Concert Review – Judas Priest (Dalhalla, Rättvik, Sweden, 07/10/2025)

Thousands of metalmaniacs heeded the call of the Metal Gods to join them at the Gates of Dalhalla for a perfect night of pure Heavy Metal.

INTRO: At the Gates of Dalhalla

I think before starting the review of the actual concert, we should first talk a little about the venue. By the way, it’s my new favorite venue in the entire world, and I doubt any other place I see a concert in my life will be so beautiful and mesmerizing. Dalhalla or Draggängarna as it was previously called, is the name of a former limestone quarry where mining ceased in 1990, used nowadays as an open air theatre and music venue during the summer. It is located 7km north of Lake Siljan in the municipality of Rättvik in Dalarna, central Sweden. 360 million years ago, a meteor fell from space. It fell over Dalarna and the result was the Siljansringen and the surrounding Siljansbygden. The entire bedrock of the area was affected and formed an exciting composition of colorful vertical stripes that are different soil and rock layers, from which lime has become easy to access.

For about fifty years, they blasted and excavated what has now become the basis for Dalhalla, an acoustically designed arena with dimensions that form a kind of ideal golden ratio, albeit in three dimensions. A stroke of luck, which means that Dalhalla can be compared to famous stages in ancient Greece and Italy. In other words, it was the PERFECT venue for JUDAS PRIEST, with support from PHIL CAMPBELL AND THE BASTARD SONS, to stun us all with their undisputed Shield of Pain Tour 2025. And as soon as we got inside such a phenomenal venue, we were impressed with the entire structure, with not only the stage, the pit and the seats looking awesome, but the whole food and merch court was excellent, with plenty of options for all types of people, lots of spots to sit, and extra space for friends to chat about music and life. I obviously got myself a tour shirt and a set of patches, as I had to register that day not only in my memory, but also in my own fashion.

OPENING ACT: Phil Campbell And The Bastard Sons

A Welsh rock band established in 2016 by longtime Motörhead guitarist Phil Campbell, following the 2015 death of Motörhead iconic frontman Lemmy, PHIL CAMPBELL AND THE BASTARD SONS had the utmost pleasure of warming up the wild Dalhalla crowd on a perfect night, or maybe I should say day, as this time of the year it doesn’t really get dark in Sweden, with a lot of sun, blue skies, no clouds, rain or strong winds, and temperatures around +25oC. Seriously, the weather couldn’t have been better. I have mixed feelings about Phil Campbell and his crew, as sometimes they sound like a badass ensemble, sometimes like a college band with that “crazy drunk uncle” we all know on the guitar. Their setlist was fine, mixing songs form their 2023 album Kings of the Asylum with some Motörhead classics such as Going to Brazil and Born to Raise Hell, the two best songs of their entire show by the way, but there was something “missing” to give it that extra kick. I’m not going to say that extra ingredient would have been Lemmy because that would be daydreaming, but I think you know what I mean. In the end, it was a decent opening act for the Metal Gods, and they all seem to be very nice guys, so it was a good show for what it is.

Setlist
We’re the Bastards
Step Into the Fire
Going to Brazil (Motörhead cover)
Hammer and Dance
High Rule
Born to Raise Hell (Motörhead cover)
Straight Up (Phil Campbell song)
Dark Days
Ace of Spades (Motörhead cover)
Strike the Match

Band members
Joel Peters – lead vocals
Phil Campbell – guitar
Todd Campbell – guitar, harmonica
Tyla Campbell – bass
Dane Campbell – drums

JUDAS PRIEST

Faster than a bullet. Terrifying scream. Enraged and full of anger. They’re half man, half machine, and one hundred percent Metal Gods. Just like the meteor that fell from space hundreds of millions of years ago to form the stunning Dalhalla, the almighty Heavy Metal institution JUDAS PRIEST began ripping out hearts mercilessly with their flawless celebration of pure metal magic. The Hell Patrol showed no mercy for our metallic souls, blending some of their biggest classics like You’ve Got Another Thing Comin’ and Breaking the Law with new songs from their 2024 beast Invincible Shield, and of course almost all songs from the most metal album in history, the unparalleled 1990 masterpiece Painkiller. I can’t remember a setlist by the Metal Gods that sounded so powerful, electrifying and heavy, an ode to all things metal that inspired everyone at Dalhalla to keep their horns high throughout their entire set, headbanging and screaming like crazy until the very last second.

Speaking of the crowd, I couldn’t have asked for a better one that night. The Swedish metalheads proved you don’t need to push anyone for a concert to be absolutely wild, showing nothing but utmost respect for each other, and leaving enough space for each and every person in the floor section to breathe and actually enjoy the concert to the fullest. Kudos to the Swedes! Furthermore, when the speakers started playing Black Sabbath’s all-time classic War Pigs, and pretty much the entire venue began singing it at the top of their lungs, I knew the whole concert was going to be phenomenal, and as soon as the band took the stage by storm with the hard-hitting anthem All Guns Blazing, followed by the metal hymn Hell Patrol, the whole area turned into the most metal place on earth.

I love the way Rob Halford, Richie Faulkner, Andy Sneap, Ian Hill and Scott Travis managed to bring so much stamina, passion and energy to their setlist, going from a total banger like Freewheel Burning to the dark venom of A Touch of Evil, keeping all fans engaged from start to finish. The new songs selected for this tour also brought endless joy to my metal heart, with Gates of Hell putting everyone to dance, the fast and furious The Serpent and the King (which is my favorite song from Invincible Shield) exhaling the essence of pure Heavy Metal, and Giants in the Sky being the most emotional moment of the entire show with its homage to our fallen heroes. The fact Halford added Jill Janus to such a stellar group of rock and metal icons almost made me cry, and if you know nothing about her I highly recommend you go after her music. Halford loved her, her voice and her creations, just to give you an idea of how metal she was.

I was already on cloud 9 at that point, but when Mr. Scott Travis began hammering his drums in the iconic intro to Painkiller (which would certainly be my chosen song to be added to a time capsule to show all future generations the meaning of Heavy Metal), it was a collective metallic orgasm as everyone started screaming its lyrics together with the Metal Gods. I don’t remember seeing such a demented reception to that song ever before, as if it was the musical climax in the life of everyone at Dalhalla. I don’t think there’s a song by Judas Priest that the Swedish fans love more than that, and when the band is onstage playing it to perfection, you know you’re in for a treat.

Once again, I had some hope in my heart that Mr. Glenn Tipton would join them onstage for the encore, in special after they skipped Metal Gods (which was a part of their setlist, and a song Mr. Tipton might still be able to play at a high level), but unfortunately one of the best guitarists in the history of metal wasn’t there to jam with his bandmates during the encore. Well, I can’t complain at all about the work done by Richie and Andy, as those guys were shredding their axes in great fashion nonstop, but Glenn will always have a very special place in our hearts and minds.

Speaking of heart, mind and soul, it’s very hard nowadays to say who’s Rob Halford, and who’s Judas Priest. He’s always been the Metal God, no doubt about it, but it feels like his passion for heavy music has grown even stronger in recent years, adding even more strength and feeling to the band’s undisputed live performances. Rob was on fire as usual, being worshipped by all concert goers and driving the fans in the pit absolutely mental with his high-pitched screams. And when he rode his Harley-Davidson to the stage during the encore for Hell Bent for Leather and Living After Midnight, well, that’s one of those moments when you perfectly understand why you love Heavy Metal so much.

After the show was over, it was time to unfortunately say goodbye to Dalhalla, or maybe I should say farewell as I’m sure I’ll be back to that phenomenal venue, and drive back in almost broad daylight to our cabin not too far from there. I must say it was hard to fall asleep due to the adrenaline flowing through my body before, during and after the show, and of course the next morning I had to listen to the entire setlist again to relive such an unforgettable event, in special songs like Hell Patrol, The Serpent and the King, Giants in the Sky, and Painkiller. The big screen behind the band at the end of the show showed in big letters “THE PRIEST WILL BE BACK”, and I guess I don’t need to say that whenever they announce a new show in Dalhalla, I will be there.

Setlist
War Pigs (Black Sabbath song)
All Guns Blazing
Hell Patrol
You’ve Got Another Thing Comin’
Freewheel Burning
Breaking the Law
A Touch of Evil
Night Crawler
Solar Angels
Gates of Hell
The Serpent and the King
Battle Hymn
One Shot at Glory
Between the Hammer and the Anvil
Giants in the Sky
Painkiller

Encore:
The Hellion
Electric Eye
Hell Bent for Leather
Living After Midnight
We Are the Champions (Queen song)

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

This slideshow requires JavaScript.

Concert Review – Judas Priest – 50 Heavy Metal Years (First Ontario Centre, Hamilton, ON, 04/13/2022)

The Priest finally returned to Ontario, Canada to celebrate 50 years of their undisputed Heavy Metal.

OPENING ACTS: Queensrÿche

Finally, after exactly 880 excruciating days (as my last metal concert was Cannibal Corpse in Toronto on November 15, 2019), I was able to attend a metal concert, and the adrenaline rushing through my veins last night was worth every penny spent in the ticket. The place chosen for my “return” was the nice First Ontario Centre, and the first band I had the pleasure to see on stage after so long was the iconic American Heavy Metal band QUEENSRŸCHE, who led by the talented frontman Todd La Torre put on a great show to properly warm up the crowd for the almighty JUDAS PRIEST.

Blending songs from their most successful album to date, Operation: Mindcrime, those being the title-track Operation: Mindcrime, The Needle Lies and Eyes of a Stranger, with other hits such as their first-ever single Queen of the Reich and the excellent Walk in the Shadows, Todd and his henchmen received a standing ovation from the audience when their performance was over, showing why they’re one of the most respected bands from the 80’s. My only complaint has nothing to do with their setlist, even with “Silent Lucidity” being left out of it, but with the fact that the doors of the First Ontario Centre opened at 7:30pm and it wasn’t even 7:45pm when the band hit the stage, which means a lot of people missed their concert due to such limited time to get to their spots. They should have been given at least 30 minutes to start their show, but it is what it is.

Setlist
Queen of the Reich
Warning
En Force
NM 156
Empire
Walk in the Shadows
The Whisper
Operation: Mindcrime
The Needle Lies
Take Hold of the Flame
Screaming in Digital
Eyes of a Stranger

Band members
Todd La Torre – vocals
Michael Wilton – guitars
Mike Stone – guitars
Eddie Jackson – bass
Casey Grillo – drums

JUDAS PRIEST

After a not-so-long break, it was time for my metal heart to pump frantically once again after over two years thanks to one of the most important and electrifying institutions in the history of rock and metal music, my beloved JUDAS PRIEST. Celebrating 50 years alive and kicking on their tour simply called “Judas Priest – 50 Heavy Metal Years”, which unfortunately had to be postponed a few times due to several reasons, the band comprised of the one and only Metal God Rob Halford on vocals, Richie Faulkner and Andy Sneap on the guitars, Ian Hill on bass, and Scott Travis on drums took the crowd on a magical journey through 50 years of the purest and most crystalline Heavy Metal you can think of, from their 1974 classic Rocka Rolla to one of their most recent hits Lightning Strike. It was a fusion of nostalgia, perfection, adrenaline, happiness and so many other great feelings it’s hard to describe everything in just a few words, proving why Judas Priest have always been one of the pillars of traditional Heavy Metal alongside Iron Maiden and Black Sabbath.

The setlist chosen by Mr. Robert John Arthur Halford and his bandmates, as aforementioned, was a thing of beauty, inspiring all fans at the first Ontario Centre to keep screaming, banging their heads and raising their horns high in the air while the band delivered some precious gems of heavy music the likes of Freewheel Burning, Turbo Lover, Blood Red Skies, Electric Eye, Hell Bent for Leather and Breaking the Law. However, as a huge fan of the album Painkiller, which is by the way one of my top metal albums of all time, it was a true pleasure witnessing Judas Priest playing not one, not two, not three, but FOUR songs from that masterpiece, the majestic One Shot at Glory, the metallic hymn Hell Patrol, the stunning A Touch of Evil, and of course the all-time classic, fan-favorite, hard-hitting aria Painkiller, with Scott doing a fun intro where he not only talked about how much the band loves Canada, but also throwing some last minute jokes about how the band would have to play until Sunday if they played every song requested by the audience (and he even forgot it was a Wednesday, not a Thursday). Halford was on fire in all of those songs delivering his trademark high-pitched screams and interacting with the fans in great fashion, supported of course by the amazing guitar by Richie, and by the way it was great seeing Richie is fully recovered from last year’s scary incident.

Of course, everyone who attended the concert in Hamilton yesterday wanted to see Glenn Tipton joining the band for the encore just like what he’s done several times since he opened up about his fight against Parkinson’s disease, especially due to the fact it was the very last concert of their 2022 North American tour, but I’m sure Glenn had his reasons for not playing with the band last night. Moreover, after the last notes of the closing song Living After Midnight were played by the band, the background screen showed in capital letters the message “THE PRIEST WILL BE BACK”, so I guess there will be more opportunities in the future for Glenn to kick some serious ass on stage with a band that not just represents Heavy Metal to perfection, but a band that is Heavy Metal, period. And may Judas Priest keep coming back to Canada for more of their unparalleled performances for another 50 years.

Setlist
Battle Hymn
One Shot at Glory
Lightning Strike
You’ve Got Another Thing Comin’
Freewheel Burning
Turbo Lover
Hell Patrol
The Sentinel
A Touch of Evil
Rocka Rolla
Victim of Changes
Desert Plains
Blood Red Skies
The Green Manalishi (With the Two Prong Crown)
Diamonds & Rust
Painkiller

Encore:
The Hellion
Electric Eye
Hell Bent for Leather
Breaking the Law

Encore 2:
Living After Midnight

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

Metal Chick of the Month – Mary Zimmer

maryz01

It’s my time to soar… I am here to stay!

Born and raised in Madison, the capital city of Wisconsin, but currently residing in “Sin City” Las Vegas, Nevada, the multi-talented Mary Zimmer, our metal chick of the month of April, is ready to set the world of heavy music on fire with her unique vocal range, stunning looks and ass-kicking onstage performance, proving why she was chosen in 2019 to become the frontwoman for Sacramento, California-based Power Metal unity Helion Prime. Not only an accomplished vocalist who can do both clean vocals and harsh screams, known for her work with bands the likes of Luna Mortis and White Empress (not to mention her years as a touring member of Helion Prime from 2018 to 2019), Mary has also been a vocal coach and instructor for more than a decade, a session musician for some amazing underground bands, and a YouTuber who discusses about singing, screaming and music theory, as well as reviews and reaction videos. Put differently, Mary Zimmer is just awesome, and I bet you’ll have a very good time knowing a little more about such skillful musician here on The Headbanging Moose.

A classically trained singer who has a Bachelor of Music from the University of Wisconsin-Whitewater, Mary has also studied additional techniques to shout and sing with The Zen of Screaming creator, Melissa Cross, allowing her to showcase all her vocal skills in bands from different styles as aforementioned, as well as her studies in audio engineering. “I got my degree in classical music fairly young at the age of 22. Even after my music degree, I did an absolute ton of research on the anatomy of the voice and tried to absorb all of the information that’s available out there,” commented Mary on her passion for technical singing. Long before joining Helion Prime, Mary was the vocalist for a band named A Touch of Evil between 2001 and 2002; for an American Folk/Gothic Metal/Ambient group named Earthen; for American Progressive Metal act Luna Mortis (and its previous incarnation The Ottoman Empire); for a band called Santa Marta from 2016 to 2019; and for American Extreme Symphonic Metal outfit White Empress from 2013 until 2016.

Perhaps the two most interesting projects she was involved in her pre-Helion Prime days are Luna Mortis and White Empress, with whom she recorded some excellent material and official videos. Let’s begin talking about Luna Mortis, formed in 2002 in her hometown under the name The Ottoman Empire, and as the vocalist for The Ottoman Empire she recorded the album Way of the Blade, in 2006, and the EP The Answer: Does Not Exist, in 2008. Then after the change in the band’s name to Luna Mortis still in 2008, Mary recorded with the band the 2009 album The Absence, presenting a much stronger sound and polished production compared to the band’s two previous releases. You can enjoy online the official videos for the songs Forevermore and Anemic World, and if you think Luna Mortis will be back in action one day, well, after their reunion back in 2013, which was not as great as the band itself expected as they had several internal issues (shortening the reunion considerably), and as mentioned by Mary herself, it was a failed experiment and she can pretty much guarantee they won’t try to reunite again. After Luna Mortis, Mary said she’s a completely different person on many levels, having changed mentally, emotionally, physically, visually and vocally, as you’ll be able to notice in White Empress.

It was in 2013 under the moniker “White Empress” (and later as Mary Z) that our unstoppable diva helped to found the Minneapolis, Minnesota-based Extreme Symphonic Metal unity White Empress, having recorded a self-titled EP in 2014 and the full-length opus Rise of the Empress that same year (containing the four songs from the EP plus other original tracks). When asked about the concept of White Empress, Mary said that the band was band based around the character of the White Empress herself, an empowering and a feminine power in her own right, representing the individual inner strength and power we all have within, with the original concept being created by the band’s founder Paul Allender (better known for his superb work with Cradle of Filth for over two decades). If you want to have a quick and incendiary taste of their music, you can enjoy the official video for the awesome song Darkness Encroaching.

Mary can also be seen lending her powerful voice to different bands and projects as a guest vocalist, on top of her years as a live member of Helion Prime as mentioned before. For instance, she recorded the harsh vocals for the song Goodbye to Farewells, from the 2021 album Psychosomatic by Austin, Texas-based Progressive/Power Metal band Immortal Guardian; and vocals as “President Fox” on the 2019 self-titled album by Brooklyn, New York-based Symphonic/Progressive Metal project Valcata. Not only that, Mary was also involved in the recordings of the 2018 eight-track demo The Remains of Judgment, by Madison, Wisconsin-based Death Metal act Burial of an Era, showing another side of our multi-talented musician (and we’ll talk more about her technical skills shortly). When asked about how she became a session musician, Mary said that the fact she already had the skills necessary to record her own vocals, plus her business professionalism, made it easier for people to trust and hire her, complementing by saying that it’s important to choose if you want to be an in-person guest musician or if you want to learn how to record yourself at home and work worldwide, which of course demands some investments that can be a bit expensive for beginners.

This slideshow requires JavaScript.

Regarding her career with Helion Prime, after joining the band as their full-time frontwoman Mary recorded the album Question Everything in 2020 with the band, currently comprised of our electrifying diva on vocals together with guitarists Jason Ashcraft and Chad Anderson, bassist Jeremy Steinhouse and drummer Alex Bosson. When asked what attracted her to Helion Prime in first place, she said she learned to love the guys from the band during her two years as their touring singer, enjoying singing their material, and finally deciding to join forces with them after it became logistically difficult for their previous singer Sozos Michael to be involved as needed. As Question Everything contains several songs that work as tributes to influential names in the history of science, Mary was asked which one of those people was her favorite one to sing about. “I think my favorite is Katherine Johnson. She’s the subject of the song Madame Mercury. Her story really speaks to the successes people can have against daunting odds, and she’s certainly an inspiration to folks all over the world,” said Mary, providing some inspirational words to us fans.

As already mentioned, Mary is a famous YouTuber who runs her own channel called VoiceHacks, providing singing and screaming tutorials for beginner to advanced vocalists, teaching private lessons, and training people in a variety of techniques. “I kind of became a YouTuber by accident. I’m a vocal coach and vocalist first and foremost who kind of ‘fell’ into YouTube as a result of using it as a hosting place for my tutorials and other resources for the people I teach,” commented Mary in one of her interviews, also saying that “I’ve been doing all lessons online since 2013 because physical in-person lessons are out of date and relatively impractical. Most people prefer not having to leave home for their lessons.” If you explore her YouTube channel, you’ll find several videos with important tips on how to preserve your voice while doing harsh vocals, how to reach the right key, how to fix “easy-to-correct” mistakes a lot of singers and producers make in the studio, and so on. For example, did you know that getting vocalists to aim upwards into the microphone while recording is not a good idea? “It’s way easier for a singer to sing a high note while looking DOWN! This being the case, I want all engineers to stop putting the microphone above the singer, and instead to place it straight in-front, or slightly below their mouth at a 45-degree angle,” said our talented vocal coach.

As usual, such important woman to the world of heavy music was asked several times about her view of women in metal, and her answer to that question focuses on the respect she gets as a musician instead of hearing things like “you’re a chick in a band, you’re a novelty”, also saying you don’t have to be a super model to be a great vocalist, although she truly enjoys all types of singers in the end. “I think there are a lot of particularly glamorous metal singers, I think… Simone Simons (Epica), Tarja Turunen (ex-Nightwish), there is a lot of glamorous metal singers but then you also have your ones that just came in their t-shirt and jeans like Anneke (van Giersbergen) from The Gathering you know?” She also mentioned in one of her interviews when asked about the fact the recording industry is a heavily male-dominated business that it still astonishes her that all these years later she’s still one of the only women who knows anything about recording, albeit she doesn’t see it as a masculine or physically challenging task.

There were also three other interesting topics where Mary was asked to provide her insights on, those being the evolution in the music industry, what a manager can offer a band that’s proactive aside from contacts, and all environmental issues the world is facing. Mary said that what has changed most is the evolution from physical product to monetized music listening streaming and that has been a very positive change for all musicians everywhere, and she personally vastly prefers living in the digital era of music now. “It’s an utterly fantastic time to be a musician. There are so many resources at our fingertips. The only limit is our attitude, willingness to educate ourselves about the new music industry landscape and tools, and writing good music. That hasn’t changed, even with all the abundant opportunities for musicians, the songs still have to be good.” Regarding the need for a band manager or not, Mary said that there are good managers out there that have a good business sense, that are rooted in the genre that the band is playing and they have contacts and connections they can work on the band’s behalf to deal with publicists, tour planners, other things and just sort of be the mouth for the musician, and of course, that can be the a neutral face when dealing with people, avoiding exposing the band to negative feedback and opinions (in a good way, of course). And lastly, in regards to the way mankind is treating the environment, she said that she has three degrees in varying areas of Renewable Energy and from that education she has learned that sustainability is necessary for human survival. “The earth is a finite sphere with a finite amount of resources – a finite amount of matter and energy.  If we seek to live on a habitable planet, we must find totally 100% sustainable ways to live.  Unsustainable practices shouldn’t even exist.  I am a huge renewable energy advocate, as it is the most logical, safe, sustainable, abundant means of powering humanity,” suggesting we all watch the video or read the book Cradle to Cradle and learn about sustainability and how it changes the world and the environment.

If you want to have fun together with Mary, you can find several excellent interviews online with her as for example this one for Musican’s HQ podcast, episode 23; the one she did together with Helion Prime’s own guitarist Jason Ashcraft for Rustyn Rose from Metalnation where they discussed their new album Question Everything, Ronnie James Dio, special guests and the impact of Covid-19 on the music industry, among other topics; and this one for Audible.com where she discusses about her YouTube channel VoiceHacks. Having said all that, what are you waiting for to let Mary Zimmer and her powerful voice penetrate deep inside your soul in the name of Heavy Metal? I’m sure Mary will love to hear from you and to get your feedback on her undisputed work as the great vocalist she is.

Mary Zimmer’s Official Facebook page
Mary Zimmer’s Official Instagram
Mary Zimmer’s Official YouTube channel
Mary Zimmer’s Official Twitter
Mary Zimmer’s LinkTree
Helion Prime’s Official Facebook page
Helion Prime’s Official Instagram
Helion Prime’s Official YouTube channel

“I don’t think that metal is an intentionally sexist genre, I think metalheads are pretty broad thinking people and I think that most of them will give you a shot. If you can play you can play if you can sing you can sing. And it doesn’t really matter to a lot of them if you’re a woman or a man.” – Mary Zimmer