Metal Chick of the Month – Daísa Munhoz

daisa01

How dare you look at me in the eye?

Time to fly back to South America, more specifically to the municipality of Bariri, São Paulo, Brazil, located about 300km from the city of São Paulo (and about 700km from the city of Rio de Janeiro), to talk about another Brazilian Heavy Metal diva, Daísa Munhoz, the beautiful and talented frontwoman of Brazilian Progressive Metal band Vandroya. If you’re simply fanatic for traditional Heavy Metal, I would say she might be the girl of your dreams.

Owner of a very powerful and melodic voice, Daísa started singing when she was only 9 years old, and at the age of fourteen she was already part of a “travelling band”. Our diva said that although she never actually took any singing lessons, she grew up surrounded by every kind of musicians, rehearsals and jam sessions every single day, as her parents are musicians too. That helped her a lot in terms of getting used to how the world of music works, and she learned a lot from every musician that was close to her, especially her mother. She also plays the piano, but “in a mediocre way” in her own words, mainly because she ends up using it more like a guide during her writing and composing process, or sometimes just as a distraction or to relax a little.  Daísa said she never really had any interest in specializing herself in the piano, nor the patience or discipline to do so.

It was when our Heavy Metal bombshell was around 18 or 19 years old that she founded Vandroya, having recorded so far with the band a 2-track demo entitled Within Shadows, in 2005, and more recently their first full-length album, One, in 2012 via Spiritual Beast Records and in 2013 via Inner Wound Recordings. And stay tuned, because the compositions for the next Vandroya album are 100% finished and the recording process will start really soon. By the way, Daísa explained the word “Vandroya” means nothing specifically: it was just a suggestion from a friend back in their early years, based on a character in Avantasia who is called Vandroy. The band just loved the way it sounded.

In addition, you can also see our diva in action in many other different bands and projects. She has been performing for years, including her one time all female band called Inlakesh, as well as a Led Zeppelin tribute band named Black Dog. Not only that, she recorded the vocals on track Song of Deliverance, from the 2013 album Exodus by Slovakian Progressive Power Metal band Signum Regis, as well as the vocals as “Judith” or “Judith, The Princess” in three different albums by Brazilian Melodic Power Metal band Soulspell (a Metal Opera project created by Brazilian drummer Heleno Vale): A Legacy of Honor (2008), The Labyrinth of Truths (2010) and Hollow’s Gathering (2012), winning the Best Female Vocalist award from Whiplash.net in 2010 for her work with Soulspell.

There are so many awesome songs with Daísa on vocals on YouTube you can spend hours and hours just listening and watching to our diva kicking ass, so in order for you to get a delicious taste of her unique voice and the mighty metal music played by Vandroya, my recommendations are the beautiful ballad Why Should We Say Goodbye, the Helloween-ish Power Metal tune The Last Free Land (which I’m pretty sure will inspire you so much you’ll buy Vandroya’s debut album after the first listen), the smooth acoustic version of No Oblivion For Eternity, a live performance of one of their first songs, Within Shadows, as well as their recent cover version for the song Heaven, by Canadian icon Bryan Adams.

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In regards to her main music influences, it’s important to say that Robert Plant is her biggest idol of all time, with the way he sings and moves having a huge impact on her onstage performance, which by the way is beyond superb. However, there are so many awesome artists and bands that it’s hard to name just a few. Sacred names such as Dio, Freddy Mercury, David Coverdale, Glenn Hughes, Russel Allen, Robert Plant, Tina Turner, Janis Joplin, Doro and Ann Wilson are among her biggest idols, being also highly influenced by Iron Maiden, of course, and many German metal bands, especially Helloween, with the unique voice of Michael Kiske leading her into the world of heavy music. Vandroya playing one of my top Helloween songs of all time, the classic March Of Time, is truly outstanding and an amazing tribute from Daísa and her band to the best Teutonic metal band of all time.

In one of her interviews, Daísa stated she has so many idols it’s very hard to choose just a few for a “dream tour”, but that she would truly love to be part of a festival only formed by female-fronted metal bands. It’s about time someone from the Metal Female Voices Fest invites her and the other members of Vandroya to be part of any future editions of the festival, don’t you think?

Lastly, although Daísa grew up listening to a lot of classic rock and hard rock bands, always being completely fanatic for Led Zeppelin, when asked about the top 5 Heavy Metal albums that changed her life, she listed the following ones: Pink Bubbles Go Ape (Helloween), Cowboys from Hell (Pantera), …And Justice for All (Metallica), The Number of the Beast (Iron Maiden) and Black Sabbath (Black Sabbath), I guess not necessarily in this order. Take a good look at this list and answer me if this is not enough awesomeness to consider Daísa a true badass metalhead!

Daísa Munhoz’s Official Facebook page
Vandroya’s Official Facebook page

“…I actually started to search for more female singers and I discovered a lot of amazing and brave warriors that faced this male-dominated market and won it. You know what? I just realized I know so many female singers I could write a book about their careers!” – Daísa Munhoz

Album Review – The Order of the Solar Temple / The Order of the Solar Temple (2014)

A fresh and psychedelic music journey through the realms of heavy music, engendered by a very talented Canuck band.

Rating4

The_Order_Of_The_Solar_Temple_front_coverWhen you put together music genres such as Rock N’ Roll, Hard Rock and Doom Metal, the final result is at least interesting, especially in terms of creativity and feeling. But if you really want to spice things up, simply add to that some nuances of occultism and lots of groove from the dawn of Heavy Metal and you have the excellent self-titled debut album by Canadian Hard Rock/Doom Metal band The Order of the Solar Temple.

Let’s say that if people asked me to describe The Order of the Solar Temple in just a few words, I would call it a psychedelic heavy music journey. This Vancouver-based band was capable of sounding fairly original during the entire album even using only really old music elements in all compositions, mainly due to the above average skills and the passion for music of each musician involved. Not only that, the production of the album, which also seems to be inspired by the music from the 70’s, helps enhance that classic occult sonority regularly found in the music by bands like Blue Öyster Cult and Black Sabbath.

The album opens with the groovy Fallout Woman, a pure Rock N’ Roll song that makes me feel like I’m listening to an album from the 70’s, with highlights to its smooth vocals, soft and melancholic atmosphere and a soulful guitar solo, followed by Aeon Of Horus, a dark tune with lots of Doom Metal elements from bands such as Danzig that curiously starts with an ominous intro but ends in an acoustic way  and, of course, focus heavily on all the obscurity in the lyrics (“Mother Egypt sets the stage for the dawning of an age / Har-par-Khered / Ancient magick is exhumed to free us from our doom / Abrahadabra”) to make the entire song more vibrant and meaningful to the listener. By the way, their classic but unique lyric themes are one of the greatest strengths of the band, staying far away from all the repetitiveness and lack of depth so common in the world of music nowadays.

the_order_of_the_solar_templeGetting back to the album, The Cult (Of Rock’n’Roll) sounds like a “tribute” to the good old KISS, with an awesome work done on riffs and drums, elevating it to the status of best track of the album. Moreover, it’s perfect for becoming a Rock N’ Roll radio hit as it would certainly please not only traditional hard rockers but also any fan of some good quality music. Then we have the psychedelic rhythm and melody of Jervas Dudley, a song that could be summarized as “when Black Sabbath meets Jethro Tull” and also an excellent “journey” for guitar players that enjoy the groove from the 70’s, followed by another fast and classic tune the likes of Deep Purple named Pale Horse, which I’m pretty sure you’ll get addicted to its melodic riffs and keyboards.

The last part of the album consists of the excellent Back Home, a song with lots of elements from good old Blues that sounds like a “pub song” perfect for having a beer with friends; the most Hard Rock track of all, Dominance And Submission, which also reminds me of the good times of Deep Purple, with kudos to Matt “Macabre” Emery for his performance: he might not have the most powerful voice in the world, but it fits perfectly into the musicality of the band. And finally, closing the album we have the obscure track The Order, which is good (especially if you’re a fan of “black magic”), but maybe more variations would make it a more intense song.

Sorry if I kept repeating the expressions “70’s”, “journey” and “psychedelic” every two or three sentences, but there’s no better way to describe the music from The Order of the Solar Temple: it truly is an awesome combination of past and future, carefully brought forth to people like us who live and breathe Rock N’ Roll and Heavy Metal. Even the album art is a tribute to the music that enchanted the world 40 years ago. Not only that, these guys are here to remind us how magic Rock N’ Roll was in its inception and how it can still be exciting even after all those years with the music industry trying to kill everything that sounds real, and we all should thank them for keeping on rockin’ and staying true to the roots of heavy music. And if you don’t want this magic to disappear, you can support the band by listening to their music and purchasing their album at their BandCamp page.

Best moments of the album: The Cult (Of Rock’n’Roll), Pale Horse and Dominance And Submission.

Worst moments of the album: The Order.

Released in 2014 Independent

Track listing
1. Fallout Woman 3:47
2. Aeon Of Horus 8:31
3. The Cult (Of Rock’n’Roll) 3:09
4. Jervas Dudley 6:58
5. Pale Horse 5:31
6. Back Home 5:01
7. Dominance And Submission 5:23
8. The Order 6:37

Band members
Matt “Macabre” Emery – lead vocal, electric guitar, theremin and primordial howls
S. Mulleady – organ, synthesizers, guitar, additional vocals
A. MacGreagor – bass guitar, additional vocals
M. Morrison – drums

Album Review – Van Canto / Dawn of the Brave (2014)

This a capella Power Metal band from Germany proves why the human voice is the most powerful music instrument of all.

Rating5

vancanto_dotbWhen German Power Metal band Van Canto presented their a capella Heavy Metal to the world for the first time back in 2006, especially their cover version for Metallica’s Battery, I thought it was a fantastic and unique idea, but I wasn’t sure if that project was going to make it through the years. As we all know, the absence of music instruments implies many limitations to the sound a band can produce. However, here we are many years later with Van Canto’s brand new studio album, named Dawn of the Brave, the fifth in their career and another prove that the human voice is much more powerful and versatile than we think.

There’s nothing new when comparing Dawn of the Brave with their previous albums, but it’s still a lot of fun to listen to their own compositions, as well as their always much-anticipated versions for different classics from all types of artists and bands.

The intro Dawn of the Brave sounds like they’re just warming up their voices for what’s about to come, and it’s already a good sign of the overall quality of the album. One thing I really enjoy about Van Canto is their “made for battle” lyrics, mainly because they don’t let us forget that despite the absence of real guitars, they’re still a Power Metal band, and that’s exactly what happens in the heroic song Fight for Your Live, which could have easily been recorded by Manowar (“We are at your side / Day by day, and night by night / Fill your soul with pride / Reminding you to fight for your life / Fight!”). It’s one of the top moments of the album, with a great performance by all members.

To the Mountains focuses on Inga’s powerful voice, with a more melodic approach that sometimes reminds me of Within Temptation or Epica, and it will surely sound amazing when played live, while it’s impossible not to sing along with Badaboom, the first single of the album, with its strong rhythm and addictive chorus. The following track is the first cover version in Dawn of the Brave: thousands of bands have already recorded a cover version for Europe’s biggest classic of all time, The Final Countdown, but I’m pretty sure none was able to do it a capella as Van Canto, and believe me, the result is marvelous.

Dawn of the Brave goes on with Steel Breaker, an average Hard Rock song not as interesting as the previous tracks, and The Awakening, a faster and more melodic track that will surely be enjoyed by the fans of the band. Then come The Other Ones with its powerful atmosphere and strong lyrics, and the second cover song of the album, Holding Out for a Hero from Welsh singer Bonnie Tyler, another excellent heavy version for a song that’s not Heavy Metal at all.

vancantoTheir last two own compositions in the album are called Unholy, a song with good lyrics and a nice rhythm, and the sensational My Utopia, which sounds like a mix of Stratovarius and Iced Earth (without the real shredding, of course). And finally, the album ends with two excellent cover songs: Into the West, an Annie Lennox cover taken from The Lord of the Rings: The Return of the King soundtrack (which in my opinion is one of the best soundtracks ever), and the one and only  Paranoid, from Heavy Metal icons Black Sabbath, with Ross taking the lead on vocals. The limited mediabook edition includes interesting orchestral, acoustic and other versions for some of their own songs, while the earbook edition comes also with a bonus DVD containing some of their own songs and awesome versions for all-time classics from Nightwish, Grave Digger, Blind Guardian, Manowar and Iron Maiden.

Alright, they’re not 100% a capella: they use a full real drum kit, played by the good Bastian Emig, but that doesn’t make the final result less impressive. Sly and the beautiful brunette Inga do an amazing job on vocals, but it’s the sound of guitars and bass produced by the trio of Ross, Stefan and Ike that gives Van Canto that “it” factor, in other words, that makes them so unique when compared to all other Power Metal bands in the world. I still can’t believe those guys are able to do those fantastic guitar solos just by using their voices!

In summary, Dawn of the Brave is a very creative album that everybody who enjoys some good singing should listen to and appreciate. The band surely proves to us all that no music instrument in the world can be compared to the human voice, which is the idea of the album art, don’t you agree? It’s an instrument so powerful it can even turn calm and smooth a capella music into pure Power Metal.

Best moments of the album: Fight for Your Life, Badaboom and My Utopia. Among the cover songs, the best ones are definitely The Final Countdown and Paranoid.

Worst moments of the album: Steel Breaker and Unholy.

Released in 2014 Century Media

Track listing
1. Dawn of the Brave 1:08
2. Fight for Your Live 3:59
3. To the Mountains 4:05
4. Badaboom 3:31
5. The Final Countdown (Europe cover) 4:55
6. Steel Breaker 3:40
7. The Awakening 4:13
8. The Other Ones 4:18
9. Holding Out for a Hero (Bonnie Tyler cover) 3:51
10. Unholy 3:28
11. My Utopia 5:13
12. Into the West (Annie Lennox cover) 4:25
13. Paranoid (Black Sabbath cover) 3:04

Limited Mediabook Edition bonus tracks              
1. If I Die in Battle (Orchestral Version) 4:45
2. My Voice (Orchestral Version) 5:29
3. Take to the Sky (Orchestral Version) 4:24
4. Neuer Wind (Jovian Spin Remix) 3:48
5. Lost Forever (Acoustic Version) 5:01
6. Last Night of the Kings (Choir Version)  4:11

Band members
Dennis “Sly” Schunke – lead vocals
Inga Scharf – lead vocals
Ross Thompson – higher guitar vocals
Stefan Schmidt – lower guitar vocals, solo guitar vocals
Ingo “Ike” Sterzinger – bass vocals
Bastian Emig – drums

Album Review – Heaven & Hell / The Devil You Know (2009)

Dio, Iommi, Butler and Appice deliver us the heaviest and darkest Black Sabbath album of all time, even with the band not being called Black Sabbath.

Rating2

The_Devil_You_Know_coverI’ve never been a fan of Black Sabbath with Ozzy on vocals, although I understand and respect his importance to Heavy Metal, and also like his crazy performance on stage. I even consider the new 13 a good album, but I personally enjoy the band a lot more with Dio as the lead singer, when Sabbath produced some of the heaviest albums of their career. When The Devil You Know was launched back in 2009, it wasn’t simply a band called Heaven & Hell, but that obscure Black Sabbath that mixed the devilish riffs from Tony Iommi with the unique voice of Ronnie James Dio.

Just start listening to Atom and Evil (or should I say Adam and Eve?) and all those accusations against Tony Iommi, saying he has a deal with the devil, will totally make sense. His riffs in this album are mesmerizing, darker than the darkest night, and impossible not to get addicted to them. He’s one of those geniuses that makes us left-handed people feel really proud of being more skillful with our left hand! All the songs have awesome riffs, but I would say the most memorable ones are from the opening track, from Bible Black and from the last song, Breaking into Heaven, and if you don’t feel anything special while listening to these songs, go listen to Justin Bieber or any other crap. You’re not worthy!

heavenandhellGeezer Butler also does an incredible job with his bass lines, especially in the songs Double the Pain (one of my favorites from The Devil You Know) and Neverwhere. Also, having the talented and precise drummer Vinny Appice working with Geezer makes the music flow a lot smoother during the entire album, which by the way was never supposed to be a regular fast Heavy Metal record: only two songs (Eating the Cannibals and Neverwhere) have a fast rhythm, while all other focus on more sinister melodies commonly found in Doom Metal. And I’m not going to say anything about the amazing front cover: it’s too evil to be real, more terrifying than any Black Metal album cover I’ve ever seen.

Finally, what can I say about the unparalleled voice of Ronnie James Dio (R.I.P.)? The Devil You Know was his last record, and he sings every single line from each song perfectly, turning poetry into music. I love Bruce, Halford and many other Metal vocalists, but there’s no one that can sing with such passion and emotion as Dio. The entire world of music will forever miss that little guy, who became a real giant every time he started singing for us any of his songs. Unfortunately Dio is gone, but his legacy will remain with us, and The Devil You Know is the perfect representation of his vocal power. If this record had been launched in the 80’s, I’m pretty sure it would have been considered one of the best and most influential Heavy Metal albums of all time.

Best moments of the album: Bible Black, without any doubt. This is by far my favorite Black Sabbath Heaven & Hell song of all time. Watch the video below from the band playing it at Wacken in 2009, pay attention to the perfect lyrics, and tell me if this is not wonderful? Isn’t Dio fuckin’ awesome? “He locks himself away and tastes the silence / Hungry for another bite of wrong”

Worst moments of the album: I cannot say anything bad about this album. Maybe the fact that it ended up being just a project due to Dio’s death? I cannot even imagine how many more great albums Heaven & Hell could have recorded if Dio was still alive.

Released in 2009 Rhino Entertainment

Track listing
1. Atom and Evil 5:15
2. Fear 4:48
3. Bible Black 6:29
4. Double the Pain 5:25
5. Rock and Roll Angel 6:02
6. The Turn of the Screw 5:02
7. Eating the Cannibals 3:37
8. Follow the Tears 6:12
9. Neverwhere 4:35
10. Breaking into Heaven 6:53

iTunes exclusive bonus tracks
11. I (live) 6:30
12. Die Young (live) 6:46

Band members
Ronnie James Dio – vocals
Tony Iommi – guitar
Geezer Butler – bass guitar
Vinny Appice – drums, percussion