Album Review – Drawn and Quartered / Lord of Two Horns (2025)

These American Death Metal beasts will desecrate all that is holy with their new album, a maelstrom of blast-driven violence, suffocating atmosphere, and riff work sharp enough to flay flesh from bone.

Relentless and unwavering, Seattle, Washington-based Death Metal beasts Drawn and Quartered return to desecrate all that is holy with the release of their brand new full-length album, Lord of Two Horns, their ninth studio album and a more-than-worthy follow-up to their 2021 record Congregation Pestilence. Mixed and mastered by Loïc F. at Krucyator Productions, and displaying a sick artwork by Gabriel T. Byrne, the new offering by vocalist and bassist Herb Burke, guitarists Kelly Shane Kuciemba and Brandon Corsair, and drummer Simon Dorfman sees the band deliver eight tracks and 34 minutes of their trademark unfiltered carnage spiced up by their signature early 90’s-influenced Death Metal darkness with more speed and brutality than ever before, proving why they’ve become legends in the underground extreme music scene.

Their opening attack titled Black Castle Butcher is a demented, no shenanigans, and absolutely ruthless display of Death Metal that kicks off the album on an insane mode, with Simon sounding simply inhumane on drums while Herb vomits the song’s devilish words like a true beast. Then the visceral riffage by Kelly and Brandon will peel your flesh like a rabid cannibal in Zealous Depopulation, perfect for some insane action inside the mosh pit; followed by the title-track Lord of Two Horns, showing absolutely no mercy for our putrid bodies and souls, a demonic display of violence led by the infernal roars by Herb who also hammers his bass in great fashion. And Into the Mouth of the Dead is another song with a charming and delicate name that will pulverize your senses to the demented beats and fills by Simon.

The quartet then adds hints of Blackened Death Metal to their core sonority in Three Rivers of Poison (Blasphemous Persecution), showcasing an even darker side thanks to the venomous vociferations by Herb; whereas Simon delivers a freakin’ brutal performance in Grimoire of Blood, providing Kelly and Brandon with exactly what they need to slash their axes in the name of heavy music. Then adding a welcome dosage of Doom Metal to their evil sound we face The Devil’s Work Is Never Done, slower than its predecessors but utterly heavy and caustic, proving how dynamic their music can be; and ending the album we have the two-minute feast of madness and aggression titled Mass Grave Curse, with the entire band crushing their sonic weapons mercilessly until the very last second.

A maelstrom of blast-driven violence, suffocating atmosphere, and riff work sharp enough to flay flesh from bone, Lord of Two Horns is Death Metal crafted to maim, forged in fire and performed with malicious intent, and you can put your blood-soaked hands on such a demented album by purchasing it from the Nuclear Winter Records’ BandCamp or webstore, and don’t forget to also follow the band on Facebook and on Instagram, and to stream their music on Spotify (it looks like there are two links, which means you can stream their albums either HERE or HERE). Lord of Two Horns is a savage display of classic Death Metal, leaving us eager for more of the music by those ruthless American musicians, and if you don’t like what they have to offer in their newborn spawn, well, you should definitely be drawn and quartered.

Best moments of the album: Black Castle Butcher, Lord of Two Horns and The Devil’s Work Is Never Done.

Worst moments of the album: None.

Released in 2025 Nuclear Winter Records

Track listing
1. Black Castle Butcher 3:24
2. Zealous Depopulation 3:23
3. Lord of Two Horns 5:37
4. Into the Mouth of the Dead 4:20
5. Three Rivers of Poison (Blasphemous Persecution) 5:19
6. Grimoire of Blood 3:38
7. The Devil’s Work Is Never Done 5:33
8. Mass Grave Curse 2:00

Band members
Herb Burke – vocals, bass
Kelly Shane Kuciemba – lead & rhythm guitars
Brandon Corsair – guitars
Simon Dorfman – drums, percussion

Album Review – N.K.V.D. / Totalitarian Industrial Oppression (2016)

Join the metallic army of Industrial Black Metal brought forth by an interesting project from France inspired by dictatorship, totalitarianism and oppression.

Rating4

nkvd_tioNarodnyi Komissariat Vnutrennikh Del (Russian for “People’s Commissariat for Internal Affairs”), or simply N.K.V.D., was the public and secret police organization of the Soviet Union that directly executed the rule of power of the Soviets, including political repression, during the era of Joseph Stalin, being active from 1943 to 1946. Almost 60 years after its dissolution, here we have the new generation of N.K.V.D., this time an Industrial Black Metal project formed by French multi-instrumentalist Loïc.F in Montpellier, a city in southern France, blasting their disturbing and uproarious dark music inspired by dictatorship, totalitarianism and oppression, among other obscure topics from a not-so-distant past.

N.K.V.D.’s brutal, cold Black Metal has been haunting the souls of the living since 2005 with a series of outstanding releases, those being their debut EP Diktatura in 2007, their first full-length album Vlast in 2011, and finally the album Hakmarrja in 2014. By the way, an extract of the song “Hakmarrja” appears in the recently released movie The Blair Witch Project, just for you to get a sense of how obscure their music is. After a decade of existence, as both Diktatura and Vlast have been sold out for years, Loïc.F together with Krucyator Productions and Clan of Exclusion decided to release a compilation entitled Totalitarian Industrial Oppression, uniting the two records in one with a remastered version of Vlast. Featuring a tyrannical artwork by H & Secret Shelter, this special compilation offers the most solid and disquieting Industrial Black Metal you can think of, taking you to the darkest years of political repression in the history of mankind.

The menacing and phantasmagoric intro Ch.R.I kicks off the first part of the album, the EP Diktatura, opening the gates for a pulverizing Industrial Metal hymn with a true Black Metal aura titled Kadyrovski Klan, which makes Ministry and Nine Inch Nails sound like the Teletubbies so heavy it is. Moreover, Loïc.F was capable of creating such a diverse and dense sounding by himself he truly deserves to be called a one-man army, not to mention the song’s sensational marching ending. Then we have another dissonant and disturbing composition, Die Blinde Wissenschaft (or “the blind science” from German), even more furious than its predecessor and a delight for the lovers of the genre, where all spaces are filled with metallic and aggressive sounds; followed by Incipit SSSR, a song that will pierce your mind so belligerent it is, the perfect soundtrack for a warlike horror movie with the vocals by guest musician Eric Syre sounding truly demonic and full of hatred. And closing the EP we have the perturbing soundtrack-inspired track Sloboda, which somber ambience in the beginning gives place to pure epicness in the form of Industrial Metal that “marches” powerfully until the song’s end.

promo-pictureLet me warn you that the second part, the remastered album Vlast, is not going to be any lighter than Diktatura, starting with the thunderous and explosive noises that smoothly morph into mean Atmospheric Black Metal in Geheime Staats Polizei (German for “Secret State Police”), where although drums are programmed, they add an impeccable level of violence to the overall result. The second version of Incipit SSSR, featuring guest musician H.S on vocals, is as epic and obscure as the original version, with its demonic warlike aura embracing the listener while Loïc.F does a great job by adding the necessary samples to the music, making the whole song more realistic; whereas Ibn Al Khattab presents a flammable feast of blast beats, menacing voices and another killer performance by H.S, with Loïc.F creating an eruption of dark sounds in the background, turning it into one of the best tracks of the album. And in Alkhan-Kala, we face a wicked narration in the beginning followed by more sheer darkness in the form of Extreme Metal, sounding like an industrial army marching to war.

Get ready for war in the last batch of industrialism and dictatorship from Totalitarian Industrial Oppression. In Geniul Din Carpati (or “Genius of the Carpathians” from Romanian), Loïc.F definitely knows how to start a song in a very impactful way, with the strident and resonant sound of drums penetrating your mind despite the entire song not being  as gripping as the rest of the album. As industrialist as possible, Krasnaya Paranoia shows no sign of happiness or peace, with its imposing background being the perfect stage for guest vocalist Tyrant Moloch to provide his gnarls to another brutal creation by N.K.V.D., while in Socijalisticka Federativna Republika Jugoslavija we have an army chant to kick off things in a proper, ominous way. If you pay good attention to the entire album, you’ll notice this is an alternative (or more complete) version of “Sloboda”, exhibiting similar samples, rhythm and tempo changes, but with a stronger vibe and density. The last track of the album, Grozny, is simply disturbing, showcasing heavy guitar sounds and fierce drums in a solid fusion of Black and Industrial Metal, something Loïc.F has mastered doing. It’s basically an instrumental tune that would have been much more effective if slightly shorter, but still quite enjoyable.

If you want to join the metallic army of N.K.V.D. forged in their autocratic realm of Industrial Black Metal, simply visit their Facebook page for more information on this unique project. And obviously don’t forget to support the independent scene by purchasing your copy of Totalitarian Industrial Oppression by visiting their BandCamp page, the Krucyator Productions’ BandCamp page or webstore, or also at Discogs.

Best moments of the album: Kadyrovski Klan, Geheime Staats Polizei and Ibn Al Khattab.

Worst moments of the album: Geniul Din Carpati and Grozny.

Released in 2016 Krucyator Productions

Track listing
Part 1 (Diktatura EP)
1. Ch.R.I 1:14
2. Kadyrovski Klan 4:48
3. Die Blinde Wissenschaft 4:16
4. Incipit SSSR 4:42
5. Sloboda 6:39

Part 2 (Vlast)
6. Geheime Staats Polizei 5:37
7. Incipit SSSR 4:32
8. Ibn Al Khattab 3:02
9. Alkhan-Kala 4:12
10. Geniul Din Carpati 4:17
11. Krasnaya Paranoia 4:25
12. Socijalisticka Federativna Republika Jugoslavija 5:47
13. Grozny 5:11

Band members
Loïc.F – guitars, bass, programming, samples

Guest musicians
Eric Syre – vocals on “Incipit SSSR” (Diktatura version)
Masterssatan – vocals on “Die Blinde Wissenschaft”
H.S  – vocals on all Vlast album, except on “Krasnaya Paranoia”
Tyrant Moloch – vocals on “Krasnaya Paranoia”