Album Review – Svartulven / Ruins of Desolation, Transcendence for the Other Side (2021)

Immerse yourself into the 40 minutes of Orthodox Black Metal split into seven obscure arias carefully crafted by an up-and-coming horde from the Hellenic Republic.

3.5rating

If you’re an admirer of the darkest side of extreme music it’s time for you to enjoy some Orthodox Black Metal made in Greece in the vein of Misotheist and Ascension, courtesy of an occult and mystic entity known as Svartulven armed with their debut opus entitled Ruins of Desolation, Transcendence for the Other Side. Mixed by Nikos Trialonis at Goblin’s Lair Studios in Greece, mastered by V.Santura at Woodshed Studio in Germany, and displaying a cryptic cover artwork by Adrian Baxter, the album brings forward 40 minutes of ass-kicking Black Metal split into seven obscure arias carefully crafted by this up-and-coming horde from the Hellenic Republic.

Arising from the depths of the underworld, this uncanny band comes ripping with their phantasmagorical sounds in Witness of Fire Beyond, with its venomous roars and strident riffs penetrating deep inside your psyche in a great display of sulfurous Black Metal, whereas Svartulven in Twilight begins in full force with its pounding drums hammering our cranial skulls mercilessly, also displaying an amazing fusion of visceral screams with some background vocalizations and, therefore, being highly recommended for fans of a more progressive and diverse style of Black Metal. And continuing their path of devastation, obscurity and evil, Svartulven deliver the straightforward extravaganza Therianthropic Metamorphosis, again presenting classic blast beats, Stygian guitars, low-tuned bass lines, and a crushing sense of despair that permeates the air until the very last second.

The Parable of Abel offers us all five minutes of sheer darkness in the form of old school Black Metal, or in other words, it’s another amazing example of what the band is capable of doing, with the song’s razor-edged riffs generating a pulverizing paradox with its groovy bass jabs. Back to a more classic sound, Herald of Eternal Damnation presents a mid-tempo start spearheaded by their always harsh vociferations that explodes into an avalanche of brutality and violence, resulting in a lecture in Black Metal by such talented Hellenic outfit. Their second to last onrush of extreme music comes in the form of Feast for the Black Earth, again showcasing a heavier-than-hell kitchen, a sinister atmosphere and sharp riffs for our total delight, before the band crushes us one last time with The Crystal Scythe of the Old, a beyond caustic composition where its wicked vocals and a disturbing ambience will haunt our damned souls until all fades into the unknown.

The gates to the Hellenic underworld are open thanks to Svartulven and their Ruins of Desolation, Transcendence for the Other Side, and in order to join them in their quest for extreme music you can start following the band on Facebook and on Instagram, and soon purchase a copy of their austere new album from Dark Terror Temple’s BandCamp page or webstore, proving you’re a true servant of darkness. Although the names of the musicians that are part of such distinguished horde are unknown, in the end that’s just a minor detail taking into account the high quality of the music found in their debut effort, and they can keep their identities as secret as they want as long as they keep delivering more of their incendiary Black Metal for many years to come.

Best moments of the album: Svartulven in Twilight and Herald of Eternal Damnation.

Worst moments of the album: None.

Released in 2021 Dark Terror Temple/The Chalice Prod

Track listing
1. Witness of Fire Beyond 7:01
2. Svartulven in Twilight 4:59
3. Therianthropic Metamorphosis 6:30
4. The Parable of Abel 5:15
5. Herald of Eternal Damnation 4:19
6. Feast for the Black Earth 4:35
7. The Crystal Scythe of the Old 6:01

Band members
*Information not available*

Album Review – Funebria / Death of the Last Sun (2021)

An infernal invocation to darkness by a ruthless Colombia-based horde, positioning the band as one of the driving forces of the South American extreme music scene.

3.5rating

funebria-death-of-the-last-sun-2021Funebria, the name of a rare manuscript “Carmina Funebria in Obitum Clarissimi” of influences in opus “Cantiones Profanae” and a fascination for funeral processions, is also the name of Venezuelan Black Metal horde Funebria, founded in 2004 in Maracaibo, a city in northwestern Venezuela and the capital of Zulia state (but currently based in Bogota, Colombia), having started following the path of pure old school Black Metal with their debut demo Manifiesto Al Esclavo, released in 2005. Currently comprised of Daemonae on vocals and guitars, Blackmiroz also on the guitars, Perverssturm on bass and backing vocals, and Naberius on drums, the band is unleashing upon humanity their third full-length album, entitled Death of the Last Sun, highly recommended for admirers of the music by Behemoth, Hate, Decapitated and Svart Crown, among others. Recorded mixed and mastered at DAE Home Studio by Ranndy Garcia (aka Daemonae), known for his work with Black Metal act Theurgia, Death of the Last Sun is an invocation to darkness in the most tight and raw way imaginable, positioning the band as one of the driving forces of the South American extreme music scene.

The tolling of the bells darkens our minds and hearts in the intro AIN, before all hell breaks loose in Ominous Armaggeddon, a visceral, straightforward Black Metal feast spearheaded by the infernal beats by Naberius while Daemonae roars and barks like a true demonic entity, also presenting progressive and groovy elements to spice the whole song up considerably. After such intense start to the album, more of their venomous fusion of Black and Death Metal is offered to our avid ears in the obscure tune Upheaval & Decadence, with hints of Doom Metal added to its already somber vibe, not to mention how ruthless Daemonae and Blackmiroz are with their riffage; and there’s no time to breathe as those South American beasts keep smashing our skulls mercilessly in Bleeding Sacrament, another brutal display of Black Metal infused with Daemonae’s trademark Death Metal growls that will put a grim smile on the faces of fans of extreme music.

Ethereal Form Of Saints sounds and feels as doomed as its predecessors, with Perverssturm firing low-tuned, bestial bass punches straight to our faces, therefore supporting the headbanging riffs by his bandmates, resulting in a massive tune where every single space in the air is filled with sulfur and hate. Dawn Of Black Inericon might be the shortest song of the album, but that doesn’t mean it’s not as dense, bold and Mephistophelian as all other songs, with Daemonae once again taking the lead with his deep roars supported by Naberius’ massive drums, whereas closing the album there’s more evil and hatred in the form of Black Waters Caesar, a lecture in old school and modern-day Black Metal full of breaks and variations, scorching riffs, bass jabs and the always demented beats by Naberius. Put differently, what a pulverizing conclusion to Death of the Last Sun, leaving us all eager for more of Funebria’s infernal creations in a not-so-distant future.

funebria-2021If you want to have a much better taste of all the darkness and wrath flowing from Funebria’s music, you can enjoy their new album in its entirety on YouTube and on Spotify, but of course you should definitely purchase the album from Dark Terror Temple’s BandCamp page, from the Satanath Records’ BandCamp page, from Apple Music or from Amazon to show your utmost support to such distinguished South American horde. In addition, don’t forget to follow the band on Facebook for news, tour dates, plans for the future and so on, proving you’re indeed a servant of the underworld as you like to brag about. Funebria are one of those bands whose sound is always evolving in the best way possible without abandoning their roots, and Death of the Last Sun is indeed a fantastic representation of their talent, their passion for Black Metal and their loyalty to this always brutal and captivating style.

Best moments of the album: Ominous Armaggeddon and Black Waters Caesar.

Worst moments of the album: None.

Released in 2021 Dark Terror Temple/Satanath Records

Track listing
1. AIN 0:52
2. Ominous Armaggeddon 6:35
3. Upheaval & Decadence 4:43
4. Bleeding Sacrament 4:13
5. Ethereal Form Of Saints 5:35
6. Dawn Of Black Inericon 3:52
7. Black Waters Caesar 5:17

Band members
Daemonae – guitars, vocals
Blackmiroz – guitars
Perverssturm – bass, backing vocals
Naberius – drums