Concert Review – Carcass (The Phoenix Concert Theatre, Toronto, ON, 04/16/2023)

Four metallic beasts cranked the heat with their undisputed music on an already scorching day in Toronto, inspiring us all to get caught in endless mosh pits. 

OPENING ACTS: Creeping Death, Sacred Reich and Municipal Waste

As the “gods of weather” decided to crank the heat in Toronto this past week, with the thermometers breaking the +30oC (or +86oF) mark, it was more than obvious that the temperature inside The Phoenix Concert Theatre last night was going to be insanely high due to the feast of Grindcore, Thrash and Death Metal blasted by CREEPING DEATH, SACRED REICH, MUNICIPAL WASTE and the mighty CARCASS, four amazing bands that are highly recommended for admirers of some good old mosh pits. And oh, there were so many mosh pits for all metalheads at the venue to bathe in (and most of the time that mosh pit bath included a lot of sweat, beer, and even some vomit)! A special shout-out to Embrace Presents for organizing such epic event, and another to the venue staff for keeping everything clean (because dealing with vomit is one of the most disgusting things ever), for keeping everyone safe, and for always being nice to everyone before, during and after all concerts. That’s how fans should always be treated!

I was not even 10 minutes inside the venue when the first band of the night, Denton, Texas-based Death Metal/Hardcore act CREEPING DEATH, kicked off the night with their brutality and heaviness, already inspiring everyone at the venue to slam into the pit, and that high level of violence went on until the last second of their performance. Gearing up for the release of their new album Boundless Domain, which should become available mid-June (and of course, I’ll have a very good time listening to it, and probably reviewing it too), frontman Reese Alavi and his bandmates put on a fantastic show, with their brand new song Intestinal Wrap (don’t forget to check out the studio version featuring the one and only George “Corpsegrinder” Fischer on guest vocals) and The Edge of Existence being the highlights of their pulverizing concert for me. Let’s see when those American metallers will return to Toronto for another round of insanity armed with their classic Death Metal; maybe as soon as their new album sees the light of day?

Setlist
Humanity Transcends
Doused in Flames
Skinned Alive
The Edge of Existence
Bloodlust Contamination
Intestinal Wrap
Specter of War

Band members
Reese Alavi – vocals
Trey Pemberton – guitars
A.J. Ross III – guitars
Rico Mejia – bass
Lincoln Mullins – drums

After the usual bathroom/beer/cigarette/whatever you want to do break, it was time for Phoenix, Arizona’s own Thrash Metal institution SACRED REICH to hit the stage spearheaded by the iconic vocalist and bassist Phil Rind, and as expected their entire performance was absolutely amazing, blending songs from their most recent album Awakening, released in 2019, such the opener Divide & Conquer, Manifest Reality, Salvation and the title-track Awakening, with really old stuff the likes of Death Squad and Ignorance, from their 1987 debut album Ignorance, and The American Way, from their 1990 album of the same name. There was a lot of interaction between Phil and the crowd, with the most beautiful moment being when Phil talked about how music unites people, and how we make good friends through music, which is more than true. Without music I might not have become a friend of Keith Ibbitson of Lower Eastside Photography, who once again provided me with the amazing photos for this review. Back to the concert, Sacred Reich kept kicking our asses with their classy thrashing tunes, ending with their circle pit hit Surf Nicaragua, and leaving us eager for another one of their stylish performances in Toronto in a not-so-distant future.

Setlist
Divide & Conquer
The American Way
Manifest Reality
One Nation
Salvation
Ignorance
Awakening
Independent
Death Squad
Surf Nicaragua

Band members
Phil Rind – vocals, bass
Wiley Arnett – lead guitars
Joey Radziwill – rhythm guitars
Dave McClain – drums

It was then time for the highly anticipated concert by Richmond, Virginia-based Thrash Metal/Crossover squad MUNICIPAL WASTE, and they didn’t disappoint at all their Torontonian fans; quite the contrary, it was an unforgettable show by Tony Foresta, Ryan Waste, Nick Poulos, Landphil, and Dave Witte, who were visibly excited to be playing in Canada, jumping up and down, headbanging and raising their horns nonstop as if they were the crowd, and us fans in the mosh pit were the main attraction. Maybe that’s exactly how they felt last night, right? Furthermore, all songs from their sensational 2022 album Electrified Brain worked really well live, such as Grave Dive, High Speed Steel, and in special Crank the Heat, which was played by the band only because “they were having an amazing time” according to Tony himself, mixed with thrashing beasts the likes of Beer Pressure, Thrashing’s My Business… And Business Is Good, and Headbanger Face Rip.

And speaking about Tony, the man was on fire during their entire performance, having fun with the inflatable orca (don’t ask me why that was brought to a metal concert) and all the cardboard boxes flying around, joking it was a miracle they were allowed to cross the border to Canada, asking for more crowd surfing to keep the security guys busy as they were getting “bored” due to the lack of action, and thanking everyone for attending their concert on a Sunday night. It was awesome when he asked the crowd if they liked to party for Jesus, or if they liked to party for Slayer, and I bet you already know what the fans answered, right? Right after they closed their flawless performance with the headbanging classic Born to Party, you could see the smile on the faces of all fans at the venue, all demanding for more Municipal Waste in the city, including myself, and hopefully it won’t take long for a new visit by those partying thrashers. As the lyrics from Born to Party say, Municipal Waste is gonna fuck you up!

Setlist
I’m a Rebel (Accept song)
Demoralizer
Breathe Grease
Mind Eraser
Beer Pressure
Thrashing’s My Business… And Business Is Good
The Thrashin’ of the Christ
Poison the Preacher
Grave Dive
You’re Cut Off
Sadistic Magician
Slime and Punishment
Crank the Heat
Headbanger Face Rip
Blood Vessel
High Speed Steel
Pre-Game
The Art of Partying
Wave of Death
Born to Party

Band members
Tony Foresta – vocals
Ryan Waste – guitars, backing vocals
Nick Poulos – guitars
Landphil – bass, backing vocals
Dave Witte – drums

CARCASS

Exactly 135 days after their last visit to Toronto (when they opened for Amon Amarth), UK’s Grindcore/Extreme Metal trailblazers CARCASS returned to the city with more of their visceral, infuriated music, this time as the headliners of the night. Jeff Walker, Bill Steer, Tom Draper and Daniel Wilding were sharp, evil and caustic from the very first second of their undisputed performance, kicking some serious ass and proving why they’re still the most important Grindcore band of all time. They did a fantastic job blending songs from all of their albums, with a higher focus on their latest opus Torn Arteries, their 2013 infernal album Surgical Steel, and their 1993 masterpiece Heartwork. Songs like Kelly’s Meat Emporium, Under the Scalpel Blade, This Mortal Coil, and The Scythe’s Remorseless Swing sounded demented live, with all four band members playing those to perfection, of course.

The mosh pits kept going like crazy, the band was in total sync with their fans, and the temperature inside the venue kept going up to the point Jeff began throwing bottles of water for people to rehydrate. He even asked why it was so hot in Toronto, as Canada is supposed to be cold, but apparently he doesn’t know how hot and muggy the GTA can get during the summer. Well, I must admit the summer-like weather in Toronto in the middle of April was a big surprise, but still when it gets hot here, it gets REALLY hot. After playing my favorite Carcass song of all time, the brilliant Heartwork, plus the outro to Carneous Cacoffiny, Jeff and his henchmen returned for what I would call a ruthless, supersonic attack with one of the most violent encores I’ve ever seen, with the songs Exhume to Consume, Tools of the Trade, and 316L Grade Surgical Steel putting every single person at the venue to slam into the pit, bang their heads and raise their horns together with the band. It was beyond infernal, and if Carcass wants to return to Toronto in another 135 days for more of that, I’m totally in!

Setlist
The Living Dead at the Manchester Morgue (Intro)
Kelly’s Meat Emporium
Buried Dreams
Incarnated Solvent Abuse
Under the Scalpel Blade
This Mortal Coil
Tomorrow Belongs to Nobody (Intro)
Death Certificate
Dance of Ixtab (Psychopomp & Circumstance March No. 1 in B)
Black Star (Intro)
Keep On Rotting in the Free World
The Scythe’s Remorseless Swing
Corporal Jigsore Quandary
Ruptured in Purulence (Intro)
Heartwork
Carneous Cacoffiny (Outro)

Encore:
Exhume to Consume
Tools of the Trade
316L Grade Surgical Steel

Band members
Jeff Walker – vocals, bass
Bill Steer – guitars, backing vocals
Tom Draper – guitars
Daniel Wilding – drums

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Album Review – Carcass / Torn Arteries (2021)

It’s time to wake up once again and smell the bloody and melodic new album by one of the most important bands in the history of extreme music.

If you have a craving for bloody, raw Extreme Metal, get ready to be stunned by Torn Arteries, the brand new opus by Liverpool, UK-based Grindcore masters Carcass, unleashing hell, violence and gore upon us all mere mortals. Recorded at Ghost Ward Studio and The Stationhouse, mixed at Ghost Ward Studio, mastered at Fascination Street Studios and featuring a beautiful artwork by Polish artist Zbigniew Bielak, Torn Arteries is not only the band’s seventh studio album, but their first in eight years since the majestic Surgical Steel, released in 2013, and the wait was absolutely worth it as vocalist and bassist Jeff Walker, guitarist Bill Steer and drummer Daniel Wilding are on fire from start to finish, showcasing all their refined skills while blending the aggressiveness of extreme music with their trademark melody and visceral lyrics.

Daniel kicks off their splatter show with the title-track Torn Arteries, with Jeff’s sick gnarls sounding better than ever for our total delight. What a pulverizing start to the album I might say, not to mention the demented riffs and solos by Bill, and it’s time to crack your neck headbanging to Dance of IXTAB (Psychopomp & Circumstance March No.1 in B), less violent but extremely melodic and sharp with Bill stealing the spotlight with his unmatched riffage, whereas a wicked guitar solo ignites another Melodic Death Metal and Grindcore extravaganza titled Eleanor Rigor Mortis, accompanied by the always raw and vile growling by Jeff while Daniel’s drums dictate the song’s old school pace. Then we have Under the Scalpel Blade, the only song to feature in their 2020 EP Despicable (and we already know how infernal this tune is), while more of their putrid, acid metal music is brought into being in The Devil Rides Out, again proving why they’re a reference in both Melodic Death Metal and Grindcore, with Bill’s riffs and solos being awesome as usual.

Carcass Torn Arteries Limited Box Set

As heavy and aggressive as its predecessors, Flesh Ripping Sonic Torment Limited is a fulminating tune where Jeff is not only bestial on vocals but his bass also sounds hellish, being the perfect option for banging your head like a maniac together with the band throughout its almost 10 minutes where savagery and harmony collide in a vicious way, therefore offering our ears a unique metal voyage. The groovy beats by Daniel once again ignite a Grindcore attack entitled Kelly’s Meat Emporium, with Jeff and Bill being in absolute sync with their respective bass lines and riffs, inviting us all to slam into the circle pit, whereas in In God We Trust a sinister start quickly evolves into a rhythmic and heavy-as-hell sound spearheaded by Daniel’s classy drums, all spiced up by Bill’s undisputed, sharp solos. Then paying homage to themselves, the trio blasts the headbanging tune Wake Up and Smell the Carcass / Caveat Emptor, showcasing another awesome guitar job by Bill while Jeff continues to haunt our souls with his demonic gnarls. And their last breath of insanity and gore comes in the form of The Scythe’s Remorseless Swing, where Jeff, Bill and Daniel smash their sonic weapons in great fashion offering us all another solid tune to close such austere and melodic album.

As Carcass are not only an awesome band but also a group of very nice gentlemen, they’ve made the full album available on both YouTube and Spotify for our vulgar delectation, but of course let’s support the masters of Melodic Death Metal and Grindcore by following them on Facebook and on Instagram, and by purchasing a copy of their bloodthirsty new album from Nuclear Blast by clicking HERE or HERE, and if I were you I would go for the sick Torn Arteries boxset limited to 2,000 worldwide, including the album on CD and veggie splatter vinyl, a 24-page booklet, and a porcelain plate with a stainless steel fork and knife dinnerware set. It’s time to wake up and smell the carcass to the sound of Torn Arteries, knowing that as long as Carcass remain active, their smell will continue to be a thrilling fusion of metal music, blood, speed and violence.

Best moments of the album: Torn Arteries, Flesh Ripping Sonic Torment Limited and Kelly’s Meat Emporium.

Worst moments of the album: Dance of IXTAB (Psychopomp & Circumstance March No.1 in B).

Released in 2021 Nuclear Blast

Track listing
1. Torn Arteries 4:00
2. Dance of IXTAB (Psychopomp & Circumstance March No.1 in B) 4:29
3. Eleanor Rigor Mortis 4:14
4. Under the Scalpel Blade 3:56
5. The Devil Rides Out 5:22
6. Flesh Ripping Sonic Torment Limited 9:42
7. Kelly’s Meat Emporium 3:24
8. In God We Trust 3:57
9. Wake Up and Smell the Carcass / Caveat Emptor 4:36
10. The Scythe’s Remorseless Swing 5:20

Japanese Edition bonus track
11. NWOBHEAD 3:03

Band members
Jeff Walker – vocals, bass
Bill Steer – guitars, backing vocals
Daniel Wilding – drums

Guest musician
Tom Draper – guitars (live)
Per Wiberg – organ, piano
Fredrik Klingwall – keyboards