Album Review – Demiser / Slave to the Scythe (2024)

Like a lumbering, ferocious beast, this South Carolina-based Blackened Thrash Metal behemoth will destroy everything in their path armed with their sophomore opus.

Like a lumbering, ferocious beast awoken from a centuries-long slumber, the Blackened Thrash Metal behemoth known as Demiser emerged from the primordial ooze of the South Carolina metal scene in 2017, unleashing their debut effort Through the Gate Eternal back in 2021. Now in 2024 the band formed of Demiser the Demiser on occult liturgic blasphemy (vocals), Gravepisser on six-stringed satanic fukklord (guitars), Phallomancer on abysmal rhythm of death (guitars), Defiler on dismal baritone curator (bass), and Infestor on purveyor of percussive bile (drums) brings forward their sophomore opus, titled Slave to the Scythe, a devastatingly intense slab of work, an aural harbinger of hellish intent that sees the band blend 80’s Thrash Metal, first-wave Black Metal, Death Metal and a healthy dose of NWOBHM. Recorded by Chase McGuckin at Seaboard Recording Studio, and displaying a demonic artwork by Lucas Ruggieri, Slave to the Scythe is the work of a band of men determined to destroy everything in their path. Musically, of course.

Infestor kicks off the band’s depraved party in Feast, a devastating Death and Thrash Metal tune where Demiser the Demiser gnarls nonstop in the name of evil; whereas Gravepisser and Phallomancer deliver sheer rage through their caustic riffs in the title-track Slave to the Scythe, another fast-paced, circle pit catalyst by the quintet. Then inspired by other amazing underground bands like Midnight, it’s time for Defiler and Infestor to make the earth shake in Carbureted Speed, offering Demiser the Demiser exactly what he needs to roar manically in this Punk Rock-infused thrashing extravaganza, and it’s pedal to the metal with the band’s guitar duo showing no mercy for our souls in Phallomancer the Phallomancer, slashing their axes like there’s no tomorrow.

After that we have a serene, acoustic Interlude, working as the calm before the storm titled Total Demise, where Infestor speeds things up with his demented beats and fills, inviting us all to slam into the mosh pit like true metal maniacs. Their thrashing feast with hints of Death Metal goes on in full force in Hell Is Full of Fire, with Demiser the Demiser and Infestor sounding ruthless armed with their respective roars and beats, and those demonic beasts will carve their teeth deep inside your flesh in Infernal Bust, offering more of their rumbling bass and drums courtesy of Defiler and Infestor, while Demiser the Demiser continues to vociferate like a demented creature of darkness. Finally, we face In Nomine Baphomet, the most epic and detailed of all songs, showcasing layers of sulfur, wrath and aggression by such an amazing name of the underground where all band members are on fire during the whole song, with Infestor once again stealing the show with his fusion of Black, Thrash and Death Metal beats and fills, putting a darkly and insanely epic finale to the album.

The band’s influences include the likes of Venom, Bathory, Slayer, Motörhead, and Deströyer 666, plus movies like Terminator 2, Commando, and Predator (or pretty much anything Arnold Schwarzenegger, to be fair), with the overarching themes on Slave to the Scythe being essentially “hell, fire and hellfire.” There are no ballads, no love songs, just plain devilish music for devilish people that was largely written on the road, and if you want to feel that fire burning your putrid body for all eternity you can start following the band on Facebook and on Instagram, stream their music on Spotify, and obviously purchase a copy of the excellent Slave to the Scythe from their own BandCamp page or from the Blacklight Media Records’ webstore. In other words, if your impure soul is going to burn in hell, may that happen to the sound of one of the most bestial thrashing albums of the year.

Best moments of the album: Carbureted Speed, Hell Is Full of Fire and In Nomine Baphomet.

Worst moments of the album: None.

Released in 2024 Metal Blade Records/Blacklight Media Records

Track listing
1. Feast 4:10
2. Slave to the Scythe 4:37
3. Carbureted Speed 3:39
4. Phallomancer the Phallomancer 4:39
5. Interlude 2:45
6. Total Demise 4:54
7. Hell Is Full of Fire 3:48
8. Infernal Bust 3:49
9. In Nomine Baphomet 8:03

Band members
Demiser the Demiser – vocals
Gravepisser – guitars
Phallomancer – guitars
Defiler – bass
Infestor – drums

Album Review – Ryth / Deceptor Creator (2022)

Raise your horns to this four-piece Death Metal act from Bahrain, bringing to our ears their unique and brutal blend of extreme music in their debut album.

Formed in 2008 in Bahrain (a country not known for its metal scene for many reasons), the four-piece Death Metal act that goes by the name of Ryth is unleashing upon us their debut full-length album, entitled Deceptor Creator, offering our ears 44 minutes of what can be described as Blackened Death Metal with a technical and progressive edge. Mixed by Hani Taqi at Studio 77, mastered by legendary mastering engineer Alan Douches at West West Side Music, and displaying a Stygian artwork designed by Lucas Ruggieri, Deceptor Creator beautifully represents all the hard work and passion by vocalist and bassist Mohammed AlMeshkhas, guitarists Abdulrahman Rashed and Hisham AlAnsari, and drummer Mahmood AlAnsari, who despite all the struggles faced by any metal band in the Middle East never gave up their dream and were finally able to release their debut effort, forging their unique and brutal blend of extreme music.

The atmospheric, cryptic intro Firmament sets the stage for Ryth to crush our souls in Auto-Autonomous, with the guitars by Abdulrahman and Hisham exhaling hatred and animosity while Mohammed roars manically form the bottom of his devilish heart. Put differently, it’s in-your-face Death Metal the likes of Unleashed, flowing into Self Destruct, which begins in a somber manner to the minimalist riffage by the band’s guitar duo and the rhythmic beats by Mahmood while Mohammed continues to vociferate the song’s lyrics in great fashion. White Portrait is even more detailed and progressive than its predecessors, with Mahmood sounding fantastic behind his drums in a lecture in modern-day Progressive Death Metal; whereas Spiral Flood is more direct and infernal, with the riffage by Abdulrahman and Hisham cutting your skin deep while Mahmood keeps hammering his drums nonstop.

The second part of the album begins with the futuristic, eerie interlude Spectre, showcasing an obscure background voice and growing in intensity until exploding into Facade, another puissant, heavy-as-hell tune that brings to our ears more of the gruesome vociferations by Mohammed. Moreover, although the band’s trademark brutality is present, the song loses a bit of its punch after a while. Then sinister and atmospheric from the very first second, the multi-layered The Rise of Erebus will embrace you in pitch black darkness to the venomous growls by Mohammed and the puissant drums by Mahmood; and lastly, Explicit Name is another solid hybrid of classic Death Metal with more modern and progressive nuances, with their guitars walking hand in hand with both their wicked growls and anguished clean vocals.

In summary, if you’re a fan of bands such as Gojira, Dark Fortress, Shining and Opeth you must take a listen at Deceptor Creator, as the album will bring to your avid ears a massive dose of heaviness, groove and progressiveness altogether. Hence, don’t forget to follow the band on Facebook and on Instagram for all things Ryth, to subscribe to their YouTube channel for more of their music, to stream their creations on Spotify, and above all that, to purchase Deceptor Creator by clicking HERE. It’s always a pleasure seeing metalheads from the Middle East going against all odds and delivering first-class metal even with all the hassles and prohibitions imposed by their authoritarian governments, and the band simply nailed it with Deceptor Creator, proving once again the Middle East could be an excellent source of metal music if only there was a little bit more freedom for talented musicians like the guys from Ryth.

Best moments of the album: Self Destruct, White Portrait and The Rise of Erebus.

Worst moments of the album: Facade.

Released in 2022 Independent

Track listing
1. Firmament 0:35
2. Auto-Autonomous 5:23
3. Self Destruct 5:20
4. White Portrait 6:41
5. Spiral Flood 5:48
6. Spectre 1:51
7. Facade 8:31
8. The Rise of Erebus 5:15
9. Explicit Name 4:51

Band members
Mohammed AlMeshkhas – vocals, bass
Abdulrahman Rashed – guitars
Hisham AlAnsari – guitars
Mahmood AlAnsari – drums