Album Review – Ater Era / Sinistria (2026)

Prepare for a descent into blackened decay through the down-tuned, crushing Black Metal offered by this ruthless Slovenian horde in their incendiary new opus.

Bastard-born in a land of fractured identities, the venomous Slovenian Black Metal horde Ater Era channels the red soil of their homeland Istria as it rots, darkens, and transforms into something else entirely in their newborn spawn, titled Sinistria, the combination of the words “sinister” and “Istria.” Showcasing a blackened, oppressive, mid-tempo, riff-driven sound with weight and atmosphere, with lyrics in English, Istrian dialect and Slovenian, the follow-up to their 2017 album Clades represents a descent into blackened decay through down-tuned, crushing Black Metal with elements of Doom and Death Metal, embodying a sound that is oppressive and uncompromising, all masterfully brought into being by S.S. (aka Samuel Simonovič) on vocals and guitars, Eva Hreščak on bass, and J.G. (aka Jure Svarog Gams) on drums.

Grim, minimalist guitar and bass sounds permeate the air in Gorging On Devilries, being gradually joined by the pounding drums by J.G. and, therefore, crafting a dense and heavy atmosphere not recommended for the lighthearted; and the band ventures through the lands of Avantgarde and Experimental Black Metal in Terra Rossa, featuring guest musician Igor Pavletič on the trombone, with the riffs by S.S. and the rumbling bass by Eva making the earth tremble. The trio goes full Black Metal in Tema Trma, with the harsh vociferations by S.S. matching perfectly with the nonstop beats and fills by J.G., inviting us to join them in absolute chaos and darkness; while S.S.’s strident riffs ignite the band’s blackened engine in Bastard Born, filling every single space in the air with their Stygian sounds, not to mention his vociferations are also truly demonic, also presenting haunting, atmospheric passages to give it an extra taste. Lastly, we face the ten-minute aria of darkness titled Um Na Dnu, a phrase that translates directly to “mind at the bottom,” often used metaphorically in psychological or meditative contexts referring to exploring the deepest, subconscious, or foundational levels of one’s mind. Musically speaking, it’s a multi-layered display of contemporary Black Metal, ending the album on a vile and pensive mode.

Much like the land that inspired it, Sinistria exists in a state of tension between multiplicity and negation, origin and dissolution without seeking to reconcile these oppositions, but to inhabit them. Furthermore, while the core of Ater Era remains rooted in a primal Black Metal approach, their sound continues to expand into slower, more oppressive territories, adding multiple layers to their already dark and deep sonority. If you want to let their darkness embrace you, you can find Ater Era on Facebook and on Instagram, stream their Stygian music on YouTube and on Spotify, and of course grab a copy of their killer new opus from BandCamp or from On Parole Records. But you better be prepared as once you start your descent into total darkness together with Ater Era, there’s no turning back.

Best moments of the album: Gorging On Devilries and Um Na Dnu.

Worst moments of the album: None.

Released in 2026 On Parole Productions

Track listing
1. Gorging On Devilries 8:15
2. Terra Rossa 7:01
3. Tema Trma 7:41
4. Bastard Born 9:25
5. Um Na Dnu 10:08

Band members
S.S. – vocals, guitars, production
Eva Hreščak – bass
J.G. – drums

Guest musicians
Igor Pavletič trombone on “Terra Rossa”
Eva Brajkovič – backing vocals on “Gorging on Devilries,” “Bastard Born,” and “Um Na Dnu”

Steve Broy – backing vocals on “Bastard Born”
Mitja Rupel – backing vocals on “Bastard Born”
Kariti – backing vocals on “Terra Rossa”

Album Review – Limbes / Liernes (2024)

A languid, raw, sensitive, literate, true and sincere piece of Atmospheric Black Metal offered to us all by a multi-talented musician hailing from France.

Mastering by Jack Shirley at The Atomic Garden Recording Studios, and showcasing a stylish artworks by Dehn Sora, the obscure Liernes, by Paris, France-based Atmospheric Black Metal one-man project Limbes, is the logical continuation of the previous album Écluse, from 2021, a languid, raw, sensitive, literate, true and sincere piece of Black Metal. However, it differs from the latter by a more accessible approach than in the past. Thus, long and atmospheric tracks mingle with the usual torrents of hypersensitivity by the project’s mastermind, vocalist and multi-instrumentalist Guillaume Galaup, all embraced by the Stygian poetry by Marie “Ciguë” Husson, turning the album into a must-listen for fans of Wolves In The Throne Room, Ultha, and Paramnesia.

Pied de Pilori, or “pillory foot”, sounds absolutely atmospheric from the very first notes, with Guillaume building a dense and enfolding ambience that will puts us all in a trace, exploding halfway through it into sheer violence and obscurity, with his harsh vociferations and visceral guitars piercing our souls and minds. Les Côtes à l’Unisson, or “coasts in unison”, also begins in a serene and gentle manner, this time sounding even more atmospheric than the opening track with Guillaume focusing on more delicate sounds like the background synths without forgetting to add heaviness to the music through his beats and guitars; whereas featuring guest vocals by Russian artist Kariti, Buffet Frigide is a lecture in Atmospheric Black Metal made in France, with the sound of all instruments by Guillaume building the perfect stage for Kariti to shine with her hypnotizing vocals, alternating between pure ethereal moments and more vicious sounds where Guillaume darkly roars together with Kariti, instantly connecting with the pulverizing Aulnes & Poussières, or “alders and dust”, where once again our lone wolf hammers all his instruments in the name of dark and caustic metal music, always adding his share of insanity to it through his anguished gnarls, ending in sheer melancholy.

The music by Limbes is definitely not an easy listen for the average music fan, demanding time and focus to absorb all the elements crafted by Guillaume during each one of the lengthy songs from the album, but once it hits you, then you’ll have an amazing experience listening to the album in its entirety. Furthermore, you can get more details about Guillaume and his Limbes by visiting the project’s Facebook and Instagram, stream more of his music on Spotify, and buy the excellent Liernes from his own BandCamp page, from the Frozen Records website, or by clicking HERE. Guillaume was truly inspired when composing his new album under his Limbes project, and I highly recommend you listen to the album to the smallest detail to capture all the passion, agony, pain and darkness overflowing from each song, therefore helping place Limbes as one of the must-see names of the modern extreme music scene.

Best moments of the album: Pied de Pilori and Buffet Frigide.

Worst moments of the album: None.

Released in 2024 Frozen Records

Track listing
1. Pied de Pilori 11:36
2. Les Côtes à l’Unisson 6:54
3. Buffet Frigide 12:13
4. Aulnes & Poussières 10:49

Band members
Guillaume Galaup – vocals, all instruments

Guest musician
Kariti – vocals on “Buffet Frigide”