Album Review – Belle Morte / Crime of Passion (2021)

Enjoy this stunning album of Gothic and Symphonic Metal made in Belarus with dark and progressive flavors and a beautiful, melancholic vibe.

3.5rating

belle-morte-crime-of-passion-2021Formed in 2015 in Minsk, the capital and the largest city of Belarus, the musical project that goes by the Stygian name of Belle Morte plays a fusion of Gothic and Symphonic Metal with dark and progressive flavors and a beautiful, melancholic vibe. Spearheaded by the talented and stylish vocalist Belle Morte, the project has just released their brand new opus entitled Crime of Passion, following up on their highly acclaimed 2018 debut EP Game On. Produced, mixed and mastered by Sergey Butovsky (who also plays bass and does backing vocals on the entire album), displaying a delicate artwork by Stefan Heilemann (Heilemania), and inspired by John Fowles’ novel The Collector, Crime of Passion tells a coherent story which started as an unhealthy obsession and stalking and resulted in murder, both from the side of the murderer and his victim, all beautifully and meticulously put together by Belle Morte and her bandmates Ilya Rogovoy and Ilya Petrashkevich on the guitars, Sergey Butovsky on bass, Maria Shumanskaya on keyboards and Rostislav Golubnichiy on drums in a way that will certainly please all fans of the genre.

Dark and melancholic sounds permeate the air in the cinematic intro Overture, preparing our hearts and souls for Who Are You, where Belle declaims the song’s poetic lyrics majestically (“You’re watching me, what do you see / I want to hide, but you’re behind / I try to run the hunt begun / Don’t cross this line, there’s no return”) while the band’s guitar duo slashes his stringed axe accompanied by the rumbling bass by Sergey; whereas investing in a more Gothic and modern sonority it’s time for the delicate If Only You Knew, featuring guest guitars by Artur Naumenko and displaying hints of Industrial Rock and Metal added to the band’s core essence. Artur keeps delivering his classic riffs in To Get Her, keeping the dark flames of Gothic and Symphonic Metal burning bright while Belle is again fantastic on vocals, resulting in a thrilling fusion of the music by Nightwish, Tristania and Lacrimosa, and leaning towards pure old school Symphonic Metal we’re treated to Beauty And The Beast, showcasing crushing beats, atmospheric passages and endless passion flowing from Belle’s distinguished voice supported by the guitars by Ilya Rogovoy and Ilya Petrashkevich.

My Little Demon brings forward another round of their cryptic words declaimed by Belle and Sergey (“Come to me, my little demon, stay with me until the dawn / I won’t lie to you, my darling, when you fall asleep I’ll run / I won’t lie to you, my darling, you will lose me with the sun”), with the guitars by Ilya Rogovoy and Ilya Petrashkevich adding a touch of evil to the overall musicality, which is also the case in Broken Things, presenting a pleasant sonority led by Belle and her whimsical vocals and with Sergey once again kicking ass with his groovy bass. Then a serene intro gradually grows in intensity, evolving into a dark and melancholic ballad entitled Beauty Meant To Kill where the acoustic guitars by Sergey generate the perfect ambience for Belle to shine on vocals once again; whereas enfolding piano notes will penetrate deep inside your mind in Lace, featuring guest guitars by Kirill Movshuk, sounding very orchestral at times and with Belle hypnotizing us all with her soulful vocals as usual. And lastly, featuring guest backing vocals by Alexandra Mantis and Katya Shtirts, My Legacy drinks form the same fountain as renowned bands the likes of Epica, Within Temptation and Nightwish, or in other words, it’s the perfect way to close the album in great fashion.

belle-morte-2021The gorgeous and mesmerizing music by Belle Morte in Crime of Passion can be appreciated in full on Spotify, but of course in order to show your true support to the band you should definitely purchase a copy of the album by clicking HERE or HERE, as well as from their own BandCamp page or from the Aural webstore, and if you want to know more about Belle Morte and listen to more of their classy metal music simply go to their official Facebook page, to Instagram, to VKontakte and to their YouTube channel. Crime of Passion is one of those albums that will drag you to darkness, take you to another world and captivate all your senses once and for all, just the way we like it in Gothic music, and let’s hope Belle Morte and her amazing crew can keep embellishing the airwaves with more releases like their excellent new album for all eternity.

Best moments of the album: Beauty And The Beast, My Little Demon and My Legacy.

Worst moments of the album: Broken Things.

Released in 2021 WormHoleDeath

Track listing     
1. Overture 1:38
2. Who Are You 3:48
3. If Only You Knew 4:35
4. To Get Her 5:11
5. Beauty And The Beast 3:43
6. My Little Demon 5:41
7. Broken Things 4:10
8. Beauty Meant To Kill 4:26
9. Lace 5:15
10. My Legacy 3:07

Bonus track
11. To Get Her (Acoustic version) 4:19

Band members
Belle Morte – vocals
Ilya Rogovoy – guitars on “Who Are You”, “Beauty And The Beast”, “My Little Demon”, “Broken Things” and “My Legacy”
Ilya Petrashkevich – guitars
Sergey Butovsky – bass, backing vocals, vocals on  “My Little Demon” and “To Get Her”, acoustic guitars on “Beauty Meant To Kill”
Maria Shumanskaya – keyboards
Rostislav Golubnichiy – drums

Guest musicians
Alexandra Mantis – backing vocals on “My Legacy”
Katya Shtirts – backing vocals on “My Legacy”
Kirill Movshuk – guitars on “Lace”
Artur Naumenko – guitars on “If Only You Knew” and “To Get Her”

Album Review – Goat Necropsy / Bloody and Fresh EP (2020)

Pure gore, violence and blood in less than eight minutes of music, carefully blasted by a new Brazilian duo through their putrid debut EP of Death Metal and Grindcore.

There’s a new dynamic (and vicious) duo hailing form the city of São Paulo, Brazil that not only knows how to apply all aspects of the DIY approach to their music, but they also do it in the goriest and most violent way possible, resulting in an avalanche of demented sounds that will leave completely disoriented after its less than eight minutes are over. I’m talking about the ruthless Death Metal/Grindcore act Goat Necropsy, who are ready to butcher us all with their berserk debut EP entitled Bloody and Fresh. Except for the photo session conducted by Brazilian artist Jessica Mar (Reverbera Music Media), everything else was done by vocalist Vic Ferreira and guitarist and bassist W. Johann (from bands such as Krow, Nervochaos and Victorizer), including all the music and lyrics, the drum programming, the artwork and the overall production, mixing and mastering of the album, and let’s say those two insane metallers nailed it from start to finish, delivering a more-than-fine debut effort that lives up to the traditions of our beloved Goregrind the likes of Carcass, Exhumed, Cattle Decapitation, Napalm Death and Aborted, among several others.

As soon as you hit play and the opening track Chopping Organs begins, you’ll be asking yourself “how can only two guys generate such demolishing and disturbing sonority?” It’s truly pulverizing in its entirety, with Vic sounding infernal with his inhumane roars and gnarls darkly vociferating the song’s visceral words (“Creeping / The butcher arrives / Wretched, mindless / Disturbing death / This grinding machine / Will open your guts / My merciless knife / Reddish shines”), while W. Johann extracts sheer savagery from his riffs. Then continuing their path of devastation and gore, razor-edged riffs and menacing bass lines permeate the air in The Collector, where the gruesome screeches by Vic will disturb your peace of mind in great Goregrind fashion, also sounding very detailed taking into account it’s only two minutes long; and it’s time to go utterly mental to the sound of Anal Vomit, a frantic and demonic display of Death Metal and Grindcore perfect for smashing your skull into the circle pit. Furthermore, Vic and W. Johann once again bring chaos and blood to our ears through their respective screams and riffage, which is also the case in the bestial Devoured by the Hounds, showcasing devilish, psychological lyrics barked by Vic and the awesome Cannibal Corpse-inspired riffs by W. Johann. In addition, we must all admit they did an amazing job with the drum programming throughout the entire EP, sounding very organic and extremely aggressive.

In case you don’t believe when I say Goat Necropsy might be one of the most violent Extreme Metal unities hailing from Brazil, simply dedicate nothing more, nothing less than eight minutes of your spare time to take a full listen at Bloody and Fresh on YouTube or on Spotify, and after being annihilated by such demented duo go check what they’re up to on Facebook and on Instagram, and above all that, purchase your copy of their debut endeavor from their BandCamp page or from Apple Music, showing the world you have what it takes to face sheer gore and dementia in the form of extreme music. Vic and W. Johann surely have a great future ahead of them as Goat Necropsy, proving through their austere compositions that less is always more (brutal, of course).

Best moments of the album: The Collector and Devoured by the Hounds.

Worst moments of the album: None.

Released in 2020 Independent

Track listing
1. Chopping Organs 1:26
2. The Collector 2:30
3. Anal Vomit 1:18
4. Devoured by the Hounds 2:15

Band members
Vic Ferreira – vocals, drum programming
W. Johann – guitars, bass, drum programming