Concert Review – Slipknot (Budweiser Stage, Toronto, ON, 08/20/2019)

An awesome night of heavy music spearheaded by the world’s most beloved and rebellious masked horde, showing everyone that if you’re 555, then Toronto is 666.

OPENING ACTS: Behemoth, Gojira and Volbeat

Blackened Death Metal, Progressive Groove Metal, Rock N’ Roll and Alternative Metal. What at first it might look like the distinct styles you usually find at an European metal fest during the summer is actually the lineup of the 2019 edition of the highly-acclaimed Knotfest Roadshow, and fortunately for us Torontonians the one and only Slipknot and their friends from Behemoth, Gojira and Volbeat brought that amalgamation of very different but utterly electrifying genres to the always great Budweiser Stage on another hot summer day in the city. It was a Tuesday, just the beginning of the week, which means most people who attended the show still had an entire week of work after around six intense hours of loud beats, unstoppable riffs and demented circle pits. Well, who cares, right? It’s all in the name of our good old Heavy Metal and Rock N’ Roll.

Just by arriving at the venue you could see it was going to be a very special day for longtime fans of Slipknot, with several of them being properly dressed as their idols, including some wicked (and a few weird) masks, showing how much those people love and respect a band that revolutionized metal music 20 years ago and that are still alive and kicking. If you had the opportunity to arrive to the Budweiser stage right when the gates were opened, you were able to enjoy a lot of different attractions such as a special Slipknot exhibition right beside where 2018 Wacken Metal Battle Canada winners Centuries of Decay (you can see more details about their 2018 win HERE) where blasting their first-class Progressive/Atmospheric Death Metal, enjoy one or more of the several food trucks available, test your knowledge of metal music by taking a fun quiz at the Monster Energy truck (needless to say, I had all six answers correct and got myself a nice Monster Energy bandana), or even take a picture with that crazy dude who tried to swim back to the Slayer concert in 2018 at that same venue. He was wearing a personalized shirt about his 2018 incident and two arm floats. Yes, he’s that crazy.

However, when the clock hit 5:30pm sharp, it was time for the gods and demons of heavy music and all fans that were already at the venue (and I was surprised by the huge number of people that managed to get there in time for the very first concert) to witness another blasphemous, theatrical and absolutely heavy-as-hell performance by Poland’s own BEHEMOTH. Still promoting their awesome 2018 opus I Loved You At Your Darkest, the iconic Nergal and his henchmen Seth, Orion and Inferno delivered a short and sweet concert for fans of their darker version of Death Metal, literally spitting fire, blood and blasphemy on our faces for around 40 minutes, with songs like Ora Pro Nobis Lucifer,  Bartzabel and Chant for Eschaton 2000 proving why they became one of the most beloved extreme bands of the past decade, and also one of the most hated and abhorred by any type of church (which in the end is a very positive thing).

Setlist
Solve
Wolves ov Siberia
Daimonos
Ora Pro Nobis Lucifer
Bartzabel
Conquer All
Sabbath Mater
Chant for Eschaton 2000

Band members
Adam “Nergal” Darski – lead vocals, guitars
Patryk Dominik “Seth” Sztyber – guitars
Tomasz “Orion” Wróblewski – bass guitar
Zbigniew Robert “Inferno” Promiński – drums and percussion

After a quick break the stage was ready with all of its lights aiming at our faces to warn us the pulverizing concert by French Progressive/Groove Metal institution GOJIRA was about to begin, and let me tell you it was simply fantastic and insanely heavy from start to finish. The Duplantier Brothers Joe and Mario, together with Christian Andreu on the guitar and Jean-Michel Labadie on bass delivered a neck-breaking performance for our total delight, leaving us all eager for more of their music in Canadian lands. I loved how heavy, dense and thrilling songs like Stranded, Flying Whales (my favorite of their setlist) and Silvera sounded last night, and we must thank Mr. Mario Duplantier for that. The guy is an untamed beast on drums, crushing his drum set flawlessly and throwing almost all of his sticks to the fans throughout his bestial performance. After such devastating concert by Gojira, I must say once again there’s only one thing I hate about festivals, and that’s the fact bands like Gojira do not have enough time to show the crowd everything they got.

Setlist
Toxic Garbage Island
Backbone
Stranded
Flying Whales
Love
The Cell
Silvera
The Gift of Guilt

Band members
Joe Duplantier – vocals, guitar
Christian Andreu – guitar
Jean-Michel Labadie – bass
Mario Duplantier – drums

After two demolishing concerts of extreme music, it was time to cool things down a bit with the heavier-than-usual Rock N’ Roll by Danish institution VOLBEAT, who are just beginning to promote their newest album Rewind, Replay, Rebound. As a big fan of Volbeat, I was a little worried about how the most berserk Slipknot fans would react to their fusion of lighter styles like Rock N’ Roll and Hard Rock, and during the first few songs let’s say most fans weren’t impressed with their music. However, after Sad Man’s Tongue (preceded by a snippet of Johnny Cash’s “Ring of Fire”) and Black Rose, featuring Toronto’s own Danko Jones on vocals together with Michael Polsen, things started to pick up and the more than 13 thousand fans at the venue who were already anxious for Slipknot had a great time with the band, especially when they played their heavier stuff like A Warrior’s Call, Dead But Rising and Seal the Deal. In a nutshell, it might not have been the best slot to add Volbeat, right after Behemoth and Gojira and right before Slipknot, but you know what? In the end it all worked really well, something only talented bands like Volbeat can do even against all odds.

Setlist
Born to Raise Hell (Motörhead song)
The Devil’s Bleeding Crown
Lola Montez
Sad Man’s Tongue
Black Rose (with Danko Jones)
The Everlasting
Slaytan
Dead But Rising
A Warrior’s Call / I Only Want to Be With You
Last Day Under the Sun
Doc Holliday
Seal the Deal
Still Counting
Sawdust in the Blood (Rob Zombie song)

Band members
Michael Poulsen – vocals, rhythm guitar
Rob Caggiano – lead guitar
Kaspar Boye Larsen – bass guitar
Jon Larsen – drums

SLIPKNOT

It was already past 9pm when the speakers began playing AC/DC’s rock anthem “For Those About to Rock (We Salute You)”, getting our engines revved up for a storm of heaviness, insanity and explosions by American institution SLIPKNOT. It was total chaos and anarchy from start to finish, with the first few songs from their setlist, those being the classics People = Shit, (sic) and Get This, already inspiring all their fans to go absolutely mental into the pit. The temperature at the Budweiser Stage was just going up, with their new songs Unsainted, Solway Firth (both from their brand new, ass-kicking album We Are Not Your Kind) and All Out Life working even better than expected. As a matter of fact, I was more than sure those three songs would sound fantastic on stage, first because they’re already damn good songs, but mainly due to the fact Slipknot on stage always take their heaviness to the next level.

Corey, Mick, Jim and all others were on fire during their long and incendiary performance, with all their stage paraphernalia (and the Budweiser Stage is just perfect for that type of concert) adding a very welcome touch of insanity to the night. Not only that, it was visible how Corey was extremely happy to be back in Toronto after a long time, letting all the energy coming from the crowd penetrate deep inside his mind and helping him growl and scream like a beast until the very end. “We’ve been at this for 20 years! It hasn’t always been easy, but looking at all of you here tonight, I can safely say we’ll be doing it for another 20,” said a more-than-excited Corey to his fans before crushing their heads once again with their venomous music. I honestly have no idea if they can keep that level of violence on stage for another two decades, but if they keep going and delivering top-of-the-line heavy music like what Slayer have been doing until now, we can rest assured rock and metal will never die.

Although the fans at the floor section were out of control inside some killer circle pits, I must say the most demented guy from the entire night was the band’s newest member Tortilla Man. How deranged and talented is that guy? He kept pounding his drums, screaming, jumping up and down, dancing and hitting his beer kegs as hard as possible without showing any signs of fatigue for almost two hours; now I fully understand why the rest of the band is so happy and excited to have Tortilla Man in the band. The only field where he wasn’t number 1 in madness and precision was dancing, because that’s Mr. Sid Wilson’s undisputed title. I don’t know for sure what exactly he does behind his turntables, but when he’s there dancing and having fun around the stage it’s a whole new thing. That guy is just as sick as his music, no doubt about that. Anyway, after the all-time hits Spit It Out (including their famous “get down/jump the fuck up” interaction with the crowd) and Surfacing, it was time for Slipknot to say goodbye, to promise us all they will return to Toronto, and for the fans to breather a little and try to recover their energies to try to get home safe and sound. And as one final message after such amazing night of metal music, all I have to say to you is that if you’re 555, then I’m 666. As simple as that.

Setlist
For Those About to Rock (We Salute You) (AC/DC song)
(515)
People = Shit
(sic)
Get This
Unsainted
Before I Forget
Solway Firth
The Heretic Anthem
Psychosocial
The Devil in I
Prosthetics
Vermilion
Custer
Sulfur
All Out Life
Duality

Encore:
Spit It Out
Surfacing
‘Til We Die

Band members
(#0) Sid Wilson – turntables, keyboards
(#4) Jim Root – lead and rhythm guitars
(#5) Craig “133” Jones – samples, media, keyboards
(#6) Shawn “Clown” Crahan – custom percussion, backing vocals
(#7) Mick Thomson – lead and rhythm guitars
(#8) Corey Taylor – lead vocals
Alessandro Venturella – bass
Jay Weinberg – drums
Tortilla Man – custom percussion, backing vocals

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Album Review – Slipknot / We Are Not Your Kind (2019)

Heavier and more experimental than usual, those masked metallers are back with a fantastic album that proves once again why Heavy Metal is our kind of music.

From the obscure depths of the human psyche, American Alternative Metal horde Slipknot returns after five long years with a brand new album, entitled We Are Not Your Kind, the sixth studio album in the career of those masked marauders and a beyond solid statement by the band saying that, despite all the losses and problems they’ve had in the past decade or so, they can still deliver top-of-the-line metal music for the masses. Produced by Greg Fidelman, who has already worked with several renowned bands like Metallica, Black Sabbath, Slayer and with Slipknot themselves in the albums .5 The Gray Chapter in 2014 and Vol. 3: (The Subliminal Verses) in 2004, We Are Not Your Kind has been described as a heavier and more experimental album than their previous releases featuring moody instrumentals and electronic elements, and the final result is simply stunning.

Not only that, We Are Not Your Kind is the band’s first album since the firing of longtime member Chris Fehn, while the rest of the crew remains the same, with Sid Wilson and Craig “133” Jones on turntables, samples, media and keyboards, Jim Root and Mick Thomson on the guitars, Shawn “Clown” Crahan on custom percussion and backing vocals, Corey Taylor on lead vocals, Alessandro Venturella on bass and Jay Weinberg on drums, not to mention their newest member “Tortilla Man” also on custom percussion and backing vocals, who joined the band for their live performances earlier this year. Jim Root himself said that the album is “the most time we’ve had to write a record, and work stuff out together” and that “while the industry is moving toward singles, Slipknot wanted to make an album experience, front to back.” On a side note, while the title of the album is taken from a line in the band’s standalone single “All Out Life”, released in 2018, that specific song is not featured on the standard edition, but only on the Japanese edition for a reason beyond my knowledge. Well, who cares, right? As long as the music found in the standard edition of the album kicks ass we can live without “All Out Life” despite that being a damn good song.

Insert Coin is one of those fantastic, ethereal intros that transport the listener into the wicked world of Slipknot, before their new anthem Unsainted, featuring the Angel City Chorale, invades our senses, with the thunderous percussion blasted by Jay and Shawn reeking classic Slipknot, all boosted by the sick shredding by Jim and Mick and lyrics that deal with Corey’s fight against depression (“Oh, I’ll never kill myself to save my soul / I was gone but how was I to know? / I didn’t come this far to sink so low / I’m finally holding on to letting go”). Needless to say, I can’t wait to watch them playing this song live next week in Toronto, like what they did on Jimmy Kimmel Live earlier this year. Birth of the Cruel, a mid-tempo tune perfect for headbanging while Corey alternates between his demented clean vocals and harsh roars, is a lot less violent but still creepy and thunderous, with Jim, Mick and Alessandro delivering tons of groove through their strings; followed by the somber bridge Death Because of Death, featuring guest vocalist Kat Primetau, warming us up for Nero Forte, bringing forward a classic fusion of Heavy and Alternative Metal and a great job done by Jay on drums, dictating the song’s pounding rhythm while Corey sounds as crazy as he can be, always supported by smooth but piercing backing vocals.

Critical Darling is an almost-radio-friendly tune by Corey, Shawn & Co., showcasing slashing riffs by the band’s badass guitar duo while Corey gnarls manically, once again supported by spot-on backing vocals which end up making the chorus extremely catchy; whereas in A Liar’s Funeral a cryptic intro morphs into some sort of “new version” of their own dark ballad “Snuff”, suddenly exploding into a neck-breaking sonority with hints of Doom and Sludge Metal, alternating between sheer melancholy and raging madness from start to finish. Then in the magnificent Red Flag we face the most classic version of Slipknot in the album, overflowing insanity, heaviness, fury and that awesome blend of the wicked noises by Sid and Craig with the venomous percussion by Shawn. Hence, this should sound outstanding if played live, not to mention how sharp both guitars and Alessandro’s bass punches sound. Then after the uncanny bridge What’s Next we’re treated to one of Slipknot’s most experimental songs of all time, Spiders, which sounds absolutely addictive, demented and fun, with all its background noises and percussion generating a unique ambience for our avid ears and mind. Put differently, simply relax, sit down and sing the song’s weird lyrics along with Corey, while Jim and Mick deliver short but crushing riffs as the music progresses.

Somber beats and riffs ignite the pulverizing Orphan, presenting the band’s trademark sonority that made them famous worldwide, and with Alessandro and Jay being on fire with their rumbling instruments while Corey’s vocals get utterly deranged, sounding perfect for smashing your skull into the circle pit. The last part of album is comprised of longer-than-usual songs that surpass the 6-minute barrier, starting with the very experimental My Pain, presenting an eerie atmosphere created by Sid and Craig and low, pensive vocalizations; however, the music never gets as heavy or fast as we’re used to, making me wonder if fans of classic Slipknot will enjoy it. Anyway, that eccentric vibe goes on in Not Long for This World, where Corey and the band’s electronic duo Sid and Craig set the tone before the rest of the band comes ripping with their acid instruments, bringing to our ears a beautiful melody and rumbling bass lines, with its creepy ending building an instant connection with Solway Firth, a circle pit-catalyst showcasing scorching riffs by Jim and Mick and endless electricity flowing from Jay’s beats, while Corey declaims the song’s austere words in great fashion (“I’m not ahead of my time- I just drew the first breath – If I’m alive tomorrow / I will alleviate the pressure… by cutting you out of me / I found my bottom line – dead on the front lines- I know I’ll never go home / So set fire to your ships and past regrets and be free”). And lastly, as aforementioned, All Out Life might be only present in the Japanese edition of the album, but it’s such a great song, perfect for slamming and screaming its lyrics together with the band (like you can see on their performance on Jimmy Kimmel Live), it makes the investment in this version of the album totally worth it.

In a nutshell, one of the most innovative and influential bands of modern metal music from the past 20 years, the one and only Slipknot, managed to deliver a fantastic album against all odds, proving once again that there’s nothing better than adversity to makes us (and, in this particular case, the entire band) stronger and more focused. Having said that, I highly recommend you grab your copy of the album, as well as other well-crafted merch, from the Slipknot Official Store, and buy your ticket for the Knotfest Roadshow when the band invades your city with their chaotic and rebellious anthems. We Are Not Your Kind might sound a bit too experimental or modern for some people, but I’m pretty sure most fans of contemporary heavy music will have a very good time listening to this multi-layered and very dense album. And whenever you catch yourself screaming “we are not your kind!” together with Corey and the guys, you’ll be at the same time showing everyone Heavy Metal is and will always be YOUR kind of music.

Best moments of the album: Unsainted, Red Flag, Spiders, Orphan and All Out Life.

Worst moments of the album: My Pain.

Released in 2019 Roadrunner Records

Track listing
1. Insert Coin 1:38
2. Unsainted 4:20
3. Birth of the Cruel 4:35
4. Death Because of Death 1:20
5. Nero Forte 5:15
6. Critical Darling 6:25
7. A Liar’s Funeral 5:27
8. Red Flag 4:11
9. What’s Next 0:53
10. Spiders 4:03
11. Orphan 6:01
12. My Pain 6:48
13. Not Long for This World 6:35
14. Solway Firth 5:56

Japanese Edition bonus track
15. All Out Life 5:40

Band members
(#0) Sid Wilson – turntables, keyboards
(#4) Jim Root – lead and rhythm guitars
(#5) Craig “133” Jones – samples, media, keyboards
(#6) Shawn “Clown” Crahan – custom percussion, backing vocals
(#7) Mick Thomson – lead and rhythm guitars
(#8) Corey Taylor – lead vocals
Alessandro Venturella – bass
Jay Weinberg – drums

Guest musicians
Angel City Chorale – choral performance on “Unsainted”
Kat Primetau – additional vocals on “Death Because of Death”

Metal Chick of the Month – Cristina Scabbia

Follow me, follow me… As I trip the darkness…

If you write her name with an “h”, she will kick your ass mercilessly. That’s probably the most fun way to introduce you to our beyond special Metal Chick of the Month, the electrified Italian rocker Cristina Scabbia, one of the most influential and reputable women in the entire world of heavy music and the perfect choice for celebrating four metallic and totally awesome years of The Headbanging Moose webzine this October. Owner of a distinct and very potent voice, Cristina Scabbia, whose full name is Cristina Adriana Chiara Scabbia, was born on June 6, 1972 in the cosmopolitan city of Milan, a metropolis in Italy’s northern Lombardy region and a global capital of fashion and design. Best known as one of the two vocalists for Italian Alternative Rock/Metal band Lacuna Coil, Cristina is not only an accomplished singer and lyricist, but also a writer, a fashion model and, above all, a true headbanger who loves what she does and who has already devoted a good part of her life to Heavy Metal and Rock N’ Roll.

Cristina was not even 20 years old when she began singing professionally as a touring musician for other bands and providing backing vocals, in 1991. Later that year, she met vocalist Andrea Ferro and bass player Marco Coti Zelati, who would be the future founding members of Lacuna Coil, in Milan’s Midnight Club, and there’s no way of talking about Cristina without talking about her unique connection with Lacuna Coil. Actually, when the band started it was called Sleep of Right, having recorded a song called Bleeding Souls for the Noise of Bolgia compilation in 1995. The band soon changed its name to Ethereal, playing an interesting mix of Gothic and Doom Metal, with Cristina being initially employed only as a session singer, being asked to record backup vocals for the choruses of their demo tape, but the band members liked the way the male and female vocals sounded together and they asked her to be a permanent member then. After several lineup changes and after releasing a two-track demo in 1996, Ethereal were signed by Century Media Records at the end of 1997 and had to change their name to Lacuna Coil (which means “empty spiral”), as Ethereal was already taken by a band from Greece.

After the name change in 1997, Lacuna Coil became a reference in Alternative Rock and Metal worldwide, having already released eight studio albums, those being In a Reverie (1999), Unleashed Memories (2001), Comalies (2002), Karmacode (2006), Shallow Life (2009), Dark Adrenaline (2012), Broken Crown Halo (2014), and more recently Delirium (2016), as well as the EP’s Lacuna Coil (1998), Halflife (2000), Shallow Live: Acoustic at Criminal Records (2010) and The House of Shame / Delirium (2016). In addition to that, the band also released a DVD in 2008, titled Visual Karma (Body, Mind and Soul). Each album by Lacuna Coil is very unique, presenting a different sonority from the others, with the band always adding new elements to their music and experimenting with new sounds. If you want to have a journey through the various phases of the band, paying a detailed attention to the evolution of Cristina (whose highest note ever hit is claimed to be an A7) as a singer and a performer, you should definitely check their songs Falling Again (from In a Reverie), Senzafine (from Unleashed Memories), Swamped (from Comalies), Depeche Mode’s Enjoy the Silence (from Karmacode), I Like It (from Shallow Life), Trip to Darkness (from Dark Adrenaline), Nothing Stands in Our Way (from Broken Crown Halo), and Blood, Tears, Dust (from Delirium). As a matter of fact, there are so many official videos as well as bootlegs online with Cristina and Lacuna Coil you can literally spend hours or even days just watching everything nonstop.

Apart from her solid career with Lacuna Coil, Cristina can be seen in several distinct projects from the most diverse bands and genres, and in all of them she adds her personal touch of rebelliousness, passion and electricity. First let’s talk about her participation in metal-related bands and projects, and then let’s show what she can do when she’s not in her metallic mode. In 2007, Cristina lent her voice to the song S.O.S. (Anything but Love), from the album Worlds Collide by Finnish Symphonic Heavy Metal band Apocalyptica, and the result was so interesting she ended up playing several live concerts with them in the coming years. And it seems the year of 2007 was very fruitful for her career outside Lacuna Coil, as she also recorded what’s probably her biggest non-Lacuna Coil hit, the revamped version of the all-time classic power ballad “A Tout le Monde”, this time named A Tout le Monde (Set Me Free), by American Speed Metal titans Megadeth, featured on their excellent album United Abominations. Needless to say, every time Megadeth and Cristina were in the same city or festival, they ended up playing that amazing song together for the delight of the fans at the venue, as I was able to enjoy during the 2012 version of Gigantour with Megadeth, Motörhead, Volbeat, and Lacuna Coil here in Canada.

You can also find Cristina in unique metal projects such as the character “The Mother” on the 2013 album The Theory of Everything, by Dutch Progressive Metal/Rock band Ayreon, and as a guest vocalist on the song Scars, by Thrash/Groove Metal project Metal Allegiance, from their 2015 self-titled album. In addition, Cristina is also one of the musicians interviewed on the 2007 documentary Over the Madness, a DVD that follows the career of British Doom/Death Metal icons Paradise Lost, including interviews from present and past band members, plus a host of others such as the aforementioned Cristina, Martin E. Ain, Aaron Stainthorpe and Alex Skolnick, presenting the band’s history from its formation up to 2006, in chronological order.

In regards to her contributions to non-metal acts, you can enjoy the charming and powerful vocals by Cristina on different songs such as Beautiful Lie, as a duet with Italian singer Emiliano Audisio (Line 77) to be part of the soundtrack for the 2013 Italian film Passione Sinistra; Nell’acqua, with Rezophonic; an alternate version of Watch Over You, with Alter Bridge; Basta!, with L’Aura and Rezophonic; Can You Hear Me?, also with Rezophonic; and I’m That, with Franco Battiato. By the way, when Cristina sang with L’Aura it was in 2008 at Festival di Sanremo, one of the most important pop festivals in Italy (if not the most important one). And you can also find some nice videos online of Cristina singing together with a Queen tribute band called Queenmania, such as in the all-time classics Bohemian Rhapsody and Under Pressure. And in addition to all that, she also used to write an advice column in the popular rock magazine Revolver, alongside the iconic American drummer Vinnie Paul (Pantera, Hellyeah).

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If you follow The Headbanging Moose you might have seen Cristina’s name as an inspiration for several of our previous metal chicks, just showing how important she is to the expansion of the presence of women in heavy music, but of course as any normal person she also has her idols and favorite bands in music. Among her main influences and names who contributed to her becoming a singer and pursuing a career in Heavy Metal, Cristina mentioned legendary bands such as Metallica, Megadeth, Pantera, Motörhead, as well as darker bands like Paradise Lost and Type O Negative. By the way, some of her favorite songs, those that really make a good amount of adrenaline rush through her body, are Motörhead’s Ace of Spades and Type O Negative’s My Girlfriend’s Girlfriend, which despite being very distinct songs I have to agree that they surely put a smile on the face of anyone who enjoys some good old rock and metal. Of course Cristina as any other talented and professional artist listens to a lot of non-metal music, in special music from her homeland Italy, which in the end helps her diversify her vocals from song to song, explore new horizons and remain vibrant and relevant to the world of heavy music.

Slightly changing the focus to her personal life, many of you might think it’s a dream to date a woman like her, but as in any relationship there are always some hurdles and barriers to be overcome in order to keep the passion and love going on. Cristina has been in a relationship with Slipknot and ex-Stone Sour guitarist Jim Root for over 10 years already, but keeping that relationship fresh is not an easy task due to distance between them as they’re both very busy musicians who are always on tour (not to mention the fact that Root lives in Florida while Cristina resides in Italy). “Well, my lifestyle is challenging already,” Cristina explained. “Because I travel a lot and I work very hard. So you have to learn to live your life in a different way, but in a way that works for you. So for me to even think about a normal relationship would be something weird.” Before dating Root, she was in a relationship with Lacuna Coil’s own bassist Marco, and when they broke up let’s say it wasn’t easy for them to keep working together as a band, but fortunately as decent adults they overcame that “issue” and now they’re very good friends, loving each other in a different level.

Another interesting topic discussed by Cristina in one of her interviews was related to the recent deaths of Chester Bennington and Chris Cornell, where she expressed her opinion about mental illnesses, from depression to dementia to other types of mental conditions, saying we should never judge the others’ decisions as there’s so much to understand about the whole situation before reaching any conclusion. That was also explored on Lacuna Coil’s latest album Delirium. “When we did Delirium, it was really important for us to treat it in the most respectful and delicate way possible,” said Cristina. “Because you can try to send a positive message and to try to tell people, ‘Oh, you should be positive all the time, you should be happy, you should overcome depression,’ and everything, but it’s not as easy as you speak. It’s way deeper than that and more complicated than this.”

As any good Italian woman, in special if that woman is born in the city of Milan, Cristina loves stylish clothes, trying on new make-up, taking care of her dark hair and everything else that’s a synonym to fashion. For instance, she considers her beauty and make-up signature the one she herself calls a “raccoon look”, or as described by Cristina, “a heavy sort of smokey eyes style with carbon black eyeshadow surrounding both whole eyes and heavily in the lower part of the eye as well.” She also mentioned that, because she likes to combine styles and to work with contrasts, she likes to observe everything around her and go to runway shows in Milan, listing as some of her style icons the always trendy Madonna and the very elegant and dark British and Irish designer Daphne Guinness. Furthermore, she said her make-up and outfit behavior is in constant change due to new products, styles and techniques that are always appearing in the market, stating that while thinking about a new look for her concerts she always takes into account several important factors such as if the clothes are easy to carry around, if they’re washable, and if they allow her to move a lot onstage. Also in the fashion world, American photographer Jeremy Saffer (an old-time friend of Cristina) invited her to be her calendar girl for the Halloween 2015 Special Edition of XPRESSIONS magazine, with the final result being beyond stunning, of course, being sold out in a really short time.

Regarding her preparation for getting onstage and spending a long time on the road during Lacuna Coil’s extremely busy agenda worldwide, Cristina said she doesn’t exercise a lot, saying she’s some sort of “lazy bum”, and that concentration is the most important part of the process for her together with some warming up exercises to keep her voice in good shape. She said travelling all the time and managing everything is definitely not for everyone, but it can be very rewarding if you love what you do. One funny thing connected to that hectic lifestyle is that Cristina collects all her flight boarding cards, saying that one day it will be nice to see and to show others how much she’s traveled in her life. And, in terms of the apps she uses regularly, apart from Facebook, Instagram, Periscope and Twitter, she’s also been using an app named Master Tour, which she considers very helpful for whoever does her type of job, keeping you updated on tours and schedules like a tour book in your smartphone. Hence, if you’re a touring musician, why not trying the same app as the successful Cristina Scabbia, right?

Lastly, when asked if she considers herself a role model for young girls, she said she doesn’t see herself as one but that all the love she gets from fans when she’s on the road makes her sometimes believe she might be indeed an inspiration for all of them. She always tells them that they have to believe in themselves because, no matter what, it is impossible to make everyone happy, so the key is to make ourselves happy and conscious of our own unique potential, with her motto in life being “live in the present and make it beautiful. I never think too much about the past or the future. The past is… gone and we will never be able to plan the future the perfect way.’’ What do you think about Cristina and her way of life? Do you agree with what she does and thinks in music and life in general? Well, there are tons of interesting interviews and videos of Cristina online to help you know more about her, such as this one from Loudwire called Wikipedia: Fact or Fiction?, where she even tells if her highest note being an A7 is true or not. It seems that the world of heavy music and also the whole cyberworld can never get enough of the one and only Italian stunner Cristina Scabbia (without an “h”, per favore).

Cristina Scabbia’s Official Facebook page
Cristina Scabbia’s Official Twitter
Cristina Scabbia’s Official Instagram
Lacuna Coil’s Official Facebook page
Lacuna Coil’s Official YouTube channel
Lacuna Coil’s Official Instagram

“You have to sing with your heart, you have to sing with passion, you have to be sincere in what you’re singing, and you have to be totally convinced of what you’re doing. Most of all, you have to realize that this is a hard job that not everyone can take, so don’t look at the shiny part only, because there is a lot of work involved and a lot of sacrifice, so be ready for that as well..” – Cristina Scabbia

Album Review – Slipknot / .5 The Gray Chapter (2014)

One of the most controversial heavy bands of all time strikes again with a very solid and aggressive tribute to their deceased bassist.

Rating4

Slipknot-5-Album-CoverWhen American Alternative Metal band Slipknot helped put the city of Des Moines, Iowa, United States on the map in the end of the 90’s with their never-before-seen ruthless music, few people believed they would last longer than a couple of years due to several reasons, one of them being their too unorthodox approach, or in other words, they did not play “traditional” heavy music. Well, guess what? Even after all these years and all their countless internal issues, especially the painful death of bassist Paul Gray (R.I.P.) in 2010 and the departure of drummer Joey Jordison in the end of 2013, they’re still alive and more than capable of delivering some good heavy music, like what’s found in their brand new album .5: The Gray Chapter.

Although .5: The Gray Chapter, which by the way is the fifth studio album in the band’s career, the first in six long years and the first to not feature the two aforementioned members, is not as good as most of their previous releases, it’s still a very enjoyable and violent album that surpasses 75 minutes of music, with all those “special effects” only Slipknot can offer us. It sounds like a modern mix of the excellent Iowa and Vol. 3: (The Subliminal Verses), with all lyrics being even more wicked and controversial than before.

And there’s no better way to start a Slipknot album than with one of their trademarks, a dark and creepy intro this time named XIX, with beautiful words such as “This song is not for the living / This song is for the dead” setting up the tone for the ferocious Sarcastrophe, a song that begins as melancholic as the intro before turning into a mix of all Slipknot phases, sounding a lot like “Gematria (The Killing Name)”, especially the vocal lines and riffs (albeit a lot less complex), followed by the Thrash Metal riffs in AOV, which also follows the same musical pattern as in All Hope Is Gone.

I have no idea who the new/session drummer is, but he does a pretty decent job in songs like The Devil in I, where he provides the whole song an extra dose of violence even during its lighter parts, saving it from becoming too soft or too bland. The following track will generate lots of positive and negative reactions from the listeners: Killpop is one of those cases where Slipknot proves once again they know how to craft some cool semi-ballads, this time 100% focused on the vocal lines (both clean and harsh) by Corey Taylor, but many people will end up complaining it sounds too commercial. If you love it, simply enjoy this nice song, otherwise skip to Skeptic, a very old school Slipknot song, and everything you truly love in this band will be there for you, including riffs, drums and vocals, sounding a lot like their material from Vol. 3: (The Subliminal Verses). Besides, it seems to be one more explicit tribute to Paul Gray based on its sorrowful lyrics (“The world will never see another crazy motherfucker like you / The world will never know another man as amazing as you”).

SlipknotLech is one of those Slipknot songs you wait for during their performances to start jumping up and down like crazy when Corey gives the signal, with drums, percussion and guitar lines boosting its energy level, while Goodbye is just filler: I don’t know what they wanted to accomplish with this song, but it didn’t work at all, making it totally disposable. Then we have Nomadic, a good song with interesting breaks and chorus, nothing special but its Iowa-ish vibe keeps it far away from being boring, and The One That Kills the Least, which reminds me of some Stone Sour songs.

After all those highs and lows, it is the last part of the album what all diehard fans of Slipknot were truly waiting for, and it all begins with Custer, that type of sonic madness Slipknot feel really comfortable in playing. It’s a fuckin’ sick “party” full of weird electronic music effects, with a chorus that will drive fans crazy during their live performances (“Cut – Cut – Cut me up and Fuck – Fuck – Fuck me up / CUT – CUT – CUT ME UP AND FUCK – FUCK – FUCK ME UP!”). It’s the best song of the album, and it will sound absolutely amazing live, no doubt about that. The sinister intro Be Prepared for Hell works as an excellent warm-up for the “hell” that comes next, the disturbing The Negative One: it has that raw instrumental and direct sounding like their old classics, with highlights to the great job done by Sid Wilson and Craig “133” Jones in adding a lot of bizarreness to the song. Do I need to mention it’s another perfect option for some insane circle pits? The regular version of the album ends in a pretty weird way with If Rain Is What You Want, a song that’s a lot less metal and more alternative than any other track in .5 The Gray Chapter. And if you purchase the special edition of it you’ll also get two bonus songs that are relatively boring compared to the official album tracks: Override is just an average song, and The Burden focus too heavily on the atmosphere and forgets about the music itself.

You can take a listen to some or all of the tracks in .5 The Gray Chapter on Slipknot’s official YouTube channel, and also see them kicking ass live during their Knotfest dates. Love them or hate them, no matter how controversial they are, we all have to admit their music is unique and each member of the band deserves our recognition for being able to create such a solid, aggressive and entertaining album/tribute even after all the hell they have been through in recent years.

Best moments of the album: Skeptic, Custer and The Negative One.

Worst moments of the album: The Devil in I and Goodbye.

Released in 2014 Roadrunner Records

Track listing
1. XIX 3:10
2. Sarcastrophe 5:06
3. AOV 5:32
4. The Devil in I 5:42
5. Killpop 3:45
6. Skeptic 4:46
7. Lech 4:50
8. Goodbye 4:35
9. Nomadic 4:18
10. The One That Kills the Least 4:11
11. Custer 4:14
12. Be Prepared for Hell 1:57
13. The Negative One 5:25
14. If Rain Is What You Want 6:20

Special Edition bonus tracks
15. Override 5:37
16. The Burden 5:23

Band members*
(#0) Sid Wilson – turntables
(#3) Chris Fehn – percussion, backing vocals
(#4) Jim Root – guitars, bass
(#5) Craig “133” Jones – sampling, keyboards
(#6) Shawn “Clown” Crahan – percussion, backing vocals
(#7) Mick Thomson – guitars, bass
(#8) Corey Taylor – vocals

Additional musicians
Alessandro Venturella – bass
Donnie Steele – bass

*A new drummer is currently in the band but has not yet been named by the band, rumors circulate about his identity but so far no official statement has been made as to who it is.