Album Review – Endspace / First Contact (2026)

This uncanny Sci-Fi Black Metal duo is ready to attack armed with their debut opus, offering music that is light years ahead of what we’re accustomed to hearing.

Consisting of two anonymous members operating under the numerical aliases 040118180514 (vocals, bass, keyboards and drums) and 102119200914 (guitars and backing vocals), both members of the Canadian Technical Death Metal band Fractal Generator, Sudbury, Ontario-based Sci-Fi Black Metal entity Endspace creates music that is light years ahead of what we’re accustomed to hearing. Using synthesizers and vocoders to make music that sounds as if it’s emanating from beings on some distant planet, drawing thematic and sonic comparisons to acts like Darkspace, Aborym, Thorns, Labyrinthus Stellarum, Midnight Odyssey, and Imperialist, the duo is unleashing upon us their debut opus, titled First Contact, merging heavily structured, futuristic Black Metal elements with Experimental, Industrial and Death Metal influences, all embraced by a sinister artwork by Midge “Mantissa” Sinnaeve. Furthermore, the songs in First Contact are all called “transmissions,” and each one has a different identity and purpose, making the album an utterly fascinating and unique listening experience.

Such an uncanny duo kicks off their Sci-Fi feast with First Transmission, with the guitars by 102119200914 transpiring cosmic insanity, followed by Second Transmission, where 040118180514 embellishes the airwaves with his futuristic keys accompanied by the cryptic guitars by 102119200914. Things get serious in Third Transmission, with the venomous roars by 040118180514 sounding like a creature from outer space, or in other words, it’s the epitome of Experimental Black Metal, whereas Fourth Transmission, follows a similar path of otherworldly insanity, again presenting their deep vociferations and ruthless beats and fills.

Fifth Transmission is a weird one, maybe too experimental at times, not really a song but more like an interlude, whereas Sixth Transmission puts the duo back on track with their haunting Sic-Fi Black Metal, offering us all Stygian vocals and guitars. Then we have Seventh Transmission, getting heavier and heavier as the music progresses, sounding disturbing at times, followed by Eighth Transmission, again delivering an overdose of uncanny riffs and keys, as mechanized yet visceral as it can be. Their last breath of Black Metal insanity comes in the form of Ninth Transmission, a multi-layered feast from another world tat puts a stunning ending to the album.

Tenuously Black Metal, with its elements taken apart and pieced together using unconventional components, First Contact offers a unique exploration of the Sci-Fi side of Black Metal, and if you want to join 040118180514 and 102119200914 in such a dark and otherworldly quest you can find the duo on Facebook and on Instagram, stream their idiosyncratic creations on Spotify, and of course grab a copy of the album from their own BandCamp or from the Transcending Obscurity Records’ BandCamp, main store, US store or EU store. In other words, let the Sci-Fi sounds blasted by Endspace in First Contact take your soul to outer space. End of transmission.

Best moments of the album: Third Transmission, Fourth Transmission and Ninth Transmission.

Worst moments of the album: Fifth Transmission.

Released in 2026 Transcending Obscurity Records

Track listing
1. First Transmission 4:21
2. Second Transmission 4:29
3. Third Transmission 3:24
4. Fourth Transmission 3:56
5. Fifth Transmission 3:56
6. Sixth Transmission 4:51
7. Seventh Transmission 4:46
8. Eighth Transmission 4:44
9. Ninth Transmission 4:38

Band members
040118180514 – vocals, bass, keyboards, drums
102119200914 – guitars, backing vocals

Album Review – Imperialist / Prime (2025)

Sounding tighter and more intricate than ever before, this American Sci-Fi Black Metal beast will take you on a journey to outer space to the sound of their breathtaking new album.

Having spent the years honing their craft while keeping their Death Metal-touched Sci-Fi Black Metal sound intact, Monrovia, California’s own beast Imperialist returns with their long awaited third studio album Prime, the follow-up to their critically acclaimed 2021 sophomore offering Zenit and their 2023 EP Quantum. Recorded by Charles Elliott at Tastemaker Audio, mixed and mastered by Dan Swanö at Unisound, and displaying a stylish artwork by Eliran Kantor, the new album by vocalist and guitarist Sergio Soto, guitarist Bryant Quinones, bassist Joshua Alvarez, and drummer Rod Quinones sounds tighter and more intricate than ever before, reinforced further with Thrash Metal elements while also showcasing the darkness and menace displayed on the previous EP but also the maturity in songwriting, being highly recommended for fans of Dissection, Emperor, Valdrin, Vektor, Frozen Dawn, Abigor, and Immortal.

The album kicks off in full force with Starstorm, a demonic display of Technical Black Metal where the guitars by Sergio and Bryant sound as heavy and electrified as imaginable, followed by Beneath The Sands Of Titan, and as a poetic song name deserves a true metallic, no shenanigans sound, that’s exactly what the band delivers, with Rod crushing his drums in great fashion. Their flammable riffs, accompanied by the pure Black Metal bass by Joshua, will darken the skies in Depravity Beheld, while Sergio continues to gnarl like an evil creature; and in I A.M. the dauntless Sergio darkly gnarls the song’s devilish words (“They were naive to think / I would be the one / The prevent their world’s decay / I think therefore I am / Artificially intellegant / Disdain for flesh and blood / Now dominates my world”) amidst a furious Melodic Black Metal sonority for our total delight.

Then after such an insane metal attack we’re treated to the ethereal interlude Heavens Sunder, setting the tone for Final Hours, a ruthless and extremely vile Black Metal extravaganza where Sergio and Bryant deliver some of their most melodic riffs of the whole album, while Rod makes sure the humongous level of heaviness in the song remains intact. Union Of The Swarm sounds as strident and piercing as its predecessors thanks to the caustic riffage by the band’s guitar duo once again, while Rod’s drums sound at the same time rhythmic and apocalyptic, whereas the same Rod speeds things up in the sulfurous Nocturnal Eon, a lesson in contemporary Black Metal where Sergio’s vocals live up to the glory of such an important music genre created in Norway in the 90’s. Last but definitely not least, let’s enjoy seven minutes of first-class Melodic Black Metal in A Ghost Abandoned, led by the rhythmic drums by Rod and the always venomous growls by Sergio.

The music found in Prime oozes passion and dedication at every level, and every listen will prove to be a testament to that. This could very well be the best Imperialist album to date and given their faultless discography to date, that is saying something. You can experience all that by purchasing the album from their own BandCamp, as well as from the Transcending Obscurity Records’ main store, Bandcamp, Europe store or US store, and don’t forget to also follow the band on Facebook and on Instagram, stream their music on Spotify, or click HERE for all things Imperialist. In other words, as their sci-fi obsession has been taken to the next level in Prime, Imperialist are inciting us all to a wild and thrilling metal journey to outer space to the sound of their breathtaking new album, a one-way trip that will surely crush your minds and thoughts in the name of heavy music.

Best moments of the album: Beneath The Sands Of Titan, Final Hours and Nocturnal Eon.

Worst moments of the album: None.

Released in 2025 Transcending Obscurity Records

Track listing
1. Starstorm 5:09
2. Beneath The Sands Of Titan 5:47
3. Depravity Beheld 5:14
4. I A.M. 4:30
5. Heavens Sunder 1:56
6. Final Hours 4:46
7. Union Of The Swarm 5:27
8. Nocturnal Eon 4:39
9. A Ghost Abandoned 7:22

Band members
Sergio Soto – vocals, guitar
Bryant Quinones – guitar
Joshua Alvarez – bass
Rod Quinones – drums