Bang your heads to this venomous fusion of Technical, Progressive and Brutal Death Metal made in Algeria.
Inspired by renowned bands such as Decapitated and Morbid Angel, among other modern metal acts, Algiers, Algeria-based Death Metal unity Silent Obsession is eager to spread their fusion of Technical and Brutal Death Metal with more contemporary styles such as Groove Metal to all four corners of the earth, sending a bold message that Algerian metal can be as vibrant, demolishing and entertaining as any of their North American or European friends. Originally conceived as a solo project by guitarist Max Marginal in 2017 aiming at exploring humanity’s dark side, Silent Obsession evolved to a full-bodied band in the next couple of years until reaching their current lineup comprised of the aforementioned Max Marginal on the guitar, Danny on vocals and guitar, Manil on bass and Ben Der on drums, strengthening their sound and creativity and, consequently, culminating with the release now in 2020 of their debut EP entitled Lost, bringing to our avid ears 12 minutes of top-of-the-line extreme music made in the People’s Democratic Republic of Algeria.
The blazing guitars by Danny and Max set the tone in the violent EP intro, already showcasing all their skills while Ben Der crushes his drums manically and also presenting elements from Thrash and Black Metal, with Danny’s vicious roars adding a touch of malignancy to the overall result. Then bringing tons of progressiveness and rage together with their core sonority the quartet fires Paranoia Activity, where Manil’s bass punches will hit you hard in the face and with Danny growling more deeply and demonically than before in a technical display of Death Metal infused with Groove Metal nuances, all spiced up by some sick guitar solos, whereas D.E.A.D. sounds even more violent and devastating, with Manil and Ben Der generating an earthquake with their sonic weapons while Danny and Max keep extracting sheer dementia form their guitars, not to mention how rabid and insane Danny’s roars sound. In other words, this is an absolutely perfect Progressive Death Metal tune for smashing your spinal cord into the circle pit. Lastly, in Destruction of the Spirit the band once again blends their core Death Metal with other extreme styles such as Thrash Metal and even Progressive Groove Metal, with their riffs and solos being utterly fantastic, accompanied by the always infernal drums by Ben Der.
Just like their friends from Lelahell, Litham and Hellium, among several other excellent bands, Silent Obsession are determined to carry the flag of Algerian Death Metal wherever they go, and their debut effort Lost is indeed a great example of what they are capable of offering to demanding metalheads always searching for heavy, violent and fast music. Hence, don’t forget to give the EP a listen on Spotify, on YouTube and on Deezer, to follow Silent Obsession on their official Facebook page for news, tour dates and other nice-to-know details about the band, and to purchase a copy of Lost from Apple Music. Max and his loyal henchmen are eager to know what you think of their debut installment, especially if you’re a diehard fan of underground Death Metal, showing you once again that not only high-quality metal music can be found anywhere in the world, but also if Death Metal is your cup of tea, you should definitely take a musical trip to “Al Jaza’ir”.
Best moments of the album: D.E.A.D.
Worst moments of the album: None.
Released in 2020 Independent
Track listing 1. Intro 2:34
2. Paranoia Activity 4:32
3. D.E.A.D. 3:11
4. Destruction of the Spirit 2:22
Band members Danny – vocals, guitars
Max Marginal – guitars
Manil – bass
Ben Der – drums
Let’s turn up the heat on this last month of summer here on The Headbanging Moose with some old school, gory and extremely violent Death Metal, and in order to do that in style we have “recruited” the unstoppable Mallika Sundaramurthy, frontwoman for American Technical/Brutal Death Metal band Abnormality, as our metal chick of the month. Born in Gardner, a city in Worcester County, Massachusetts, in the United States, but currently residing in Prague, the beautiful capital of the Czech Republic (or Czechia), Mallika is not only the owner of a potent voice, but she’s also absolutely passionate for all things Death Metal, being a huge supporter of underground metal as a fan, as a musician and as a businesswoman as well. Having said that, get ready to slam into a vicious circle pit together with Mallika, because things are about to get as savage and heavy as hell.
Half Indian and half English-American, with her father coming from Chennai, the capital of the state of Tamil Nadu on the Bay of Bengal in eastern India, and her mother being from New Hampshire, a state in the New England region of the northeastern United States, Mallika is married to Russian musician Serge Gordeev, from Death Metal bands like Epicardiectomy and Fleshbomb. As you can see, pure Death Metal runs through the veins of the couple, which led to the creation of their own label Ultimate Massacre Productions. But before we talk about their label, let’s focus on the early days of Mallika, who has been playing in Death Metal bands since 2002, a couple of years after she graduated from Gardner High School, located in Gardner, Massachusetts. While Mallika was giving her first steps in extreme music, she was at the same time studying illustration at the Massachusetts College of Art and Design, in Boston, Massachusetts, which she graduated in 2004. And that knowledge she gained through her studies was not in vain, becoming a fundamental part of her up-and-coming career.
Regarding her career as a musician, Mallika got into Heavy Metal during her high school years. In the beginning, Mallika was more into classic rock and metal the likes of Led Zeppelin, Jimi Hendrix and Alice in Chains, with her taste for heavier and more brutal music growing after she started listening to the pulverizing Death Metal by Deicide and Cannibal Corpse. By the way, becoming a fan of Death Metal was the main reason why she decided to do extreme vocals, which is pretty much the same path followed by anyone who chooses to play an instrument based on their favorite bands and styles. And just as a side note, our ruthless growler joined her first metal band while studying abroad in Barcelona, Spain, but there aren’t any details available online about that part of her career.
What you will for sure find online are all details about her history with her own Death Metal band, Massachusetts-based squad Abnormality, formed in late 2005 by Mallika together with guitarist Jeremy Henry, drummer Jay Blaisdell and guitarist Michael O’Meara (who left the band in 2009), with bassist Josh Staples joining the band in 2009 and guitarist Sam Kirsch in 2015 to complete their current lineup. The band strives to make high quality extreme music without worrying about conforming to certain boundaries or styles, having released to date a four-track demo in 2007 (including the song Visions, which found its way onto the popular video game Rock Band 2 as a bonus track), a three-track EP titled The Collective Calm in Mortal Oblivion in 2010, and the full-length albums Contaminating the Hive Mind in 2012, and Mechanisms of Omniscience in 2016. If you want to have a very good taste of all the brutality and electricity flowing from the music by Abnormality, you can check for instance their official videos on YouTube for the songs Mechanisms of Omniscience, Monarch Omega, and Fabrication of the Enemy, or even take a more detailed listen at their full discography at their own BandCamp page (which obviously means you should also buy their albums from there). Furthermore, Mallika mentioned in one of her interviews that Abnormality did a cover version for the classic Desperate Cry by Sepultura at the formation of the band when she joined a band named Teratism on stage, impressing their then members Jay and Michael (culminating with the creation of Abnormality, as you can see), also playing other cover songs live over the years such as Eric Clapton’s Cocaine and Death’s The Philosopher, but never including any of those in their recorded material. Finally, one last interesting note about Abnormality is that their first concert ever happened in 2006 at a house party organized by their drummer Jay, including the bands Dehumanized, Sexcrement and Soul Remnants. That was probably one hell of a demolishing Death Metal party, I must say.
Apart from Abnormality, Mallika, who takes care of her potent voice by doing usual things like getting proper rest, keeping her throat hydrated and avoiding alcohol, is also the frontwoman for American Death Metal all-female band Castrator, an international project formed in 2013 and based in New York City with members from distinct parts of the earth such as Mexico, Norway, Sweden, Colombia and the United States. As you can see by the name of the band, Castrator is a confrontational band, with all of the song titles found in their 2014 demo and 2015 EP, both titled No Victim, being some sort of feminist revenge fantasy, such as Honor Killing and The Emasculator. Mallika explained that the band was born when her friend Carolina Perez, drummer for American Death/Thrash Metal act Hypoxia, expressed the desire to form an all-female band, aiming at writing aggressive music, playing some devastating concerts, and have fun together above all things. She also mentioned it was important to bring up through the horror and intensity of their lyrics the issues and struggles women from all over of the world face every single day, in particular parts of the world where women’s rights are far behind. When writing the lyrics, Mallika researched and read countless stories and documentaries of individual cases of honor killings, as well as violence, rape, and murder against women, translating all that hatred and negative thoughts into Death Metal lyrics. In order to be smashed by Castrator, go check their BandCamp page, where you’ll be able to listen to (and to buy) the austere and utterly brutal tunes Honor Killing, No Victim and The Emasculator.
Our relentless growler was also part of American Technical/Brutal Death Metal band Parasitic Extirpation from 2011 until 2015, with whom she recorded the EP Putrid Crown, in 2014. You can enjoy Mallika kicking some serious ass in this also very interesting band with the title-track Putrid Crown, and all other tracks directly from their BandCamp page. And even with all her duties with Abnormality, Castrator and Parasitic Extirpation, she still found time to be part of several other bands and projects as a guest musician, like singing live for British Technical Brutal Death Metal unity Unfathomable Ruination, in 2017; and being a guest studio singer in the songs Circumcised with a Chainsaw, from the 2013 album Skewered in the Sewer by Indian Brutal Death Metal act Gutslit; the title-track The Redemption of Past Supremacy, from the 2012 album The Redemption of Past Supremacy by American Brutal Death Metal act Habitual Defilement; Endless Outrage, from the 2016 album Ouroboric Stagnation by International Brutal Death Metal act Neurogenic; Dies Irae…, from the 2013 album Lords of Rephaim by America Brutal Death Metal act Pathology; Tower Deflower, from the 2012 album Festering Human Remains by America Death Metal act Scaphism; the superb cover version for Pat Benatar’s Heartbreaker, from the 2014 EP XXX Bargain Bin Vol.2 by American Death Metal act Sexcrement; and Incinerator, from the 2013 album Black and Blood by American Death Metal act Soul Remnants. As you can see, all those songs are beyond brutal and demolishing, exactly the way good Death Metal is supposed to be.
With respect to Mallika’s main influences in music, she’s a diehard and longtime fan of several renowned acts of the Extreme Metal scene such as Suffocation, Gorgasm, Decapitated, Immolation, Cryptopsy, Cannibal Corpse, Monstrosity, Carcass and Morbid Angel, among several others, with American Death Metal masters Hate Eternal, standing out among their influences if you take a detailed listen at their music. Questioned about which album she would take to her own grave, Mallika answered Pierced from Within, released in 1995 by American Technical Death Metal band Suffocation, and while listening to that album it makes total sense as to why she handpicked it instead of tons of other classics. Needless to say, Suffocation would obviously be part of her dream metal fest lineup, also including bands such as Immolation, Deeds of Flesh, Cryptopsy (with Lord Worm), Origin, Malignancy, Monstrosity, Vader, Gorgust, Wormed, Defeated Sanity, Napalm Death, Incantation, Vile, Decapitated, Hate Eternal, Nile, Krisiun, Devourment, and so on. And lastly, when asked to list the five albums any metalhead must have in his or her collection to have a deeper understanding of what Brutal and Technical Death Metal is all about, Mallika selected Close to a World Below by Immolation, Effigy of the Forgotten by Suffocation, Altars of Madness by Morbid Angel, She Lay Gutted by Disgorge, and Masticate to Dominate by Gorgasm. Also, when questioned about what inspires her and the rest of Abnormality when writing their lyrics, she said that the whole band enjoys writing about current events at home and abroad, conspiracies, and their contempt for the New World Order, as well as other things in their lives, in their imagination, science fiction and fact, corruption, and time travel, always focusing on the darker side of humanity and never afraid to take a political stand. Of course, Mallika considers real life horror far worse than anything imagined in fiction, albeit she also thinks those monsters in fiction reflect that same dark side of our own humanity and the evils that we are capable of.
Mallika’s business side together with her utter passion for extreme music are an essential piece of Ultimate Massacre Productions, an extreme music label managed by Mallika herself and her husband Serge Gordeev, originally founded in 2012 by Serge as a licensed merch supplier for metal bands. After her arrival and after taking on Mexico’s Human Decomposition as their first signed band, the project propelled to a new and promising direction, which could be seen in her own words at that time. “We thought it would be great to build the label together, combining our collective experience and passion for music to grow Ultimate Massacre,” she said, also mentioning that “our main goal is to spread great music that we ourselves love, and to help the bands on our roster to reach new levels.” Mallika and Serge work endlessly for the joys that art brings with it, putting a lot of effort and passion into making the label a genuine home for underground extreme bands. Based in Prague, the label has increased their portfolio considerably through the years, including today bands such as Apophys, Incontinence, Chordotomy, Fungus, Imperium and Natrium. Hence, if you consider yourself a true death metaller, you can keep an eye at their official Facebook page for new kick-ass bands and releases from the underground Death Metal scene.
As aforementioned, Mallika is a huge admirer and connoisseur of underground metal music, saying she’s fine with a huge part of metal music staying underground mainly because it’s extreme and offensive, and therefore not recommended for mainstream listeners. However, she also said it’s extremely difficult to survive in the underground scene, as the majority of underground musicians have to have income coming from other sources such as day jobs despite their passion and dedication to heavy music. Well, having to face issues like that doesn’t seem to be a problem for musicians like Mallika, because the underground scene at least in the United States seems to be very strong to her eyes, with lots of great bands keeping the flames of extreme music burning bright in her homeland. For instance, she recommends bands like Malignancy, Disgorge, Dehumanized, Bloodsoaked, Guttural Secrete, Goemagot, Sapremia, Habitual Defilement and Expurgate for starters, and from her hometown she thinks you should take a good listen at Revocation, Sexcrement, Dysentery, Hivesmasher, Scalpel, Scaphism, Soul Remnants, and many, many more. She also mentioned she believes that classifications in metal such as Deathcore, Power Metal, Blackened Death Metal and so on are necessary to help listeners find new bands according to their likes and dislikes, as long as people are not carried away with creating new subgenres. Furthermore, Mallika has a very peculiar view on how many people nowadays end up knowing new bands through illegal downloads, as she understands that albeit illegal downloads are inevitable due to several reasons such as lack of money for buying all the music downloaded, those fans need to realize the bands depend on that money to stay alive, but as long as they support the bands in other ways like attending their concerts, buying a shirt or listening to their music for free on Spotify or YouTube, some sort of balance can be reached.
When asked about how she feels being a woman in a male-dominated scene like Death Metal, Mallika said she has always felt good, always having a good time with her bands since the beginning of her career. She mentioned there are more and more talented and hardworking women making a name for themselves in the Death Metal scene, being really proud of them and supporting them whenever and however she can. She said it’s not easy to be a woman in metal as there’s a lot of sexism in the world and even more discouragement for a woman to be part of the extreme music scene; however, she hopes one day that will end, and it will become something we won’t even think about discussing as men and women will just be equal in numbers and in talent. If you think about names like Angela Gossow, Tarja Turunen, Simone Simons, Doris Yeh, Cristina Scabbia and Alissa White-Gluz, not to mention all the other ladies who put their hearts and souls into making first-class metal music from all parts of the world, I also believe we’re not that far from reaching Mallika’s dream.
Last but not least, Mallika is as aforementioned a professional graphic and concept artist in the video game industry, having already worked for Harmonix Music Systems (the company that created the Rock Band franchise) for four years, and later becoming a freelance artist and working for a company called Techona as a graphic artist since earlier this year. Regarding her time with Harmonix, Mallika provided a few interesting details about how Abnormality got involved in the game Rock Band 2 with the song Visions. While she was working on the game together with a team of artists, the company allowed employees to submit music for consideration to be entered into the game; at first she didn’t want to do it, but the rest of Abnormality asked her to try, and in the end the company picked their music to be one of the songs of the game together with a lot less violent (or I should say not violent at all) bands like Bon Jovi, Avenged Sevenfold and Blondie. Needless to say, Mallika is not only passionate about Death Metal, but also crazy for old school Death Metal album arts, dark fantasy and surrealism, being inspired by artists such as Zdzisław Beksiński, Wayne Barlowe, and Dan Seagrave. As a matter of fact, you can easily see all that passion for abstract art and surrealism in the Abnormality album arts, all designed and created by our obstinate growler herself, as well as the cover art for the 2012 split album Phylum Morph-Apokalupsis by American Brutal Death Metal/Grindcore bands Animals Killing People and Andromorphus Rexalia, the layout and cover art for the 2016 album Eon by American Technical Death Metal band Formless, and the cover art for the 2013 EP One Inch Monster by Swedish Thrash Metal act Sonic Assault. As talented, honest and diligent as she is, being capable of screaming and gnarling like a beast with her band and of translating all the violence and gore of Death Metal into stunning album arts, it’s more than obvious why Mallika has turned into a reference in extreme music, and may she have a long and prosperous reign as our queen of guttural vocals.
“I see there are many more talented women stepping up the plate in the death metal scene. I am really proud of my fellow ladies who are kicking ass, and I call many of them friends. I DO personally go out of my way to support women in metal, especially those who work hard, carry themselves professionally, and play really well. I know it’s not easy. There is so much sexism in the world, and we women are so often discouraged from taking part of the extreme metal scene.” – Mallika Sundaramurthy