Canadian powerhouses of Blackened Death Metal return with the heaviest, most obscure and most infernal opus of their undisputed 30-plus-year career.
The gates to the underworld are open once again for another onslaught of Canadian Blackened Death Metal, courtesy of the most demonic and ancient horde hailing from the city of Montreal, the one and only infernal beast Necronomicon, and you better get ready for the searing cacophony of blistering riffs, machine-like drums and a symphonic ambiance found in their brand new album, titled UNUS, the Latin word for “one”. And the band founded by vocalist and multi-instrumentalist Rob “The Witch” Tremblay back in the distant year of 1988 sounds better than ever in their newborn spawn, proving why Necronomicon have been on the road for such a long period of time and, more important than that, continuously producing high-quality metal that’s just as dark and brutal as it is elegant.
Recorded at Silver Wings Studio, mixed and mastered at Darth Mader Music, and featuring a grim cover art and layout by German artist Totleben (Metal Artworks), UNUS, the crushing and cinematic follow up to the band’s 2016 opus Advent of the Human God, flawlessly combines the most infuriated elements of Death Metal with the orchestral prowess of Black Metal, creating the perfect synthesis of both genres and being highly recommended for fans of the music by Dimmu Borgir, Septicflesh, Behemoth and Deicide. Accompanied by newcomer Divider on drums, Rob takes care of all vocal duties, guitars and bass on the album, which therefore creates a very powerful and honest connection between the band’s mastermind and the music found in his new album, also showcasing all his refined skills and passion for dark music.
And Rob begins his onrush of violence and darkness in From Ashes into Flesh, featuring cryptic, phantasmagorical piano notes by guest musician Geirlioz. From the very first second we can witness how sensational Divider is on drums, setting fire to the music with his hellish beats. Put differently, what a bestial display of Symphonic Black Metal to kick off the album, with that devilish aura going on in Infinitum Continuum, where the slashing riffs by Rob dictate the rhythm while his vocals sound a lot more Death Metal than ever, bringing an extra dosage of rage to the music. Its flammable musicality is beyond perfect for slamming into the circle pit, not to mention Rob’s incendiary guitar solo, elevating the overall quality of the album to new heights. Then it’s time for Divider to crush our skulls with his rumbling drums in Paradise Lost, a lesson in Blackened Death Metal by Necronomicon, sounding as dense and obscure as it can be and with Rob growling and roaring like a true creature from the netherworld.
The cinematic instrumental bridge The Price of a Soul sets the stage for Rob and Divider to explode our senses in the fulminating Singularis Dominus, a grandiose display of Black and Death Metal showcasing nonstop blast beats, electrifying riffs and deep, harsh growls. Put differently, it can’t get any better than this, with all that devastation being embraced by an epic aura generated by the song’s background keys and choir, flowing like an arrow on fire in pitch black darkness until its thunderous finale. And a mesmerizing intro evolves into an Arabian nightmare entitled The Thousand Masks, with its keys bringing an extra dosage of epicness to the overall musicality, while Rob is on fire with his demonic growls and Divider keeps smashing our skulls with his blast beats.
Arising from the underworld like a fiendish entity, Necronomicon blend the aggressiveness of their trademark Blackened Death Metal with the obscurity of Blackened Doom in Ascending The Throne of Baator, feeling utterly sluggish and disturbing from start to finish and with the strident sound of its guitars being perfect for haunting your damned soul during your sleepless nights. Fhtagn is another atmospheric instrumental piece emerging from the crypts of Hades, preparing the listener for the devastating anthem Cursed MMXIX, a thrash-death-black spawn that will rip your heart out and feed it to the demons, with Rob delivering sheer darkness through his Death and Black Metal riffs and monstrous guttural vocals, resulting in what’s by far one of the heaviest and most frantic of all songs of the album. And Vox Draconis, the last song in UNUS, is just as brutal and exhilarating than its predecessors, bringing forward insanely sharp and heavy guitar solos by Rob supported by Divider’s rhythmic and precise drumming. What an epic and thunderous ending fur such grandiose album of Extreme Metal, I might say, leaving us completely disoriented and eager for more of Necronomicon’s music in a not-so-distant future.
You can get a very good sense of how somber and powerful the music found in UNUS is by listening to the full album on YouTube or on Spotify, but of course if I were you I would definitely purchase one of the best underground albums of 2019 from Necronomicon’s own BandCamp page, from the Season of Mist webstore, from the Napalm Records webstore, or from several other locations such as the FYE webstore, Waterloo Records, Apple Music or Amazon. Rob and his horde really stepped up their game in their 2016 opus Advent of the Human God, sounding extremely focused and professional back then, but there’s something about UNUS, which is by the way the “666th” album in their career, that makes it absolutely addictive and evil, just like the fictional grimoire from H. P. Lovecraft’s horror stories that gives the band its classy name. It might be its absurd level of darkness and rage, its frantic speed, its epicness or everything at once. What really matters is that Necronomicon kicks ass in UNUS, cementing their name as one of the powerhouses of Canadian extreme music and, therefore, positioning them as the true leaders of extreme music in Canada hands down.
Best moments of the album: Infinitum Continuum, Singularis Dominus, The Thousand Masks and Cursed MMXIX.
Worst moments of the album: None.
Released in 2019 Season of Mist
1. From Ashes into Flesh 4:23
2. Infinitum Continuum 5:27
3. Paradise Lost 4:55
4. The Price of a Soul 1:56
5. Singularis Dominus 4:50
6. The Thousand Masks 3:20
7. Ascending The Throne of Baator 4:54
8. Fhtagn 1:59
9. Cursed MMXIX 4:13
10. Vox Draconis 4:13
Rob “The Witch” Tremblay – vocals, guitar, bass
Divider – drums
Geirlioz – piano on “From Ashes into Flesh”