Album Review – Viserion / Fire and Blood EP (2026)

Behold the fires of Black Metal and the blood of the Targaryen dynasty united in the form of the new opus by this ruthless American horde.

Hailing from New York City, the ruthless Black Metal horde known as Viserion unites the Second Wave Black Metal tradition with Atmospheric and Death Metal, balancing melodic soundscapes with raw aggression while also exploring a wealth of fantastical literature, highly influenced by the writings of George R.R. Martin and the World of Westeros, through the bloodthirsty shroud of extreme music. Produced, recorded and engineered by Billy Pfister at Westfall Recording, mastered by Jacob Buczarski, mixed by Chris Grigg, and displaying as its stunning cover art the painting Fire in Rome (1785) by Hubert Robert, Fire and Blood, the new EP by Benedetto Marvilli on vocals and guitars, Cris Valentine also on the guitars, Tasso Diakov on bass, and Matthew Marvilli on drums, is a worthy follow-up to their 2021 full-length Natural Selection, offering more of the band’s trademark blend of epic and scorching Black Metal magic. “Our concept for this album was inspired by George R.R. Martin’s Game of Thrones world. It particularly focuses on the Targaryen dynasty hence the title being their house words: Fire and Blood,” commented the band.

It’s pedal to the metal in the infuriated, incandescent title-track Fire and Blood, focusing on the black magic rituals that the Targaryen family was rumored to use in order to control dragons, with Matthew blasting his drums in great Black Metal fashion; whereas Mad King explores the delusions and cruelty of King Aerys II as well as his demise, continuing the band’s path of annihilation with the guitars by Benedetto and Cris exhaling sulfur and hatred. Aegon The Conqueror and his dragon Balerion are the focus on Reign of Fire, a lecture in modern-day Melodic Black Metal without a single second of peace, with Benedetto’s dragon-like vile gnarling sounding absolutely haunting. Then we have Blackfyre, telling of The Blackfyre Rebellions through a dark and rhythmic offering, with Tasso and Matthew bringing the rhythm and groove to the song in another display of the band’s trademark Black Metal magic; and lastly, we face Harrenhal, a composition of despair that sees the lyrics portray the horrifying destruction of Lord Harren’s fortress at the hands of Aegon the Conqueror and his dragon. Furthermore, the EP couldn’t have ended in a stronger way, sounding infernal from start to finish thanks to another killer performance by Matthew on drums.

Renowned bands the likes of Ultar, 1349, Satyricon, and Gates of Ishtar are significantly influential in the construction of Viserion’s creativity, as they delve heavily into the melodic across their discography, with Fire and Blood perfectly depicting those influences, therefore becoming a must-listen for fans of bands such as Ultar, Wormwitch, and the early-era of Enslaved. Viserion are waiting for you on Facebook, InstagramYouTube and Spotify, and you can grab a copy of their flammable new EP from their own BandCamp. Because, in the end, when you have an album that unites the power of the Targaryen dynasty with our beloved Black Metal, you know you’re in for a treat, one of pure fire and blood.

Best moments of the album: Reign of Fire and Harrenhal.

Worst moments of the album: None.

Released in 2026 Independent

Track listing
1. Fire and Blood 3:09
2. Mad King 3:33
3. Reign of Fire 4:51
4. Blackfyre 5:31
5. Harrenhal 6:33

Band members
Benedetto Marvilli – vocals, guitar
Cris Valentine – guitar
Tasso Diakov – bass
Matthew Marvilli – drums

Concert Review – W.A.S.P. (History, Toronto, ON, 11/11/2024)

Countless fans in Toronto had the pleasure of witnessing a once in a lifetime explosion of classic Heavy Metal and Hard Rock by one of the most iconic bands of all time.

OPENING ACT: Armored Saint

If you love first-class live music played to perfection, then you must join W.A.S.P., with support of ARMORED SAINT, during their Album One Alive World Tour 2024, just like what happened at the beyond excellent History this Monday night in Toronto. Seriously, both bands were absolutely flawless during their incendiary shows, and of course Keith Ibbitson of Metal Paparazzi and I were there to witness those giants (as the word “dinosaurs” seems a bit to old for them) of heavy music. It was quite chilly in Toronto, and of course really dark, but that didn’t stop countless lovers of our good old Rock N’ Roll to take the venue by storm on the worst day of the week for anything, and to have a great time together with the bands.

Precisely at 8pm, Los Angeles, California’s own Heavy Metal/Hard Rock juggernaut ARMORED SAINT kicked off their electrifying, classic and perfect performance in Toronto, blending old school songs the likes of Can U Deliver and Reign of Fire with a new tune from their 2020 album Punching the Sky, the excellent End of the Attention Span. John Bush was phenomenal as usual, delivering his striking vocals for the delight of the crowd, and even getting down to the floor section to sing one of the songs close to the soundboard. Seriously, his voice hasn’t aged at all. What a vocalist! And what to say about Joey Vera on bass, or the Sandoval Brothers? In other words, if you’ve never seen Armored Saint live, don’t miss the chance because those guys are simply superb on stage.

Setlist
End of the Attention Span
Delirious Nomad
The Pillar
March of the Saint
Aftermath
Book of Blood
Win Hands Down
Can U Deliver
Reign of Fire

Band members
John Bush – vocals
Phil Sandoval – guitars
Jeff Duncan – guitars
Joey Vera – bass
Gonzo Sandoval – drums

W.A.S.P.

After a short break (where I desperately went for a pizza, as I was starving), it was time for one of the most iconic bands to ever arise from Los Angeles, California, Heavy Metal/Hard Rock legends W.A.S.P., to melt our faces with one of the most hypnotizing performances of the year in Toronto. Blackie Lawless (or maybe I should call him “Blackie Flawless” after Monday), Doug Blair, Mike Duda and Aquiles Priester took no prisoners in their quest for old school heavy music, kicking some serious ass with the full play of their 1984 self-titled cult album (referred to as “Album One” by Blackie himself), plus a bunch of other classics during the encore.

Blackie even mentioned that when they started thinking about playing the whole album on this tour, one of the managers he consulted with said the idea was terrific, but only if they played all songs in the same order of the album. Blackie said that was insane as they had never opened a W.A.S.P. show with I Wanna Be Somebody, but in the end that’s exactly what they did, and the fans in Toronto embraced the whole idea with tons of love, respect and admiration for Blackie and his crew. It was a “once in a lifetime” concert for everyone at History, as Blackie said they’ll never do that again, and song after song you could see the joy and energy flowing from fans of all ages. I mean, who can stand still and not start dancing and headbanging to On Your Knees or Tormentor, right?

The background of the stage was also a thing of beauty, playing the official videos of all songs being played live by the band, connecting their past, present and future in a compelling way, and of course things only got rowdier and more fun during the encore with songs like I Don’t Need No Doctor, Wild Child and Blind in Texas inspiring all of their Torontonian fans to sing along the lyrics with Blackie. As already said, this was a unique opportunity to see the band playing their debut album live from start to finish, and I guess none of the fans at History this Monday night will ever forget the awesome experience of witnessing that blast of classic rock and metal live by one of the most important bands in the history of music. Who knows, maybe we’ll see them playing other albums in full in the future, but until then I’m sure Toronto will keep the electricity of such a stunning live rendition of “Album One” flowing through their veins.

Setlist
The End (The Doors song)
W.A.S.P. Medley
W.A.S.P. Album One Alive
I Wanna Be Somebody
L.O.V.E. Machine
The Flame
B.A.D.
School Daze
Hellion
Sleeping (in the Fire)
On Your Knees
Tormentor
The Torture Never Stops

Encore:
The Big Welcome
Inside the Electric Circus / I Don’t Need No Doctor / Scream Until You Like It
The Real Me (The Who cover)
Forever Free / The Headless Children
Wild Child
Blind in Texas
Riders on the Storm (The Doors song)

Band members
Blackie Lawless – vocals, guitars, keyboards
Doug Blair – guitars
Mike Duda – bass, backing vocals
Aquiles Priester – drums

This slideshow requires JavaScript.