Album Review – Häxan / White Noise (2020)

Three Welsh girls are ready to bring the noise armed with their first full-length album, always in the name of our good old Rock N’ Roll.

With an impressive array of live shows and festivals under their belt, including Download Festival, Monsters Of Rock Cruise, Rock The Boat Cruise and Hard Rock Hell, Cardiff, Wales-based all-female Hard Rock trio Häxan is ready to take the world of rock and metal by storm with their brand new album White Noise, a lecture in classic rock tailored for fans of the music by Led Zeppelin, Suzi Quatro, AC/DC and Black Sabbath. Recorded at Stompbox Studios in Wales, the album was produced, mixed and mastered by Todd Campbell (Phil Campbell and the Bastard Sons), who’s helped lead singer and guitarist Sam Bolderson, bassist Harriet Wadeson and drummer Jess Hartley reach a higher level with their music, all embraced by a straightforward and strong artwork by Matt Riste Illustration, and if you think the COVID-19 pandemic would stop the girls from embellishing the airwaves with their music you’re absolutely wrong. “We debated postponing the album launch until there was more certainty in our (and your) lives. We ultimately decided that so many of our fans and friends had been asking for this album for so long, that it was only right to continue with its launch and hopefully help to give everyone a little something to look forward to. We want White Noise to be able to mask the sounds of the uncertain outside world that’s around all of us currently, to allow people to escape it. It’s an opportunity to shut everything else out and enjoy the incredible potency of music.”

Let’s cut to the chase as it’s time to rock together with the girls from Häxan in the opening tune Damned If You Do, presenting elements from classic rock with the electrifying punk-ish sound blasted by bands like Volbeat, with Jess sounding fantastic on drums while Sam delivers sheer adrenaline with her spot-on riffs, followed by Killing Time, a mid-tempo headbanging tune led by the pounding drums by Jess accompanied by the crushing bass punches by Harriet, bringing a Survivor’s “Eye of the Tiger” vibe and, therefore, resulting in a lesson in 80’s Rock N’ Roll for admirers of the genre. After such great start the band offers us all Nine Lives, a Volbeat/Misfits-inspired composition by the trio where Sam and Harriet slash their strings beautifully while Sam blasts her delicate but potent vocals for our total delight. Needless to say, this is an amazing option for their live performances, which is also the case with Grave Digger, where the band ventures through more Blues-ish, Southern Rock lands. Furthermore, Sam poetically declaims the song’s lyrics while Jess keeps the song’s pace smooth and vibrant at the same time, not to mention the thrilling guitar solo blasted by Sam. And they keep smashing their instruments powerfully in the Hard Rock extravaganza Louder Than Words, with Harriet and Jess making the earth tremble with their thunderous bass and drums, also bringing to our avid ears soulful guitar riffs and solos and endless stamina.

In Black Sheep the trio gets back to a darker and groovier sonority, with Harriet hammering our heads with her fiery bass while Sam brings forward more of her charming vocals, sounding almost like a grim, badass rock ballad, whereas uniting the groove of Southern Rock with the old school Hard Rock by AC/DC Häxan offer us all the dancing Crash and Burn, with Sam’s vocals being nicely complemented by some crisp backing vocals, rockin’ guitar riffs and incendiary solos. In the flammable Skeletons, we’re treated to a high-speed, dirty pounding Rock N’ Roll party by the girls where Jess is unstoppable on drums, providing Sam all she needs to scream the song’s catchy chorus flawlessly (“Your skeletons are out to play, you thought you’d take them to your grave / You’ll always be the second best to demons that you’d laid to rest / Your skeletons are running wild, haunting you til the day you die / You believe what’s done is done, but you won’t ever run / From all your skeletons, skeletons”), before Living Dead closes the album in great fashion, albeit not as inspiring as the rest of the album, but still showcasing all the dexterity of the girls with Jess once again kicking ass with her beats together with Harriet’s rumbling bass jabs.

The talented and hardworking girls from Häxan are waiting for you on Facebook, on Instagram and on Spotify to rock your world like there’s no tomorrow, bu of course in order to show them your true support and to prove you deserve a place in the Rock N’ Roll heaven, go grab your copy of White Noise from their own BandCamp page, from Apple Music or from Amazon. In a nutshell, White Noise might not be a revolution in rock music, but that has never been the band’s intention anyway. Sam, Harriet and Jess just want to play pure, unfiltered rock music and give us all a very good reason for smiling, banging our heads and dancing the night away. After two astounding releases, those being their 2017 debut EP Breaking Down the Walls and now the top-of-the-line White Noise, what’s next for the girls from Häxan? Well, only time will tell, but we can all rest assured they will never sell out and will keep bringing the noise to our avid ears for many years to come, always in the name of our good old Rock N’ Roll.

Best moments of the album: Damned If You Do, Nine Lives and Skeletons.

Worst moments of the album: Living Dead.

Released in 2020 Independent

Track listing
1. Damned If You Do 4:50
2. Killing Time 4:07
3. Nine Lives 4:45
4. Grave Digger 5:03
5. Louder Than Words 4:07
6. Black Sheep 5:35
7. Crash and Burn 4:07
8. Skeletons 5:34
9. Living Dead 4:27

Band members
Sam Bolderson – vocals, guitar
Harriet Wadeson – bass
Jess Hartley – drums

Album Review – Octainium / Suffer The Clock (2014)

These South African metalheads bring us a vibrant Metalcore album full of heavy riffs, violent lyrics and lots of melody.

Rating4

Album Front CoverIt’s time to travel to the “Mother Continent”, more specifically to Centurion, in South Africa, an area located about 20 minutes from the city of Pretoria, to enjoy the music offered to us all by South African Metalcore band Octainium in their new album, Suffer The Clock, a very interesting mix of violence, harmony and melody tailored for all guys and girls that are fans of a more modern version of heavy music.

Octainium might be highly influenced by bands like Killswitch Engage, Lamb Of God and Hatebreed, but their music is not limited to what those bands do only. Although labeled as a Metalcore band, their music is much broader that than, as those guys incorporate lots of elements from more brutal genres such as Thrash Metal and Melodic Death Metal, and sometimes even traditional Hard Rock from the 80’s.

The excellent mix of Death Metal and Metalcore present in the song that kicks off the album, The Writing’s on the Wall, perfectly exemplifies what I’m trying to say in regards to the range of Octainium’s music, with highlights to the awesome deep guttural vocals blended with melodic clean vocals and riffs as heavy as hell. Moreover, the polished production allows us to clearly listen to all instruments making the overall experience even better, which can also be noticed in Dethrone, a song that gains a lot of strength due to all its elements from Melodic Death Metal bands such as Arch Enemy and In Flames, the excellent job done by drummer Gerhard Booysen (which I’m sure will inspire you for some good headbanging) and its violent lyrics (“I believe the time has come to fight back / So are you man enough? / Are you up for the task?”).

Holier Than Thou is even heavier than the previous two tracks, especially the vocals, which sound truly furious here and lead all the spiteful brutality in the song, while Grist To the Mill, which has Scott Wareham (HOKUM) as a guest musician, is pure Metalcore with a good balance of guttural and clean vocals again. Then we have the title-track, Suffer The Clock, a song that talks about how you must take control of your life before it’s too late (“Free your senses, just for a moment / So light your candle and watch it burn!”), with a rhythm a lot faster than all previous songs and highly recommended for circle pits, followed by another one of the top moments of the album, Skeletons, where the addition of the beautiful female voice by guest vocalist Alicia van Wyk makes the entire song even more melodic and pleasant.

PosterAnd there’s still a lot more to come: in Another Day, Another Death, pay attention to the very technical and melodic guitar lines, which truly elevate the overall quality of the song, while in Ineptocracy the focus is on the strong lyrics about the current political, social and economic state of South Africa. What’s Your Poison? is a good heavy song but less inspired than the others, despite its interesting (but really  short) acoustic part in the middle, and in The Devil Take The Hindmost the band flirts once again with Melodic Death Metal, with guest vocalist Andrew Duggan (Cutting Jade) giving the song an amazing Hard Rock sonority. Would I be exaggerating if I said this song could easily become a radio hit?

The last two songs in Suffer The Clock are If The Shoe Fits, which riffs remind me of some of the recent songs by Trivium, and Vs. The World, another song that focus heavily on strong riffs and melodic vocal lines, closing the album on a high note. Unfortunately there isn’t a link available yet with any of the songs from Suffer The Clock, but you can keep checking the band’s official Facebook page, Twitter, YouTube, ReverbNation and SoundCloud for news and other information about their new album. Well, if you check their profile you’ll see they’re absolutely crazy for Jägermeister, which is a really good sign of how thrilling their music is. Think about it, have you ever seen a band or musician that loves having shots and shots of that awesome German digestif playing lounge or elevator music?

Best moments of the album: The Writing’s on the Wall, Holier Than Thou and Skeletons.

Worst moments of the album: What’s Your Poison? and If The Shoe Fits.

Released in 2014 Independent

Track listing
1. The Writing’s on the Wall 3:30
2. Dethrone 4:58
3. Holier Than Thou 3:55
4. Grist To the Mill (feat. Scott Wareham) 3:17
5. Suffer The Clock 3:48
6. Skeletons (feat. Alicia van Wyk) 3:33
7. Another Day, Another Death 4:04
8. Ineptocracy 5:04
9. What’s Your Poison? 5:02
10. The Devil Take The Hindmost (feat. Andrew Duggan) 3:29
11. If The Shoe Fits 3:43
12. Vs. The World 4:40

Band members
Maritz Booysen – vocals
Kyle “Sikes” van Wyk – guitars
Sven Anderson – guitars
Arno Grundling – bass
Gerhard Booysen – drums