDecks Records, and Bengans.
Because the party is just getting started with the new album by Midnite City, and everyone is invited.

Best moments of the album: Heaven In This Hell, Lethal Dose Of Love and When The Summer Ends.

Worst moments of the album: It’s Going To Be Alright.

Released in 2025 Pride & Joy Music

Track listing
1. Live Like Ya Mean It 4:44
2. Worth Fighting For 4:25
3. It’s Going To Be Alright 4:33
4. Heaven In This Hell 3:47
5. Running Back To Your Heart 4:47
6. Lethal Dose Of Love 3:59
7. Archer’s Song 1:08
8. Seeing Is Believing 5:06
9. No One Wins 4:33
10. Hang On Til Tomorrow 4:24
11. When The Summer Ends 4:41

Band members
Rob Wylde – vocals, guitar
Miles Meakin – lead guitar
Josh Williams – bass
Shawn Charvette – keyboards
Ryan Biggs – drums

Metal Chick of the Month – Orianthi

orianthi01

Shut Up & Kiss Me!

She is a singer, a songwriter, and an amazing guitar player. Not only that, she has already shared the stage with worldwide renowned music icons such as Steve Vai, Alice Cooper, Richie Sambora, Carrie Underwood and even with the King of Pop, the unparalleled star Michael Jackson (R.I.P.). But if you think I’m talking about some old or classic guitarist, you’re absolutely wrong: our “Metal Chick” this month is the Australian beauty Orianthi Panagaris, or simply Orianthi.

Born in Adelaide, Australia on January 22, 1985 and of Greek and Australian descent (which explains her name), Orianthi started really early in the world of music at the age of three, when she began playing the piano, then moving to her true passion, the guitar, when she was around six. Besides the piano and the guitar, she can also sing and play bass and drums, showcasing her unquestionable talent as a multi-instrumentalist and already explaining why she reached success so early in her life.

Orianthi attended the Cabra Dominican College in Adelaide, Australia, and when she was about six or seven years old she wrote her first song and played it in front of the whole school. Thanks to her father, she grew up listening to many Rock N’ Roll classics like Elvis Presley, Roy Orbison, The Beatles, Jimi Hendrix, Stevie Ray Vaughan and Santana, most of them from North America, which then became her biggest motivation to move to the United States to build her career there. Besides all those artists, she also mentions Darren Hayes and Keith Urban as two of her biggest influences in music.

She started playing with different bands when she was around 14 or 15 years old, which was when she left school, and kept playing with cover bands until she was 21, when she finally moved to America to pursue her dream as a musician. Since then, as a solo artist, Orianthi has already released three full-length albums and one EP (although none of her albums are really Heavy Metal or Hard Rock): Violet Journey, Believe, Fire EP, and Heaven in This Hell; her debut single According to You went to No. 3 in Japan, No. 8 in Australia and No. 17 in the US; in 2009 she was named one of the 12 Greatest Female Electric Guitarists by Elle magazine; and in 2010 she won the award as “Breakthrough Guitarist of the Year” by Guitar International magazine. Do I need to say that her dreams came true?

Furthermore, as already mentioned, her involvement with some music giants has just elevated her status as a successful artist. For example, Orianthi appeared at the 51st Annual Grammy Awards, which took place at the Staples Center in Los Angeles in February 2009, as the lead guitarist for American country music singer Carrie Underwood, and more recently toured the world as the lead guitarist for American Hard Rock master Alice Cooper. I had the pleasure to see Orianthi live three times in 2012 with Alice Cooper, as the opening act for Iron Maiden during their Maiden England North American Tour here in Canada in the cities of Toronto, Ottawa and Sarnia, and it was amazing to witness how she managed to fit in his band so smoothly and professionally, especially considering the abysmal difference of their years on the road. You can check lots of cool videos from Orianthi performing with different bands and artists at her official YouTube channel, like this live version of her 2013 single Frozen.

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However, being the lead guitarist for Michael Jackson’s This Is It concert series, which later became a documentary, was probably the most outstanding moment of her music career. In one of her interviews, Orianthi tried to explain how she was chosen by the King of Pop, and the impact that had on her life. “I don’t know exactly why he picked me, but he watched my YouTube videos and loved them. He had his choice of guitar players, but I came in and played the ‘Beat It’ solo for him. Afterward he was so happy he got up and grabbed my arm and started walking up and down the stage area with me. He said, ‘Can you play once for me?’ and hired me that night. I wish he was still around. He made me believe in myself more, and I learned so much. Going into it, I thought it would be all about playing guitar solos. But the majority of it was playing chords and funky rhythms.”, she said. After Michael’s death, she played and sang at his memorial, globally televised live on July 7, 2009.

Finally, being an artist always provides the person some good stories to tell the others, and it hasn’t been different with Orianthi. For example, the blonde guitarist said that during one of her concerts she got up on one of the speakers, and didn’t realize that right behind her there was a confetti canon that could shoot probably 20 feet right across the audience, which would have sent her to the hospital that night with a pretty bad injury in the butt. Fortunately for Orianthi (and for all of us), one of the sound guys warned her and she jumped off just a few seconds before the canon went off. I’m pretty sure Orianthi herself would agree with me that, although she has a great onstage performance and Rock N’ Roll actually demands some crazy stunts to be perfect, being blasted in the ass might not be the best way to please her fans.

Equipment
PRS Custom 22 (Manos)
PRS Custom 24 (Pepper)
PRS SE Custom 24
PRS SE Singlecut
SE signature model (SE Orianthi)
EVH 5150III
ENGL
Mesa Boogie
Marshall Amplifiers

Orianthi’s Official Facebook page
Orianthi’s Official Twitter

“You know just go and find your own voice, whether its playing guitar, singing, song writing, working hard, I love what I do, I love playing guitar, I love performing, you have to love it, there’s just so many hours you have to put into it, you can’t be in this industry if you don’t love it.” – Orianthi