Concert Review – Cattle Decapitation (The Concert Hall, Toronto, ON, 12/06/2025)

And Toronto partied like it was 1349 together with the mighty Cattle Decapitation on a emotional, memorable and heavy-as-hell night of extreme music.

OPENING ACTS: Grindmother, Tribal Gaze, Frozen Soul and Aborted

After seeing four albums played in full in the past couple of weeks, those being Rivers of Nihil (by Rivers of Nihil), Citadel and Exul (by Ne Obliviscaris), and Somewhere Far Beyond (by Blind Guardian), it was time for another absolute blast with album number five this Saturday, when the indomitable CATTLE DECAPITATION, with the support of GRINDMOTHER, TRIBAL GAZE, FROZEN SOUL and ABORTED, took the stage of The Concert Hall in Toronto with their No Fear For Tomorrow North American Tour 2025 to melt our faces with the full play of their 2019 bestial opus Death Atlas. That was maybe one of the heaviest and most emotional events brought to the city by Noel Peters of Inertia Entertainment this year, and of course Keith Ibbitson of Metal Paparazzi and I were there to be part of such a phenomenal celebration of extreme music by some of the best bands of the current scene worldwide.

As it was a Saturday I managed to get to the venue just in time for the farewell concert by the mighty GRINDMOTHER, a 77-year old retired social worker from Canada whose footage from a rehearsal in 2016 went viral, having played over 50 times live with her bands across Germany, Japan, Canada and the United States (and you can enjoy all of her songs on BandCamp, by the way). In July 2025, she announced her retirement due to dementia, kicking ass on the stages in Montreal on Friday and in Toronto on Saturday as her way to say “thank you” and “au revoir” to all Canadians who have supported her through the years. In Toronto she had the phenomenal support of the she-wolf Chelsea Marrow of Blackened Death Metal beast Visitant (who I had the pleasure of chatting with for a brief moment) and of the electrifying Elizabeth Selfish of Crossover Hardcore act BRAT, adding even more adrenaline to a very emotional goodbye from the stages. I’m sure her son Rayny Forster, who plays bass with her live, is immensely proud of his mom, a strong and relentless woman who proved once again there’s no age limit when it comes to heavy music. It was an excellent warmup for the other bands of the night, and hopefully Grindmother can now enjoy her retirement in great fashion together with her family while listening to some ass-kicking Extreme Metal. Thank you for your music and for your passion for Heavy Metal, Grindmother!

Band members
Grindmother – vocals
Chelsea Marrow – vocals
Elizabeth Selfish – vocals
Topon Das – guitar
Rayny Forster – bass
Mathieu “Vil” Vilandré – drums

After a quick break it was time for Texas-based Death Metal brigade TRIBAL GAZE to ignite some wild mosh pits in the floor section with their short but extremely violent and heavy performance. Led by the charismatic frontman McKenna Holland, the band has just released the excellent Inveighing Brilliance, available on both BandCamp and on Spotify, which was basically what they played during their entire set. Songs like Smiling From Their Chariots and Emptying the Nest sounded inhumane live, with drummer Cesar De Los Santos dictating the pace of his own band and of the entire crowd, who went mental inside the pit and slammed like there’s no tomorrow. I’m sure we’ll hear more from those talented guys in a not-so-distant future, and I can’t wait to see one of their concerts again as they definitely know how to make our good old Death Metal sound incredible live.

Setlist
Smiling From Their Chariots
Emptying the Nest
To the Spoils of Faith
The Irreversible Sequence
Godless Voyage
Twitching on the Cross
Beyond Recognition

Band members
McKenna Holland – vocals
Quintin Stauts – guitars
Ian Kilmer – guitars
Zachary Denton – bass
Cesar De Los Santos – drums

The next attraction of the night is one of those bands you know they’ll quickly become a reference in the genre. I’m talking about Fort Worth, Texas’ own abominable men (and woman) FROZEN SOUL, bringing absolute chaos, frost and heaviness to the stage with their ruthless blend of old school Death Metal. Playing songs from their two awesome albums Crypt of Ice, form 2021, and Glacial Domination, from 2023 (both available on BandCamp and on Spotify), plus a few new killer tunes like Skinned by the Wind and Invoke War, from their upcoming yet-to-be-titled 2026 album, the band led by the unstoppable Chad Green on vocals (who also gave an emotional speech by dedicating one of the songs to his deceased younger brother, therefore showing a lot of heart) put everyone to slam, stage dive, crowd surf, and even do some push ups during their incredible performance, leaving us completely disoriented after all was said and done. One thing I must say about their concert is that the sound quality was superb, allowing the bass by the fantastic Samantha Mobley to punch us hard in the head for our total delight. Needless to say, she’ll (very) soon be one of our metal ladies of the month. I’m now desperate to listen to their upcoming album, because based on what we were able to witness this Saturday, it’s going to be a real banger. Hell yeah, winter is coming again, courtesy of one of the must-see names of the current Death Metal scene.

Setlist
Skinned by the Wind
Beat to Dust
Chaos Will Reign
Morbid Effigy
Merciless
Absolute Zero
Arsenal of War
Invoke War
Crypt of Ice

Band members
Chad Green – vocals
Chris Bonner – guitars
Michael Munday – guitars
Samantha Mobley – bass
Matt Dennard – drums

After everyone had a short break for having another beer, checking the merch stands, going to the washroom, or simply recovering their energies from the chaotic show by Frozen Soul, it was time to “get do da choppa!” together with the unparalleled Belgian Death Metal machine ABORTED, and oh boy, what an apocalyptic performance it was. Sven De Caluwé was not only on fire with his demented guttural, but he was also in his best comedian mode, impersonating the best action hero of all time, the one and only Arnold Schwarzenegger, multiple times, making jokes with his own mother, and asking fans to do some jumping jacks during one of the songs (after pushups and jumping jacks, I was wondering if Cattle Decapitation were going to ask us to do some abs later). What an amazing frontman, and let’s say their setlist helped him a lot, with several songs form their 2024 masterpiece Vault of Horrors, including Dreadbringer, The Shape of Hate and Death Cult, plus classics the likes of Retrogore and The Saw and the Carnage Done, all available on BandCamp and on Spotify, setting fire to the atmosphere just like what happened during their headlining concert in Toronto in February. The icing on the cake happened when Darude’s pop hit Sandstorm was played over the speakers and Sven invited everyone to dance with him, showing we metalheads are not just anger, hatred and darkness. We can also dance. See you at the party, Sven!

Setlist
Dreadbringer
Retrogore
Brotherhood of Sleep
The Origin of Disease
Infinite Terror
The Shape of Hate
Death Cult
Insect Politics
Threading on Vermillion Deception / The Saw and the Carnage Done
Sandstorm (Darude song)

Band members
Sven De Caluwé – vocals
Daníel Máni Konráðsson – guitar
Ian Jekelis – guitar
????? – bass
Kévin Paradis – drums
Siebe Hermans – drums

CATTLE DECAPITATION

We witnessed an emotional farewell, had fun with two of of the new-ish names in Death Metal, and became part of a Belgian death cult this Saturday night. Was that enough for us avid metalheads? Of course not, because we still wanted to party like it was 1349 together with the almighty Progressive Death Metal/Grindcore creature CATTLE DECAPITATION, playing in full their 2019 opus Death Atlas, plus three songs form their 2023 killer album Terrasite, both available on BandCamp and on Spotify, and both paying “homage” to the putrid, gory and visceral downfall of the human race. It was pure Armageddon on stage, and of course that transpired to the floor section where the mosh pits were simply insane.

Anything I say about Travis Ryan at this point of his career is not enough to represent his importance, talent and passion in extreme music. The guy is unstoppable, ruthless, and his goblin screeches are one of those things you must experience live at least once in your miserable life. Songs like Be Still Our Bleeding Hearts, Vulturous, the phenomenal Bring Back the Plague, Death Atlas, and the humanity-is-doomed trio formed of A Photic Doom, We Eat Our Young and Scourge of the Offspring sounded brilliant live once again, and as Travis himself said they’ll be back in April or May I’m wondering if next time we’ll have Terrasite played in its entirety. I love when bands play their albums in full live, as I believe any album is meant to be listened in full without skipping any songs, so let’s wait and see what they’ll bring to the city in the coming months. I’ll be there for sure, because when Cattle Decapitation invites you to party (like it’s 1349), no is definitely NOT an answer.

Setlist
Death Atlas
Anthropogenic: End Transmission
The Geocide
Be Still Our Bleeding Hearts
Vulturous
The Great Dying, Pt 1
One Day Closer to the End of the World
Bring Back the Plague
Absolute Destitute
The Great Dying, Pt. 2
Finish Them
With All Disrespect
Time’s Cruel Curtain
The Unerasable Past
Death Atlas

Encore:
A Photic Doom
We Eat Our Young
Scourge of the Offspring

Band members
Travis Ryan – vocals
Josh Elmore – lead guitars
Belisario Dimuzio – rhythm guitars
Diego Soria – bass
David McGraw – drums

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Concert Review – Aborted (The Axis Club, Toronto, ON, 02/25/2025)

The night the earth shook in Toronto, courtesy of four of the heaviest bands of the current Death Metal scene worldwide.

OPENING ACTS: NecroticGoreBeast, PeelingFlesh and Ingested

In all seriousness, I think an earthquake hit Toronto this Tuesday night when NECROTICGOREBEAST, PEELINGFLESH, INGESTED and ABORTED took the city by storm with their ruthless, infernal Terrifying North America Tour 2025 at an almost sold out The Axis Club, another ass-kicking event brought to us metalheads by the iconic Noel Peters of Inertia Entertainment. As a matter of fact, the original plan was to have the formidable Stabbing as the first band on the bill during the entire tour, but unfortunately they couldn’t make it (for reasons beyond my knowledge). Their replacement for most of the tour is Extermination Dismemberment, while in Toronto (and in the other Canadian dates) we got the demented Canadian squad known as NecroticGoreBeast. I would love to have seen Stabbing AND Extermination Dismemberment AND NecroticGoreBeast together with PeelingFlesh, Ingested and Aborted, turning it into a massive festival of sheer brutality, but it is what it is and I can’t complain at all about any of the bands on the bill; quite the contrary, all four bands destroyed us all, and once again I have no idea how photographers like Keith Ibbitson of Metal Paparazzi manage to take photos in the middle of an endless mosh pit when there’s no barrier nor any security to protect them.

Precisely one hour after the doors opened to the crowd, Montreal, Quebec’s own Slam/Brutal Death Metal outfit NECROTICGOREBEAST kicked off the festivities with an overdose of heaviness and brutality, basing their setlist on their demolishing 2023 opus Repugnant (available on Spotify or on any other streaming service). The Axis Club in Toronto is commonly known as a nightclub, which means their sound system can go absolutely wild on bass, and that’s exactly what happened during the entire night starting with NecroticGoreBeast. The whole place was trembling as if there was an earthquake going on, and the crowd was going mental inside the pit. Vocalist John Mayer was bestial armed with his mic, and as after the night was over I could see several fans wearing the band’s hoodie it was a clear a sign the city loved their live performance, which means it won’t take long for them to return to Toronto.

Band members
John Mayer – vocals
Michael Chamberland – guitars
Alexandre Brochu – bass
JP Bouchard – drums

It was when the clock hit 7:45pm that the city of Toronto felt the strongest seismic activity of the entire night. I’m talking about the demented performance by Tulsa, Oklahoma-based Slam/Brutal Death Metal/Hardcore creature PEELINGFLESH, who looked like their mission was to demolish the entire venue with one of the heaviest shows I’ve ever seen in my life. Their frontman Damonteal Harris is simply amazing, perfectly leading his henchmen and the crowd with his sick pig squeals, fry vocals, and “gangsta” dance moves, driving the entire venue wild during their undisputed performance. The songs played from their 2024 album The G Code, those being The Fuckening, Shoot 2 Kill and Perc 3000, all available on Spotify by the way, sounded even heavier and more demonic live, all boosted by the beyond thunderous kitchen by Austin Hirom and Joe Pelleter. In other words, if PeelingFlesh ever play in your city or town, do not miss the chance of seeing one of the heaviest bands of the current slam scene worldwide. They are absolutely fantastic live.

Setlist
Nefarious Moongrass
The Fuckening
Mr Nasty Time
12 Gauge Autopsy
Matar a palos
Midnight
Intro
Shoot 2 Kill
Perc 3000
F.F.W.A.S
Outro

Band members
Damonteal Harris – vocals
Mychal Soto – guitars
Jason Parrish – guitars
Austin Hirom – bass
Joe Pelleter – drums

Basically almost any band in the world who had to play after PeelingFlesh would have had a hard time topping their sick performance, but of course when the band in question is Manchester, UK’s own Slam/Brutal Death Metal/Deathcore icons INGESTED you can expect at least the same level of savagery and gore. After the unexpected departure of frontman Jason Evans late 2024, Josh Davies, vocalist of UK Deathcore band Malice and former vocalist of fellow UK Deathcore band Monasteries, became the man responsible for the band’s vocal duties, and he did a pretty good job live in Toronto. The only two things that bothered me regarding their concert were the lack of any songs from their 2024 album The Tide of Death and Fractured Dreams, and the fact that although it had been announced that touring musicians Andrew Virrueta and Thomas O’Malley had joined the band as full-time band members, they simply weren’t there.

Yes, it was only Josh plus guitarist Sean Hynes and drummer Lyn Jeffs, which looked weird, but their heaviness was there intact. Their new single Altar of Flesh (available on BandCamp and on Spotify) sounded demented live, inspiring all concert goers to bang their heads nonstop, plus all circle pits, crowd surfing, and a massive wall of death, proving Ingested are still alive and kicking even after such an impactul change in their line up with the new frontman. I’m sure they would have sounded even more imposing and vile with Andrew and Thomas, but they were absolutely professional and put their hearts and souls into the show even being two men down. Let’s see what the future holds for Ingested with their (most probably) upcoming full album with Josh on vocals, and hopefully that will guarantee another wild concert in Toronto in the coming months.

Setlist
Titanomachy
Endgame
Altar of Flesh
Impending Dominance
Invidious
Contorted Perception
Copremesis
Skinned and Fucked

Band members
Josh Davies – vocals
Sean Hynes – guitars, backing vocals
Lyn Jeffs – drums

ABORTED

Then after another short break, with most concert goers fighting for a spot at the smoking area outside (and holy shit, young people are smoking way too much these days), the main attraction of the night, Belgian horror-inspired Death Metal masters ABORTED, took the stage for another slab of sheer violence and heaviness, also making the venue shake and tremble as if the roof was going to collapse. It’s also very weird they no longer have a bassist playing live with them, with the last one being Stefano Franceschini back in 2023, but they also managed to cover the lack of bass with a lower, darker sound of one of the guitars. And what to say about their setlist? The new songs from their 2024 masterpiece Vault of Horrors sounded insane alongside their old classics, in special Brotherhood of Sleep, Death Cult and The Shape of Hate, all of course available on Spotify. Needless to say, the one and only Sven De Caluwé was a beast onstage, roaring, screaming, hitting his head with his own hands, making faces, and inspiring everyone for some wild action inside the pit.

I think Sven had a lot of time with the guys from Archspire during their last tour together to discuss different jokes, games and so on to make their concerts even more captivating, because it felt like a standup comedy show at times, including doing jumping jacks in the middle of one of the songs, and a “fart competition” between two fans, with the winner being a beautiful lady that was surely going wild in the pit, as she had gone up to the stage crowd surfing maybe twice before that specific game. After the band destroyed us all with the closing songs The Saw and the Carnage Done and Hecatomb, although everyone was extremely happy with what Aborted had just offered us all, it felt like their setlist could have been a little longer, with maybe two or three extra songs added at least. Well, maybe their goal was to leave us eager for more Aborted live in the city in the near future, because those guys love to be onstage in the name of Death Metal, and the demented reaction by the fans during their entire show proves they’re more than welcome to return to Toronto anytime they want.

Setlist
Dreadbringer
Retrogore
Brotherhood of Sleep
The Origin of Disease
Infinite Terror
Deep Red
From a Tepid Whiff
Death Cult
The Shape of Hate
Insect Politics
The Saw and the Carnage Done
Hecatomb

Band members
Sven De Caluwé – vocals
Daníel Máni Konráðsson – guitar
Ian Jekelis – guitar
Ken Bedene – drums

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