Album Review – Grima / Nightside (2025)

This cryptic, haunting Atmospheric Black Metal entity returns with its sixth offering, a dark ritual of ancient forest magic honoring the spirit of the Siberian Taiga.

With already 10 years of scene-stealing experience behind them, the cryptic, looming stars of Siberian Atmospheric Black Metal known as Grima are unleashing upon humanity their sixth full-length offering, the breathtaking Nightside, a dark ritual of ancient forest magic following up on their critically acclaimed 2022 opus Frostbitten. Produced by the band itself alongside Vladimir Lehtinen, recorded by Vilhelm and Serpentum at Grima The Mighty Studio, mixed and mastered by Vladimir Lehtinen at Blastbear Sound, and displaying a somber and classy artwork by Paolo Girardi, the new album by twin brothers Vilhelm on vocals and guitars, and Morbius on the guitars, with the support of session musicians Serpentum on bass, Vlad (Morokh, Solarfall, Ultar) on drums, Valentina Astashova (Eoront, WirgHata) on keyboards, and Sergey Pastukh on the bayan, is set to honor the spirit of the Siberian Forest, Taiga, while also bringing to our avid ears an overdose of high quality atmospheric and extreme music.

Serene, gentle sounds permeate the air in the atmospheric intro Cult, with the bayan by Sergey adding an extra touch of finesse to the overall result, exploding into Beyond the Dark Horizon, where Vilhelm’s harsh, devilish gnarls will send shivers down your spine supported by the classic Black and Doom Metal beats by Vlad, therefore resulting in a bold, dense and multi-layered aria of darkness by Grima. Then the striking sound of the bayan once again brings sheer magic to Flight of the Silver Storm, with the guitars by Vilhelm and Morbius exhaling Black Metal, being perfect for some vigorous headbanging in the bitterly cold darkness of the Siberian Tundra; and the gentle guitar lines by the Siberian twins ignite the also enfolding Skull Gatherers, with Serpentum and Vlad generating a heavy, pounding ambience tailored for Vilhelm’s venomous roars. Then featuring guest vocals by Savely Nevzorov (Deafknife, Ultar) and Ilya Panyukov, Impending Death Premonition is a lecture in Atmospheric Black Metal showcasing striking yet melodious riffs intertwined with sheer violence, anger and obscurity.

The second half of the album begins with the breathtaking The Nightside, with its menacing wall of sounds dragging us all to the cold landscapes of Siberia while their riffs and blast beats, supported by the whimsical keys by Valentina, sound utterly dynamic and captivating. They continue to darken the Siberian skies with their harsh but extremely beautiful music in Where We Are Lost, with Vilhelm and Morbius delivering a thrilling riff attack; whereas Savely and Ilya return in full force in Curse of the Void, starting again in an embracing, mysterious manner before such an amazing metal entity from Russia crushes our souls with their stylish Atmospheric Black Metal sounds. Lastly, the band invests in a more melancholic, cadenced sonority in Mist and Fog, bringing more elements from Doom Metal and even Depressive Black Metal to their core sound, with Vilhelm taking the lead with his sharp, devilish gnarling before all flows into the climatic outro Memories of a Forgotten Home, bringing some peace to our hearts and soothing our souls as we succumb to the enfolding darkness of the Taiga in the harshest of winter.

In addition to their unforgettable sound, the band’s eerie, piercing looks, towering like living trees with intimidating carved wooden masks and branched fingers, adds another haunting element to their brutal yet beautiful output. Hence, with their mysterious visual aura and intriguing sound, on Nightside, Grima continue to prove themselves as an unmissable band to watch within the genre, and you can explore their distinguished realm by following them on Facebook, Instagram, and VKontakte, stream their music on Spotify, and purchase their newborn beast from BandCamp, from Napalm Records, or simply by clicking HERE, letting the darkly menacing beauty of the night sky from the Taiga penetrate deep inside your soul to the sound of one of the best albums of extreme music of the year.

Best moments of the album: Flight of the Silver Storm,  Impending Death Premonition, The Nightside and Curse of the Void.

Worst moments of the album: None.

Released in 2025 Napalm Records

Track listing
1. Intro (Cult) 2:00
2. Beyond the Dark Horizon 3:36
3. Flight of the Silver Storm 6:01
4. Skull Gatherers 5:37
5. Impending Death Premonition 6:25
6. The Nightside 7:29
7. Where We Are Lost 6:31
8. Curse of the Void 4:35
9. Mist and Fog 5:09
10. Outro (Memories of a Forgotten Home) 2:03

Band members
Vilhelm – vocals, guitars
Morbius – guitars

Guest musicians
Serpentum – bass (session)
Vlad – drums (session)
Valentina Astashova – keyboards (session)
Sergey Pastukh – bayan (session)
Savely Nevzorov & Ilya Panyukov – vocals on “Impending Death Premonition” and “Curse of the Void”

Album Review – Necrowretch / Swords of Dajjal (2024)

Branded with the mark of the beast, this French Blackened Death Metal horde returns blacker than ever with a magnificent opus dedicated to the Islamic Antichrist.

Formed in 2008 by vocalist and multi-instrumentalist Vlad in Valence, a city in southeast France in the Auvergne-Rhône-Alpes region, with the revival of old school Death Metal while always branded with the mark of the beast, Blackened Death Metal entity Necrowretch has just opened the most ambitious chapter of their career with Swords Of Dajjal, their three-years-in-the-making fifth album. Recorded, mixed and mastered by Francis Caste at Studio Sainte Marthe, Swords of Dajjal isn’t just named after the Islamic Antichrist, but a statement of the devotion to Satan by the aforementioned Vlad on vocals and guitars alongside guitarist and bassist W. Cadaver, and drummer N. Destroyer, being highly recommended for fans of Possessed, Dark Angel, Dissection, Necrophobic, and Merciless, or to anyone who sold their whole souls to the devil just like this French horde. Represented on the cover of the album (masterfully brought into being by Stefan Thanneur, also known as Manifeste) with his double-edged sword and bathed in the same kind of reddish and orangey mesmerizing lights one can experience when the sun sets on wind-beaten deserts, all eight songs on the album are prophecies, past and future, where Dajjal plays the leading role.

The Stygian guitars by Vlad and W. Cadaver ignite the opening tune Ksar Al-Kufar (describing a dark and forbidden land characterized by disbelief and ominous imagery), offering us all pure evil in the form of Blackened Death Metal; whereas N. Destroyer hammers his drums in the name of absolute darkness in The Fifth Door, living up to the legacy of the genre and being tailored for admirers of Behemoth, Belphegor and Septicflesh, while Vlad vociferates rabidly in a pure Black Metal style. Then obscure riffs and menacing vocal lines set the tone in Dii Mauri (or the “Mauran gods” mentioned in Latin inscriptions of the third century in North Africa), a phantasmagorical creation by Necrowretch that should sound insane live, summoning all creatures of the netherworld to their feast of blackened music. And the title-track Swords of Dajjal is a lecture in extreme music, blasphemy and hatred, with the harsh roars by Vlad walking hand in hand with the strident, piercing riffage by W. Cadaver while N. Destroyer keeps demolishing his drum set with endless dexterity and anger.

It’s time to bang your heads nonstop to the visceral sounds blasted by Necrowretch in Numidian Knowledge, another song where their passion for the darkest side of music becomes even stronger, whereas speeding things up and sounding more venomous than ever we have Vae Victis, which is Latin for “woe to the vanquished”, where Vlad is inhumane on vocals, barking and roaring like a beast from the crypts of Hades in a must-listen for admirers of Blackened Death Metal. The second to last burst of sulfur by the band is offered to our ears in Daeva (a supernatural entity of disagreeable nature, an evil spirit, or demon in Zoroastrianism), a more melodic composition, or an instrumental interlude that’s not bad but doesn’t add much to the album, flowing into the cryptic closing tune Total Obliteration, bringing forward six minutes of classy, energetic and grim Black and Death Metal that will haunt your damned souls for all eternity, all spearheaded by the visceral screams by Vlad supported by the always sharp riffs by W. Cadaver.

Armed with the biggest, most complex and intense album of their career, Necrowretch are about to yield their sword of destruction and exterminate everything in sight. The result is, according to Vlad, “our most black metal record, with splashes of death metal here and there. Whereas on the previous album all tempos were pushed to the extreme, there’s far more variety here to be found. It also gave us free reins to reach a more mystical, Biblical if you will vibe” fed by his experience living in Turkey in the late 2010’s. “We choose to focus on the Dajjal character, basically the antichrist in the Muslim religion. The Coran says that he’ll appear as a false prophet only to bring doom to this world, with an army of demons coming from the east.” Hence, if you’re also willing to sell your soul to the devil alongside the guys from Necrowretch, you can stream Swords of Dajjal in full on YouTube and on Spotify, and grab a copy of the album from their own BandCamp page, from Season of Mist, or by clicking HERE, and don’t forget to also give the band a shout on Facebook and on Instagram. Necrowretch are sounding blacker and more sulfurous than ever, bringing doom to our already decaying world just like Dajjal with their new album, and I’m sure you’ll have a blast listening to such masterpiece of darkness.

Best moments of the album: The Fifth Door, Swords of Dajjal, Vae Victis and Total Obliteration.

Worst moments of the album: Daeva.

Released in 2024 Season of Mist

Track listing
1. Ksar Al-Kufar 4:21
2. The Fifth Door 5:29
3. Dii Mauri 5:06
4. Swords of Dajjal 4:55
5. Numidian Knowledge 4:11
6. Vae Victis 4:18
7. Daeva 2:49
8. Total Obliteration 6:13

Band members
Vlad – vocals, guitars
W. Cadaver – lead guitars, bass
N. Destroyer – drums

Guest musician
R. Cadaver – bass (live)