Album Review – Skáphe / Skáphe² (2016)

Embrace the psychotic and dissonant uproar pouring from the satanic Black Metal crafted by this implacable duo, and you’ll definitely shorten your descent to the netherworld.

Rating5

skhape2_coverBorn in 2014 as a new project from American multi-instrumentalist A.P., also known as Alex Poole (Chaos Moon, Esoterica, Krieg), and having released their self-titled debut full-length album that same year, Chaotic Black Metal band Skáphe return with their disturbing music and nightmarish vibe in Skáphe², an album that not only will keep haunting your soul just like their first installment, but that also consolidates this talented American duo as one of the most promising Black Metal acts in the world of heavy music.

The addition of Icelandic singer D.G., or Dagur (Misþyrming, Naðra), added a lot of dark power to this band from Philadelphia, located in the state of Pennsylvania in the United States, enhancing the obscurity, impact and malignancy found in their music. In other words, the macabre passages and enigmatic vociferations in Skáphe² will simply bring your deepest fears to light (or maybe I should say to darkness), a usually desired effect of Black Metal on people. Moreover, the hypnotizing artwork by Icelandic musician and artist H.V. Lyngdal, exhibiting an eviscerated devil devouring a human being, is the perfect depiction of our mental insanity and of our souls poisoned by the same fears exposed in the music by Skáphe.

Instead of regular song names, Skáphe simply numbered their creations from 1 to 6 in Roman numerals. The first track, entitled I, offers a darkling psychedelic start followed by a turmoil of dissonant growls and blast beats that will lacerate your soul, proving why they don’t label themselves “chaotic” in vain. In addition to that, D.G. provides his business card as the demonic voice of Skáphe in this bestial Black Metal chant with lots of Atmospheric Doom elements added to increase its infernal aura. II continues right where the opening track stopped, which means more satanic passages and cavernous screams with A.P. putting all his demons and anger into the music, resulting in sheer darkness. Needless to say, the anguished grasps by D.G. will make you feel very uncomfortable (in a good way, of course).

skhape_apIII, the third installment, is even sharper and more mesmerizing. It’s fast and sludgy at the same time thanks to the excellent job done by A.P. with all instruments, resulting in an ode to Black and Doom Metal represented by four minutes of despair with absolutely no hope in sight. In the Stygian tune IV, D.G. howls like a werewolf during its obscure start, and its eight minutes of extreme music are definitely not suitable at all for the faint at heart. Moreover, after an eerie break in the middle of the song, brutal Black Metal nicely explodes from all instruments for our total delight.

Obviously, the fifth chant, named V, keeps the fires of hell burning bright, showcasing a tormented performance by D.G. enhanced by the reverberating riffs and the doomed drumming by A.P. The tone of the guitar throughout the whole song is amazing, sounding like a downward spiral to Hades. And finally, the last tune VI reminds me of the most obscure songs by Triptykon at first, evolving to an extremely disturbing form of dark music. A.P. has an enraged performance, while D.G. continues his demented path to the underworld. And when the blasting Black Metal music stops, we’re treated to about two minutes of wicked background noises, meaning we’ve finally reached the gates of hell.

You can get more details on the apocalyptic loudness engendered by Skáphe at their Facebook page, and if you really want to add more affliction and pandemonium to your everyday life, you can buy a copy of Skáphe² at the band’s official BandCamp page, at the I, Voidhanger Records’s BandCamp page, at the Fallen Empire Records’ webstore (LP version) or at the Vánagandr’s Big Cartel page (cassette version). Embrace the psychotic and dissonant noises pouring from the satanic Black Metal crafted by this implacable duo, and you’ll consequently shorten your descent to the netherworld.

Best moments of the album: III and V.

Worst moments of the album: None.

Released in 2016 I, Voidhanger Records/Fallen Empire Records/Vánagandr

Track listing
1. I 6:32
2. II 4:40
3. III 4:11
4. IV 8:16
5. V 5:42
6. VI 6:34

Band members
D.G. (Dagur) – vocals
A.P. (Alex Poole) – all instruments

Album Review – Tod Huetet Uebel / Malícia (2015)

If you let the infernal and malevolent music by this amazing Portuguese duo reach your heart, there’s no coming back.

Rating4

Cover_CDLet’s end this week on a high note with the flammable Black Metal by the talented Portuguese duo Tod Huetet Uebel, and I must assure you that you won’t be the same after listening to what they have to offer. By the way, the name of the band is the German for “death guards evil”, a more than suitable caption for the disturbing music you’ll find in their debut full-length album, entitled Malícia (the Portuguese word for “malice”). If you had no idea of how demonic music can be in Portugal, you better get ready for the heartless war found in this album.

Created from the very essence of hatred in 2012, Tod Hueted Uebel define their music as “a post-traumatic Black Metal experience” that “will leave mental bruises and scars in those who dare listen to the torments that dwell within”. Well said, guys. That perfectly summarizes Malícia, an album that will please fans of the darkest Black Metal you can imagine. Featuring an amazing 6-panel digipak with artwork by French artist/musician Valnoir (Metastazis), the level of wickedness and laceration in the album is not for the ordinary metal fan, making it a demanding listen for those who are not used to the atrocities of extreme music.

In the opening track, eccentrically named XIII (and get used to that, because all songs have names based on Roman numerals), a sinister intro flows into a diabolical sounding built upon modern Black Metal but without losing its traditional viciousness and speed. Multi-instrumentalist Daniel C. is responsible for crafting the music in all tracks, offering singer Marcos M. the perfect ambience for his anguished growls, and let me tell you this dynamic duo will darken your spirit already on the first track of the album (which is always the main goal in Black Metal, of course). And darkness is here to stay based on the nonstop violence and vileness delivered in I, where Marcos M. keeps disgorging his putrid snarling, unnerving your mind in a disquieting 9-minute first-rate aria of malignancy for lovers of classic Extreme Metal with a desolating and melancholic ending that obviously gets back to a sonic havoc before the song is actually over.

Their anger just grows in XII,  where Daniel C. is simply bestial on drums and guitars, delivering sick riffs and demonic beats and fills perfect for the harsh vocals by Marcos M., with another short break for the listener to take a deep breath before diving back into the musical twilight engendered by Tod Huetet Uebel. Moreover, their lyrics in Portuguese are as evil, poetic and awesome as possible (“Quero morrer, ser inverso ao amanhecer / Quero perecer, na demora da tua obra / Sinto-me leve, disperso ao corroer / Do sentimento que vos mantém / Amantes a ninguém”, which would translate to English as “I want to die, be reverse at dawn / I want to perish, in the lateness of your work / I feel light, scattered as I corrode / From the feeling that keeps you / Lovers to no one”), increasing the impact of their music.

XX VIII XXI is an instrumental tune that feels like a fiendish entity penetrating our flesh, working as an intro to the barbaric IX, where the initial scream by Marcos M. sounds inhuman while the instrumental parts continue their onslaught of darkness. It’s sheer Black Metal that will please all fans of the genre, making it extremely easy and interesting to feel all the pain and grief stemming from their ghoulish vocals. III might be the shortest of all tracks, but it surely delivers everything a good Black Metal chant needs, being precise, berserk, melodic and lugubrious, with Marcos M. with his growls and howls and Daniel C. with his lancinating riffs generating an ode to hopelessness and evil.  Besides, when they sing in English their lyrics are no less complex and beautiful, proving how talented this duo is (“Blood Libels of regal contempt / Dichotomy of essence and paragon of woe / The face of things to come / Burn this flesh oh dying light / In thy untold furnace of quintessence / Aether of malignant perfection”). Lastly, presenting elements from Doom Metal and Blackened Doom, the hindmost opus in Malícia, entitled V, is definitely the most nerve-racking of all. This time, Daniel C. focuses on mesmerizing and grievous notes while Marcos C. sounds like he’s being dragged down to hell, and I dare you to survive its 8 minutes without feeling totally uncomfortable or distressed in the end.

In summary, if you consider yourself a genuine adorer of the most perverse and heinous forms of Black Metal, I highly recommend you go after the music by Tod Huetet Uebel, available at their BandCamp and at the Caverna Abismal Records BandCamp. This sharp and impressive duo from Portugal is brilliantly cementing their dark path in the world of Extreme Metal, and in case you let their infernal music reach your heart, I must warn you that there’s no coming back.

Best moments of the album: I, XII and III.

Worst moments of the album: None.

Released in 2015 Caverna Abismal Records

Track listing
1. XIII 5:49
2. I 9:00
3. XII 7:20
4. XX VIII XXI 1:15
5. IX 7:05
6. III 5:30
7. V 8:00

Band members
Marcos M. – vocals
Daniel C. – all instruments