And Toronto partied like it was 1349 together with the mighty Cattle Decapitation on a emotional, memorable and heavy-as-hell night of extreme music.
OPENING ACTS: Grindmother, Tribal Gaze, Frozen Soul and Aborted
After seeing four albums played in full in the past couple of weeks, those being Rivers of Nihil (by Rivers of Nihil), Citadel and Exul (by Ne Obliviscaris), and Somewhere Far Beyond (by Blind Guardian), it was time for another absolute blast with album number five this Saturday, when the indomitable CATTLE DECAPITATION, with the support of GRINDMOTHER, TRIBAL GAZE, FROZEN SOUL and ABORTED, took the stage of The Concert Hall in Toronto with their No Fear For Tomorrow North American Tour 2025 to melt our faces with the full play of their 2019 bestial opus Death Atlas. That was maybe one of the heaviest and most emotional events brought to the city by Noel Peters of Inertia Entertainment this year, and of course Keith Ibbitson of Metal Paparazzi and I were there to be part of such a phenomenal celebration of extreme music by some of the best bands of the current scene worldwide.
As it was a Saturday I managed to get to the venue just in time for the farewell concert by the mighty GRINDMOTHER, a 77-year old retired social worker from Canada whose footage from a rehearsal in 2016 went viral, having played over 50 times live with her bands across Germany, Japan, Canada and the United States (and you can enjoy all of her songs on BandCamp, by the way). In July 2025, she announced her retirement due to dementia, kicking ass on the stages in Montreal on Friday and in Toronto on Saturday as her way to say “thank you” and “au revoir” to all Canadians who have supported her through the years. In Toronto she had the phenomenal support of the she-wolf Chelsea Marrow of Blackened Death Metal beast Visitant (who I had the pleasure of chatting with for a brief moment) and of the electrifying Elizabeth Selfish of Crossover Hardcore act BRAT, adding even more adrenaline to a very emotional goodbye from the stages. I’m sure her son Rayny Forster, who plays bass with her live, is immensely proud of his mom, a strong and relentless woman who proved once again there’s no age limit when it comes to heavy music. It was an excellent warmup for the other bands of the night, and hopefully Grindmother can now enjoy her retirement in great fashion together with her family while listening to some ass-kicking Extreme Metal. Thank you for your music and for your passion for Heavy Metal, Grindmother!
Band members
Grindmother – vocals
Chelsea Marrow – vocals
Elizabeth Selfish – vocals
Topon Das – guitar
Rayny Forster – bass
Mathieu “Vil” Vilandré – drums
After a quick break it was time for Texas-based Death Metal brigade TRIBAL GAZE to ignite some wild mosh pits in the floor section with their short but extremely violent and heavy performance. Led by the charismatic frontman McKenna Holland, the band has just released the excellent Inveighing Brilliance, available on both BandCamp and on Spotify, which was basically what they played during their entire set. Songs like Smiling From Their Chariots and Emptying the Nest sounded inhumane live, with drummer Cesar De Los Santos dictating the pace of his own band and of the entire crowd, who went mental inside the pit and slammed like there’s no tomorrow. I’m sure we’ll hear more from those talented guys in a not-so-distant future, and I can’t wait to see one of their concerts again as they definitely know how to make our good old Death Metal sound incredible live.
Setlist
Smiling From Their Chariots
Emptying the Nest
To the Spoils of Faith
The Irreversible Sequence
Godless Voyage
Twitching on the Cross
Beyond Recognition
Band members
McKenna Holland – vocals
Quintin Stauts – guitars
Ian Kilmer – guitars
Zachary Denton – bass
Cesar De Los Santos – drums
The next attraction of the night is one of those bands you know they’ll quickly become a reference in the genre. I’m talking about Fort Worth, Texas’ own abominable men (and woman) FROZEN SOUL, bringing absolute chaos, frost and heaviness to the stage with their ruthless blend of old school Death Metal. Playing songs from their two awesome albums Crypt of Ice, form 2021, and Glacial Domination, from 2023 (both available on BandCamp and on Spotify), plus a few new killer tunes like Skinned by the Wind and Invoke War, from their upcoming yet-to-be-titled 2026 album, the band led by the unstoppable Chad Green on vocals (who also gave an emotional speech by dedicating one of the songs to his deceased younger brother, therefore showing a lot of heart) put everyone to slam, stage dive, crowd surf, and even do some push ups during their incredible performance, leaving us completely disoriented after all was said and done. One thing I must say about their concert is that the sound quality was superb, allowing the bass by the fantastic Samantha Mobley to punch us hard in the head for our total delight. Needless to say, she’ll (very) soon be one of our metal ladies of the month. I’m now desperate to listen to their upcoming album, because based on what we were able to witness this Saturday, it’s going to be a real banger. Hell yeah, winter is coming again, courtesy of one of the must-see names of the current Death Metal scene.
Setlist
Skinned by the Wind
Beat to Dust
Chaos Will Reign
Morbid Effigy
Merciless
Absolute Zero
Arsenal of War
Invoke War
Crypt of Ice
Band members
Chad Green – vocals
Chris Bonner – guitars
Michael Munday – guitars
Samantha Mobley – bass
Matt Dennard – drums
After everyone had a short break for having another beer, checking the merch stands, going to the washroom, or simply recovering their energies from the chaotic show by Frozen Soul, it was time to “get do da choppa!” together with the unparalleled Belgian Death Metal machine ABORTED, and oh boy, what an apocalyptic performance it was. Sven De Caluwé was not only on fire with his demented guttural, but he was also in his best comedian mode, impersonating the best action hero of all time, the one and only Arnold Schwarzenegger, multiple times, making jokes with his own mother, and asking fans to do some jumping jacks during one of the songs (after pushups and jumping jacks, I was wondering if Cattle Decapitation were going to ask us to do some abs later). What an amazing frontman, and let’s say their setlist helped him a lot, with several songs form their 2024 masterpiece Vault of Horrors, including Dreadbringer, The Shape of Hate and Death Cult, plus classics the likes of Retrogore and The Saw and the Carnage Done, all available on BandCamp and on Spotify, setting fire to the atmosphere just like what happened during their headlining concert in Toronto in February. The icing on the cake happened when Darude’s pop hit Sandstorm was played over the speakers and Sven invited everyone to dance with him, showing we metalheads are not just anger, hatred and darkness. We can also dance. See you at the party, Sven!
Setlist
Dreadbringer
Retrogore
Brotherhood of Sleep
The Origin of Disease
Infinite Terror
The Shape of Hate
Death Cult
Insect Politics
Threading on Vermillion Deception / The Saw and the Carnage Done
Sandstorm (Darude song)
Band members
Sven De Caluwé – vocals
Daníel Máni Konráðsson – guitar
Ian Jekelis – guitar
????? – bass
Kévin Paradis – drums
Siebe Hermans – drums
CATTLE DECAPITATION
We witnessed an emotional farewell, had fun with two of of the new-ish names in Death Metal, and became part of a Belgian death cult this Saturday night. Was that enough for us avid metalheads? Of course not, because we still wanted to party like it was 1349 together with the almighty Progressive Death Metal/Grindcore creature CATTLE DECAPITATION, playing in full their 2019 opus Death Atlas, plus three songs form their 2023 killer album Terrasite, both available on BandCamp and on Spotify, and both paying “homage” to the putrid, gory and visceral downfall of the human race. It was pure Armageddon on stage, and of course that transpired to the floor section where the mosh pits were simply insane.
Anything I say about Travis Ryan at this point of his career is not enough to represent his importance, talent and passion in extreme music. The guy is unstoppable, ruthless, and his goblin screeches are one of those things you must experience live at least once in your miserable life. Songs like Be Still Our Bleeding Hearts, Vulturous, the phenomenal Bring Back the Plague, Death Atlas, and the humanity-is-doomed trio formed of A Photic Doom, We Eat Our Young and Scourge of the Offspring sounded brilliant live once again, and as Travis himself said they’ll be back in April or May I’m wondering if next time we’ll have Terrasite played in its entirety. I love when bands play their albums in full live, as I believe any album is meant to be listened in full without skipping any songs, so let’s wait and see what they’ll bring to the city in the coming months. I’ll be there for sure, because when Cattle Decapitation invites you to party (like it’s 1349), no is definitely NOT an answer.
Setlist
Death Atlas
Anthropogenic: End Transmission
The Geocide
Be Still Our Bleeding Hearts
Vulturous
The Great Dying, Pt 1
One Day Closer to the End of the World
Bring Back the Plague
Absolute Destitute
The Great Dying, Pt. 2
Finish Them
With All Disrespect
Time’s Cruel Curtain
The Unerasable Past
Death Atlas
Encore:
A Photic Doom
We Eat Our Young
Scourge of the Offspring
Band members
Travis Ryan – vocals
Josh Elmore – lead guitars
Belisario Dimuzio – rhythm guitars
Diego Soria – bass
David McGraw – drums
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Like an air-raid siren warning of death from above, Fort Worth, Texas-based Death Metal brigade Frozen Soul returns from their bitterly cold lair to unleash chaos upon humanity with their third studio album, the ruthless No Place of Warmth, following up on their critically acclaimed 2023 sophomore Glacial Domination. Produced by Josh Schroeder at Random Awesome! Recording Studio, and displaying a deadly artwork by James Bousema, the newborn beast by vocalist Chad Green, guitarists Chris Bonner and Michael Munday, bassist Samantha Mobley, and drummer Matt Dennard is a monolithic, majestic and exigent collection of anthems built on the perfect blend of ferocity and subtle melody, allowing soaring guitar leads to guide a lantern through the dark chasm of merciless riffs.
Frozen Soul’s time is now, and No Place of Warmth is their most definitive and rancorous statement. Without a single moment of boredom, the album sees the band distilled to its primordial essence. No frilly edges, no indulgent ambient passages, just pure steamrolling Death Metal destruction at its most clinical. Having said that, if you think you have what it takes to enter their frozen realm of violence and destruction, you can find those Texans on Facebook and on Instagram, stream all of their creations of sheer Death Metal brutality on Spotify, and of course grab a copy of No Place of Warmth from their own BandCamp or from Century Media Records. Because when Frozen Soul attack, there’s definitely no place of warmth. Only old school, scathing and frostbitten Death Metal.
THE HEADBANGING MOOSE 