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Album Review – Lik / Necro (2025)

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The modern-day purveyors of classic Swedish Death Metal strike again with their fourth studio album, the musical equivalent of a classic shock-horror movie drenched in blood and gore.

Considered by many as the modern-day purveyors of classic Swedish Death Metal, Stockholm’s own unrelenting beast Lik (which means “corpse” or “corpses” in Swedish) gloriously returns to action with their fourth studio album, simply titled Necro. Recorded at NBS Studio (aka Necromorbus Studio), produced by Lawrence Mackrory at Rorysound Studios, and displaying a zombified cover art by Stockholm-based tattooist and artist Jens Olsson of Ink Fanatics, Necro is the musical equivalent of a classic shock-horror movie that’s drenched in blood and gore and packed with over-the-top extremities masterfully crafted by Tomas Åkvik on vocals and guitar, Niklas “Nille” Sandin also on the guitar, Joakim Antman on bass, and Chris Barkensjö on drums, standing loud and proud over so many imitators.

The dirty riffs by Tomas and Niklas will kick you in the nuts in the opener Deceased, with the band distilling their undisputed Death Metal with tons of rage and insanity, followed by War Praise, a ruthless sonic attack where the visceral growls by Tomas walk hand in hand with the pulverizing beats by Chris in a lecture in Swedish Death Metal. They is another beast of a song showcasing a dual guitar attack boosted by the rumbling bass by Joakim, and it’s pedal to the metal with the unrelenting extravaganza Worms Inside, with Chris taking the lead with his demented beats and fills for our total delight. Then the bass lines by Joakim will smash your cranial skull in Morgue Rat, offering more of the band’s trademark violence, gore and obscurity.

In Shred into Pieces the name of the song says it all, as you’ll be pulverized into micro pieces to their venomous slab of Death Metal bringing forward the fuming riffs by Tomas and Niklas, and Tomas keeps vociferating rabidly in In Ruins, a horror movie-like tune where the entire band shows no mercy for our putrid souls. Inspired by a trial that led to a series of executions in Stockholm between November 7 and 9, 1520, after the coronation of Christian II as the new king of Sweden, The Stockholm Massacre beautifully depicts that savagery in the name of old school Death Metal; and there’s still time for more heaviness and aggression in Fields of Death, where their core Death Metal is boosted by Chris’ demented drumming. Last but not least, the guitars by Tomas and Niklas transpire savagery in Rotten Inferno, putting a gruesome, evil conclusion to such an incendiary album.

Continuing to fly the Swedish Death Metal flag across the global stage, Necro was born out of pure love and respect for the genre and its creators’ artistic visions to keep pushing their own musical boundaries. “The ambition with Necro was to make an even better record than the previous albums,” says Tomas. “I think this one is really tied together. As it started growing and the songs got put together we were 100% focused on making that Lik album. I really think we made a really good death metal album, we found the right ingredients to make this one work.” Hence, you can experience all of their gore, violence and metallic sounds by following the band on Facebook and on Instagram, by streaming their sick creations on Spotify, and of course by purchasing the fulminating Necro from BandCamp or from Metal Blade Records as a CD or as a violet with purple splatter vinyl 12″, or simply click HERE for all available options. The new blood-soaked opus by Lik will certainly inspire all Death Metal fans around the world to slam into the pit like true metalmaniacs, solidifying the band’s army of zombies on all four corners of the earth, and consequently, prepping our rotten and decaying world for more Lik in the coming years, even if we face its inevitable end sooner than later.

Best moments of the album: War Praise, Worms Inside and The Stockholm Massacre.

Worst moments of the album: None.

Released in 2025 Metal Blade Records

Track listing
1. Deceased 4:21
2. War Praise 3:40
3. They 4:02
4. Worms Inside 3:08
5. Morgue Rat 4:58
6. Shred into Pieces 2:18
7. In Ruins 4:40
8. The Stockholm Massacre 2:42
9. Fields of Death 4:02
10. Rotten Inferno 5:41

Band members
Tomas Åkvik – vocals, guitar
Niklas “Nille” Sandin – guitar
Joakim Antman – bass
Chris Barkensjö – drums, backing vocals

Album Review – Scalpture / Landkrieg (2025)

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Here comes the German Death Metal tank again armed with their fourth album, revolving around the 30 Year War that devastated the German lands from 1618 until 1648. 

Here comes the German Death Metal tank Scalpture again, crushing and smashing, bulldozing all resistance into oblivion and breaking through the lines. Founded in 2009 in Bielefeld, a German city in the Ostwestfalen-Lippe Region in the north-east of North Rhine-Westphalia, the band currently formed of Thorsten Pieper on vocals, Tobias Aselmann and Felix Marbach on the guitars, Niklas Neuwöhner on bass and Moritz Nixdorf on drums delivers their fourth album, titled Landkrieg, which means “land warfare” in German, with deadly precision and an ambitious mission statement to conquer the world. Recorded, produced and mixed by Marco Brinkmann at Hellforge Studio, mastered by Lawrence Mackrory at Rorysound Studios, and displaying a stylish artwork by world renowned artist Eliran Kantor (with layout by Irrwisch Artdesign), Landkrieg brings forward ten songs of pure old school Death Metal, with each song revolving around the 30 Year War that devastated the German lands from 1618 until 1648, being therefore perfect for fans of Hail of Bullets, Bolt Thrower, Obituary, Gatecreeper, Dismember and Jungle Rot.

The serene intro The Fall works as the calm before the storm, as the band heads into the battlefield in Into Catastrophe, with Moritz bringing the heavy artillery by hammering his drums nonstop while Thorsten roars deeply and with tons of anger. Then we have Til Jeret Undergang, or “until the end”, another blast of classic 90’s Death Metal where the bass by Niklas sounds utterly heavy and metallic, turning the song into the perfect choice for some action inside the pit. Landsknecht, an expression that represents a mercenary foot soldier in late 15th-, 16th-, and 17th-century Europe, is a tormented display of Death Metal led by the crushing riffs by Tobias and Felix; followed by Wallenstein, a military leader and statesman who fought on the Catholic side during the 30 Year War, sounding considerably darker thanks to all of its elements of Doom Metal.

Den Mörka Nattens Lejon, or “lion of the dark night” from Swedish, indeed sounds like a devilish lion thanks to another bestial performance by Thorsten on vocals while Moritz speeds things up with his demolishing beats, and the hammering bass and drums by Niklas and Moritz set the tone in Of Siege and Besieged, a neck-breaking, infernal aria by the band. After that we face Schwedentrunk, a method of torture and execution in which the victim is forced to swallow large amounts of a foul liquid, such as excrement, leaning towards modern-day Melodic Death Metal while still sounding raw and evil; and it’s pedal to the metal with the infuriated Hells Choirs Chant, where their caustic riffs and blast beats match perfectly with Thorsten’s guttural roars. Finally, Bellum Se Ipsum Alet, or “war feeds itself” from Latin, puts a dark and sinister conclusion to the album, with the band’s Death and Doom vein pulsing harder than ever.

After all is said and done, it’s clear that Scalpture stayed true to their deadly roots in Landkrieg, building their music and lyrics on detailed historical research and portraying the horrors that the abyss of war has caused in some of the darkest hours of humankind. Hence, don’t forget to follow the band on Facebook and on Instagram to keep updated with all things Scalpture, to stream more of their warlike compositions on Spotify, and of course to purchase Landkrieg from BandCamp or by clicking HERE. As the band unleashes their new album upon us, that leaves us with only two choices, to run for cover or to bang our Death Metal heads hard, and based on the high quality of the music found in the album I’m sure we’ll all go for the second option.

Best moments of the album: Til Jeret Undergang, Den Mörka Nattens Lejon and Hells Choirs Chant.

Worst moments of the album: Wallenstein.

Released in 2025 Testimony Records

Track listing
1. The Fall 1:23
2. Into Catastrophe 3:46
3. Til Jeret Undergang 5:09
4. Landsknecht 4:21
5. Wallenstein 5:32
6. Den Mörka Nattens Lejon 3:22
7. Of Siege and Besieged 6:07
8. Schwedentrunk 3:28
9. Hells Choirs Chant 3:46
10. Bellum Se Ipsum Alet 5:49

Band members
Thorsten Pieper – vocals
Tobias Aselmann – guitar
Felix Marbach – guitar
Niklas Neuwöhner – bass
Moritz Nixdorf – drums

Album Review – Vomitory / All Heads Are Gonna Roll (2023)

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All heads are gonna roll to the sound of the infuriated new album by one of the most important and violent bands in the history of Death Metal.

In any serious conversation about Death Metal, the name Vomitory has to come up. Since their inception in the Swedish city of Karlstad back in 1989, the band has been dropping blistering Death Metal albums that are among the most visceral the genre has ever spewed up, and that’s also the case with their brand new opus, beautifully titled All Heads Are Gonna Roll, the ninth full-length opus in their career and their first since their 2011 release Opus Mortis VIII. Recorded by Mats Lindström at Studio Bunker Z16 and by Rikard Löfgren at Leon Music Studio, mixed and mastered by Lawrence Mackrory at Rorysound Studios, and displaying a sick artwork by Giannis Nakos of Rem3dy Art Design, the album sounds absolutely brutal and relentless, with its lyrics coming from a familiar place, focusing on violence, murder, war, gore, zombies, monsters, anti-religion and so on while always drawing inspiration from movies, books and TV, showcasing the passion for extreme music by vocalist and bassist Erik Rundqvist, guitarists Peter Östlund and Urban Gustafsson, and drummer Tobias Gustafsson and, therefore, resulting in an album that is the whole package for Death Metal fans, a stunning return to form after so many years between releases.

It’s total chaos and rage form the very first second in the Death Metal hymn All Heads Are Gonna Roll, with Tobias kicking some serious ass behind his drums while Erik barks the song’s acid lyrics manically, whereas as furious and demented as the opening tune, the circle pit generator Decrowned will assault your senses spearheaded by the classic riffs by Peter and Urban; followed by Ode to the Meat Saw, another headbanging extravaganza by our unstoppable Swedish quartet where the heaviness flowing from Urban’s bass is insane, accompanied by the rhythmic but at the same time wicked beats by Tobias. Even more frantic and enraged than its predecessors, The Deepest Tomb is a lecture in old school Scandinavian Death Metal where Erik keeps roaring like a beast until the very end, while Piece by Stinking Piece sounds as heavy and piercing as it can be, with the hammering drums by Tobias walking hand in hand with the bestial growling by Erik.

In the pulverizing Raped, Strangled, Sodomized, Dead the lyrics reek of Death Metal (“Perverted cruelty, stalking the prey / In for the kill, reincarnated sin / Kill, devour, a beast of man / Savage hunter, a morbid taste for blood”) while the music is flawless, sick and putrid just the way we all love it, and in Dead Man Stalking the unstoppable Erik keep gnarling more of their acid words (“A shade reborn from hate, reborn from agony / Covered in sore, pus and infected blisters / Deformed entity, lurking in the shadows / Transforming into a corpse of rotten flesh”) amidst a demonic sonority. The quartet brings their heavy artillery to life in Disciples of the Damned, smashing our cranial skulls mercilessly while Erik vociferates rabidly and Peter fires some sharp, strident solos for our total delight. Vomitory’s Death Metal attack goes on in full force in Dead World, where the riffs and solos by Peter and Urban will pierce your minds in the name of extreme music, while lastly the band enhances their obscurity in Beg for Death, offering a heavy-as-hell feast of Death Metal that will leave your head trembling after all is said and done.

Vomitory’s newborn beast can be appreciated in all of its glory on YouTube and on Spotify, but of course if you consider yourself a true servant of old school Death Metal you can purchase a copy of such incendiary album by clicking HERE or HERE, and also follow the quartet on Facebook and on Instagram for more of their music and to keep an eye on when the band will take your city by storm. It might have taken 12 years for Vomitory to release a new album, but the wait was totally worth it as All Heads Are Gonna Roll is undoubtedly one of the strongest albums of the year not only in Death Metal, but in heavy music in general, and may all heads keep on rolling to the sound of the demented music by those Swedish veterans for many years to come.

Best moments of the album: All Heads Are Gonna Roll, Ode to the Meat Saw, Raped, Strangled, Sodomized, Dead and Disciples of the Damned.

Worst moments of the album: None.

Released in 2023 Metal Blade Records

Track listing
1. All Heads Are Gonna Roll 3:27
2. Decrowned 3:27
3. Ode to the Meat Saw 4:44
4. The Deepest Tomb 4:28
5. Piece by Stinking Piece 3:23
6. Raped, Strangled, Sodomized, Dead 3:19
7. Dead Man Stalking 4:48
8. Disciples of the Damned 3:29
9. Dead World 4:06
10. Beg for Death 5:34

Japanese Edition bonus tracks
11. Chaos Fury (Live 2013) 3:24
12. Terrorize Brutalize Sodomize (Live 2013) 4:05

Band members
Erik Rundqvist – vocals, bass
Peter Östlund – lead guitars
Urban Gustafsson – guitars
Tobias Gustafsson – drums

Guest musician
Christian Fredriksson – lead guitars (session)