Album Review – Ellende / Zerfall (2026)

Austria’s own one-man Atmospheric/Post-Black Metal project is back with its sixth opus, portraying the state of being shattered into fragments and the slow, painful process of rebuilding oneself.

Originally conceived as an introverted, misanthropic, and anonymous project by vocalist and multi-instrumentalist L.G. (aka Lukas Gosch) in Graz, Austria back in 2011, the unrelenting Atmospheric/Post-Black Metal entity Ellende, a Middle High German adjective which means “miserable” or “exiled” (as well as “misery” in Dutch), is unleashing upon humanity its sixth full-length offering, titled Zerfall, which translates as “disintegration” or “decay,” portraying the state of being shattered into fragments and the slow, painful process of rebuilding oneself, a confrontation with the void and ultimately a triumph over it. Recorded, mixed and mastered by L.G. and Markus “Schwadorf“ Stock at Klangschmiede Studio E, featuring session drummer P.F., with oil painting by L.G. himself (under the moniker Farbbringer), and shaped also by a tragic event in the life of its mastermind, the follow-up to the project’s critically acclaimed 2024 album Todbringerin continues to fuse raw intensity with profound emotional depth, turning it into a must-listen for fans of Harakiri For The Sky, Wolves In The Throne Room, Alcest, Drudkh, Blut aus Nord, Negura Bunget, Paysage d’Hiver, and Woods of Desolation.

Stygian, introspective sounds set the tone in the intro Nur (or “only” from German), growing in intensity until we face Wahrheit Teil I (“truth part I”), starting with the caustic riffs by L.G. in the most visceral Black Metal style, offering seven minutes of first-class extreme music with L.G.’s venomous gnarls bringing even more anguish to the music, flowing into Wahrheit Teil II (“truth part II”), a darker tune exhaling Depressive Black and Doom Metal, with P.F.’s pounding drums hammering our souls mercilessly. Then the title-track Zerfall starts in a serene, melancholic manner before exploding into majestic Atmospheric Black Metal led by our lone wolf’s devilish riffs and vociferations, alternating between absolute darkness and whimsical, enfolding passages; followed by Übertritt (“transition”), another song that reeks of contemporary Melodic and Atmospheric Black Metal where the strident sound of L.G.’s guitar will pierce our blackened minds in great fashion.

Ode ans Licht (“ode to the light”) brings forward an imposing start to L.G.’s scathing riffage, sounding very melodic albeit not as exciting as the rest of the album while still presenting the project’s trademark melancholy. Zeitenwende Teil I (“turning point part I”), featuring Klara Bachmair from German Black Metal horde Firtan on the violin, is a lecture in extreme music, taking the listener on a one-way journey to absolute darkness together with L.G., with his riffs transpiring epicness; whereas in Zeitenwende Teil II (“turning point part II”), the second piece of such a thrilling Black Metal aria, L.G. keeps gnarling in the most obscure way imaginable supported by the classic beats by P.F., ending with a killer guest guitar solo by Peter Mairhofer from Austrian Melodic Death/Thrash Metal band Norikum. And lastly, we’re treated to the atmospheric, gloomy Reise (“journey”), where its acoustic moments bring peace to our gloomy hearts while its climatic ending sounds as captivating as it is devilish and grim.

Ellende has grown into an internationally recognized live act with session musicians firmly rooted in the Atmospheric Black Metal genre, while also incorporating classical instrumentation such as strings and grand piano, often pushing beyond the boundaries of what is considered traditional within the style, and that’s exactly what makes an album like Zerfall so interesting, detailed and hypnotizing. Hence, you can get in touch with L.G. and his Ellende via Facebook and Instagram, stream his vast and innovative discography on Spotify or any other streaming service, and grab a copy of Zerfall from BandCamp, from AOP Records, from Nuclear Blast or from Napalm Records allowing the music by Ellende to penetrate deep inside your blackened heart and, therefore, letting your deepest emotions arise. Because that’s what high quality Atmospheric Black Metal is all about, and we should always thank L.G. and his Ellende for providing us with such an amazing form of extreme music.

Best moments of the album: Zerfall, Zeitenwende Teil I and Zeitenwende Teil II.

Worst moments of the album: Ode ans Licht.

Released in 2026 AOP Records

Track listing
1. Nur 2:35
2. Wahrheit Teil I 7:03
3. Wahrheit Teil II 5:50
4. Zerfall 7:19
5. Übertritt 6:03
6. Ode ans Licht 4:23
7. Zeitenwende Teil I 6:36
8. Zeitenwende Teil II 5:01
9. Reise 7:14

Double LP bonus tracks
10. Secunda (Jeremy Soule cover) 2:03
11. Verborgenes inneres Leiden 2:28

Band members
L.G. – vocals, choirs, whispers, electric & acoustic guitars, bass, piano, synths, samples, ambience

Guest musicians
P.F. – drums (session)
Klara Bachmair – violin on “Zeitenwende Teil I”
Peter Mairhofer – guitar solo on “Zeitenwende Teil II”
S.R. – guitars (live)
G.T. – guitars (live)
S.L. – bass (live)
T.H.Z. – drums (live)

Album Review – Der Rote Milan / Verlust EP (2025)

Enveloped in shadow, this six-headed German Black Metal beast returns with a new EP encouraging us to sit with the discomfort, with the pain and acknowledge that change is certain, but it is not hopeless.

Enveloped in shadow, Trier, Germany-based sextet Der Rote Milan returns to action with more of their intense, melodic, riff-driven Black Metal in their newborn EP Verlust, the German word for “loss.” Produced by the band itself, recorded, mixed and mastered by Markus Stock  at Klangschmiede Studio E, and displaying a suffocating artwork by Matt Prison, the follow-up to their 2019 full-length album Moritat and their the 2023 EP Schlund sees the band formed of III on vocals, I and V on the guitars, VII on bass, II on synths, and VI on drums  develop further their Atmospheric Black Metal sound and lyrical depth, all steeped in a deep sense of humanity, of indulging in the human condition, even those parts many may wish to avoid, encouraging us to sit with the discomfort, with the pain and acknowledge that change is certain, but it is not hopeless.

The EP kicks off in great fashion to the strident, piercing riffs by I and V in Aus der Finsternis, or “out of the darkness” from German, evolving into a bestial fusion of old school Black Metal with Post-Black Metal nuances, sounding utterly hypnotizing and vile from start to finish. Où allez-vous, or “where are you going?”, brings forward more of their trademark sonority, with VI sounding ruthless as usual on drums while III vociferates the song’s devilish words majestically; and there’s no time to breathe as such a demonic horde invades our senses with Skepsis der Existenz, or “skepticism of existence” (referring to a philosophical doubt about the nature and reality of existence itself), perhaps the most Black Metal of all songs, with III once again stealing the show with his raspy growling. Verlust, the song that carries the name of the EP, brings forward an overdose of soul crushing riffs by I and V supported by the classy drumming by VI; and they close the EP on a vile and frantic mode with Der letzte Rubin, or “the last ruby.” inspired by a poem by Johann Wolfgang von Goethe. Furthermore, I can imagine the speed and size of the circle pits that can be formed during it, all boosted by another rumbling background crafted by VII, II and VI.

Exploring a strange sense of beauty that emerges from despair through the multi-faceted nature in which loss is experienced, the music by Der Rote Milan draws not only from nature, but also from the darker side of humanity’s acts, notably historical wars in Central Europe, anti-religion and, on an individual level, inner conflict. The combination of those elements with the harshness of  Black Metal sounds once again fantastic in the band’s newborn EP, and if you want to put your damned hands on it simply go to BandCamp or to Unholy Conspiracy Deathwork, and don’t forget to also follow the band on Facebook and on Instagram, and stream their austere creations on any platform like Spotify. Because loss exists and purveys through our lives in many forms, one of them being the undisputed Black Metal offered by Der Rote Milan in albums like Verlust, a must-listen for admirers of the darkest side of music and life in general.

Best moments of the album: Où allez-vous and Skepsis der Existenz.

Worst moments of the album: None.

Released in 2025 Unholy Conspiracy Deathwork

Track listing
1. Aus der Finsternis 4:46
2. Où allez-vous 4:40
3. Skepsis der Existenz 4:06
4. Verlust 4:12
5. Der letzte Rubin 5:04

Band members
III – vocals
I – guitar
V – guitar
VII – bass
II – synths
VI – drums