Tag Archives: melodic rock

Album Review – Iron Kingdom / Shadows and Dust (2026)

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These Canadian metal heroes return with their sixth studio album, taking on loss, pain and struggle while also blending their classic Heavy Metal roots with new textures, progressive touches, and a renewed sense of storytelling.

Forged in Vancouver, Canada in 2011, Iron Kingdom have spent fifteen years carrying the torch for classic Heavy Metal with unwavering conviction, inspired by the genre’s titans such as Iron Maiden, Judas Priest, Helloween, Scorpions, and Rush while building identity on electrifying stage presence, intricate twin-guitar harmonies, and a steadfast devotion to the melodic, adventurous spirit of traditional metal, culminating now in 2026 with their sixth studio album, titled Shadows and Dust. Recorded at KH Studios, co-produced by the band’s own Chris Osterman and Megan Merrick, mixed by Andy Boldt, mastered by Greg Reely at The Green Jacket, and displaying a harsh artwork by Alan Lathwell (inspired by a scene in the Malazan Book of the Fallen series by Steven Erikson), the new opus by vocalist and guitarist Chris Osterman, guitarist Megan Merrick, bassist Leighton Holmes, and drummer Max Friesen heavily lends itself towards the themes of death and impermanence, taking on loss, pain and struggle while also blending the band’s classic Heavy Metal roots with new textures, progressive touches, and a renewed sense of storytelling.

Chris and Megan rev up the band’s Heavy Metal engine with their striking axe attack in Defenders before the same Chris delivers his 80’s-inspired soaring vocals for our total delight; and get ready for another battle hymn titled Eternal Emperor, with the galloping rhythm led by Leighton and Max sounding thrilling and vibrant. Then fully inspired by the classic sound crafted by Iron Maiden, Judas Priest and Saxon we have Dreamless Sea, with their guitars sounding melodic and sharp from start to finish. Max once again takes the lead in Deadhouse Gates, with the entire band being in total sync and therefore offering us all first-class classic Heavy Metal; whereas it’s time for total anarchy with the fast and furious Line of Fire, adding elements of Speed and Thrash Metal to their core sound while led by the ass-kicking riffs and solos by Chris and Megan.

Despite its imposing name, Blood and Steel sounds a bit too mellow and soft compared to the rest of the album, as if it was a mellow version of Melodic Rock or AOR, although it’s still a very enjoyable tune. Then back to their trademark fusion of Hard Rock and Heavy Metal we face Shadow of Time, with the groove flowing from Leighton’s bass and Max’s drums penetrating deep inside our metallic minds; and it’s time to put the pedal to the metal in the high-octane Speed Metal extravaganza Dark Demands, with Chris firing his most insane high-pitched screams of the whole album. Again delivering a rhythmic, galloping sonority we have Starlight, with their guitar riffs and solos once again bringing fire to the ambience, whereas closing the album we’re treated to the epic seven-minute aria Sacred Fire, starting in a serene manner before morphing into a classic sound rooted in the 80’s, spearheaded by the old school vocals by Chris.

Across six albums, Iron Kingdom have transformed from a Hard Rock-leaning young band into a fully realized traditional Heavy Metal powerhouse, with Shadows and Dust also becoming the first album recorded entirely in the band’s own home studio, a major step in their long-standing DIY ethos. You can find more information about the band on Facebook and on Instagram, subscribe to their YouTube channel, stream their excellent music on Spotify, and of course purchase their new album from BandCamp. With Shadows and Dust, Iron Kingdom enter a new era with sharpened purpose, renewed fire, and a sound that honors the past while forging boldly ahead. It’s a story of endurance, evolution, and the unbreakable power of Heavy Metal, and I’m sure that after Shadows and Dust we’ll see those Canadians rockin’ for many years to come no matter what.

Best moments of the album: Deadhouse Gates, Line of Fire and Dark Demands.

Worst moments of the album: Blood and Steel.

Released in 2026 Steel Shark Records

Track listing
1. Defenders 6:05
2. Eternal Emperor 4:31
3. Dreamless Sea 5:11
4. Deadhouse Gates 4:57
5. Line of Fire 3:06
6. Blood and Steel 4:53
7. Shadow of Time 4:23
8. Dark Demands 3:36
9. Starlight 4:10
10. Sacred Fire 7:21

Band members
Chris Osterman – lead vocals, guitars
Megan Merrick – guitars
Leighton Holmes – bass
Max Friesen – drums

Album Review – Cyhra / Requiem For A Pipe Dream (2026)

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Celebrating ten years of existence, this Swedish supergroup returns with their fourth studio album, standing as a statement of transformation as it does not mourn what was lost, but it proves that loss did not define the ending.

Celebrating ten years of existence now in 2026, Gothenburg, Sweden-based Melodic Groove Metal/Hard Rock ensemble Cyhra is releasing their explosive fourth studio effort, titled Requiem For A Pipe Dream, following up on their 2023 album The Vertigo Trigger. Produced by the band’s own Jake E and Euge Valovirta, with artwork by world renowned artist Gustavo Sazes, the new album by Jake E on vocals and keyboards, Euge Valovirta on the guitars, bass and keyboards, Jesper Strömblad on bass and guitars, Marcus Sunesson on the guitars, and Alex Landenburg on drums brings to our avid catchy hooks, atmospheric synths, fierce riffs and ferocious breakdowns, while the band opens up with deeper vulnerability in their lyrics. Written in the aftermath of lost momentum during the pandemic years, the record confronts uncertainty, frustration, and rebuilding after collapse.

Classic Swedish keys and beats set the tone in the opening song Bleed With Pride, with Jake’s melodious vocals walking hand in hand with the riffs by Euge, Jesper and Marcus; whereas Superman feels more like the band’s kryptonite, sounding too generic and radio-friendly when they could have delivered something way heavier. In Miss Me When I’m Gone, its keys bring an extra touch of epicness to their music while the bass lines sound utterly metallic, followed by Ghostbound, presenting an excellent fusion of Melodic Metal with Hard Rock and AOR. Needless to say, Jake is again flawless on vocals, which is also the case in In The Center Of A Miracle, an inspiring power ballad by Cyhra with Alex adding sheer stamina to their music with his fierce beats.

Skin From Bones is another very melodic display of their trademark Melodic Rock and Metal where all keys once again play an important part to keep the electricity flowing, followed by Ghost I’m Meant To Be, as radio-friendly as Superman, but in this case the formula works really well led by the slashing riffs by Euge, Jesper and Marcus. Mark Of My Sins flirts with other styles such as Progressive Metal, even presenting hints of Djent, giving the song an extra taste while Jake once again delivers endless power from his vocals; and Venom In Me keeps the progressiveness from the previous song pulsing strong, with Alex stealing the spotlight with his intricate drumming. Then back to a more straightforward sonority we have Box With Spirits, with their rockin’ riffs, soulful guitar solos and pounding drums putting a climatic ending to the album. Well, there’s also an excellent addition to any of the special editions of the album, the bonus track Hold Your Fire, featuring Finnish-Egyptian vocalist and guitarist Samy Elbanna of Lost Society, an electrifying tune for the masses.

“There was a moment when everything stopped. We had built momentum for years, and suddenly the future we were running toward felt unreachable. Requiem For A Pipe Dream came out of that silence – out of frustration, doubt, and the realization that nothing is guaranteed. At first it felt like loss. But it became something else,” commented frontman Jake about the album. You can get in touch with the guys from Cyhra and know more about their music on Facebook and Instagram, subscribe to their YouTube channel and stream their music on Spotify, and of course support them by purchasing their new album from the Reigning Phoenix Music webstore in the EU, US or UK. Requiem For A Pipe Dream stands as a statement of transformation as it does not mourn what was lost, but it proves that loss did not define the ending.

Best moments of the album: Bleed With Pride, Ghostbound  and Mark Of My Sins.

Worst moments of the album: Superman.

Released in 2026 Reigning Phoenix Music

Track listing
1. Bleed With Pride 3:12
2. Superman 3:23
3. Miss Me When I’m Gone 3:13
4. Ghostbound 3:51
5. In The Center Of A Miracle 3:46
6. Skin From Bones 3:19
7. Ghost I’m Meant To Be 4:04
8. Mark Of My Sins 3:18
9. Venom In Me 3:17
10. Box With Spirits 3:21

Special Edition bonus track
Hold Your Fire 3:39

Band members
Jake E – vocals, keyboards
Euge Valovirta – guitars, bass, keyboards
Jesper Strömblad – bass, guitars
Marcus Sunesson – guitars
Alex Landenburg – drums

Guest musician
Samy Elbanna – vocals on “Hold Your Fire”

Album Review – Preludio Ancestral / Guardians of Twilight (2026)

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The Argentinian guardians of heavy music return with their sixth album, continuing to evolve toward an even more epic and melodic Power Metal sound while shaping a strong and distinctive identity.

Hailing from Buenos Aires, Argentina, the shape-shifting Heavy/Power Metal entity Preludio Ancestral returns in 2026 with a new opus, entitled Guardians of Twilight, following up on their underground cult albums Hacia lo inmortal (2012), Kybalion (2015), El misterio de la pasión divina (2016), Oblivion (2018), and Magnus (2023). Currently formed of Jackson “Jax” Harwood and Cole Maverick Turner on vocals, the band’s mastermind Leonardo Gatti on the guitars, keyboards, orchestrations and bass (who was also responsible for composing, mixing and mastering the album), Juan Pablo Kilberg also on the guitars, and Martin de Pas on drums, the band continues to evolve toward an even more epic and melodic Power Metal sound in their new opus, shaping a strong and distinctive identity while reaffirming Leonardo’s epic vision and status as one of Latin America’s most inspired composers in the genre.

The striking guitars by Leo and Juan permeate the air in the epic and powerful Blades of the Burning Sky, also presenting soaring vocal lines with elements from Hard Rock and AOR, which in the end sounds amazing, followed by Riders of the Crimson Storm, another song with a beyond Power Metal name led by Martin’s unstoppable beats and fills. The Shadow Throne is a bit generic compared to the previous songs, not as powerful nor engaging, but the vocal lines are again impeccable, whereas in Flame of the Eternal Dragon the name and the sound transpire Rhapsody of Fire, blending the finesse of Symphonic Metal with the excitement of Power Metal. Leo and Juan are on fire with their killer riffs and solos in The Storm of a Thousand Wings, boosted by Leo’s own keys, orchestrations and thunderous bass; and the band goes full Melodic Rock and AOR in The Sorceress of My Heart, with their soulful guitar solos walking hand in hand with the classic beats by Martin.

The second half of the album invites us all to grab our swords and shields and go slay some dragons in Rise of the Golden Flame, another excellent Power Metal extravaganza showcasing striking guitar solos and backing vocals, and the fight goes on in Vengeance of the Dragonheart, with Martin hammering his drums nonstop and, therefore, adding an extra touch of pure Heavy Metal to their core sound. Leo continues to fire his trademark solos in Crown of the Rising Sun, with the music alternating between sheer adrenaline and epic, fist raising moments, followed by The Last Stand of Light, another solid hybrid of Symphonic Power Metal and Melodic Rock and Metal with all vocals sounding truly powerful and passionate. Those Argentinian warriors definitely know how to add Heavy Metal magic to their song titles, which is also the case in Forged in the Skyfire, as epic as the rest of the album; while lastly we have Twilight of the Hero, a climatic ending to the album showcasing another round of soaring vocals, striking riffs and pounding drums.

In the end, the sixth studio album by this excellent band from Argentina will surely please admirers of the music blasted by renowned acts the likes of Stratovarius, Rhapsody of Fire, Masterplan and Gamma Ray, among many others, keeping the fires of Melodic and Symphonic Power Metal burning brighter than a thousand suns. You can get in touch with Leonardo and his henchmen via Facebook, stream their music on Spotify, and of course purchase Guardians of Twilight from their own BandCamp, from the Fighter Records’ BandCamp, or from Xtreem Music’s webstore. Because they are the guardians of Heavy Metal, and they’ll keep fighting for good music no matter what armed with their striking new album.

Best moments of the album: Blades of the Burning Sky, Flame of the Eternal Dragon and Rise of the Golden Flame.

Worst moments of the album: The Shadow Throne.

Released in 2026 Fighter Records

Track listing
1. Blades of the Burning Sky 5:06
2. Riders of the Crimson Storm 3:41
3. The Shadow Throne 4:46
4. Flame of the Eternal Dragon 3:43
5. The Storm of a Thousand Wings 4:36
6. The Sorceress of My Heart 5:02
7. Rise of the Golden Flame 3:59
8. Vengeance of the Dragonheart 5:00
9. Crown of the Rising Sun 3:46
10. The Last Stand of Light 4:12
11. Forged in the Skyfire 4:09
12. Twilight of the Hero 4:35

Band members
Jackson “Jax” Harwood – vocals, choirs
Cole Maverick Turner – vocals, choirs
Leonardo Gatti – guitars, keyboards, orchestrations, bass
Juan Pablo Kilberg – guitars, choirs
Martin de Pas – drums

Album Review – Timeless Rage / My Kingdom Come (2026)

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This powerful German Symphonic Metal ensemble is back with their sophomore album, revolving around the major themes of power, freedom, rebellion, love, guilt, war, and the cycle of life and death.

Having carved out their own niche with an unmistakable blend of catchy Power Metal, detailed Melodic Metal, symphonic influences, and dark, mystical tones since their inception in 2012, Villingen-Schwenningen, Germany-based Symphonic Power Metal ensemble Timeless Rage is back with their sophomore effort My Kingdom Come, the follow-up to their 2022 album Untold. Currently formed of vocalist Nicolaj Ruhnow, guitarists Christian Pirch and Michael Benk, bassist Daniel Wengle, keyboardist Anna Keil, and drummer Klaus Buchfink, Timeless Rage have created an album with five chapters that range from orchestral opulence to uncompromising metal power, with its content revolving around the major themes of power, freedom, rebellion, love, guilt, war, and the cycle of life and death. Theological, mythological, and human perspectives are interwoven, questioning moral certainties as well as religious and social structures.

My Kingdom Come is simply epic and imposing from the very beginning, with Nicolaj stealing the spotlight with a powerful vocal performance while Christian and Michael deliver sheer adrenaline from their axes. Then Daniel’s bass and Klaus’ drums are boosted by the striking keys by Anna in The Seed Of Fear, resulting in a bold, multi-layered Symphonic Metal aria tailored for admirers of the genre; whereas investing in a more direct Power Metal sound led by the hammering drums by Klaus we have The Devil’s Masquerade, perfect for their live concerts. Conquistadores feels like an epic adventure on unruly waters, alternating between fast and heavy Power Metal moments and ethereal passages; and Moonbite Serenade offers us all six minutes of absolute heaviness in the form of Symphonic Metal led by the crushing drums by Klaus while Anna’s keys add an extra touch of epicness to their music.

A Vampire’s Legacy continues their symphonic adventure, perfect for admirers of the music by Kamelot, with Nicolaj once again delivering a striking vocal performance for our total delight. After the serene interlude Regrets, we’re treated to The Enemy Is You, where the band puts the pedal to the metal and brings forward the heaviest sound of all songs, in special the demolishing beats and fills by Klaus supported by Daniel’s rumbling bass, followed by We All Shall Fall, which despite its nice atmosphere and the haunting keys by Anna sounds a bit generic in the end compared to the rest of the album. Lastly, blending elements from Melodic Rock and AOR to their core sonority the band fires The Pale Death, also presenting another excellent riff attack by Christian and Michael to properly conclude the album.

In a nutshell, Timeless Rage deliver in My Kingdom Come a work that appeals to genre fans as well as listeners who value storytelling, atmosphere, and musical class, and you can join those talented Teutonic metal warriors on Facebook and Instagram (or simply by clicking HERE), staying up to date with all things surrounding the band, including their breathtaking live performances, as well as stream their music on Spotify, and purchase a copy of their thrilling new album from BandCamp or from Metalapolis Records. In a sea of never-ending gimmicks, Timeless Rage focus on what really matters, which is first-class heavy music with a strong background story, and I’m sure My Kingdom Come will be featured among the top Symphonic Metal albums of the year all across the world.

Best moments of the album: The Seed of Fear, Moonbite Serenade and The Enemy Is You.

Worst moments of the album: We All Shall Fall.

Released in 2026 Metalapolis Records

Track listing
1. My Kingdom Come 5:09
2. The Seed Of Fear 5:19
3. The Devil’s Masquerade 3:54
4. Conquistadores 4:56
5. Moonbite Serenade 6:16
6. A Vampire’s Legacy 4:20
7. Regrets 1:07
8. The Enemy Is You 5:06
9. We All Shall Fall 5:24
10. The Pale Death 4:21

Band members
Nicolaj Ruhnow – vocals
Christian Pirch – guitars
Michael Benk – guitars, backing vocals
Daniel Wengle – bass, backing vocals
Anna Keil – keyboards, backing vocals
Klaus Buchfink – drums

Album Review – Dark Heart / Evolution (2026)

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Formed during the early eighties, this UK Heavy Metal and Hard Rock outfit is back with their electrifying third album.

Formed during the early eighties, releasing the debut album Shadows of the Night back in 1984, and remaining dormant until 2017 (which culminated with the release of their 2021 sophomore self-titled album), Durham, England-based Heavy Metal outfit Dark Heart is ready to rock once again armed with their third installment, entitled Evolution. Produced by Pete Newdeck and mastered by Harry Hess of Harem Scarem, the new album by vocalist Alan Clark and guitarist Nick Catterick, alongside the more-than-special session musicians Josh ‘Tabbie’ Williams on bass and Pete Newdeck on drums, is a journey back to the glory of the 80’s without sounding repetitive or outdated, always moving forward while staying loyal to the foundations of the NWOBHM.

Crisp, minimalist guitar lines ignite the band’s rockin’ party in Light The Flame, with Alan already showcasing his vocal power supported by the classy guitar work by Nick, sounding perfect for admirers of Melodic Hard Rock. And the guitar riffs and solos by Nick keep embellishing the airwaves in Cold Winter while Josh and Pete bring the groove of the 80’s with their killer kitchen sounds, followed by End Of Tomorrow, a power ballad by the quartet where Alan delivers another solid, emotional vocal performance. Hands Of Fate blends the harmonious sounds of Melodic Rock and AOR, with Pete’s drums dictating the song’s classic pace, whereas Spread Your Wings offers us all another round of melodious riffs and soaring vocals, with its background keys adding a touch of finesse to the overall result.

Then investing in a more old school fusion of Heavy Metal and Rock N’ Roll we’re treated to Ride The Highway, and the final result is obviously electrifying, led by Nick’s razor-edged riffs. Put differently, the name of the song ends up being an invitation. After such a powerful tune we have You And I, presenting an AC/DC-inspired riff and evolving into an AOR feast where all backing vocals support Alan’s vocals in great fashion. Life To Crucify and its 80’s keys will pierce your mind, while the guitar lines by Nick exhale Melodic Hard Rock magic, followed by Eyes Of Light, a more generic version of their own rock music, still enjoyable but not as exciting. Mortality brings forward six minutes of a strong, deep ballad by Dark Heart led by the passionate vocals by Alan; and closing the album we face the dancing tune Burned, again reminding us of the glory of the 80’s while also showcasing a modern, dynamic sound by the band.

As already mentioned, although still rooted in classic NWOBHM, Heavy Metal and Hard Rock, Evolution also reflects the maturity in the band’s songwriting, positioning it as a must-listen for fans of both old school and modern-day rock and heavy music, and if you want to join Alan and Nick in their quest for metal you can start following Dark Heart on Facebook, stream their captivating music on any platform such as Spotify, and of course, put your hands on Evolution by purchasing you favorite version of the album from different locations such as Pride & Joy Music and Rough Trade. This is not just Heavy Metal; it’s an evolution in the style of a band formed in the distant year of 1984, but who’s now “back to the future” and ready to go places to the sound of their exciting new music.

Best moments of the album: Light The Flame, Ride The Highway and Life To Crucify.

Worst moments of the album: Eyes Of Light.

Released in 2026 Pride & Joy Music

Track listing
1. Light The Flame 5:25
2. Cold Winter 4:58
3. End Of Tomorrow 6:20
4. Hands Of Fate 4:31
5. Spread Your Wings 5:10
6. Ride The Highway 5:49
7. You And I 5:25
8. Life To Crucify 4:46
9. Eyes Of Light 4:36
10. Mortality 6:20
11. Burned 4:41

Band members
Alan Clark – vocals, keyboards, backing vocals
Nick Catterick – guitars, keyboards, backing vocals

Guest musicians
Josh ‘Tabbie’ Williams – bass (session)
Pete Newdeck – drums, backing vocals (session)

Album Review – Primaluce / Way of Perfection (2026)

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Behold the new opus by this talented French project, inviting us into an immersive process where imperfection isn’t a failure to be corrected, but the engine that drives growth and strives to be better.

Following the release of Dark Mirrors, which was featured by Aardschok Magazine as one of the best rock and metal albums of 2025, Paris, France-based Progressive Rock/Metal project Primaluce returns with their most focused and fully realized work to date, the excellent Way Of Perfection. Written by the band’s mastermind Stefano Primaluce and recorded at Colosseum Sound Factory, the album captures a long-form artistic vision finally stepping into focus, a forward thinking human record in a time of digital overload and excess carefully brought into being by Stefano Primaluce on rhythm guitars, keyboards, backing vocals and programming alongside vocalist Falco, guitarist Andrea Rocchi, bassist Marco Adami, and drummer Michele Avella, inviting the listener into the immersive process itself, where imperfection isn’t a failure to be corrected, but the engine that drives growth and strives to be better.

Their Dream Theater vein pulses hard in The Wind Remains, with Stefano and Andrea giving a lecture in progressiveness with their refined guitar work, and the whimsical, intricate keys by Stefano match perfectly with Falco’s soaring, passionate vocals in Back Into the Blue, a fantastic aria of progressiveness. The Turning of the Circle also presents striking solos by Andrea while Michele delivers the most complex yet visceral drumming you can imagine, supported by Marco’s ruthless bass lines, followed by Countdown at Dawn, a more straightforward Progressive Rock tune with AOR elements led by Falco’s rockin’ vocals. Running Out of Yesterday showcases beautiful lyrics (“I’ve been chasing shadows on a borrowed day / Trying to outrun the words I couldn’t say / The clock keeps warning me with every turn / There’s only so much time we get to burn / But something in the night still calls my name / A spark that won’t surrender to the blame / And though the weight keeps pulling me behind / I feel a fire rising in my mind”) amidst the perfect blend of Progressive Rock and Metal, whereas in Heart of the Moment we see Stefano and Andrea deliver another entertaining “duel” of guitar and keyboard solos.

The second part of the album kicks off with the magical When the Light Returns, sounding like the score for an epic adventure movie while alternating between more progressive moments and sheer Melodic Rock; and Stefano’s Dream Theater-ish keys set the tone in Standing in My Name, while Marco and Michele keep the groove flowing in great fashion armed with their respective bass and drums. Black Static Halo is one of the most melodic of all songs. It could be played on any Rock N’ Roll station around the world, and I bet all listeners would be stunned by its quality and energy. The band continues to shine like diamonds in Echoes of Tomorrow, with Falco delivering one of his strongest vocals performances of the album for our total delight; and it’s impressive how they manage to add so many layers and nuances to their core sound without sounding too busy like in In the Tides of Time, keeping the energy flowing to the classy riffs by Stefano and Andrea. Last but certainly not least, Primaluce offer our ears one of the most electrifying songs in Way of Perfection, titled Where the Water Meets the Stone, with Falco stealing the show with his powerful vocals once again.

Balancing high-level musicianship with clarity and restraint, Way of Perfection is deliberately structured as a continuous journey, moving from heavier, more complex arrangements into quieter, introspective and emotionally open moments, with melody acting as the magnet that holds everything together. If you’re a fan of the music crafted by iconic bands the likes of Dream Theater, Rush, Toto, and Enchant, among others, you should definitely give the guys from Primaluce a shout on Facebook, and of course grab a copy of Way of Perfection from BandCamp. Primaluce are on an absolute roll with the releases of Dark Mirros last year and Way of Perfection now in 2026, and as long as they keep that momentum going in the near future, we can rest assured Progressive Rock and Metal will remain strong for our total delight.

Best moments of the album: Back Into the Blue, Running Out of Yesterday and Where the Water Meets the Stone.

Worst moments of the album: Heart of the Moment.

Released in 2026 Independent

Track listing
1. The Wind Remains 7:36
2. Back Into the Blue 7:48
3. The Turning of the Circle 7:12
4. Countdown at Dawn 5:53
5. Running Out of Yesterday 5:08
6. Heart of the Moment 4:42
7. When the Light Returns 5:02
8. Standing in My Name 6:03
9. Black Static Halo 5:18
10. Echoes of Tomorrow 4:00
11. In the Tides of Time 7:15
12. Where the Water Meets the Stone 5:50

Band members
Falco – vocals
Stefano Primaluce – rhythm guitars, keyboards, backing vocals, programming
Andrea Rocchi – lead & acoustic guitars
Marco Adami – bass
Michele Avella – drums

Album Review – Nite Stinger / What The Nite Is All About (2026)

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Get ready to discover what the “nite” is all about to the sound of the sophomore opus by this electrifying Brazilian Hard Rock machine.

Explosive riffs, high-energy vocals, and a full-throttle attitude. Sao Paulo, Brazil-based outfit Nite Stinger is aiming at reviving the glory days of Hard Rock with a modern edge with their sophomore album, entitled What The Nite Is All About. Produced by Henrique Canalle of Spektra and  Bento Mello, and mixed and mastered by Henrique Canalle, the new offering by Jack Fahrer on vocals, Ivan Landgraf and Bruno Marx on the guitars, Bento Mello on bass, and Leandro Araújo on drums draws inspiration from icons like Mötley Crüe, Ratt, Def Leppard, and Poison, turning the volume up with sharper riffs, powerful guitar harmonies, and vocal lines that surprise with melodic hooks designed to get everyone singing together.

Their melodic rocket is about to be launched into the Hard Rock space in You Know Why, with Ivan and Bruno already taking the lead with their classic rockin’ riffs; then Jack delivers deep, classic vocal lines in Your Own Way To Be, perfect for being played at any Rock N’ Roll party around the globe. The Night Is Never Over is an old school Hard Rock name for an old school sound, sounding more melodious than its predecessors, with Leandro leading the crew with his spot-on beats and fills, followed by Love & Freedom, with its main riff reminding me of the all-time classic “Balls to the Wall” by Accept, which is obviously awesome, but of course presenting the band’s own Hard Rock twist. Only You also has a classic vibe, but this time inspired by Scorpions, ready to be played on the road with your loved ones, whereas Fantasy is perhaps the most generic of all songs, where not even Jack’s vocals sound exciting.

The sort-of-title-track What The Night Is All About brings the band back on track, with Ivan and Bruno once again slashing their axes in the name of 80’s Hard Rock. In other words, it’s time to bang our heads nonstop together with Nite Stinger. High Above is another ode to the glory of the 80’s, sounding like it was taken from the discography of a classic band from Sunset Strip, whereas their Randy Rhoads-inspired riffs will kick you right in the head in Highway Bound, supported by the rumbling bass by Bento and the hammering drums by Leandro. All The Love That You Need is a power ballad with Melodic Rock and AOR elements, giving the album an extra touch of finesse, before they close the album on a high note with Reach The Sky, with Jack’s vocals being boosted by another killer guitar work by Ivan and Bruno.

Once again, Nite Stinger pay tribute to nightlife, wild parties, and roaring down the highways on a motorbike in their newborn beast, all while delivering the kind of fierce Hard Rock that makes life feel worth living. Hence, if you’re ready to discover what the “nite” is all about, you can follow those Brazilian hard rockers on Facebook and on Instagram, stream their electrifying music on Spotify, and grab a copy of their new album from Pride & Joy Music or by clicking HERE. Because the “nite” is all about pure old school Hard Rock, and Nite Stinger are among us to prove that once and for all.

Best moments of the album: You Know Why, Love & Freedom and What The Night Is All About.

Worst moments of the album: Fantasy.

Released in 2026 Pride & Joy Music

Track listing
1. You Know Why 3:36
2. Your Own Way To Be 4:02
3. The Night Is Never Over 3:12
4. Love & Freedom 3:47
5. Only You 4:08
6. Fantasy 3:56
7. What The Night Is All About 3:26
8. High Above 3:39
9. Highway Bound 3:44
10. All The Love That You Need 4:36
11. Reach The Sky 3:18

Band members
Jack Fahrer – vocals
Ivan Landgraf – guitars
Bruno Marx – guitars
Bento Mello – bass
Leandro Araújo – drums

Guest musician
Stevie Rachelle – vocals on “What The Nite Is All About”

Album Review – Midnite City / Bite The Bullet (2025)

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The party is just getting started with the new album by these torchbearers of classic Hair Metal and Hard Rock, and everyone is invited.

Since exploding out onto the scene like a tornado back in 2017, UK’s own Hard Rock/Hair Metal heroes Midnite City have taken on the world, grabbed the tired music scene by the scruff of its neck, injected passion, fun, melody, and colour back into it, and climbed to the top of the tree to be crowned the true kings of Hair Metal. Now in 2025 the band formed of Rob Wylde on vocals and guitar, Miles Meakin on lead guitar, Josh Williams on bass, Shawn Charvette on keyboards, and Ryan Biggs on drums returns with their strongest album to date, Bite The Bullet, ticking every single box fans expect from a Midnite City album. Mixed by Chris Laney (Europe, Crash Diet, Crazy Lixx, Pretty Maids), the album offers a bit of everything, from super poppy, catchy, and hook laden party Rock N’ Roll, to Melodic Rock monsters, to arena sized power ballads, to Glam Metal anthems laced with attitude and a side order of Hard Rock, and so on.

Let’s get this Hair Metal party started with Live Like Ya Mean It, where the classic vocal lines by Rob are boosted by the song’s even more classic backing vocals, followed by Worth Fighting For, another old school tune presenting hints of AOR with the guitars by Miles and Rob exhaling the glory of the 80’s, sounding absolutely inspired by the music from all bands who made those years so amazing. It’s Going To Be Alright is a bit too cheesy for my taste, despite Miles still kicking ass with his soulful solo, but in the end it’s a generic song. Then an overdose of Hard Rock and Hair Metal will crush your senses in Heaven In This Hell, led by the striking keys by Shawn, and their  rock and metal celebration goes on in full force in Running Back To Your Heart, with Rob stealing the show with his stylish vocals. Ryan then puts the pedal to the metal, hammering his drums in the best Hard Rock style, in Lethal Dose Of Love, again presenting those catchy backing vocals we all love so much.

After that, it’s time for a whimsical interlude entitled Archer’s Song, as if it was crafted to be featured in a romantic scene of an afternoon movie from the 80’s or 90’s, warming us up for Seeing Is Believing, one of those power ballads that make the hearts of diehard fans of Hair Metal beat even faster and warmer. The guitars by Rob and Miles are boosted by the rumbling bass by Josh and the upbeat keys by Shawn in No One Wins, keeping the adrenaline flowing through the album and making it impossible to stand still to its catchy vibe; whereas their Melodic Rock and AOR vein pulses harder than ever in Hang On Til Tomorrow, led by the crisp vocals by Rob and the classic drums by Ryan. Their rockin’ party ends with When The Summer Ends, a Van Halen-infused Rock N’ Roll extravaganza with Ryan once again kicking ass behind his drums, also presenting a killer keyboard solo by Shawn as the icing on the cake.

In a nutshell, Bite The Bullet delivers a sound that is made for the biggest stadiums around the globe, bringing back everything that was so thrilling, energetic, and flamboyant about late 80’s Hair Metal in one fell swoop, being highly recommended for fans of Tigertailz, Mötley Crüe, Crash Diet, and Crazy Lixx, just to name a few. You can get in touch with those torchbearers of old school Hair Metal by following them on Facebook and on Instagram, get your party going to the sound of their full discography available on Spotify, and of course purchase a copy of the electrifying Bite The Bullet from countless retailers such as HHV, Decks Records, and Bengans.
Because the party is just getting started with the new album by Midnite City, and everyone is invited.

Best moments of the album: Heaven In This Hell, Lethal Dose Of Love and When The Summer Ends.

Worst moments of the album: It’s Going To Be Alright.

Released in 2025 Pride & Joy Music

Track listing
1. Live Like Ya Mean It 4:44
2. Worth Fighting For 4:25
3. It’s Going To Be Alright 4:33
4. Heaven In This Hell 3:47
5. Running Back To Your Heart 4:47
6. Lethal Dose Of Love 3:59
7. Archer’s Song 1:08
8. Seeing Is Believing 5:06
9. No One Wins 4:33
10. Hang On Til Tomorrow 4:24
11. When The Summer Ends 4:41

Band members
Rob Wylde – vocals, guitar
Miles Meakin – lead guitar
Josh Williams – bass
Shawn Charvette – keyboards
Ryan Biggs – drums

Album Review – Amorphis / Borderland (2025)

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Finland’s own Melodic Heavy Metal and Rock masters stand on the cusp of a compelling new chapter, fully embracing their melodic sensibilities while venturing into fresh, uncharted sonic landscapes.

A groundbreaking and genre-defying metal band still featuring its original lineup (with a few exceptionally talented additions) and only growing stronger with time, Helsinki, Finland’s own Melodic Heavy Metal/Rock masters Amorphis stand on the cusp of a compelling new chapter, the captivating Borderland, the impressive fifteenth studio album in their unrelenting 35-year journey. Produced, recorded, mixed and mastered by Jacob Hansen at  Hansen Studios, and displaying a classy artwork by Marald van Haasteren, the new album by frontman Tomi Joutsen, guitarists Esa Holopainen and Tomi Koivusaari, bassist Olli-Pekka “Oppu” Laine, keyboardist Santeri Kallio, and drummer Jan Rechberger sees the band fully embracing their melodic sensibilities while venturing into fresh, uncharted sonic landscapes.

The band wastes no time and begins embellishing the airwaves with their blend of rock and metal in The Circle, with the guitars by Esa and Tomi transpiring melody, accompanied by the classic bass by Oppu; whereas the cinematic keys by Santeri are exactly what Tomi Joutsen needs to shine with both his clean vocals and deep guttural in Bones, a lecture in Progressive Metal by those veterans, followed by Dancing Shadow, another blast of classy metal music sounding modern yet deeply rooted in their own core essence, with Jan hammering his drums just the way we like it. Amorphis have mastered the art of mixing truly heavy sounds with ethereal, mesmerizing passages, which is the case in Fog to Fog, and their darkened feast goes on with The Strange, a mix of Gothic and Melodic Death Metal that sounds a bit generic if compared to the rest of the album.

The second half of the album begins with the also melodic and enfolding Tempest, with their acoustic guitars walking hand in hand with Santeri’s whimsical keys in a beautiful ballad by the boys. Light and Shadow is a song that perfectly depicts the present and future of Amorphis, with Tomi Joutsen once again leading his henchmen with his classic vocals and growls while the music remains as inspiring as it can be; and Esa and Tomi Koivusaari continue to fire their stylish riffs in The Lantern, sounding even atmospheric at times thanks to the beautiful keys by Santeri. The title-track Borderland brings forward the perfect fusion of all rock and metal styles found in their music, with Oppu and Jan making sure the ambience feels thunderous and groovy until the very last second, while lastly, they let their Melodic Doom Metal vein arise in the closing song Despair, with Tomi Joutsen stealing the show with a fantastic vocal performance.

With deep respect for the past and eyes firmly on the future, and with extensive touring ahead, Amorphis continue to shape the landscape of Heavy Metal with grace, finesse and integrity in Borderland. “After three and a half decades, we still follow our instincts,” commented guitarist Tomi Koivusaari. “And honestly, Borderland might be the most Amorphis-sounding album we’ve ever made. After such a long and successful career, that feels pretty damn great!” Those undisputed rock and metal veterans are waiting for you with more of their music, news and tour dates on Facebook and on Instagram, as well as on YouTube and on Spotify, and you can obviously put your damned hands on Borderland by clicking HERE, letting the melodious yet visceral sounds blasted by one of the most important bands to ever arise from the Nordic countries penetrate deep inside your metallic heart.

Best moments of the album: Bones, Light and Shadow and Borderland.

Worst moments of the album: The Strange.

Released in 2025 Reigning Phoenix Music

Track listing
1. The Circle 4:34
2. Bones 4:55
3. Dancing Shadow 4:58
4. Fog to Fog 5:28
5. The Strange 4:18
6. Tempest 5:20
7. Light and Shadow 4:17
8. The Lantern 4:59
9. Borderland 5:30
10. Despair 5:19

Band members
Tomi Joutsen – vocals
Esa Holopainen – guitars
Tomi Koivusaari – guitars
Olli-Pekka “Oppu” Laine – bass
Santeri Kallio – keyboards
Jan Rechberger – drums, percussion

Guest musician
Francesco Ferrini – orchestral arrangements, MIDI programming

Album Review – Helloween / Giants & Monsters (2025)

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Confident and bursting with vigor, these German giants of Heavy Metal and monsters of Rock N’ Roll are back with their breathtaking seventeenth studio album.

With 15 gold awards, six platinum awards and over ten million records sold, German Heavy Metal masters Helloween are celebrating the band’s 40th anniversary with the successor to their critically acclaimed 2021 self-titled masterpiece. Confident and bursting with vigor, the septet formed of frontmen Michael Kiske and Andi Deris, guitarists Kai Hansen, Michael Weikath and Sascha Gerstner, bassist Markus Grosskopf, and drummer Dani Löble presents one of their most versatile albums to date, titled Giants & Monsters, the seventeenth studio album in their undisputed career. Recorded and mixed by Charlie Bauerfeind and Dennis Ward at Mi Sueno Studio, mastered by Sascha “Busy” Bühren and Emil Pohjalainen at Wisseloord Studios, and once again displaying a stunning artwork by Eliran Kantor, Giants & Monsters showcases a band that keeps reinventing themselves while staying true to the foundations of Heavy Metal, continuing to challenge seven brimming careers even after four decades.

Mr. Andi Deris begins embellishing the airwaves with his striking vocals in Giants on the Run, a classic Helloween tune sounding fast, electrifying and epic from start to finish, and I must say I love the fact Kai also delivers some vocal lines during the song. Then it’s time for Mr. Michael Kiske to take us back to the glory of the 80’s in Savior of the World, a flawless Power Metal song striking us hard like fire and thunder, with Dani kicking some ass behind his drums; whereas venturing through the realms of Progressive Rock but always rooted in their classic Heavy Metal sonority we have A Little Is a Little Too Much, one of those songs perfect for dancing with your loved ones. The visceral riffs by Kai, Michael Weikath and Sascha set the tone in the Primal Fear-like attack titled We Can Be Gods, flowing majestically until the very end. And Into the Sun, which was originally recorded for their 2021 self-titled album, but scrapped after being altered during production (as the final result wasn’t to their liking), is a charming ballad led by the hypnotizing vocals by Kiske and Andi.

This Is Tokyo, the first single released a couple of months ago, was a very good sign of the classic, old school approach by Helloween with a Melodic Rock/AOR twist, boosting their vocal lines even more while the chorus couldn’t have sounded catchier; and it’s pedal to the metal in the Heavy and Power Metal attack entitled Universe (Gravity for Hearts), with Dani’s fast and furious beats providing Kiske with exactly what he needs to make his vocals soar high like an eagle, resulting in eight minutes of pure metal magic by our beloved German pumpkins. The septet then offers two three-minute songs, the first being Hand of God, showcasing a more experimental sounds mixed with their core essence. Not their best effort, to be honest, while back to a more electrifying sound we have Under the Moonlight, with the guitars by Kai, Weikath and Sascha adding an overdose of Rock N’ Roll to their core sound. There’s still time for one more epic tune by Helloween, the phenomenal Majestic, and the music perfectly reflects the song title, with Kiske taking the lead with his unparalleled vocals while the band’s guitar triumvirate penetrates deep inside our souls with their superb, classic riffs and solos, or in other words, it’s an epic conclusion to such a metallic celebration by Helloween.

After all is said and done, Giants & Monsters presents the experience and musical enthusiasm of a band that can do anything and everything blazes its way, with all creative limits being set aside once and for all. “What keeps motivating us is the fact that we’re extremely different. That generates suspense and creative energy,” explained Michael Weikath, “and if problems do occur, we connect through our passion and our sense of humor. We try not to take ourselves and everything around us too seriously,” added Kai Hansen, before Andi Deris concluded with a bang. “In the end, we’re just seven guys who want to make music and enjoy the incomparable force that arises when we’re together. Helloween is way more powerful than the sum of its parts.” Hence, if you also want to be part of the Pumpkins United army, you can follow the band on Facebook and on Instagram, stream their classy music on YouTube and on Spotify, and of course add their superb new album to your private collection by clicking HERE. Because Helloween are giants of Heavy Metal, they’re monsters of Rock N’ Roll, and while they’re among us we can all rest assured heavy music will remain alive and kicking.

Best moments of the album: Savior of the World, A Little Is a Little Too Much, This Is Tokyo, Universe (Gravity for Hearts) and Majestic.

Worst moments of the album: Hand of God.

Released in 2025 Reigning Phoenix Music

Track listing
1. Giants on the Run 6:20
2. Savior of the World 4:15
3. A Little Is a Little Too Much 3:30
4. We Can Be Gods 5:24
5. Into the Sun 3:39
6. This Is Tokyo 4:16
7. Universe (Gravity for Hearts) 8:22
8. Hand of God 3:44
9. Under the Moonlight 3:07
10. Majestic 8:10

Band members
Michael Kiske – vocals
Andi Deris – vocals
Kai Hansen – guitars, vocals
Michael Weikath – guitars
Sascha Gerstner – guitars
Markus Grosskopf – bass
Dani Löble – drums