Concert Review – Carcass (The Phoenix Concert Theatre, Toronto, ON, 04/16/2023)

Four metallic beasts cranked the heat with their undisputed music on an already scorching day in Toronto, inspiring us all to get caught in endless mosh pits. 

OPENING ACTS: Creeping Death, Sacred Reich and Municipal Waste

As the “gods of weather” decided to crank the heat in Toronto this past week, with the thermometers breaking the +30oC (or +86oF) mark, it was more than obvious that the temperature inside The Phoenix Concert Theatre last night was going to be insanely high due to the feast of Grindcore, Thrash and Death Metal blasted by CREEPING DEATH, SACRED REICH, MUNICIPAL WASTE and the mighty CARCASS, four amazing bands that are highly recommended for admirers of some good old mosh pits. And oh, there were so many mosh pits for all metalheads at the venue to bathe in (and most of the time that mosh pit bath included a lot of sweat, beer, and even some vomit)! A special shout-out to Embrace Presents for organizing such epic event, and another to the venue staff for keeping everything clean (because dealing with vomit is one of the most disgusting things ever), for keeping everyone safe, and for always being nice to everyone before, during and after all concerts. That’s how fans should always be treated!

I was not even 10 minutes inside the venue when the first band of the night, Denton, Texas-based Death Metal/Hardcore act CREEPING DEATH, kicked off the night with their brutality and heaviness, already inspiring everyone at the venue to slam into the pit, and that high level of violence went on until the last second of their performance. Gearing up for the release of their new album Boundless Domain, which should become available mid-June (and of course, I’ll have a very good time listening to it, and probably reviewing it too), frontman Reese Alavi and his bandmates put on a fantastic show, with their brand new song Intestinal Wrap (don’t forget to check out the studio version featuring the one and only George “Corpsegrinder” Fischer on guest vocals) and The Edge of Existence being the highlights of their pulverizing concert for me. Let’s see when those American metallers will return to Toronto for another round of insanity armed with their classic Death Metal; maybe as soon as their new album sees the light of day?

Setlist
Humanity Transcends
Doused in Flames
Skinned Alive
The Edge of Existence
Bloodlust Contamination
Intestinal Wrap
Specter of War

Band members
Reese Alavi – vocals
Trey Pemberton – guitars
A.J. Ross III – guitars
Rico Mejia – bass
Lincoln Mullins – drums

After the usual bathroom/beer/cigarette/whatever you want to do break, it was time for Phoenix, Arizona’s own Thrash Metal institution SACRED REICH to hit the stage spearheaded by the iconic vocalist and bassist Phil Rind, and as expected their entire performance was absolutely amazing, blending songs from their most recent album Awakening, released in 2019, such the opener Divide & Conquer, Manifest Reality, Salvation and the title-track Awakening, with really old stuff the likes of Death Squad and Ignorance, from their 1987 debut album Ignorance, and The American Way, from their 1990 album of the same name. There was a lot of interaction between Phil and the crowd, with the most beautiful moment being when Phil talked about how music unites people, and how we make good friends through music, which is more than true. Without music I might not have become a friend of Keith Ibbitson of Lower Eastside Photography, who once again provided me with the amazing photos for this review. Back to the concert, Sacred Reich kept kicking our asses with their classy thrashing tunes, ending with their circle pit hit Surf Nicaragua, and leaving us eager for another one of their stylish performances in Toronto in a not-so-distant future.

Setlist
Divide & Conquer
The American Way
Manifest Reality
One Nation
Salvation
Ignorance
Awakening
Independent
Death Squad
Surf Nicaragua

Band members
Phil Rind – vocals, bass
Wiley Arnett – lead guitars
Joey Radziwill – rhythm guitars
Dave McClain – drums

It was then time for the highly anticipated concert by Richmond, Virginia-based Thrash Metal/Crossover squad MUNICIPAL WASTE, and they didn’t disappoint at all their Torontonian fans; quite the contrary, it was an unforgettable show by Tony Foresta, Ryan Waste, Nick Poulos, Landphil, and Dave Witte, who were visibly excited to be playing in Canada, jumping up and down, headbanging and raising their horns nonstop as if they were the crowd, and us fans in the mosh pit were the main attraction. Maybe that’s exactly how they felt last night, right? Furthermore, all songs from their sensational 2022 album Electrified Brain worked really well live, such as Grave Dive, High Speed Steel, and in special Crank the Heat, which was played by the band only because “they were having an amazing time” according to Tony himself, mixed with thrashing beasts the likes of Beer Pressure, Thrashing’s My Business… And Business Is Good, and Headbanger Face Rip.

And speaking about Tony, the man was on fire during their entire performance, having fun with the inflatable orca (don’t ask me why that was brought to a metal concert) and all the cardboard boxes flying around, joking it was a miracle they were allowed to cross the border to Canada, asking for more crowd surfing to keep the security guys busy as they were getting “bored” due to the lack of action, and thanking everyone for attending their concert on a Sunday night. It was awesome when he asked the crowd if they liked to party for Jesus, or if they liked to party for Slayer, and I bet you already know what the fans answered, right? Right after they closed their flawless performance with the headbanging classic Born to Party, you could see the smile on the faces of all fans at the venue, all demanding for more Municipal Waste in the city, including myself, and hopefully it won’t take long for a new visit by those partying thrashers. As the lyrics from Born to Party say, Municipal Waste is gonna fuck you up!

Setlist
I’m a Rebel (Accept song)
Demoralizer
Breathe Grease
Mind Eraser
Beer Pressure
Thrashing’s My Business… And Business Is Good
The Thrashin’ of the Christ
Poison the Preacher
Grave Dive
You’re Cut Off
Sadistic Magician
Slime and Punishment
Crank the Heat
Headbanger Face Rip
Blood Vessel
High Speed Steel
Pre-Game
The Art of Partying
Wave of Death
Born to Party

Band members
Tony Foresta – vocals
Ryan Waste – guitars, backing vocals
Nick Poulos – guitars
Landphil – bass, backing vocals
Dave Witte – drums

CARCASS

Exactly 135 days after their last visit to Toronto (when they opened for Amon Amarth), UK’s Grindcore/Extreme Metal trailblazers CARCASS returned to the city with more of their visceral, infuriated music, this time as the headliners of the night. Jeff Walker, Bill Steer, Tom Draper and Daniel Wilding were sharp, evil and caustic from the very first second of their undisputed performance, kicking some serious ass and proving why they’re still the most important Grindcore band of all time. They did a fantastic job blending songs from all of their albums, with a higher focus on their latest opus Torn Arteries, their 2013 infernal album Surgical Steel, and their 1993 masterpiece Heartwork. Songs like Kelly’s Meat Emporium, Under the Scalpel Blade, This Mortal Coil, and The Scythe’s Remorseless Swing sounded demented live, with all four band members playing those to perfection, of course.

The mosh pits kept going like crazy, the band was in total sync with their fans, and the temperature inside the venue kept going up to the point Jeff began throwing bottles of water for people to rehydrate. He even asked why it was so hot in Toronto, as Canada is supposed to be cold, but apparently he doesn’t know how hot and muggy the GTA can get during the summer. Well, I must admit the summer-like weather in Toronto in the middle of April was a big surprise, but still when it gets hot here, it gets REALLY hot. After playing my favorite Carcass song of all time, the brilliant Heartwork, plus the outro to Carneous Cacoffiny, Jeff and his henchmen returned for what I would call a ruthless, supersonic attack with one of the most violent encores I’ve ever seen, with the songs Exhume to Consume, Tools of the Trade, and 316L Grade Surgical Steel putting every single person at the venue to slam into the pit, bang their heads and raise their horns together with the band. It was beyond infernal, and if Carcass wants to return to Toronto in another 135 days for more of that, I’m totally in!

Setlist
The Living Dead at the Manchester Morgue (Intro)
Kelly’s Meat Emporium
Buried Dreams
Incarnated Solvent Abuse
Under the Scalpel Blade
This Mortal Coil
Tomorrow Belongs to Nobody (Intro)
Death Certificate
Dance of Ixtab (Psychopomp & Circumstance March No. 1 in B)
Black Star (Intro)
Keep On Rotting in the Free World
The Scythe’s Remorseless Swing
Corporal Jigsore Quandary
Ruptured in Purulence (Intro)
Heartwork
Carneous Cacoffiny (Outro)

Encore:
Exhume to Consume
Tools of the Trade
316L Grade Surgical Steel

Band members
Jeff Walker – vocals, bass
Bill Steer – guitars, backing vocals
Tom Draper – guitars
Daniel Wilding – drums

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Album Review – Municipal Waste / Electrified Brain (2022)

Richmond, Virginia’s most insane thrashing squad is back in action with a new album of 14 balls-to-the-wall tracks of ripping Thrash Metal at its finest.

In case you’re not yet acquainted, Richmond, Virginia-based Thrash Metal/Crossover squad Municipal Waste was formed back in 2001 and has been considered by many as the torchbearers for Thrash Metal for the last two decades. Now in 2022 it’s time for Tony Foresta on vocals, Ryan Waste and Nick Poulos on the guitars, Landphil on bass and Dave Witte on drums to kick some ass once again with their newborn opus, entitled Electrified Brain, highly recommended for admirers of the music by Suicidal Tendencies, Nuclear Assault and Toxic Holocaust, among others. Produced by Arthur Rizk and featuring an old school artwork by James Bousema, Electrified Brain will offer your thrashing ears 14 balls-to-the-wall tracks of ripping Thrash Metal at its finest infused with Hardcore and Punk Metal, inviting you to slam into the circle pit like a true metalhead this summer.

Sit down on the electric chair and get ready for the thrashing title-track Electrified Brain, where Tony roars manically supported by the frantic riffs and beats by his bandmates, and Ryan and Nick keep slashing their stringed axes mercilessly in Demoralizer, another classic Thrash Metal tune where Landphil and Dave also make the earth shake with their straightforward kitchen. It’s time to bang your head nonstop to the sound of Last Crawl, a beer drinking, hard hitting Thrash Metal composition where Tony sounds even more demented on vocals, followed by Grave Dive, reminding me of “Toxic Waltz” by Exodus and, therefore, inspiring us to “dance like a money” to the old school riffage by the band’s guitar duo. There’s no time to breathe as the circle pit keeps moving fast in The Bite, spearheaded by Dave’s frantic drumming and with guest vocalist Blaine Cook of The Accüsed adding his touch of insanity to their music, whereas in High Speed Steel the lyrics couldn’t have been more metal (“Born from iron / Strong as steel / Faster than all hell on wheels / Reaching speeds from the unknown / Racing to the terror zone”) while the music is simply awesome and insane. Then more of their incendiary riffs and blast beats are offered to our ears in Thermonuclear Protection, with Tony roaring and barking like there’s no tomorrow.

A jammin’ first half morphs into sheer adrenaline and violence in Blood Vessel / Boat Jail, where their Crossover vein pulses stronger than ever, whereas Crank the Heat is the perfect example of how Thrash Metal should be, which is fast, furious and absolutely fun, with Tony’s raspy screams being flawlessly supported by his bandmates’ backing vocals. Then putting the pedal to the metal it’s time to crush our skulls into the circle pit in Restless and Wicked, showcasing another amazing job done by Ryan and Nick on the guitars, while Ten Cent Beer Night makes me wonder where I could find beer that cheap. Anyway, musically speaking it’s more of their ass-kicking Thrash Metal with all backing vocals adding a Punk Rock-ish vibe to the overall result; and enhancing their animosity and speed the quintet offers us all Barreled Rage, with Landphil’s rumbling bass punching us hard in the head. In Putting on Errors the band needs less than two minutes to demolish everything and everyone that crosses their path, sounding bestial and infernal from start to finish in the name of Thrash Metal, and last but not least, be prepared for one final thrashing attack by Municipal Waste titled Paranormal Janitor, with Ryan and Nick being on fire with their wicked riffs and solos.

Having said all that, what are you waiting for to join Municipal Waste in their quest for Thrash Metal? You can start following them on Facebook and on Instagram for news, tour dates and other nice-to-know details about the band, subscribe to their YouTube channel for more of their rebellious music, and of course purchase your copy of the excellent Electrified Brain (which is by the way available for a full listen anytime you want on Spotify) by visiting the band’s own webstore or by clicking HERE. Your  metallic brain will certainly melt to the sound of the new album by those American rebels, and I’m saying that in the best way possible because, as you know, we’re all born to thrash until we drop dead, and the music by Municipal Waste is an awesome, more-than recommended soundtrack for that.

Best moments of the album: The Bite, High Speed Steel, Crank the Heat and Restless and Wicked.

Worst moments of the album: Blood Vessel / Boat Jail.

Released in 2022 Nuclear Blast

Track listing
1. Electrified Brain 2:45
2. Demoralizer 2:55
3. Last Crawl 2:28
4. Grave Dive 2:31
5. The Bite 1:37
6. High Speed Steel 2:31
7. Thermonuclear Protection 3:02
8. Blood Vessel / Boat Jail 1:55
9. Crank the Heat 2:42
10. Restless and Wicked 2:24
11. Ten Cent Beer Night 2:15
12. Barreled Rage 2:22
13. Putting on Errors 1:30
14. Paranormal Janitor 2:55

Band members
Tony Foresta – vocals
Ryan Waste – guitars, backing vocals
Nick Poulos – guitars
Landphil – bass, backing vocals
Dave Witte – drums

Guest musician
Blaine Cook – additional vocals on “The Bite”