Album Review – Sepulchral Curse / Crimson Moon Evocations (2025)

This ruthless Finnish horde demonstrates their unmatched ferocity and craftmanship in their third studio album, cementing their place at the very zenith of the global Blackened Death Metal scene.

Arriving merely two years after their bold leap forward with Abhorrent Dimensions, Crimson Moon Evocations, the third full-length opus by Turku, Finland-based Death Metal creature Sepulchral Curse, paints a vivid portrait of a band at their creative and productive peak. Recorded and mixed by Tomi Uusitupa at Oxroad Studios, mastered by Are Kangus, and displaying a dark and sinister artwork by Mark Erskine, the new album by vocalist Kari Kankaanpää, guitarists Jaakko Riihimäki and Aleksi Luukka, bassist Niilas Nissilä, and drummer Johannes Rantala demonstrates their unmatched ferocity and craftmanship, cementing their place at the very zenith of the global Blackened Death Metal scene.

The guitars by Jaakko and Aleksi rev up the band’s deadly engine in Wildfires, quickly morphing into a bestial Death Metal extravaganza to the crushing drums by Johannes, who sounds even more infernal in House of The Black Moon, with Kari’s utterly deep guttural adding an extra touch of heaviness to the band’s core Blackened Death Metal. Then the band goes full Death Metal in The Locust Scar, with the guitars by the band’s axed duo exhaling heaviness and hatred, whereas a sluggish, Doom Metal-infused start gradually evolves into another demented beast by Sepulchral Curse entitled Beneath The Dismal Tides, with Niilas and Johannes building the heaviest ambience of all songs armed with their demonic kitchen.

Then investing in a more melodic sonority it’s time for Empress of The Dead, without of course forgetting the band’s trademark bludgeoning sounds; whereas their second to last sonic attack comes in the form of The Currents of Chaos, with Kari roaring deeply like a demonic creature supported by the vile riffs by Jaakko and Aleksi. Finally, the band brings forward Crimson Passages, again blasting our damned souls with their Doom Metal-infused blackened sounds, showcasing crisp, piercing guitar lines in paradox with the inhumane, gruesome gnarls by Kari, resulting in not only one hell of a bestial song, but also putting a beyond phantasmagorical and haunting conclusion to one of the heaviest albums of the year.

“The backbone is death metal,” states vocalist Kari Kankaanpää about their newborn beast, “but we’ve never shied away from exploring new inspirations and influences, which shape the unique edge synonymous with Sepulchral Curse. Music needs to be dark, heavy and furious!” Crimson Moon Evocations indeed takes an even deeper dive into who Sepulchral Curse are and crystallizes the essence of their sound, helping the band to ascend to the pinnacle of Blackened Death Metal. Hence, if you want to “stay cursed” as the band’s frontman likes to say, you can find the band on Facebook and on Instagram, stream their wicked creations on Spotify or any other streaming service, and obviously grab a copy of their new album from the Dark Descent Records’ BandCamp or webstore in the US and the EU, or simply click HERE for all things Sepulchral Curse. In a nutshell, Crimson Moon Evocations is utterly dark, evil and, more important than that, extremely heavy, paving a fantastic path ahead of those Finnish beasts in the years to come.

Best moments of the album: House of The Black Moon, Beneath The Dismal Tides and Crimson Passages.

Worst moments of the album: None.

Released in 2025 Dark Descent Records

Track listing
1. Wildfires 4:58
2. House of The Black Moon 6:09
3. The Locust Scar 5:06
4. Beneath The Dismal Tides 5:29
5. Empress of The Dead 6:39
6. The Currents of Chaos 5:09
7. Crimson Passages 6:11

Band members
Kari Kankaanpää – vocals
Jaakko Riihimäki – guitar
Aleksi Luukka – guitar
Niilas Nissilä – bass, backing vocals
Johannes Rantala – drums

Album Review – Ferum / Asunder / Erode (2022)

A ruthless entity arises from the underworld with an obsessive and monolithic record, showcasing the boldness and rot of American death doom and the introspection and emotion of English death doom.

Formed in 2017 in Bologna, Italy, but currently scattered between Bologna and Tallinn, the capital of Estonia, the ruthless Death/Doom Metal entity known as Ferum (which means “wild”, “untamed” or “fierce” in Latin) is unleashing upon us all their debut full-length opus, entitled Asunder / Erode, following up on their 2018 EP Vergence. Recorded and mixed by the band’s drummer Are Kangus at Walter Productions, mastered by Dan Swanö, and displaying a fantastic cover art by Paolo Girardi (read more about the concept and process HERE), Asunder / Erode is a clear step forward in the career of vocalist and guitarist Samantha Alessi, bassist Matteo Anzelini and the aforementioned Are Kangus compared to their previous release, offering fans of heavy music an obsessive and monolithic record showcasing at the same time the boldness and rot of American death doom and the introspection and emotion of English death doom, with its slow, funereal riffs and cavernous atmosphere positioning it as one of the best albums of the genre of the past few years.

The massive, sluggish beats by Are kick off the thunderous opening tune Halfhead, with Samantha roaring deeply like a she-demon while also extracting sheer malignancy from her axe. In other words, it’s dark, sinister and somber just the way we like it in Doom Metal, which is also the case with The Undead Truth, featuring the iconic Mike Perun of Cianide on vocals, sounding even more demonic and grim with Samantha firing obscure riffs nonstop supported by the low-tuned bass by Matteo, not to mention how intricate and vibrant the drumming by Are is. Then continuing their path of old school, sulfurous Death and Doom Metal the trio brings forth the headbanging Desolate Vantaa, a song perfect for breaking your neck in half to the pounding drums by Are while Samantha darkly vociferates the song’s lyrics; and dark clouds are above us in the damned tune Belong, where Samantha and Matteo are in total sync with their stringed weapons, generating a menacing, reverberating sound tailored for admirers of the most obscure form of Doom Metal.

Get ready for almost seven minutes of infernal epicness in Monolithic Acquiescence, presenting elements from Blackened Doom in its core while remaining loyal to the foundations of Death Metal thanks to another awesome performance by Samantha on vocals; whereas investing in a more ferocious vibe, the trio delivers endless violence and heaviness in Entrails Of Linnahall, with Are dictating the song’s brutal pace while also alternating between pure Death Metal and slow, sinister passages. A deep roar by Samantha kicks off the Stygian extravaganza titled Resurgence In Bereavement, another dense, multi-layered composition showcasing Are’s classic Doom Metal beats, growing in intensity and fear until all fades into the void for our total delectation, while eerie vocalizations and minimalist sounds will darken our minds in Outro – Spesso Il Male Di Vivere Ho Incontrato, which is not a bad idea for an outro but it could have been slightly shorter to keep the energy level in the album even higher. Nothing to worry about, though, as in the end the album kicks some serious ass from start to finish.

As already mentioned, the wild and fierce hybrid of Death and Doom Metal blasted by Ferum in Asunder / Erode is a must-listen for anyone who enjoys a good dosage of obscurity and hatred in metal music, proving how focused the trio was while recording the album and, consequently, pointing to an exciting future ahead of them. Having said that, don’t forget to start following Samantha and the boys on Facebook and on Instagram for news, tour dates and other important information about the band, to purchase your copy of Asunder / Erode from the Avantgarde Music’s BandCamp page or from Sound Cave as a CD, a color vinyl or a black vinyl, and to stream all of their devilish arias on Spotify. Ferum are definitely on the right path to conquer the world of extreme music based on what they have to offer us all in their new album, leaving us eager (or I might even say desperate) for more of their music in a not-so-distant future.

Best moments of the album: Halfhead, Desolate Vantaa, Entrails Of Linnahall and Resurgence In Bereavement.

Worst moments of the album: Outro – Spesso Il Male Di Vivere Ho Incontrato.

Released in 2022 Unorthodox Emanations/Avantgarde Music

Track listing
1. Halfhead 5:24
2. The Undead Truth 6:28
3. Desolate Vantaa 5:15
4. Belong 5:23
5. Monolithic Acquiescence 6:53
6. Entrails Of Linnahall 5:24
7. Resurgence In Bereavement 6:39
8. Outro – Spesso Il Male Di Vivere Ho Incontrato 3:02

Band members
Samantha Alessi – vocals, guitars
Matteo Anzelini – bass
Are Kangus – drums

Guest musician
Mike Perun – vocals on “The Undead Truth”