Album Review – Megadeth / The Sick, the Dying… and the Dead! (2022)

The sick, the dying… and the Megadeth!

Marking the longest gap between two studio albums in the band’s career since their 2016 release Dystopia, the excellent The Sick, the Dying… and the Dead! is not only the sixteenth studio album by American Thrash/Speed Metal icons Megadeth, but a bold statement that the unrelenting Mr. Dave Mustaine and his henchmen are far from calling it quits, offering us all a lecture in thrash, speed and technique split into 12 incendiary songs. Produced by Dave Mustaine and Chris Rakestraw, mastered by Ted Jensen at Sterling Sound, mixed by Josh Wilbur, displaying a classic cover art by Brent Elliott White, and with artwork, layout and design by Josh Graham at Suspended In Light, The Sick, the Dying… and the Dead! is the first Megadeth album to feature drummer Dirk Verbeuren and the second to feature guitarist Kiko Loureiro, with the bass parts originally recorded by founding bassist David Ellefson being re-recorded by Steve Di Giorgio of Testament (although the band’s current bassist is James LoMenzo) after David was dismissed from the band due to a sex scandal during the album’s recording.

Showcasing an intro inspired by the classic scene “Bring Out Your Dead” from the 1975 cult movie Monty Python and the Holy Grail, the title-track The Sick, the Dying… and the Dead! Quickly morphs into pure Megadeth to the stunning riffs by Dave and Kiko, being also perfect for screaming “Die! Die! Die!” together with “MegaDave”. Then we have Life in Hell, sounding fast and furious just the way we like it in Speed Metal with its lyrics being acid and fun at the same time (“Busted, caught red-handed again / You can’t be trusted, born to lose, you’ll never win / You’re so corrupted, you stand before us condemned / So maladjusted to the world we’re living and dying in”), not to mention how thunderous Dirk sounds on drums; followed by Night Stalkers, another one of my favorites where the band puts the pedal to the metal with Dave and Kiko being on fire with their wicked riffs, accompanied by Steve’s rumbling bass and Dirk’s pulverizing beats, all of course spiced up by a spot-on guest appearance by the one and only Ice-T, the man behind Body Count. In Dogs of Chernobyl a heavy and dark start gradually evolves into another metallic feast by Dave & Co., with its second part setting fire to the atmosphere with its razor-edged riffs, solos and beats, whereas Sacrifice sounds very similar to some of the songs from Dystopia, being very melodic and sharp and with Dave’s raspy voice being nicely supported by all backing vocals. And more of their undisputed fusion of Thrash and Speed Metal is offered to us all in Junkie, with Dave kicking some serious ass as usual with both his unique vocals and trademark riffs and solos.

After the tribalistic interlude Psychopathy, it’s time for Dave to distill his venom in Killing Time, showcasing lyrics that seem to be directed to the band’s former bassist Dave Ellefson (“Some people look at you and feel sorry / They see your beady eyes and a soul that is black / It’s clear to see, you’re a pathological liar / And your alibi was a lie, it was all just an act, and that’s a fact”); followed by Soldier On!, a headbanging extravaganza that transpires Megadeth where Dave leads his horde flawlessly, with “The Marching Metal Bastards” part at the end being ridiculously funny. Célebutante is another old school, straightforward tune by the band where Dirk and Steve are in absolute sync from start to finish, albeit presenting some really weird lyrics, while in Mission to Mars the lyrics are even weirder but for a good reason (they’re meant to be cheesy), also displaying excellent instrumental parts including its striking guitar solos. Then the incendiary shredding by Dave and Kiko ignite the closing tune We’ll Be Back, which was curiously the first single released, sounding technical, violent, fast and acid just the way we love it, or in other words, it’s simply flawless until the very end. Moreover, depending on the version of the album you acquire, there are some amazing bonus tracks waiting for you, with the best one being by far This Planet’s on Fire (Burn in Hell), originally recorded by Sammy Hagar on his 1979 album Street Machine (listen to the original version HERE), and featuring Sammy Hagar himself on vocals together with MegaDave.

You can enjoy the album in its entirety on Spotify, where by the way you’ll find the best bonus tracks in my humble opinion, but if you’re a loyal member of Megadeth’s Cyber Army you should definitely purchase your favorite version of the album by clicking HERE or HERE, always keeping an eye on the band’s official Facebook and Instagram for news, tour dates and other fun stuff by Dave and his crew. In a nutshell, The Sick, the Dying… and the Dead! couldn’t have sounded more Megadeth than this, staying loyal to the band’s original Speed Metal infused with Thrash Metal, while at the same time containing elements from all phases of their undisputed career, putting a huge smile on the faces of their old school fans and of newcomers to their metal realm. It’s an album for all of us, for all diehard metalheads out there, inspiring us to raise our horns to the sick, the dying… and the Megadeth!

Best moments of the album: The Sick, the Dying… and the Dead!, Life in Hell, Night Stalkers, Mission to Mars and We’ll Be Back.

Worst moments of the album: Célebutante.

Released in 2022 Universal Music

Track listing
1. The Sick, the Dying… and the Dead! 5:04
2. Life in Hell 4:12
3. Night Stalkers 6:38
4. Dogs of Chernobyl 6:14
5. Sacrifice 4:08
6. Junkie 3:39
7. Psychopathy 1:20
8. Killing Time 5:13
9. Soldier On! 4:54
10. Célebutante 3:51
11. Mission to Mars 5:24
12. We’ll Be Back 4:29

Digital Edition bonus tracks
13. Police Truck (Dead Kennedys cover) 2:29
14. This Planet’s on Fire (Burn in Hell) (Sammy Hagar cover) 5:04

EMP Exclusive CD bonus tracks
13. This Planet’s on Fire (Burn in Hell) (Sammy Hagar cover) 5:04
14. Take No Prisoners (live) 3:29

Target Exclusive CD bonus tracks
13. This Planet’s on Fire (Burn in Hell) (Sammy Hagar cover) 5:04
14. The Conjuring (live)* 5:49

*Mislabeled as “Dystopia” on the album track listing.

Band members
Dave Mustaine – lead vocals, lead and rhythm guitar, additional bass
Kiko Loureiro – lead guitar, backing vocals, flute on “Night Stalkers”
Dirk Verbeuren – drums

Guest musician
Steve Di Giorgio – bass (session)
Ice-T – vocals on “Night Stalkers”
Sammy Hagar – vocals on “This Planet’s on Fire (Burn in Hell)”
Brandon Ray – additional vocals
Eric Darken – percussion
Roger Lima – keyboards, effects
Luliia Tikhomirova – narration on “Dogs of Chernobyl”
Bill Elliot – voices on “Junkie”
John Clement – voices on “Soldier On!”
The Marching Metal Bastards – voices on “Soldier On!”
Maila Kaarina Rantanen – voices on “Mission to Mars”
Clint Underwood – voices on “Mission to Mars”

Concert Review – Lamb of God & Megadeth (Budweiser Stage, Toronto, ON, 05/18/2022)

After two years of waiting, Toronto was finally able to witness all the energy and heaviness of “The Metal Tour of the Year”… and it was absolutely awesome!

OPENING ACTS: In Flames and Trivium

Ladies and gentlemen, or whatever way you like to be referred as, what an incredible night of first-class, high-octane, infernal Heavy Metal we had yesterday in Toronto at the unparalleled Budweiser Stage, with IN FLAMES, TRIVIUM, LAMB OF GOD and the one and only MEGADETH showing us all why their tour was named The Metal Tour of the Year! As a matter of fact, last night’s concert was originally scheduled to happen in 2020, but of course due to the shitty COVID-19 pandemic (which apparently seems to be finally over), it had to be rescheduled countless times. Anyway, the wait was totally worth it, as all bands were simply awesome yesterday, putting a huge smile on the faces of everyone at the venue (and the fans didn’t seem to care about the fact the temperature in the city dropped from the mid-30’s to the low-10’s in just a couple of days). Well, I believe Sweden’s own Melodic Groove Metal/Metalcore icons IN FLAMES were awesome as well, as due to work and traffic I wasn’t able to make it to their concert, but a friend that arrived earlier said they kicked ass.

Setlist
Cloud Connected
Behind Space
Everything’s Gone
Where the Dead Ships Dwell
Call My Name
All for Me
I Am Above
Take This Life

Band members
Anders Fridén – vocals
Björn Gelotte – guitar
Chris Broderick – guitar
Bryce Paul Newman – bass
Niels Nielsen – keyboards
Tanner Wayne – drums

I was scared I wouldn’t be able to make it to see Orlando, Florida-based Heavy Metal maniacs TRIVIUM, but fortunately I arrived at the venue around 10 minutes before they hit the stage with their short but extremely powerful performance. Matt Heafy, Corey Beaulieu, Paolo Gregoletto and Alex Bent were beyond happy to be back in Toronto after almost five years (yes, their last concert in the city was in the distant year of 2017), and add to that the superb tracks from their most recent album In the Court of the Dragon, those being the title-track In the Court of the Dragon and my favorite one of the album, Like a Sword Over Damocles, and there you have a recipe for success (and mosh pits). “Throes of Perdition” and “Feast of Fire”, which were on the setlist in the US dates, were replaced by Strife and Pull Harder on the Strings of Your Martyr, and let’s say those new additions to their setlist received a killer feedback from the crowd, who engaged in several mosh pits while the band was on fire onstage. And what can I say about the jumping up and down ignited by Matt during their hit In Waves? That was outstanding to say the least. Furthermore, Matt mentioned this was the biggest show of the entire North American tour, proving how much us Torontonians love all bands involved, and hopefully that will inspired Trivium to return to Toronto for a full-bodied performance on their own in a not-so-distant future.

Setlist
X
In the Court of the Dragon
Like a Sword Over Damocles
Beyond Oblivion
Strife
Rain
Pull Harder on the Strings of Your Martyr
Capsizing the Sea
In Waves

Band members
Matt Heafy – lead vocals, guitar
Corey Beaulieu – guitar, backing vocals
Paolo Gregoletto – bass guitar, backing vocals
Alex Bent – drums, percussion

LAMB OF GOD

If there’s a band that knows how to inspire any type of person in the world to slam into the mosh pit, that’s undoubtedly Richmond, Virginia’s Groove Metal horde LAMB OF GOD, who precisely at 8:10pm hit the stage for the total delight of all metalmaniacs ready for a good dosage of heaviness, rage and insanity. Still promoting their 2020 self-titled masterpiece, the unstoppable Randy Blythe and his henchmen put on an unforgettable show, from the opening song Memento Mori, until the very last second of their all-time classic Redneck. It’s beautiful to see the rise of Lamb of God to the status of metal giants, as now they even have fire onstage like what they provided us with in Walk With Me in Hell, which was by the way flawless and one of the top moments of the entire night. It doesn’t matter if they played darker, more introspective songs like 512 or if they exhaled sheer violence like in Contractor, everything was perfect, and Toronto definitely shared their love for the band with all horns in the air, all screaming, and of course the frantic, never-stopping mosh pits in the floor section. As expected, Randy, who seemed possessed throughout their entire set, delivered a couple of Woooooo!’s as his personal tribute to the “Nature Boy” Ric Flair, and dedicated Redneck to the guy who in 2018 tried to swim back to that same venue during their tour with Slayer. Toronto can’t wait to have Lamb of God again in the city, an I can’t wait to slam into the pit to the sound of one of my favorite metal bands of the past decade.

Setlist
Memento Mori
Ruin
Walk With Me in Hell
Resurrection Man
Now You’ve Got Something to Die For
Contractor
11th Hour
512
Ghost Walking
Vigil
Laid to Rest
Redneck

Band members
Randy Blythe – vocals
Phil Demmel – guitar
Mark Morton – guitar
John Campbell – bass
Art Cruz – drums

MEGADETH

As expected, most fans at the Budweiser Stage were there to witness “MegaDave” Mustaine and his Thrash/Speed Metal institution MEGADETH distill their unique classics in the city again after so many years, and when the clock hit 9:45pm our dreams came true as the first notes from Hangar 18 (right after the intro Prince of Darkness) were played by Dave and his bandmates Kiko Loureiro, James LoMenzo and Dirk Verbeuren. Is there a better way to kick off a show than with such classic, followed by the underrated tunes Dread and the Fugitive Mind and Angry Again? What a brilliant start to their set, winning the hearts and minds of everyone instantly. Dave and Kiko played their guitars to perfection as usual during the entire concert, making our jaws drop and inspiring us to show them the horns during and after each song played. I loved the fact they’re still playing the superb Trust after so many decades, and although they replaced another pulverizing song, “She-Wolf”, with A Tout Le Monde, that didn’t do any harm to their concert. Who doesn’t love to sing such stunning ballad together with Dave, screaming the song’s French words at the top of his or her lungs? In addition, a few different versions of Vic Rattlehead appeared onstage during the songs Conquer or Die!, Dystopia and Peace Sells, adding an extra touch of awesomeness to the show, culminating with their undisputed hymn Holy Wars… The Punishment Due. By the end of the concert, Dave mentioned the band is recording the follow-up to their 2016 album Dystopia and that the album should see the light of day this summer, so all we need to do now is wait for it and for another night of our beloved Megadeth in Toronto… and Dave promised he’ll return to the city, oh yeah!

Setlist
Prince of Darkness
Hangar 18
Dread and the Fugitive Mind
Angry Again
Conquer or Die!
Dystopia
The Conjuring
Trust
Sweating Bullets
A Tout Le Monde
Symphony of Destruction
Peace Sells

Encore:
Holy Wars… The Punishment Due
Silent Scorn
My Way
Shadow of Deth

Band members
Dave Mustaine – vocals, guitars
Kiko Loureiro – guitars, backing vocals
James LoMenzo – bass, backing vocals
Dirk Verbeuren – drums

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