Heavier and more experimental than usual, those masked metallers are back with a fantastic album that proves once again why Heavy Metal is our kind of music.
From the obscure depths of the human psyche, American Alternative Metal horde Slipknot returns after five long years with a brand new album, entitled We Are Not Your Kind, the sixth studio album in the career of those masked marauders and a beyond solid statement by the band saying that, despite all the losses and problems they’ve had in the past decade or so, they can still deliver top-of-the-line metal music for the masses. Produced by Greg Fidelman, who has already worked with several renowned bands like Metallica, Black Sabbath, Slayer and with Slipknot themselves in the albums .5 The Gray Chapter in 2014 and Vol. 3: (The Subliminal Verses) in 2004, We Are Not Your Kind has been described as a heavier and more experimental album than their previous releases featuring moody instrumentals and electronic elements, and the final result is simply stunning.
Not only that, We Are Not Your Kind is the band’s first album since the firing of longtime member Chris Fehn, while the rest of the crew remains the same, with Sid Wilson and Craig “133” Jones on turntables, samples, media and keyboards, Jim Root and Mick Thomson on the guitars, Shawn “Clown” Crahan on custom percussion and backing vocals, Corey Taylor on lead vocals, Alessandro Venturella on bass and Jay Weinberg on drums, not to mention their newest member “Tortilla Man” also on custom percussion and backing vocals, who joined the band for their live performances earlier this year. Jim Root himself said that the album is “the most time we’ve had to write a record, and work stuff out together” and that “while the industry is moving toward singles, Slipknot wanted to make an album experience, front to back.” On a side note, while the title of the album is taken from a line in the band’s standalone single “All Out Life”, released in 2018, that specific song is not featured on the standard edition, but only on the Japanese edition for a reason beyond my knowledge. Well, who cares, right? As long as the music found in the standard edition of the album kicks ass we can live without “All Out Life” despite that being a damn good song.
Insert Coin is one of those fantastic, ethereal intros that transport the listener into the wicked world of Slipknot, before their new anthem Unsainted, featuring the Angel City Chorale, invades our senses, with the thunderous percussion blasted by Jay and Shawn reeking classic Slipknot, all boosted by the sick shredding by Jim and Mick and lyrics that deal with Corey’s fight against depression (“Oh, I’ll never kill myself to save my soul / I was gone but how was I to know? / I didn’t come this far to sink so low / I’m finally holding on to letting go”). Needless to say, I can’t wait to watch them playing this song live next week in Toronto, like what they did on Jimmy Kimmel Live earlier this year. Birth of the Cruel, a mid-tempo tune perfect for headbanging while Corey alternates between his demented clean vocals and harsh roars, is a lot less violent but still creepy and thunderous, with Jim, Mick and Alessandro delivering tons of groove through their strings; followed by the somber bridge Death Because of Death, featuring guest vocalist Kat Primetau, warming us up for Nero Forte, bringing forward a classic fusion of Heavy and Alternative Metal and a great job done by Jay on drums, dictating the song’s pounding rhythm while Corey sounds as crazy as he can be, always supported by smooth but piercing backing vocals.
Critical Darling is an almost-radio-friendly tune by Corey, Shawn & Co., showcasing slashing riffs by the band’s badass guitar duo while Corey gnarls manically, once again supported by spot-on backing vocals which end up making the chorus extremely catchy; whereas in A Liar’s Funeral a cryptic intro morphs into some sort of “new version” of their own dark ballad “Snuff”, suddenly exploding into a neck-breaking sonority with hints of Doom and Sludge Metal, alternating between sheer melancholy and raging madness from start to finish. Then in the magnificent Red Flag we face the most classic version of Slipknot in the album, overflowing insanity, heaviness, fury and that awesome blend of the wicked noises by Sid and Craig with the venomous percussion by Shawn. Hence, this should sound outstanding if played live, not to mention how sharp both guitars and Alessandro’s bass punches sound. Then after the uncanny bridge What’s Next we’re treated to one of Slipknot’s most experimental songs of all time, Spiders, which sounds absolutely addictive, demented and fun, with all its background noises and percussion generating a unique ambience for our avid ears and mind. Put differently, simply relax, sit down and sing the song’s weird lyrics along with Corey, while Jim and Mick deliver short but crushing riffs as the music progresses.
Somber beats and riffs ignite the pulverizing Orphan, presenting the band’s trademark sonority that made them famous worldwide, and with Alessandro and Jay being on fire with their rumbling instruments while Corey’s vocals get utterly deranged, sounding perfect for smashing your skull into the circle pit. The last part of album is comprised of longer-than-usual songs that surpass the 6-minute barrier, starting with the very experimental My Pain, presenting an eerie atmosphere created by Sid and Craig and low, pensive vocalizations; however, the music never gets as heavy or fast as we’re used to, making me wonder if fans of classic Slipknot will enjoy it. Anyway, that eccentric vibe goes on in Not Long for This World, where Corey and the band’s electronic duo Sid and Craig set the tone before the rest of the band comes ripping with their acid instruments, bringing to our ears a beautiful melody and rumbling bass lines, with its creepy ending building an instant connection with Solway Firth, a circle pit-catalyst showcasing scorching riffs by Jim and Mick and endless electricity flowing from Jay’s beats, while Corey declaims the song’s austere words in great fashion (“I’m not ahead of my time- I just drew the first breath – If I’m alive tomorrow / I will alleviate the pressure… by cutting you out of me / I found my bottom line – dead on the front lines- I know I’ll never go home / So set fire to your ships and past regrets and be free”). And lastly, as aforementioned, All Out Life might be only present in the Japanese edition of the album, but it’s such a great song, perfect for slamming and screaming its lyrics together with the band (like you can see on their performance on Jimmy Kimmel Live), it makes the investment in this version of the album totally worth it.
In a nutshell, one of the most innovative and influential bands of modern metal music from the past 20 years, the one and only Slipknot, managed to deliver a fantastic album against all odds, proving once again that there’s nothing better than adversity to makes us (and, in this particular case, the entire band) stronger and more focused. Having said that, I highly recommend you grab your copy of the album, as well as other well-crafted merch, from the Slipknot Official Store, and buy your ticket for the Knotfest Roadshow when the band invades your city with their chaotic and rebellious anthems. We Are Not Your Kind might sound a bit too experimental or modern for some people, but I’m pretty sure most fans of contemporary heavy music will have a very good time listening to this multi-layered and very dense album. And whenever you catch yourself screaming “we are not your kind!” together with Corey and the guys, you’ll be at the same time showing everyone Heavy Metal is and will always be YOUR kind of music.
Best moments of the album: Unsainted, Red Flag, Spiders, Orphan and All Out Life.
Worst moments of the album: My Pain.
Released in 2019 Roadrunner Records
1. Insert Coin 1:38
2. Unsainted 4:20
3. Birth of the Cruel 4:35
4. Death Because of Death 1:20
5. Nero Forte 5:15
6. Critical Darling 6:25
7. A Liar’s Funeral 5:27
8. Red Flag 4:11
9. What’s Next 0:53
10. Spiders 4:03
11. Orphan 6:01
12. My Pain 6:48
13. Not Long for This World 6:35
14. Solway Firth 5:56
Japanese Edition bonus track
15. All Out Life 5:40
(#0) Sid Wilson – turntables, keyboards
(#4) Jim Root – lead and rhythm guitars
(#5) Craig “133” Jones – samples, media, keyboards
(#6) Shawn “Clown” Crahan – custom percussion, backing vocals
(#7) Mick Thomson – lead and rhythm guitars
(#8) Corey Taylor – lead vocals
Alessandro Venturella – bass
Jay Weinberg – drums
Angel City Chorale – choral performance on “Unsainted”
Kat Primetau – additional vocals on “Death Because of Death”