Set against a bleak science fiction backdrop, exploring the human conditions of loss, isolation, and change in the wake of time’s passage, the new album by this three-piece act from the UK has everything you crave in Sludge and Doom Metal.
Founded in 2008 in London, England, the three-piece experimental vortex of blackened intensity and forlorn, mournful doom known as Bast returns now in 2018 with Nanoångström, the follow-up to their 2014 critically acclaimed debut release Spectres, continuing the band’s trajectory into narrative driven arrangements and experimental compositions. Including a beautiful artwork designed and directed by the band’s own lead singer and guitarist Craig Bryant, and also featuring an exclusive piece by Manga legend Shintaro Kago as well as guest vocals by Chris Naughton of England’s leading purveyors of Black Metal Winterfylleth, Nanoångström is set against a bleak science fiction backdrop, exploring the human conditions of loss, isolation, and change in the wake of time’s passage, all enfolded by the crushing fusion of Sludge and Doom Metal blasted by Craig and his bandmates Gavin Thomas on bass and Jon Lee on drums and backing vocals.
Low-tuned, melancholic and whimsical sounds invade our senses in the intro Distant Suns, warming us up for the crushing Far Horizons, a 10-minute Sludge Metal exhibit led by the rip-roaring riffs and growls by Craig, while Jon flawlessly pounds his drums in a delicate but fierce way at the same time, with the song’s crisp and flammable riffs being intertwined with somber and more serene passages, even presenting hints of Atmospheric Black Metal. Then featuring the aforementioned guest vocals by Chris Naughton we have The Beckoning Void, an explosion of contemporary Sludge and Doom Metal where the bass punches by Gavin sound truly menacing and thunderous, while Craig keeps shredding his strings mercilessly. Moreover, the song also presents nuances of classic Black Metal added to the drumming by Jon, hammering our heads and piercing our minds mercilessly, with the song’s second half getting more progressive and vibrant until its majestic finale.
The title-track Nanoångström begins as sluggish, introspective and obscure as possible, with the band’s stringed duo extracting Stygian tones from their instruments, while Jon slowly and steadily smashes his drums. In addition, Craig’s anguished growls get more and more desperate as the music progresses, before everything evolves into a Progressive Sludge Metal extravaganza that would make the guys from Tool really proud. Then rumbling guitars and bass lines permeate the air in the also sluggish Doom Metal tune titled A Red Line Through Black, remaining at a truly obscure tone until a wave of progressiveness takes over and the music morphs into a hard-hitting feast of classic Sludge Metal riffs, frantic and intricate beats, and enraged roars. Put differently, it can’t get any heavier nor more eccentric than this. Lastly, Chris joins Bast once again in The Ghosts Which Haunt the Space Between the Stars, where the band brings forth 12 minutes of crude, melodic and cutting Progressive Sludge Metal, a full-bodied headbanging hymn spearheaded by Craig and his aggressive, harsh growls, while Jon keeps extracting sheer Black Metal sounds from his beats. And their sonic havoc goes on ruthlessly, not giving us a single second of peace until its abrupt and powerful ending.
In a nutshell, Nanoångström has everything fans of contemporary and dark Sludge and Doom Metal are always craving, elevating Bast to new heights and positioning them as one of the most interesting exponents of the genre. If Bast’s sluggish music is your cup of tea, you can grab your copy of Nanoångström from their own BandCamp page or from the Black Bow Records’ Big Cartel, and after you do that just remember your days will never be bright or peaceful again. Well, I guess those are not the sensations you want to fell while listening to first-class Doom Metal, which means Bast more than succeeds in taking you to the most obscure side of music with Nanoångström.
Best moments of the album: The Beckoning Void and The Ghosts Which Haunt the Space Between the Stars.
Worst moments of the album: None.
Released in 2018 Black Bow Records
1. Distant Suns 2:40
2. Far Horizons 10:24
3. The Beckoning Void (feat. Chris Naughton) 10:53
4. Nanoångström 11:10
5. A Red Line Through Black 9:56
6. The Ghosts Which Haunt the Space Between the Stars (feat. Chris Naughton) 12:34
Craig Bryant – vocals, guitars
Gavin Thomas – bass
Jon Lee – drums, vocals
Chris Naughton – guest vocals on “The Beckoning Void” and “The Ghosts Which Haunt the Space Between the Stars”