A fresh and psychedelic music journey through the realms of heavy music, engendered by a very talented Canuck band.
When you put together music genres such as Rock N’ Roll, Hard Rock and Doom Metal, the final result is at least interesting, especially in terms of creativity and feeling. But if you really want to spice things up, simply add to that some nuances of occultism and lots of groove from the dawn of Heavy Metal and you have the excellent self-titled debut album by Canadian Hard Rock/Doom Metal band The Order of the Solar Temple.
Let’s say that if people asked me to describe The Order of the Solar Temple in just a few words, I would call it a psychedelic heavy music journey. This Vancouver-based band was capable of sounding fairly original during the entire album even using only really old music elements in all compositions, mainly due to the above average skills and the passion for music of each musician involved. Not only that, the production of the album, which also seems to be inspired by the music from the 70’s, helps enhance that classic occult sonority regularly found in the music by bands like Blue Öyster Cult and Black Sabbath.
The album opens with the groovy Fallout Woman, a pure Rock N’ Roll song that makes me feel like I’m listening to an album from the 70’s, with highlights to its smooth vocals, soft and melancholic atmosphere and a soulful guitar solo, followed by Aeon Of Horus, a dark tune with lots of Doom Metal elements from bands such as Danzig that curiously starts with an ominous intro but ends in an acoustic way and, of course, focus heavily on all the obscurity in the lyrics (“Mother Egypt sets the stage for the dawning of an age / Har-par-Khered / Ancient magick is exhumed to free us from our doom / Abrahadabra”) to make the entire song more vibrant and meaningful to the listener. By the way, their classic but unique lyric themes are one of the greatest strengths of the band, staying far away from all the repetitiveness and lack of depth so common in the world of music nowadays.
Getting back to the album, The Cult (Of Rock’n’Roll) sounds like a “tribute” to the good old KISS, with an awesome work done on riffs and drums, elevating it to the status of best track of the album. Moreover, it’s perfect for becoming a Rock N’ Roll radio hit as it would certainly please not only traditional hard rockers but also any fan of some good quality music. Then we have the psychedelic rhythm and melody of Jervas Dudley, a song that could be summarized as “when Black Sabbath meets Jethro Tull” and also an excellent “journey” for guitar players that enjoy the groove from the 70’s, followed by another fast and classic tune the likes of Deep Purple named Pale Horse, which I’m pretty sure you’ll get addicted to its melodic riffs and keyboards.
The last part of the album consists of the excellent Back Home, a song with lots of elements from good old Blues that sounds like a “pub song” perfect for having a beer with friends; the most Hard Rock track of all, Dominance And Submission, which also reminds me of the good times of Deep Purple, with kudos to Matt “Macabre” Emery for his performance: he might not have the most powerful voice in the world, but it fits perfectly into the musicality of the band. And finally, closing the album we have the obscure track The Order, which is good (especially if you’re a fan of “black magic”), but maybe more variations would make it a more intense song.
Sorry if I kept repeating the expressions “70’s”, “journey” and “psychedelic” every two or three sentences, but there’s no better way to describe the music from The Order of the Solar Temple: it truly is an awesome combination of past and future, carefully brought forth to people like us who live and breathe Rock N’ Roll and Heavy Metal. Even the album art is a tribute to the music that enchanted the world 40 years ago. Not only that, these guys are here to remind us how magic Rock N’ Roll was in its inception and how it can still be exciting even after all those years with the music industry trying to kill everything that sounds real, and we all should thank them for keeping on rockin’ and staying true to the roots of heavy music. And if you don’t want this magic to disappear, you can support the band by listening to their music and purchasing their album at their BandCamp page.
Best moments of the album:The Cult (Of Rock’n’Roll), Pale Horse and Dominance And Submission.
Worst moments of the album:The Order.
Released in 2014 Independent
Track listing 1. Fallout Woman 3:47
2. Aeon Of Horus 8:31
3. The Cult (Of Rock’n’Roll) 3:09
4. Jervas Dudley 6:58
5. Pale Horse 5:31
6. Back Home 5:01
7. Dominance And Submission 5:23
8. The Order 6:37
Band members Matt “Macabre” Emery – lead vocal, electric guitar, theremin and primordial howls
S. Mulleady – organ, synthesizers, guitar, additional vocals
A. MacGreagor – bass guitar, additional vocals
M. Morrison – drums
Let’s get ready for Power Metal icons Primal Fear to “deliver the black” here in Canada next month with this exclusive interview with one of the best and most respected metal singers in the world, the amazing Mr. Ralf Scheepers. Metal is forever!
The Headbanging Moose: First of all, I have to say that the new Primal Fear album, Delivering the Black, is a true Heavy Metal masterpiece and it will be for sure one of the best albums of 2014. There isn’t a single moment of the album that’s not pure and direct metal, especially the kick-ass songs King for A Day, Rebel Faction, Inseminoid and Delivering The Black. How was the creative process of the album, and how were you able to come up with such fast and powerful music even after almost 20 years of the first Primal Fear album?
Ralf Scheepers: Thank you very much! I’m glad that you like it!
We are in the great situation to have 4 writing members in Primal Fear, so basically we come up with many different ideas for an album and put them together as a short list of which could be on the album and which might fit to the flowing of an album. This is also a very important key when you put an album together. This time Mat and Magnus were coming up with the basic playbacks of the tracks and we sat together and worked on vocal melodies and lyrics. For some tracks I have worked on the playbacks to find my ideas on it and some of them were written together, as mentioned before.
This is basically how we are working on every album.
THM: I’ve been checking the music charts and it seems that Delivering the Black is doing extremely well, especially in Europe and Japan, and of course the band is huge in South America too. However, it’s not that easy to find your music or many other Power Metal bands available in the stores here in Canada and in the rest of North America. How do you see this “cultural barrier” here in North America against many subgenres of Heavy Metal that are not Death or Thrash Metal? Do you believe the Internet is being of great help for bands like Primal Fear, Chthonic, Amon Amarth and many others to penetrate this quite conservative market?
RS: I don’t consider this as a cultural barrier rather than judging it by seeing the size of the continent and the fact that we all still have to struggle against the illegal downloads. So to answer your second part of the question: I see both sides. I see the possibility to promote yourself as an advantage and on the other side I see the illegal downloading as a disadvantage.
THM: Talking about German heavy music, the past few years have been amazing for most of the bands from your country. For instance, in 2014 we’ve already had really awesome albums from Primal Fear, Axel Rudi Pell, Van Canto, Iron Savior and Gamma Ray, last year we had one of the best Helloween albums of all time, there are also other excellent bands that are not Power Metal like Hard Rock band Motorjesus and Metalcore band Caliban, among others. In your opinion, what’s the secret for such a rich, diverse and creative heavy music scene in Germany? Is it just the beer, or is it something else?
Album Review – Primal Fear / Delivering the Black (2014)
RS: It’s definitely the beer, yes! 🙂
Well I think we had the opportunity to jump into this genre as music fans in the 80’s, especially the NWOBH era was creating a lot of great musicians here in Europe…. It’s somehow learning by hearing. So if you had or have the talent to play the guitar or to play the drums or to sing, you change from a fan into a musician by yourself and that’s what happened a lot over here.
THM: Going back to the new album, there’s a very interesting partnership with the gorgeous Liv Kristine in the Japanese bonus track version of the ballad Born With A Broken Heart. How did you guys end up choosing her for this track? In my opinion, this version is more beautiful than the original one, so why didn’t you add it as a regular track instead? And after some stunning duets with Liv Kristine on the new Primal Fear album, Simone Simmons on New Religion, and Tim “Ripper” Owens on your solo album, who else would you love to record a Primal Fear or Scheepers song together on vocals and why?
Liv Kristine & Ralf Scheepers
RS: The basic idea was to add a female voice to the chorus for this track, just as an interesting color and so we did that for the album version. For the Japanese bonus track we thought it would be a great idea to remix the track and use more of Liv’s input on it. It both worked out and we’re all happy about both results, for the album and for the bonus.
We never really plan those things in a long term rather than listening to the tracks we wrote. Sometimes we hear additional voices, male or female to add a different color to it. Sometimes we don’t see or hear the reason to do that.
THM: Regarding your solo album Scheepers, from 2011, you re-recorded a song from your Tyran’ Pace years, the excellent Saints of Rock. Why did you choose this song to be part of your debut solo album, and are there any plans for another Scheepers album soon? If so, is there anything you could share with us about it?
RS: As the idea for “Saints of Rock” came up from me back then in the 80’s I thought it would be a good idea to modern up the sound of this track on my solo album. It was so much fun to re sing this one and to do all voices of the chorus on my own this time. Back then Charlie Huhn (Victory) helped me out doing the choir.
There are no plans for another solo album. This year our focus is to tour the world.
THM: You’ve recently finished a series of concerts with the Rock Meets Classic Tour 2014. How did you get invited to be part of this project, how was the overall experience, who were some of the musicians there with you, and what were the highlights of the tour for you?
Rock Meets Classic 2014
RS: As Mat Sinner is the musical director and co producer of this event he thought it would be a good idea to add some male voices to the already existing female choir. So he has offered me the possibility to join in and I did. In the second and third year I was alone as a male choir member and in the forth and fifth year Sascha Krebs (Musical artist) has joined in. It was and still is a great experience every year! To be on stage with some of my idols and stars from the 80’s music scene is simply an amazing experience! It’s great fun. Every night you hear those popular tracks combined with the classical sounds of strings, trumpets and trombones, it gives me shivers and goose bumps. It’s an amazing vibe and atmosphere on stage!
We had Ian Gillan, Lou Gramm, Paul Rodgers, Alice Cooper feat. Orianthi, Joe Lynn Turner, Steve Lukather, Eric Bazilian, Jimi Jamison, Mick Box and Bernie Shaw from Uriah Heep, Steve Augeri, Midge Ure, Marc Storace, Dan McCafferty, Bonnie Tyler, Robin Beck and Kim Wilde with us. This is listed in no particular following.
THM: You’re not only the frontman of Primal Fear, but you also have your solo career, you’re part of different music projects such as Rocks Meets Classic, you’re a vocal coach, you provide singing lessons, you’re a microphone development consultant, you provide file processing, among many other activities, including your personal life where you have to take care of your son, work out at the gym etc. How are you able to manage all that? And what’s the advice you have for any artists and musicians that want to perform as well as you do on stage without losing track of all other things in life?
RS: I simply juggle duties and do not do everything at the same time! 🙂
Sometimes my focus is more on one thing and then again on the others when it’s necessary. To set priorities is the overall key to all this. I think as a grown up person you don’t need any advices to handle your life right? 🙂
THM: There haven’t been any Primal Fear concerts in Canada since 2010, and even before that there were only very few Canadian dates whenever the band came to North America. Now that you have a fairly bigger tour with four concerts schedule in Canada for 2014, in Quebec City, Montreal, Toronto and Vancouver, what is the band preparing for your Canadian fans so eager to see you guys playing live again? Will there be any special songs in the setlist, or any other surprises at all?
RS: We are all looking forward to this and we are happy that there are more cities planned for Canada this year! In our existing setlist we have tried to add the most significant songs. On the other hand we also took care that there is a reasonable change in the flow of the songs of our live set.
THM: Which bands or artists (including all types of music) do you enjoy listening while at home with your family, at the gym or on the road? What about Canadian bands or artists, what are your favorite ones and why? And are there any new bands from anywhere in the world you would recommend us?
RS: When I have time to listen to other music I listen to every kinds of genres. I’m very open to all kinds of bands and songs with melodies. As I am not really up date what’s new at the market I am not able to recommend anything right now.
THM: Thank you very, very much for your time. Please feel free to send a final message to your fans here in Canada and to invite everyone to the Primal Fear concerts here. I’ll be there at the Mod Club on May 3 in Toronto to bang my head with some pure Heavy Metal, no doubt about that!
RS: As mentioned above we are looking forward to perform in more cities of Canada this year! It would be awesome if you all could join in for a show in your city and to rock out and hang out with us for a non alcoholic beer or two. 🙂
When you put together music genres such as Rock N’ Roll, Hard Rock and Doom Metal, the final result is at least interesting, especially in terms of creativity and feeling. But if you really want to spice things up, simply add to that some nuances of occultism and lots of groove from the dawn of Heavy Metal and you have the excellent self-titled debut album by Canadian Hard Rock/Doom Metal band The Order of the Solar Temple.
Getting back to the album, The Cult (Of Rock’n’Roll) sounds like a “tribute” to the good old KISS, with an awesome work done on riffs and drums, elevating it to the status of best track of the album. Moreover, it’s perfect for becoming a Rock N’ Roll radio hit as it would certainly please not only traditional hard rockers but also any fan of some good quality music. Then we have the psychedelic rhythm and melody of Jervas Dudley, a song that could be summarized as “when Black Sabbath meets Jethro Tull” and also an excellent “journey” for guitar players that enjoy the groove from the 70’s, followed by another fast and classic tune the likes of Deep Purple named Pale Horse, which I’m pretty sure you’ll get addicted to its melodic riffs and keyboards.
THE HEADBANGING MOOSE 