Metal Chick of the Month – Tanya Beickert

Take my guiding hand, take my guiding hand with you…

As the winter snow is starting to melt in the Northern Hemisphere, let’s turn up the heat even more here on The Headbanging Moose with another humble tribute to a woman who definitely knows how to set fire to heavy music with her unparalleled roars and clean vocals, showcasing a wide vocal range that’s not easy to find out there, allowing her to sing in pretty much any style from Metalcore to classic Heavy Metal, from Progressive Metal to Melodic Death Metal, and so on. I’m talking about Tanya Elizabeth Beickert, better known as Tanya Beickert, the stunning frontwoman for Long Island, New York-based Progressive Death Metal act Monochromatic Black, an up-and-coming metal entity that will put you to bang your head nonstop while at the same time offering fresh, innovative and intricate music for your avid ears. And let me tell you that after knowing more about our talented metal lady of this month of March and her awesome band, you’ll undoubtedly get addicted to her voice and to the pulverizing music by one of the most interesting new bands of the current American scene.

In case you know nothing about Monochromatic Black, the band was founded in January 2018 by vocalist and lyricist Tanya Beickert, guitarist and songwriter John Gribbin, and drummer and songwriter Eddie DeCesare, all seasoned musicians who had been in other previous projects in the scene, most notably Eddie’s previous band Painted In Exile, when their bands at the time were all gradually slowing down, joined on stage by guitarist Dan Rivera and bassist Arthur Erb (both found by Tanya through social media) to complete the five-piece live group. Whether it’s financial, creativity, shows or whatever decisions that need to be made, Tanya said John, Eddie and herself all come together and try to always do what’s best for the band (by the way, Tanya and John have been friends for years through their old bands), which is one of the main reasons why their music sounds so cohesive and melodic. When asked how she would define their sound, she said their genre could be considered Progressive Death Metal with Metalcore influences and even some Black Metal nuances, meshing a lot of different metal genres to keep things interesting.

There’s no denying of the talent of each band member, but it’s Tanya’s she-wolf, aggressive vocals that truly give their already brutal music an extra edge, with her soft, clean vocals also adding an extra touch of finesse to the overall result, displaying her broad vocal range and, consequently, supporting the band’s atmospheric vein. If you want to explore in more detail the metal realm ruled by Tanya and her henchmen and listen to some of their vibrant and meaningful creations, you can find Monochromatic Black on Facebook, on Instagram, on Twitter, on YouTube and on Spotify, and also purchase their music and merch from their own BandCamp page and Big Cartel. If you want to have your mind blown by the visceral yet enthralling vocals by Tanya (and also enjoy her stunning looks, of course), you can take a very good look and listen at the official videos for the songs Warmth of the Sun, Phosphenes, The Herd, and their newest single Abbadon, or simply have a blast with their debut EP Pneuma in its entirety. There are also some very interesting interviews online with Tanya and the rest of the band, like this one for The Mosh Network where they answered some questions about how the band got started, how they write their music, and what sets them apart from other bands, among other topics, to give you an even better view of the importance of Monochromatic Black to the current underground scene.

Although Tanya acknowledges the similarities between her band and iconic acts like Jinjer and Entheos, bands which Monochromatic Black are usually compared to by fans, and of course that are a huge influence for Tanya herself, she said she doesn’t want her band to be compared to just other female-fronted bands, though, saying they have their own sound and that they want to be admired that way. In order to be on the same level as the aforementioned bands, she said Monochromatic Black have been working hard nonstop from day one, taking the whole project as serious as it can be, always touring, making new music and videos, and working hard to achieve all of their goals. Regarding her own personal influences in music, she mentioned bands like A Perfect Circle, Sikth and After the Burial as some of her top metal acts of all time, with her biggest influences as a singer varying depending on her vocal style. For instance, for clean vocals she’s a huge fan of Maynard James Keenan of A Perfect Circle and Tool, Jimmy Gnecco of Ours, Jeff Buckley (R.I.P.), and Michael Lessard of The Contortionist, while her harsh vocals are influenced by Travis Ryan of Cattle Decapitation, and Anthony Notarmaso of After the Burial. In addition, she mentioned in one of her interviews that the different past projects all members of Monochromatic Black have been in and their personal experiences have surely helped them in the long run, but it’s hard to pinpoint the one that had the biggest influence in the making of Pneuma.

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In regards to touring, due to the obvious restrictions imposed to stop the spread of COVID-19 there aren’t any upcoming concerts scheduled for Monochromatic Black in the next few months, but that doesn’t mean Tanya and the boys are not getting ready for hitting the road once all this madness is finally over. They will focus on the United States at first for obvious reasons, but based on the quality of their music and how fans from all over the world really love that style of metal music I’m sure we’ll see the band kicking some serious ass in foreign lands soon enough. Also, despite the fact Monochromatic Black is fairly new to the scene, as mentioned Tanya and her bandmates are seasoned musicians, having played with countless bands from the New York Death Metal scene and being open to playing alongside all local bands like The Machinist, Internal Bleeding, Dehumanized, Pyrexia and so on. In order to get ready to kick some ass on stage with her powerful voice, Tanya  mentioned she warms up beforehand by screaming the alphabet in low, mid and high screams, and to keep her voice fit she practices as much as possible all the time (not to mention she also took a few vocal lessons years ago).

Our skillful growler was also asked in some of her interviews to give more details about the writing process and meaning of Monochromatic Black’s debut effort, where she said that Pneuma is a concept album that walks the listener through, starting from rock bottom to finally rising to the top, as everyone has different struggles and experiences and the album is just one journey written about that. She also said together with her bandmates that their unique sound came naturally as they all write and bring material to the table, meeting up twice a week while writing on their own time and shaping the songs on the spot together, with no planned out idea, just what they sound like when they come together. She also commented a little about two of the songs featured in Pneuma, more specifically Phosphenes and Dream Catcher; while she mentioned that Phosphenes for her is about losing your confidence, inner peace or who you truly are as a person to someone extremely negative or abusive, she said that her favorite song of the album is Dream Catcher, simply because it goes from serene to eerie to brutal all in one track.

Lastly, when asked about how she sees the band in the coming years, she said that hopefully they’ll already be headlining professional level tours and releasing more records (and stay tuned as their new opus is about to hit the market in the coming year or so), a combination which as you can see seems to be the biggest passion of all band members. Hence, you can check some awesome video interviews online with Tanya (either alone or together with the rest of Monochromatic Black) to not only learn more about such promising American act, but to also see how humble, focused and entertaining the entire band is, as for example Tanya’s interview on The Metal Magdalene with Jet international radio broadcast on Metal Messiah Radio, where she talks about some of her main influences, about her clean and guttural vocals, about Pneuma and about the future of the band; and an interview to Showbiz Music where the band talks about their “preshow rituals”. Also, you might not know about this, but Monochromatic Black are affiliated with Blakhart Coffee in their mission in helping wildlife, with a portion of the sales from their branded coffee, “Monochromatic Black Roast” NY Style Dark Ground, going to a local non-profit organization. Having said that, what are you waiting for to join Tanya and the boys in their quest for metal music and wildlife, while at the same time enjoying some high-quality coffee? I’m sure Tanya would love to see us all metalheads supporting a very noble cause, raising our horns while she growls and screams the lyrics to her insanely good and heavy creations.

Monochromatic Black’s Official Facebook page
Monochromatic Black’s Official Instagram
Monochromatic Black’s Official Twitter
Monochromatic Black’s Official YouTube channel
Monochromatic Black’s BandCamp page
Monochromatic Black’s Big Cartel

“I think what makes us stand out is the genre we play. It’s all different genres and energy combined into one and a lot of people have noticed that which is awesome.” – Tanya Beickert

Album Review – Tsar Bomb / Exterminans IX:XI (2015)

…and the sun and the air were darkened by reason of the ungodly Blackened Death Metal cast by a demonic duo from Spain.

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CD100_outTsar Bomb, or “Царь-бомба” in Russian, might be commonly known as the nickname for the AN602 hydrogen bomb developed by the Soviet Union, the most powerful man-made nuclear weapon ever detonated, but for the past few years it has also become a synonym to the cataclysmic music by Spanish Blackened Death Metal band Tsar Bomb. The force of impact of their compositions is immeasurable, crushing your soul inhumanely, but at the same time leaving you avid for more destruction and chaos after their extreme music raid ceases.

After the release of their debut album Neowarfare in 2012, this Málaga-based hellish duo is ready to scathe our society again with their brand new record, entitled Exterminans IX:XI, an album fundamentally inspired by the Book of Revelation, with even the writing of its lyrics being attributed to some sort of “help” by St. John the Apostle. Moreover, Tsar Bomb managed to merge in a very technical and aggressive way the esoteric side of the biblical scriptures with their belligerent and occultist vision of the world, offering the listener a wide spectrum of blasphemy, havoc and desperation.

Exterminans IX:XI begins with a nightmare-ish Intro where the smooth piano notes by guest musician Carmen Robles Jimenez bring some peace to our hearts amidst the song’s sheer ravage, before Ad Maiorem Legio Gloriam (“the greater glory of law”) comes bursting a brutal onslaught of Black, Death and Blackened Death Metal for our total delight. In addition, the band’s intricate instrumental artillery provides lead singer Ocram the perfect environment for his demonic growls, and although all drums are programmed, the music sounds very organic and alive at all times, which will make you simply forget about that minor detail.

The title-track, Exterminans IX:XI, is more than “just” a song about Abaddon, also known as the Destroyer or the Angel of the Abyss as portrayed in the Holy Bible (Revelation 9:11), it’s an even more vicious and intense tune, where six-string master Ivan does a superb job with his piercing guitar riffs enhancing its dark atmosphere and apocalyptic vibe; followed by Septem Tonitrua (“seven thunders”), an expression that also appears in the Holy Bible (Revelation 10:4), and obviously in the song’s lyrics (“Seven thunders burst, the angel has spoken / Under the oath, resounding horns / The Book of Initiation devoured by Leviathan / Inexorable storm, storm of ashes and fire.”). Their barbaric demolition goes on with another feast of blast beats, complex guitar lines and harsh growls boosted by some special voice effects similar to what Dimmu Borgir and other extreme bands usually do. Put differently, this killing tune will auspiciously dilacerate your mind before reaching its climatic and desolate ending.

In Armada (Mari Bestiam), which refers to the Spanish Armada of 1588, Tsar Bomb translated the monstrous power of the armada into a dark and robust tune, with highlights to the hints of progressiveness and modernity added to this technical Extreme Metal composition by Ocram and Ivan; while Caustic Blessing is a high-speed violent chant where yet again drums do not feel like they’re programmed at all. Can a human drummer replicate this sonority live? Anyway, this is a very good example of how amazing the band sounds no matter if they add symphonic or progressive elements to their music or if they’re as raw and direct as possible like in this case.

TSAR BOMB band photo (1)In the excellent …And Spill thy Fire Upon the Earth, prepare your neck for a lot of pain from headbanging because Tsar Bomb sound like a wild beast attacking you directly in the jugular, offering a multi-layered infernal Black Metal exhibit where vocals by Ocram get even more diabolical and in sync with its scalding lyrics (“The reign of chaos spits its fire / With hall and blood scorching the life / With flaming soil the waters died / And Spill Thy Fire Upon The Earth!!”). And finally, Mikaheylel reminds me a lot of the sonority found in The Satanist, by Behemoth, especially the blasphemous aura surrounding the music. You can feel hatred and despair emanating from its riffs, which ends up being frightful but mesmerizing at the same time, reinforcing this extremely well-crafted chant that perfectly represents what Blackened Death Metal is all about. There’s still time for a disturbing Outro to close this marvelous album, with the piano by Carmen returning in a very melancholic pattern, turning it into the soundtrack to a desolated war field after the detonation of a deadly nuclear weapon.

In case the sonic detonation ignited by Tsar Bomb helped release your inner demons, you can find more about their work on their official Facebook page and SoundCloud, and also find Exterminans IX:XI for sale at their BandCamp page or at the Cimmerian Shade Recordings’ BandCamp page. There’s an interesting excerpt from the Bible, Revelation 9:2, which states that “And he opened the bottomless pit; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit.” Replace the smoke of the pit with the disturbing Blackened Death Metal by Tsar Bomb, and there you have a suitable depiction of how vile this Spanish duo can be.

Best moments of the album: Ad Maiorem Legio Gloriam, Exterminans IX:XI, Armada (Mari Bestiam) and Mikaheylel.

Worst moments of the album: None.

Released in 2015 Cimmerian Shade Recordings

Track listing
1. Intro 3:01
2. Ad Maiorem Legio Gloriam 5:13
3. Exterminans IX:XI 4:58
4. Septem Tonitrua 6:19
5. Armada (Mari Bestiam) 5:01
6. Caustic Blessing 3:07
7. …And Spill thy Fire Upon the Earth 4:14
8. Mikaheylel 5:43
9. Outro 2:58

Band members
Ocram – vocals, drum programming
Ivan – guitars, bass, drum programming

Guest musician
Carmen Robles Jimenez – synth, piano