Concert Review – Dying Fetus & Cradle of Filth (Rebel, Toronto, ON, 05/07/2025)

And Toronto savored a wild and frantic night of pure chaos and carnage, offered by seven of the must-see names of the current extreme music scene worldwide.

OPENING ACTS: Corpse Pile, Vomit Forth, Undeath, Ne Obliviscaris and Fleshgod Apocalypse

If there’s one thing that has become a true torment in the lives of all metalheads that live in Toronto and vicinities, that is concerts with an early start time. Traffic to get to the city is already brutal on any regular day, but when the weather is amazing (meaning more people on the streets) and there’s also at the exact same time an NHL playoff game happening in the heart of the city, then it’s an absolute nightmare. Those are the reasons why I had to miss almost half of CHAOS & CARNAGE 2025 (from the must-see Chaos & Carnage series) this Wednesday night when CORPSE PILE, VOMIT FORTH, UNDEATH, NE OBLIVISCARIS, FLESHGOD APOCALYPSE, DYING FETUS and CRADLE OF FILTH arose from the underworld to crush us mere mortals with an overdose of darkness, heaviness and insanity at the almost-impossible-to-get-in-and-out Rebel. Fortunately, Keith Ibbitson of Metal Paparazzi made it in time for all bands, and gave me an overview of the first three attractions of the night, who were kicking ass onstage while I was still stuck in the horrid and tiresome QEW.

Houston, we have a problem. I think it wasn’t event 5pm when Houston, Texas-based Brutal Death Metal/Hardcore outfit CORPSE PILE hit the stage at Rebel, and just to give you an idea of how early that was, I was still in the office having a client meeting at that time. I confess I was listening to their 2024 EPs Hardgore Deathmetal and Holly Jolly Hardgore a few days before the show, plus their new single Fed To The Starved, all available on Spotify, hoping I could do some sort of magic trick and be there in time to see them live, but of course that didn’t happen. Well, Keith said they were insanely heavy and fun, already igniting some sick mosh pits with whoever was lucky enough to be at a concert in the middle of the afternoon on a Wednesday. Maybe next time I’ll catch those guys live, as long as they don’t play at a “matinée” time again.

Setlist
Intro
Genesis Of Suffering
Kicked in Cadaver
Vengeful Hymns
For Flesh and All
Stacking Bodies
Fed to the Starved
Reality
Fuck Your Life

Band members
Jason Lionel Frazier – vocals
Landry Arredondo – guitars
Cody Webb – guitars
Davis Pryse Snyder – bass
Alex Covarrubias – drums

I also missed the next attraction of the night, Connecticut’s own Death Metal brigade VOMIT FORTH, who released last year the excellent album Terrified of God (also available on Spotify and all other streaming platforms), and again I was very disappointed for not having the pleasure of seeing those guys live. All my buddies who could make it to the venue in time for their show said they were ruthless onstage, blasting sheer Death Metal for the delight of a wild crowd avid for some action inside the pit. I’ll have to repeat myself and complain about the start time again, because I think it was maybe 5:30pm when they began their set. Who scheduled those early-as-hell times? Bands like Vomit Forth deserve bigger audiences, but if they keep playing at early slots like this a lot of people will end up missing them and will not care about buying their music or merch, you know what I mean?

Setlist
(Unknown)
(Unknown)
Sacred Apple
Rotting Wool
Negative Penance
Blood Soaked Death Dream
Pain Tolerance

Band members
Kane Gelaznik – vocals
Bailey Olinger – guitars
Ricky Brayall – guitars
Jett Stotts – bass
Luke Zeitler – drums

Guess what? Yes, I also missed the unrelenting performance by Rochester, New York’s Death Metal beast UNDEATH, because despite their starting time being a little later than the first two bands, it was still freakin’ early. Another huge bummer as their 2024 album More Insane, also available in full on Spotify and any other streaming service, is exactly that, an insane explosion of visceral Death Metal. Keith and the other guys said they put on a fantastic show, with the bigger (but not big enough) crowd going mental inside the circle pit. If you’re attending any of the shows from Chaos & Carnage 2025, I highly recommend you try your best to arrive in time at least for Undeath, because those guys are insane live and definitely know how to electrify fans of extreme music during their entire set.

Setlist
Dead From Beyond
Rise From the Grave
More Insane
Necrobionics
(Unknown)
Lesions of a Different Kind
Brandish the Blade

Band members
Alexander Jones – vocals
Jared Welch – guitars
Kyle Beam – guitars
Tommy Wall – bass
Matt Browning – drums

Finally, after my excruciating quest to arrive to Toronto, I made it to Rebel around 7pm, just in time to witness one of the most hypnotizing concerts I’ve ever seen in my life, the atmospheric, progressive and vibrant performance by Australian Extreme Progressive Metal unit NE OBLIVISCARIS. Having released the album Exul back in 2023 (also available on Spotify), the band now fronted by James Dorton, replacing the iconic Xenoyr, who was the band’s lead singer from 2003 until earlier this year (what’s going on with so many extreme music bands switching their vocalists these days?), put on  a short but beyond phenomenal show that inspired us all for some nonstop headbanging, horns raising and crowd surfing, plus of course some crazy mosh pit action to the sound of the crying violin by Tim Charles, turning it into one of the classiest heavy concerts of all time in Toronto. I can’t wait for those amazing musicians from Down Under to return to Toronto with another round of their unique music, and until then we all know what to do. Stay classy, and listen to Ne Obliviscaris.

Setlist
Equus
Suspyre
Painters of the Tempest (Part II): Triptych Lux
And Plague Flowers the Kaleidoscope

Band members
James Dorton – harsh vocals
Tim Charles – violin, clean vocals
Benjamin Baret – lead guitars
Matt Klavins – guitars
Martino Garattoni – bass
Daniel Presland – drums

Another band I was eager to see was Italian Symphonic/Technical Death Metal horde FLESHGOD APOCALYPSE, and once again it was a jaw-dropping, unforgettable experience to all fans at Rebel. When the sensational soprano Veronica Bordacchini took the stage carrying a huge Italian flag, I knew we were about to enjoy a magnificent, epic concert, and that’s exactly what the band provided us with. Francesco Paoli was on fire during their entire set, as well as drummer Eugene Ryabchenko, who can play drums AND headbang at the same time, which was truly impressive in my humble opinion. In addition, not only their latest album Opera (also available on Spotify) is one of the best of 2024, but the songs played from that album, I Can Never Die, Pendulum, and Bloodclock, sounded way more powerful live, and as I’m always pro live music, those Italians won my heart with their flawless concert. Veronica’s voice live is something out of this world, simply beautiful and enfolding, and I highly recommend you go see such a unique band live at least once. And did we get a nice wall of death while Francesco Ferrini was playing his classic piano onstage? Oh, hell yeah! And what about the ending with their metal version of Eiffel 65’s dancing hit Blue (Da Ba Dee)? It was apotheotic to say the least!

Setlist
Ode to Art (de’ Sepolcri)
I Can Never Die
Minotaur (The Wrath of Poseidon)
The Fool
Pendulum
Bloodclock
Sugar
The Violation
Blue (Da Ba Dee) (Eiffel 65 cover)

Band members
Francesco Paoli – lead vocals, guitars, bass
Veronica Bordacchini – vocals (soprano)
Fabio Bartoletti – lead guitars
Francesco Ferrini – piano, orchestrations
Eugene Ryabchenko – drums

CRADLE OF FILTH

Almost three years after their last visit to the city, Suffolk, England’s iconic Extreme Metal miscreants CRADLE OF FILTH were finally back to the city with another round of their undisputed, sulfurous and blasphemous music, this time promoting their latest opus, the collection of sweet lullabies entitled The Screaming Of The Valkyries, which you can enjoy in full on Spotify, of course. Their set might have been extremely short (at least for me, as I would love to see them play for over two hours if possible), but it was as dark as the black wings of a Nazgûl, and as venomous as the bite of a King Cobra. Even after seeing Mr. Dani Filth live countless times I’ll never understand how he can scream like that, and if you add to that the violent yet very technical sounds blasted by his bandmates, there you have the perfect recipe for a wild concert with lots of mosh pits, horns in the air and demonic roars form the crowd. The new songs To Live Deliciously and Malignant Perfection sounded great live, but it was Nemesis plus the closing duo Death Magick for Adepts and Her Ghost in the Fog that inspired all fans to succumb to the dark side of music and worship Suffolk’s finest. Hopefully it won’t take another three years for Dani and his horde to return to Toronto, because Cradle of Filth are one of the best bands to see live in the history of heavy music. And if you’re not convinced yet, just as Richmond from IT Crowd.

Setlist
Resurrection
To Live Deliciously
Nemesis
She Is a Fire
The Principle of Evil Made Flesh
Malignant Perfection
Cruelty Brought Thee Orchids
Death Magick for Adepts
Her Ghost in the Fog
Blooding the Hounds of Hell

Band members
Dani Filth – vocals
Marek ‘Ashok’ Smerda – guitars
Donny Burbage – guitars
Daniel Firth – bass
Zoe Marie Federoff – keyboards, vocals
Martin ‘Marthus’ Skaroupka – drums

DYING FETUS

It was getting late but after facing the brutality of all the traffic to get to the city I needed some relaxing music before heading home, and there’s nothing better than the fusion of Brutal Death Metal and Grindcore by Baltimore, Maryland’s technical and savage trio DYING FETUS. Next time your company’s HR asks for ideas for this year’s office Christmas party, simply say “the Fetus Boys” (like how Dani Filth enjoys calling them), and I’m sure Karen from Operations will love the idea and will be in the middle of the band’s demented circle pit. Blending songs from all of their albums in their setlist, including some from their 2023 offering Make Them Beg for Death, also available on Spotify, John Gallagher, Sean Beasley and Trey Williams simply decimated every single living creature at Rebel, delivering a pulverizing, frantic and absolutely technical concert for the delight of their diehard fanbase. Not even the stress of trying to get out of the city after the show was enough to erase the joy of experiencing Dying Fetus live, and I’m sure whenever they return to the city, there will be blood, sweat, violence, and endless circle pits again.

Setlist
Praise the Lord (Opium of the Masses)
Unbridled Fury
In the Trenches
Wrong One to Fuck With
Compulsion for Cruelty
One Shot, One Kill
Your Treachery Will Die With You
Grotesque Impalement
Subjected to a Beating
Into the Cesspool
Killing on Adrenaline

Band members
John Gallagher – guitars, vocals
Sean Beasley – bass, vocals
Trey Williams – drums

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Album Review – Cradle of Filth / The Screaming Of The Valkyries (2025)

It’s time to live deliciously to the sound of the screaming Valkyries found in the fourteenth studio album by one of the most revolutionary bands in the history of extreme music.

Reigning supreme as one of the most revered, formative and notorious names in music, from the depths of the Extreme Metal underground to the peaks of mainstream pop culture itself, Suffolk, England’s ultimate blasphemers Cradle of Filth are back from the netherworld armed with their arrestingly catchy fourteenth studio album, The Screaming of the Valkyries, the follow-up to their 2021 beast Existence Is Futile. Produced, recorded, mixed, and mastered by Scott Atkins at Grindstone Studio, and displaying a beyond sinister artwork by Roberto Diaz (aka Arte del Caos), the new album by the iconic frontman Dani Filth, guitarists Marek ‘Ashok’ Smerda and Donny Burbage, bassist Daniel Firth, keyboardist Zoe Marie Federoff and drummer Martin ‘Marthus’ Skaroupka is a succinct summation of the ghosts of the band’s past and a bold step into the future, offering Dani’s unparalleled screams and equally identifiable growls alongside twin guitar attacks, symphonic flourishes, and an explosive rhythm section for the delight of all diehard fans of the band or newcomers to their sinister lair.

The opening aria To Live Deliciously is cryptic and atmospheric from the very first second, erupting into an overdose of Extreme Metal magic led by Mathus’ hammering drums, with Dani gnarling like a true servant of darkness. Then we have Demagoguery, bringing to our putrid ears over six minutes of absolute madness where the Stygian keys by Zoe match perfectly with the riffage by Ashok and Donny, also presenting the band’s characteristic haunting passages; and an avalanche of guitar shredding and epic keys permeates the air in The Trinity Of Shadows, offering us the past, present and future of Cradle of Filth in an exciting and compelling manner. Non Omnis Moriar, a Latin phrase that means “not everyone will die”, is a more cadenced yet heavy and caustic creation by the band, with Zoe’s operatic vocals bringing an extra touch of finesse to the music, whereas White Hellebore presents an overdose of Dani’s damned words (“Plucked from the grave on a moonless midnight / Sucking on staves, she was noted for fight / Intoxicated, I fell in love / With this curse and a cure for my rabid dementia”) amidst a sharp, devilish and classic display of Symphonic Black Metal.

The band’s guitar duo continues to fire their phantasmagorical riffs in You Are My Nautilus, offering more of Cradle of Filth’s undisputed, wicked sounds, with Marthus once again showcasing endless dexterity and heaviness behind his drums, followed by Malignant Perfection, showcasing a beautiful fusion of Gothic music with heavier styles, plus of course another dosage of their darkly poetic lyrics (“Kindred may I introduce / Upon the mortal fools / The evil that has shaken loose / From bondage to now rule / She walks at dusk to tragic serenades / As the river shivers at her passing darkness”). Ex Sanguine Draculae, which is Latin for “from the blood of Dracula”, carries a name that perfectly suits the band’s music and history, starting in an imposing, sinister way to Dani’s demonic roar while the guitars by Ashok and Donny transpire Black Metal magic; and last but not least, we have another long, multi-layered, detailed and vicious tune entitled When Misery Was A Stranger, with its cinematic intro reeking of Cradle of Filth before exploding into a frantic onrush of Symphonic Black and Gothic Metal led by Dani’s vicious gnarls, putting a beyond infernal and climatic ending to the album.

In a nutshell, The Screaming of the Valkyries beckons the brave into a new era of Cradle of Filth misadventure, celebrating massive melancholic melody, blackened thrash, and apocalyptic existential dread with a grinning smattering of unbridled revelry. Hence, don’t forget to follow the band on Facebook and on Instagram for news and tour dates (like their upcoming Chaos & Carnage tour in North America alongside Dying Fetus, Fleshgod Apocalypse, and other demented bands), to stream their music on Spotify, and of course to grab a copy of their impious new album from BandCamp or from Napalm Records by clicking HERE or HERE. It’s time to live deliciously to the sound of the screaming Valkyries that live inside the new album by the one and only Cradle of Filth, keeping the fires of extreme music burning bright until our decaying world comes to its inevitable end.

Best moments of the album: The Trinity Of Shadows, White Hellebore, Ex Sanguine Draculae and When Misery Was A Stranger.

Worst moments of the album: None.

Released in 2025 Napalm Records

Track listing
1. To Live Deliciously 5:32
2. Demagoguery 6:17
3. The Trinity Of Shadows 6:23
4. Non Omnis Moriar 5:06
5. White Hellebore 5:04
6. You Are My Nautilus 7:39
7. Malignant Perfection 6:46
8. Ex Sanguine Draculae 7:10
9. When Misery Was A Stranger 6:21

Band members
Dani Filth – vocals
Marek ‘Ashok’ Smerda – guitars
Donny Burbage – guitars
Daniel Firth – bass
Zoe Marie Federoff – keyboards, vocals
Martin ‘Marthus’ Skaroupka – drums