Directly from the French region of Britanny, here comes a Black and Viking Metal power trio that effectively knows how to blend aggressiveness, history and culture into extreme music.
Breton, the old native Celtic language spoken in Brittany, a cultural region in the north-west of France that became an independent kingdom and then a duchy before being united with the Kingdom of France in 1532, also referred to as Less, Lesser or Little Britain (as opposed to Great Britain), might not be the most commonly used language anymore by the Bretons, but it still plays an important role in this distinct region of France. One of the most interesting usages of Breton in modern days is undoubtedly in music and arts, like what you’ll find in Hanter Savet, the brand new album by Black/Viking Metal power trio Vindland.
The lyrics, song titles and even the album title are all written in Breton, showing how much this talented band based in the city of Paimpol is connected to their roots, therefore making the whole album more organic and heartfelt. The band was formed in 2004 and, after releasing a demo, an EP and after playing a few concerts, the band split up. In 2010, however, the band was reformed and started working on what would be Hanter Savet, and based on the potency of the music found throughout the entire album I believe this time Vindland are here to stay, delivering a well-balanced mix of the brutality found in Black Metal with the epicness and emotions of Viking and Folk Metal. Although you might not understand a single word sung by the band, I’m pretty sure you’ll have a good time listening to this Breton opus.
The aforementioned aggression of Black Metal and the burning passion of Viking Metal are already united in the opening track, named Orin Kozh. The voice by frontman Romuald is that type of devilish and strident growl perfect for extreme music, supported by a musicality that’s always evolving through time due to all tempo changes without sounding tiresome or being too lengthy in duration. Treuzwelus continues the attack from where the first song ended, presenting several Folk and Pagan Metal elements in a very creative form, with Marc being precise and energetic on drums and, consequently, providing all support Romuald and Camille need for their vocals and galloping riffs, respectively. And Serr-Noz brings forward a melodic atmosphere that captures the listener’s mind and takes him on an epic Black Metal journey, with Camille discharging a high level of excitement due to his amazing guitar lines. Moreover, its magic aura only grows in intensity as the music progresses, with innumerous elements from all types of music added as a “bonus” to the listener in the background.
In Pedenn Koll, its smooth intro works as “the calm before the storm” of Melodic Black Metal that suddenly arrives, with highlights to its infernal growls contrasting with the harmony built by the guitars and to another outstanding performance by Marc on drums; while in Skleur Dallus the heavier riffs by Camille, which sound a lot closer to traditional Heavy Metal, ignite this rhythmic Pagan Metal hymn. Furthermore, the music only keeps expanding its boundaries until it embraces you completely, with even its serene breaks having a lot of energy flowing. The high-end Folk Metal composition Morlusenn displays a characteristic sonority from Scandinavian music, but with the band’s own French touch, and despite focusing a lot more on its instrumental parts it’s important to say the anguished growls by Romuald sound truly amazing and are exactly what the music needed.
The band’s versatility becomes evident in Skorneg Du, as they mutate from Folk Metal to pure old school Black Metal with Viking Metal elements in a 7-minute battle chant that lives up to the tradition of the Norsemen, as well as in Skeud Ar Gwez, an epic 11-minute aria that starts in a very progressive and atmospheric form that lasts for over three minutes until it explodes into a feast of Extreme Metal. Albeit technical and professionally composed, in my opinion the music takes too long to take off, and maybe a shorter version of it in a similar format as all other songs would have been a lot more effective. And closing the album we have the bonus track And The Battle Ended, a re-recording of the original song from their 2009 EP named Ancestors’ Age, still containing the brutality and harmony of the original version but with an updated sonority following the band’s current approach.
In summary, the region of Britanny couldn’t be in better hands in terms of heavy music than with this excellent power trio, and Hanter Savet is a very good example of how history, culture and aggressiveness always work really well when combined in music and arts in general. If you want to know more about Vindland, go check their Facebook page and YouTube channel, where you can also listen to Hanter Savet in its entirety, and if you want to purchase the aubm simply visit the Black Lion Productions’ BandCamp or Big Cartel.
Best moments of the album: Treuzwelus, Serr-Noz and Skleur Dallus.
Worst moments of the album: Skeud Ar Gwez.
Released in 2016 Black Lion Productions
1. Orin Kozh 4:32
2. Treuzwelus 6:20
3. Serr-Noz 5:55
4. Pedenn Koll 4:39
5. Skleur Dallus 4:59
6. Morlusenn 4:58
7. Skorneg Du 7:06
8. Skeud Ar Gwez 11:30
9. And The Battle Ended (2016 Version) 5:37
Romuald – vocals
Camille – guitars, bass
Marc – drums