Metal Chick of the Month – Mary Zimmer

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It’s my time to soar… I am here to stay!

Born and raised in Madison, the capital city of Wisconsin, but currently residing in “Sin City” Las Vegas, Nevada, the multi-talented Mary Zimmer, our metal chick of the month of April, is ready to set the world of heavy music on fire with her unique vocal range, stunning looks and ass-kicking onstage performance, proving why she was chosen in 2019 to become the frontwoman for Sacramento, California-based Power Metal unity Helion Prime. Not only an accomplished vocalist who can do both clean vocals and harsh screams, known for her work with bands the likes of Luna Mortis and White Empress (not to mention her years as a touring member of Helion Prime from 2018 to 2019), Mary has also been a vocal coach and instructor for more than a decade, a session musician for some amazing underground bands, and a YouTuber who discusses about singing, screaming and music theory, as well as reviews and reaction videos. Put differently, Mary Zimmer is just awesome, and I bet you’ll have a very good time knowing a little more about such skillful musician here on The Headbanging Moose.

A classically trained singer who has a Bachelor of Music from the University of Wisconsin-Whitewater, Mary has also studied additional techniques to shout and sing with The Zen of Screaming creator, Melissa Cross, allowing her to showcase all her vocal skills in bands from different styles as aforementioned, as well as her studies in audio engineering. “I got my degree in classical music fairly young at the age of 22. Even after my music degree, I did an absolute ton of research on the anatomy of the voice and tried to absorb all of the information that’s available out there,” commented Mary on her passion for technical singing. Long before joining Helion Prime, Mary was the vocalist for a band named A Touch of Evil between 2001 and 2002; for an American Folk/Gothic Metal/Ambient group named Earthen; for American Progressive Metal act Luna Mortis (and its previous incarnation The Ottoman Empire); for a band called Santa Marta from 2016 to 2019; and for American Extreme Symphonic Metal outfit White Empress from 2013 until 2016.

Perhaps the two most interesting projects she was involved in her pre-Helion Prime days are Luna Mortis and White Empress, with whom she recorded some excellent material and official videos. Let’s begin talking about Luna Mortis, formed in 2002 in her hometown under the name The Ottoman Empire, and as the vocalist for The Ottoman Empire she recorded the album Way of the Blade, in 2006, and the EP The Answer: Does Not Exist, in 2008. Then after the change in the band’s name to Luna Mortis still in 2008, Mary recorded with the band the 2009 album The Absence, presenting a much stronger sound and polished production compared to the band’s two previous releases. You can enjoy online the official videos for the songs Forevermore and Anemic World, and if you think Luna Mortis will be back in action one day, well, after their reunion back in 2013, which was not as great as the band itself expected as they had several internal issues (shortening the reunion considerably), and as mentioned by Mary herself, it was a failed experiment and she can pretty much guarantee they won’t try to reunite again. After Luna Mortis, Mary said she’s a completely different person on many levels, having changed mentally, emotionally, physically, visually and vocally, as you’ll be able to notice in White Empress.

It was in 2013 under the moniker “White Empress” (and later as Mary Z) that our unstoppable diva helped to found the Minneapolis, Minnesota-based Extreme Symphonic Metal unity White Empress, having recorded a self-titled EP in 2014 and the full-length opus Rise of the Empress that same year (containing the four songs from the EP plus other original tracks). When asked about the concept of White Empress, Mary said that the band was band based around the character of the White Empress herself, an empowering and a feminine power in her own right, representing the individual inner strength and power we all have within, with the original concept being created by the band’s founder Paul Allender (better known for his superb work with Cradle of Filth for over two decades). If you want to have a quick and incendiary taste of their music, you can enjoy the official video for the awesome song Darkness Encroaching.

Mary can also be seen lending her powerful voice to different bands and projects as a guest vocalist, on top of her years as a live member of Helion Prime as mentioned before. For instance, she recorded the harsh vocals for the song Goodbye to Farewells, from the 2021 album Psychosomatic by Austin, Texas-based Progressive/Power Metal band Immortal Guardian; and vocals as “President Fox” on the 2019 self-titled album by Brooklyn, New York-based Symphonic/Progressive Metal project Valcata. Not only that, Mary was also involved in the recordings of the 2018 eight-track demo The Remains of Judgment, by Madison, Wisconsin-based Death Metal act Burial of an Era, showing another side of our multi-talented musician (and we’ll talk more about her technical skills shortly). When asked about how she became a session musician, Mary said that the fact she already had the skills necessary to record her own vocals, plus her business professionalism, made it easier for people to trust and hire her, complementing by saying that it’s important to choose if you want to be an in-person guest musician or if you want to learn how to record yourself at home and work worldwide, which of course demands some investments that can be a bit expensive for beginners.

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Regarding her career with Helion Prime, after joining the band as their full-time frontwoman Mary recorded the album Question Everything in 2020 with the band, currently comprised of our electrifying diva on vocals together with guitarists Jason Ashcraft and Chad Anderson, bassist Jeremy Steinhouse and drummer Alex Bosson. When asked what attracted her to Helion Prime in first place, she said she learned to love the guys from the band during her two years as their touring singer, enjoying singing their material, and finally deciding to join forces with them after it became logistically difficult for their previous singer Sozos Michael to be involved as needed. As Question Everything contains several songs that work as tributes to influential names in the history of science, Mary was asked which one of those people was her favorite one to sing about. “I think my favorite is Katherine Johnson. She’s the subject of the song Madame Mercury. Her story really speaks to the successes people can have against daunting odds, and she’s certainly an inspiration to folks all over the world,” said Mary, providing some inspirational words to us fans.

As already mentioned, Mary is a famous YouTuber who runs her own channel called VoiceHacks, providing singing and screaming tutorials for beginner to advanced vocalists, teaching private lessons, and training people in a variety of techniques. “I kind of became a YouTuber by accident. I’m a vocal coach and vocalist first and foremost who kind of ‘fell’ into YouTube as a result of using it as a hosting place for my tutorials and other resources for the people I teach,” commented Mary in one of her interviews, also saying that “I’ve been doing all lessons online since 2013 because physical in-person lessons are out of date and relatively impractical. Most people prefer not having to leave home for their lessons.” If you explore her YouTube channel, you’ll find several videos with important tips on how to preserve your voice while doing harsh vocals, how to reach the right key, how to fix “easy-to-correct” mistakes a lot of singers and producers make in the studio, and so on. For example, did you know that getting vocalists to aim upwards into the microphone while recording is not a good idea? “It’s way easier for a singer to sing a high note while looking DOWN! This being the case, I want all engineers to stop putting the microphone above the singer, and instead to place it straight in-front, or slightly below their mouth at a 45-degree angle,” said our talented vocal coach.

As usual, such important woman to the world of heavy music was asked several times about her view of women in metal, and her answer to that question focuses on the respect she gets as a musician instead of hearing things like “you’re a chick in a band, you’re a novelty”, also saying you don’t have to be a super model to be a great vocalist, although she truly enjoys all types of singers in the end. “I think there are a lot of particularly glamorous metal singers, I think… Simone Simons (Epica), Tarja Turunen (ex-Nightwish), there is a lot of glamorous metal singers but then you also have your ones that just came in their t-shirt and jeans like Anneke (van Giersbergen) from The Gathering you know?” She also mentioned in one of her interviews when asked about the fact the recording industry is a heavily male-dominated business that it still astonishes her that all these years later she’s still one of the only women who knows anything about recording, albeit she doesn’t see it as a masculine or physically challenging task.

There were also three other interesting topics where Mary was asked to provide her insights on, those being the evolution in the music industry, what a manager can offer a band that’s proactive aside from contacts, and all environmental issues the world is facing. Mary said that what has changed most is the evolution from physical product to monetized music listening streaming and that has been a very positive change for all musicians everywhere, and she personally vastly prefers living in the digital era of music now. “It’s an utterly fantastic time to be a musician. There are so many resources at our fingertips. The only limit is our attitude, willingness to educate ourselves about the new music industry landscape and tools, and writing good music. That hasn’t changed, even with all the abundant opportunities for musicians, the songs still have to be good.” Regarding the need for a band manager or not, Mary said that there are good managers out there that have a good business sense, that are rooted in the genre that the band is playing and they have contacts and connections they can work on the band’s behalf to deal with publicists, tour planners, other things and just sort of be the mouth for the musician, and of course, that can be the a neutral face when dealing with people, avoiding exposing the band to negative feedback and opinions (in a good way, of course). And lastly, in regards to the way mankind is treating the environment, she said that she has three degrees in varying areas of Renewable Energy and from that education she has learned that sustainability is necessary for human survival. “The earth is a finite sphere with a finite amount of resources – a finite amount of matter and energy.  If we seek to live on a habitable planet, we must find totally 100% sustainable ways to live.  Unsustainable practices shouldn’t even exist.  I am a huge renewable energy advocate, as it is the most logical, safe, sustainable, abundant means of powering humanity,” suggesting we all watch the video or read the book Cradle to Cradle and learn about sustainability and how it changes the world and the environment.

If you want to have fun together with Mary, you can find several excellent interviews online with her as for example this one for Musican’s HQ podcast, episode 23; the one she did together with Helion Prime’s own guitarist Jason Ashcraft for Rustyn Rose from Metalnation where they discussed their new album Question Everything, Ronnie James Dio, special guests and the impact of Covid-19 on the music industry, among other topics; and this one for Audible.com where she discusses about her YouTube channel VoiceHacks. Having said all that, what are you waiting for to let Mary Zimmer and her powerful voice penetrate deep inside your soul in the name of Heavy Metal? I’m sure Mary will love to hear from you and to get your feedback on her undisputed work as the great vocalist she is.

Mary Zimmer’s Official Facebook page
Mary Zimmer’s Official Instagram
Mary Zimmer’s Official YouTube channel
Mary Zimmer’s Official Twitter
Mary Zimmer’s LinkTree
Helion Prime’s Official Facebook page
Helion Prime’s Official Instagram
Helion Prime’s Official YouTube channel

“I don’t think that metal is an intentionally sexist genre, I think metalheads are pretty broad thinking people and I think that most of them will give you a shot. If you can play you can play if you can sing you can sing. And it doesn’t really matter to a lot of them if you’re a woman or a man.” – Mary Zimmer

Album Review – Iron Savior / Titancraft (2016)

One of the most underrated bands from the heavy music scene in Germany returns with another solid lesson in Power Metal, perfect for banging our heads nonstop and raising our fists in the air.

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CoverMeine Damen und Herren, it’s my pleasure to inform you German Power Metal warriors Iron Savior have just released a brand new album, entitled Titancraft, the ninth in their underrated career and another extremely well-crafted collection of old school Heavy Metal hymns. Spearheaded by the skillful Piet Sielck on vocals and guitar, Iron Savior have managed to maintain the same lineup from their 2011 album The Landing and their 2014 kick-ass album Rise of the Hero, and we all know how good and productive it is to music whenever a band doesn’t suffer too many changes in regards to its members.

Instead of changes in their lineup, Iron Savior invested into increasing the reach of their music by simply adding the abilities of several guest musicians to the album. In Titancraft, fans will be able to enjoy the contributions by guitarist Jan Bertram (Paragon), singer Frank Beck (Gamma Ray), keyboardist and pianist Daniel “Danny Danger” Galmarini (Mercury Falling), and Philippa “Pippa” Sielck  on backing vocals. Add to that the once again classic cover art by Colombian musician and illustrator Felipe Machado Franco, the same artist responsible for the artwork in The Landing and Rise of the Hero, and there you have an album that transpires Heavy Metal in all possible senses.

Rumbling bass lines, electronic effects and an eerie voice constitute the futuristic intro Under Siege, setting the tone for the title-track, Titancraft, an explosion of the purest form of Power Metal similar to what their countrymen from Gamma Ray usually do. I love when a band like Iron Savior can craft honest and exciting music even after so many years on the road, and although the vocals by Piet sound less aggressive than in their previous albums, that doesn’t mean they’re not awesome. After that solid start, we have the even more powerful Way of the Blade, a superb composition that lives up to the history of true Power Metal showcasing piercing guitar lines by Piet and Joachim “Piesel” Küstner and the thunderous bass by Jan-Sören Eckert, as well as Piet getting back to his beastly mode on vocals.

Seize the Day sounds happier than usual, which doesn’t mean the music is soft or bland despite being slightly below the rest of the album in terms of quality (let’s say that excessive happiness is also a bit tiring after a while); whereas Gunsmoke, with its lyrics inspired by the dangerous lives of gunmen in the Wild West (“And when all hope was gone / Judgement came to town / Seven guns / To shoot the outlaws down / Shoot ‘em down”), has that headbanging rhythm perfect for some air guitar. Furthermore, Thomas Nack is not only a fast drummer, but in this song he also shows his skills in a groovier form closer to classic Hard Rock. And in Beyond the Horizon, a classic Power Metal composition where backing vocals help Piet sound more powerful and epic, Danny Danger embellishes the musicality with his keyboard notes, working really well together with all guitar solos by Piet and Piesel.

BandThe fantastic The Sun Won’t Rise in Hell is an ode to Heavy and Power Metal, blending the best elements from Gamma Ray, Manowar, Judas Priest and so on, with Piet and his crew delivering a potent and metallic hymn where all guitar riffs and solos sound cutting, which is always a good thing in heavy music; and if you love high-octane Power Metal, Strike Down the Tyranny is perfect for you. It’s quite similar to many old classics by Iron Savior, with highlights to the always competent Thomas behind his drums.

Although the average Brother in Arms brings the adrenaline down a bit due to its not-so-exciting rhythm, despite its decent lyrics (“Alone on the journey / Like so often before / My circuits are gleaming / In overload / And now I’m coming ashore”) and good guitar solo, everything gets back on track in I Surrender, an outstanding power ballad where you’ll start singing its catchy lyrics instantly, all enhanced by a beautiful guitar solo and the passionate vocal performance by Piet, making the overall result even more touching. In other words, this is an amazing example of how a band can sound mighty even when not playing at full speed. Finally, if you were born to be rebellious, you’ll have a good time listening to the straightforward Power Metal tune Rebellious and its electrified guitar passages and classic beats.

In summary, Iron Savior never disappoint, always displaying their profound passion for Power Metal through their classic tunes, and it couldn’t be different in Titancraft. By the way, If you’re a diehard fan of the band, you certainly need to purchase the limited edition of the album, containing a stamped tinplate (20×30 cm) with cover artwork, an Iron Savior metalpin, a personal sketch and notes from Piet Sielck himself, a handsigned autograph card and a certificate of authenticity. As you already know, this is true Power Metal crafted by another brilliant band from Germany, a country that has metal music running through its veins, and that’s all we need to bang our heads and raise our fists with a huge smile on our faces.

Best moments of the album: Titancraft, Way of the Blade, The Sun Won’t Rise in Hell and I Surrender.

Worst moments of the album: Seize the Day and Brother in Arms.

Released in 2016 AFM Records

Track listing
1. Under Siege (Intro) 0:58
2. Titancraft 5:21
3. Way of the Blade 3:57
4. Seize the Day 4:57
5. Gunsmoke 5:07
6. Beyond the Horizon 5:58
7. The Sun Won’t Rise in Hell 5:02
8. Strike Down the Tyranny 5:10
9. Brother in Arms 5:23
11. I Surrender 4:04
12. Rebellious 4:49

Limited/Japanese Edition bonus tracks
10. R&R Addiction 5:10
13. Protector 2016 4:36

Japanese Edition bonus track
14. Assailant 2016 4:20

Band members
Piet Sielck – vocals, guitar
Joachim “Piesel” Küstner – guitar
Jan-Sören Eckert – bass guitar
Thomas Nack – drums

Guest musicians
Jan Bertram – lead guitars on “R&R Addiction”
Philippa “Pippa” Sielck – backing vocals
Frank Beck – backing vocals, additional lead vocals on “Assailant 2016”
Daniel “Danny Danger” Galmarini – keyboards on “Beyond The Horizon”, “I Surrender” and “Brother In Arms”, piano on “I Surrender”