Album Review – Warcoe / Upon Tall Thrones (2025)

This Italian Doom Metal trio will attack armed with their third studio album, spinning tales of arcane fantasy and mortal frailty into riffs that crush and melodies that linger like a curse.

Having carved a niche in the underground since their inception in 2021 with a sound that’s both a homage to the old gods and a fresh hell of its own, slow-burning, groove-heavy, and laced with Stoner Metal venom, Pesaro, Italy-based Doom Metal trio Warcoe returns to action with their third album, titled Upon Tall Thrones, the follow-up to their 2023 opus A Place for Demons. Recorded at Avangarage Recording Studio, and mastered by Craig Thomas, Upon Tall Thrones sees vocalist and guitarist Stefano, bassist Carlo, and drummer Francesco ascend darker, heavier, and more hypnotic as they spin tales of arcane fantasy and mortal frailty into riffs that crush and melodies that linger like a curse.

The opening track Octagon exhales of the trademark and absolutely heavy sound created and perfected by Black Sabbath, from the doomed, grim vocals and riffs by Stefano to the sluggish beats by Francesco, and the final result is obviously hypnotizing, kicking off the album on a high and amazing note. Their devilish Sludge and Doom Metal sounds keep permeating the air in The Wanderer, with Carlo’s low-tuned, rumbling bass walking hand in hand with Francesco’s hammering drums; whereas adding a pinch of Rock N’ Roll to their core sonority we have I’ve Sat Upon Tall Thrones (but I’ll Never Learn), with Stefano slashing his axe in great fashion, resulting in a great option for raising our horns high in the sky in the name of our gold old heavy music.

Then after the soothing instrumental interlude Gather in the Woods we face Flame in Your Hand, another heavy-as-hell Doom Metal aria showcasing the power of the riff while Francesco flawlessly dictates the song’s devilish pace. Spheres again blends the obscurity of Doom Metal with the heavy yet melodic sounds of Sludge and Stoner Rock and Metal, followed by Deepest Grave, and a song with such a Stygian name deserved sheer heaviness, which is exactly what the trio offers, with the cryptic vocals by Stefano sounding spot-on. The ruthless bass by Carlo will punch you in the head in Brown Witch, accompanied by the Black Sabbath-fueled riffs and beats by his bandmates in a lecture in Doom Metal, while lastly it’s time for Dark into Light, with its main riff reminding me a lot of “Heaven & Hell” (which is obviously a good thing), and with the pounding beats by Francesco ending the album on a high note.

Dragging classic doom into the abyss and back with Sabbathian weight, Saint Vitus’ raw gloom, and the swagger of Trouble’s golden-era riffage, Upon Tall Thrones might be the band’s strongest effort to date, and if you want to know more about those bringers of Italian doom you can find them on Facebook and on Instagram, stream their riff-laden compositions on Spotify, and grab a copy of their new album from their own BandCamp or from Ripple Music’s BandCamp or webstore. Warcoe definitely know how to craft heavy music filled with doom, gloom, might, and magic, and Upon Tall Thrones will undoubtedly take them places in their exciting mission of bringing sheer doom to our decaying world.

Best moments of the album: Octagon, Flame in Your Hand and Brown Witch.

Worst moments of the album: Spheres.

Released in 2025 Ripple Music

Track listing
1. Octagon 3:39
2. The Wanderer 3:45
3. I’ve Sat Upon Tall Thrones (but I’ll Never Learn) 4:09
4. Gather in the Woods 2:14
5. Flame in Your Hand 4:24
6. Spheres 4:23
7. Deepest Grave 5:00
8. Brown Witch 4:31
9. Dark into Light 5:40

Band members
Stefano – vocals, guitars, bass on “The Wanderer”
Carlo – bass
Francesco – drums

Album Review – Affliction Vector / Contra Hominem (2025)

This up-and-coming Italian duo will destroy your senses with their blend of Death and Black Metal, offering an inter-spiritual bridge between the heavens and hell itself in their new album.

Formed back in 2018 in the fires of Trieste, the capital city of the Friuli Venezia Giulia region in northeast Italy, Black/Death Metal entity Affliction Vector is ready to crush our putrid souls to the sound of their first-ever full-length album, titled Contra Hominem, the follow-up to their 2020 debut EP Death Comes Supreme. Contra Hominem, a Latin phrase that translates to “against the person” or “argument against the man”, displays the full power of Affliction Vector’s potential, being highly recommended for maniacs of more-recent Teitanblood or esteemed labelmates Possession and Venefixion. In addition, despite being “just” a duo, vocalist, guitarist and bassist Ans and new drummer Stefano (Claustrum, Fuoco Fatuo) create a swirling mass of miasmic physicality, patiently doling out dizzying speed and stomping doom alike, where every single second, every single strike of string or drum, every howl from the abyss, is actually felt, so authentic is their execution.

Cryptic, Stygian piano notes drag us to Affliction Vector’s lair in Antiuomo, evolving into a fusion of Death and Doom Metal led by the gnarls from the abyss by Ans, whereas in Lethal we face extremely lethal sounds blasted by Ans and Stefano, with Ans’ Black Metal riffs scathing our minds mercilessly; followed by the cadaverous interlude Cavern’s Murmur, setting the stage for the duo to consume our damned souls once again in Ephemeral Lifeless, another onrush of blackened sounds where the strident guitars by Ans match perfectly with Stefano’s devilish beats. Then after another (not-so-exciting) sinister interlude titled Abyss Rises we have Nero Gorgo, a lecture in chaos and insanity by the duo, with Ans bursting his lungs screaming like a demonic beast nonstop. In Animalis Irae they blast our evil minds with another round of their Black and Death Metal magic, with Ans shredding his guitar in great fashion; whereas lastly it’s time to descend into the abyss with the duo in To Lucifer, bringing forward 6(66) minutes of savage growls, demonic riffs and hammering drums, closing the album on a pure sulfuric note.

After all is said and done, Affliction Vector are offering an inter-spiritual bridge between the heavens and hell itself. And then, after nearly a half-hour, Contra Hominem concludes and that listener is either invigorated or drained, or both. Hence, if you want to experience the spiritual voyage offered by the duo in their brand new album, you can find the band on Facebook and on Instagram with news and more of their music, stream their devilish, caustic creations on Spotify, and grab a copy of the ruthless Contra Hominem from Iron Bonehead’s BandCamp or webstore. The Italian Death and Black Metal scene is always a very interesting and fun one, and of course Affliction Vector live up to the legacy of the genre, sounding as dark, heavy, evil and grim as we learned to love in the underground, all perfectly depicted in their bestial new offering.

Best moments of the album: Lethal, Nero Gorgo and To Lucifer.

Worst moments of the album: Abyss Rises.

Released in 2025 Iron Bonehead

Track listing
1. Antiuomo 5:12
2. Lethal 3:34
3. Cavern’s Murmur 1:53
4. Ephemeral Lifeless 4:18
5. Abyss Rises 0:45
6. Nero Gorgo 3:15
7. Animalis Irae 3:07
8. To Lucifer 6:29

Band members
Ans – vocals, guitars, bass
Stefano – drums