Album Review – Battle Beast / Circus of Doom (2022)

Welcome to the circus ruled by the one and only Battle Beast, featuring ten tracks that blend true Heavy Metal with pop and rock vibes.

Since their inception in 2005 in the city of Helsinki, Finland, the Heavy/Power Metal and Hard Rock bulldozer known as Battle Beast has been on an unstoppable ride, releasing an array of albums that can already be considered metal classics such as their 2015 opus Unholy Savior, and contemporary gems like their 2017 album Bringer Of Pain. Now in 2022 our beloved frontwoman Noora Louhimo and her bandmates Joona Björkroth and Juuso Soinio on the guitars, Eero Sipilä on bass, Janne Björkroth on the keyboards and orchestrations, and Pyry Vikki on drums are back in action with Circus of Doom, the follow-up to their not-so-good 2019 album No More Hollywood Endings. Recorded, produced, engineered and mixed by Janne Björkroth at JKB Studios, mastered by Mika Jussila at Finnvox Studios, and displaying a classy artwork by Jan “Örkki” Yrlund of Darkgrove Design, Circus of Doom features ten tracks that blend true Heavy Metal with pop and rock vibes, putting the band back on track and showing us all why they’ve become one of the most important names of the current European scene.

A quick circus-inspired intro evolves into the melodic and wicked title-track Circus of Doom, showcasing classic Power Metal lyrics declaimed by Noora (“The lions are hungry / And filled with rage / Afraid and angry / Locked in a cage / Ah / The circus is coming to town”) spiced up by the whimsical keys by Janne, whereas Wings of Light can be considered a journey back in time to their Bringer of Pain sound, with Pyry dictating  the song’s headbanging pace while Joona and Juuso keep slashing their guitars in the name of Heavy Metal firing riffs and solos that exhale pure electricity. Master of Illusion, one of the first singles of the album, brings forward the band’s more recent creations, mixing heavy music with pop in a theatrical manner, and once again it’s Noora who steals the spotlight with her powerful voice; followed by Where Angels Fear to Fly, another tune where the band focuses a lot more on their Hard Rock vein than on Heavy Metal while Janne kicks ass with his keys and orchestrations from start to finish. Then happy, strident riffs permeate the air in Eye of the Storm, an upbeat metal tune spearheaded by Noora’s soaring vocals and Pyry’s rhythmic drumming.

In Russian Roulette, witty words are powerfully sung by Noora (“In this game of Russian roulette / The room is filled with sin, would you let me in? / Tonight might be the night / As troubles disappear, the moon seems so near / Beneath electric starlight”) while her bandmates deliver a solid balance of Heavy Metal, Disco and Rock N’ Roll, whereas Freedom is an imposing, pounding composition that will please all fans of the early days of Battle Beast, bringing to our avid ears the galloping drums and bass by Pyry and Eero, respectively, not to mention how epic the backing vocals sound. The Road to Avalon sounds and feels extremely melodic, inviting us all to dance together with those Finnish rockers while Eero’s rumbling bass goes hand in hand with the old school riffage by the band’s guitar duo, and sharp vocalizations ignite the groovy and exciting tune Armageddon, bringing forward another striking performance by Noora on vocals supported by the stylish riffs and solos by Joona and Juuso. Last but not least, it’s time for a Power Metal feast entitled Place That We Call Home, where the sound of the guitars makes a potent paradox with the keys by Janne, putting a climatic ending to the album. As a matter of fact, if you go for the Digibook edition of the album you’ll be treated to two excellent bonus tracks, The Lightbringer and Tempest of Blades, both definitely worth the extra investment.

You can enjoy Noora’s soaring vocals and the thunderous Heavy Metal played by her henchmen in Circus of Doom in its entirety on YouTube and on Spotify, and of course purchase a copy of the album by clicking HERE. In addition, don’t forget to also follow the band on Facebook and on Instagram, and to subscribe to their YouTube channel (if you haven’t done so yet, of course). Battle Beast might not sound as metallic as in their early days, but they managed to find an awesome balance between Heavy Metal and pop music that turns their more recent releases (with the exception of No More Hollywood Endings) a beyond enjoyable listen to any fan of good music, it doesn’t matter if that person is a metalhead or not, and that only contributes to elevate their name in the metal scene even more. In other words, welcome to the circus of Heavy Metal by Battle Beast, and don’t forget to bang your head nonstop to each one of the “attractions” of the show.

Best moments of the album: Wings of Light, Freedom, Armageddon and Tempest of Blades.

Worst moments of the album: Where Angels Fear to Fly.

Released in 2022 Nuclear Blast

Track listing
1. Circus of Doom 4:57
2. Wings of Light 4:07
3. Master of Illusion 4:08
4. Where Angels Fear to Fly 3:56
5. Eye of the Storm 4:26
6. Russian Roulette 4:16
7. Freedom 3:44
8. The Road to Avalon 4:30
9. Armageddon 3:43
10. Place That We Call Home 3:47

Digibook bonus tracks
11. The Lightbringer 4:23
12. Tempest of Blades 3:32

Band members
Noora Louhimo – vocals
Joona Björkroth – guitars, backing vocals
Juuso Soinio – rhythm guitars
Eero Sipilä – bass, backing vocals
Janne Björkroth – keyboards, orchestrations, backing vocals
Pyry Vikki – drums

2 thoughts on “Album Review – Battle Beast / Circus of Doom (2022)

  1. Pingback: Concert Review – Kamelot (The Opera House, Toronto, ON, 08/22/2023) | THE HEADBANGING MOOSE

  2. Pingback: Concert Review – Battle Beast (The Opera House, Toronto, ON, 05/11/2024) | THE HEADBANGING MOOSE

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