Concert Review – Decapitated & Septicflesh (The Phoenix Concert Theatre, Toronto, ON, 05/03/2024)

The city of Toronto witnessed this Friday one of the heaviest nights of the year so far, courtesy of four bands that definitely know how to unite violence and melody in their amazing music.

OPENING ACTS: Allegaeon and Kataklysm

Once again due to an insane combination of heavy traffic, heavy rain, no parking near The Phoenix Concert Theatre, and a huge and slow line to get inside the venue, I was “forced” to miss the first band of a night of sheer brutality and awesomeness, courtesy of ALLEGAEON, KATAKLYSM, SEPTICFLESH and DECAPITATED during their incendiary Cancer Culture Over North America 2024, another must-see event brought to a jam packed venue by the one and only Noel Peters of Inertia Entertainment. I’m starting to hate when concerts are booked at The Phoenix Concert Theatre, which might be a great venue once you’re inside, but parking near there and getting inside it for the shows is a true nightmare. Well, it is what it is, and I’ll try to leave earlier to be there on time for the next show (although I left my place almost THREE HOURS before the first band began their performance).

Fortunately, my buddy Keith Ibbitson of Metal Paparazzi was there to check out the amazing Denver, Colorado-based Technical/Melodic Death Metal outfit ALLEGAEON, who at 7:30pm sharp kicked off the night festivities. Having released the album Damnum back in 2022, plus an amazing new single named Iridescent this year, the band put on a fantastic show according to Keith. He said he would give them not just a 10 our of 10 for their musicianship, but a 12 out of 10. They loved that he dressed up in his Carcass apron and a server hat as their lead singer did in the video for Iridescent. He then met with them all at the merch table and chatted for a bit. Their guitarist Greg Burgess told him when he saw him in the photo pit he was dying with laughter on stage. Keith ended up giving the lead singer his server hat to wear for the next show, and got his apron all autographed. If you’re curious to listen to their amazing music, simply go to BandCamp or Spotify, and click HERE for all things Allegaeon. Next time I won’t miss them, even if I have to skip breakfast to do so.

Setlist
Threshold of Perception
1.618
Iridescent
Of Beasts and Worms
Gray Matter Mechanics – Apassionata Ex Machinea
Biomech – Vals No. 666

Band members
Ezra Haynes – vocals
Greg Burgess – guitars
Michael Stancel – guitars
Brandon Michael – bass
Jeff Saltzman – drums

At least I was able to get inside in time for Montréal, Quebec’s own Melodic Death/Groove Metal powerhouse KATAKLYSM, who kicked some serious ass on stage led by their talented frontman Maurizio Iacono. Blending old songs with new ones from their 2023 album Goliath (available on several streaming services like Spotify), the band demanded the crowd to keep moving inside the circle pit nonstop, turning up the heat at The Phoenix Concert Theatre to the point I wish it was still winter so that some cold air would enter the venue to freshen things up. Songs like Guillotine, The Killshot and The Black Sheep kept the circle pit moving in a wild and frantic manner until the very last second of their show, proving why they’re one of the driving forces of the extreme scene in Canada. If you’ve never seem Kataklysm live, just go for it. But please remember to be in good shape, do a lot of cardio beforehand, and even put on an armour, because their mosh pits are simply brutal.

Setlist
Goliath
Push the Venom
Guillotine
Narcissist
The Killshot
Die as a King
As I Slither
Crippled & Broken
Bringer of Vengeance
The Black Sheep

Band members
Maurizio Iacono – lead vocals
Jean-François Dagenais – guitars
Stéphane Barbe – bass
James Payne – drums

SEPTICFLESH

If you think after Kataklysm things were going to get any lighter, you’re absolutely wrong; quite the contrary, when Greek Atmospheric/Symphonic Death Metal beast SEPTICFLESH hit the stage (without one of their guitarists, Sotiris Vayenas, for an unknown reason), a visceral, Stygian ode to darkness took over the entire city of Toronto, driving their fans crazy during their entire co-headlining performance. All songs played, including newer songs the likes of Neuromancer and Hierophant, from their latest opus Modern Primitive, released in 2022, plus of course classics such as Portrait of a Headless Man and Anubis, were played to perfection by the band, with Spiros Antoniou sounding inhumane on vocals while Kerim “Krimh” Lechner sounded simply bestial behind his drums. Seriously, he’s fantastic, adding endless heaviness to the band’s already demonic music. Just like Rotting Christ, Septicflesh proudly carry the flag of Greek extreme music everywhere they go, and if you’ve never seen them live, don’t miss the chance whenever they visit your city because they do offer a truly unique sonic experience.

Setlist
Portrait of a Headless Man
Pyramid God
Neuromancer
The Vampire from Nazareth
Hierophant
Martyr
Communion
A Desert Throne
Anubis
Dark Art

Band members
Spiros Antoniou – harsh vocals, bass
Christos Antoniou – guitars, orchestrations, samples
Psychon – guitars
Kerim “Krimh” Lechner – drums

DECAPITATED

It was already past 10:30pm (yes, it was a long night of first-class heavy music) when the co-headliners that were closing the night DECAPITATED destroyed The Phoenix Concert theatre with their fusion of Technical Death Metal and Groove Metal. Those Polish metallers didn’t show a single drop of mercy for our souls during their demonic set, with their new songs from their 2022 album Cancer Culture like the title-track Cancer Culture, Just a Cigarette and Last Supper blending perfectly with old school tunes including Spheres of Madness and Iconoclast. Frontman Rafał Rasta Piotrowski sounded demented on vocals, keeping the circle pits moving wildly until the very end. Damn, I think there were mosh pits happening even inside the washrooms, and even at the Domino’s Pizza located a couple of blocks from the venue. What a night of insanity and heavy music combined to bring us avid fans some top-of-the-line entertainment during such difficult times in Toronto, and I can’t wait to witness Decapitated crushing our cranial skulls again in the city in the near future.

Setlist
From the Nothingness With Love
Cancer Culture
Just a Cigarette
Babylon’s Pride
Post(?) Organic
Lying and Weak
Spheres of Madness
Earth Scar
Never
Iconoclast
Last Supper
Planet Caravan (Black Sabbath song)

Band members
Rafał Rasta Piotrowski – vocals
Wacław Vogg Kiełtyka – guitars
Paweł Pavlo Pasek – bass
James Stewart – drums

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Metal Chick of the Month – Joey Roxx

Strike back… The metal attack!

New year, same old savagery! That’s what you’ll get here at The Headbanging Moose during this promising year of 2024, and in order to start it with a bang let’s continue our annual tradition and kick off our metal lady of the month segment with a superb bassist that will surely put you to raise your horns and bang your heads in the name of heavy music. She’s such a badass woman that even her name rocks, and I’m more than sure you’ll love to listen to her rumbling bass guitar embellishing the airwaves wherever you go. I’m talking about Austria and Switzerland’s own Joey Roxx, a veteran metalhead who has been kicking some ass as the bass player for German Heavy Metal powerhouse Mystic Prophecy for almost a decade, delivering the goods and taking no prisoners in her quest for heavy music.

Born somewhere in time in the stunning country of Austria, but raised and currently living in Switzerland, our unstoppable Joey Roxx, whose real name is also a mystery to most of us, had her first memories related to music in general already at a very young age, mentioning the big, out-of-tune grand piano in her family’s living room as her earliest one, which was also the very first instrument she tried to play when she was still a little child. She also mentioned in one of her interviews that she remembers the music her parents used to play in their home during her childhood, citing a record by Reinhard Mey, a German Liedermacher (or “songmaker”, a German-style singer-songwriter) as one of the rare good moments of her parents’ albums, and also that her father used to “torment” her with the music by world renowned German composer, theatre director, polemicist, and conductor Richard Wagner (due to the fact he was Hitler’s favorite composer, that became one of the worst memories of her early musical contact, symbolizing her punk soul already growing inside of her). In the end, she had to dig deep to find something that she was somehow allowed to listen to, saying that her parents have absolutely no influence on how she got into music, and that she had to listen to “her” music secretly. Furthermore, when she was around 11 or 12 years old, she had her very first contact with rock and metal music by becoming the drummer for a Gotthard/punk cover band at the girls’ boarding school that she attended.

Even though Mystic Prophecy was formed back in 2000 in Bad Grönenbach, Germany by frontman R. D. Liapakis (Valley’s Eve) together with together with Martin Albrecht (Valley’s Eve, Stormwitch, Rough), her career with the band began only in the year of 2015, having already released with the band the albums War Brigade (2016), Monuments Uncovered (2018), Metal Division (2020), and Hellriot (2023), plus the EP Hail to the King, in 2021, all available for a full and detailed listen on Spotify and on YouTube. Currently formed of frontman R.D. Liapakis and our metal diva Joey Roxx alongside Evan K and Markus Pohl on the guitars, and Hanno Kerstan on drums, the band plays a well-balanced and thrilling fusion of American Power Metal with classic Heavy and Thrash Metal, and all those elements can be easily recognized in their music as for example in the songs Hellriot, Azrael, Metal Attack, Demons of the Night, Unholy Hell, Dracula, Metal Division, Eye To Eye, Metal Brigade, and many more, as well as in this amazing live performance in Greece alongside Nightrage, Firewind and Rage back in 2017, all with Joey kicking some serious ass armed with her rumbling bass guitar.

Apart from her sensational metallic journey with Mystic Prophecy, she was also the founder and bassist for the band Hangmän’s Nooze (between 2008 and 2010); played bass for Kissin’ Black (between 2015 and 2016), Swiss Melodic Heavy Metal/Hard Rock act Paganini (between 2013 and 2019) and Swiss Melodic Heavy Metal/Hard Rock act Shezoo (between 2010 and 2014); and played bass live with German Melodic Heavy/Groove Metal act Souldrinker in 2014. In addition, she was also the rhythm guitarist for a band named Dezert Eaglez from 2005 until 2007, but again, there’s isn’t much available online about the band and their music (all it’s known is that it was just a teenage garage band, and that right now she’s also playing in a Black Sabbath tribute band called Lady Evyl, along some more.

As a teenager, Joey had posters of Sebastian Bach, Mike Tramp (of White Lion) and The Kelly Family (an Irish rock, pop and folk music music group consisting of a multi-generational family) hanging in her room, and she used to listen to a lot of Gotthard as well, with their song In The Name still having a special place in her heart. And speaking about The Kelly Family, it looks like Joey was a huge fan of their music, as she mentioned in an interview that they were the first concert she’s ever been to, and that she also has several of their albums in her private collection. She was not a fan of their music, though, it’s just that she was growing up in a small village in the Swissmountains, and didn’t have much options to consume music. In the early nineties there were only groups like Backstreet Boys or Spice Girls or the likes of these known to children, plus the Kelly Family, which was the only one who played live with real instruments, and as she was playing music since she was four she never got into what she herself likes to call “plastic dance performance/playback show” stuff, so The Kelly Family was the only logic thing to be into as a 10 year old kid. However, Joey turned into a Rush fangirl with time, considering them their favorite band, and Bravado her favorite song ever. As a matter of fact, when asked about three songs that should not be missing on a perfect mix tape, Joey obviously added Bravado to the list, complementing it with Battleship Chain, by The Georgia Satellites, and Get The Funk Out, by Extreme.

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Furthermore, our dauntless bassist said that her first self-bought album was Down To Earth, by Rainbow, saying that “I thought the cover was beautiful. The music on it is even better.” She also considers Extreme the most underrated band of all time, and she’s very proud of having the album The Ship, by Swiss Progressive Heavy Rock band Tea, in her collection, signed by the band’s vocalist Marc Storace with the comment “But you’re far too young for that!” At her funeral, she said she wants the song I Hope They Serve Jack Daniels In Hell, by Bourbon Crow, to be played, and that a romantic evening must include the music by Belphegor (and no one knows if she was joking or not when she said that). She also said that she doesn’t like to listen to digital music, but only to CD’s and vinyl, enjoying CD’s while she’s driving and leaving all vinyl for when she’s at home; and by the way, when asked about which albums she would take to a deserted island, she said that she would never go to any island without her record collection. Her taste for good music goes on, as besides rock and metal music she’s also a fan of Blues and Southern Rock, Horror and Death Punk, Russian classical music, and honest pop music (“not the radio nonsense,” as per Joey herself), also saying that she doesn’t like all that “more show, less music” nonsense that happens with bands like Sabaton, Battle Beast and Powerwolf.

Joey is also an avid concert goer, of course whenever she’s not touring with Mystic Prophecy, mentioning Rush on the Snakes & Arrows Tour in 2007, Rush at Sweden Rock Festival in 2013, and (guess what!?) Rush on the Time Machine Tour in 2011 as her top three concerts of all time. I guess I don’t need to repeat that she’s indeed fanatic for the most important Canadian rock band of all time, right? As a matter of fact, she considers Canada  the country with the most “best of all time” bands, including not only Rush and Triumph, but also Honeymoon Suite, Aldo Nova, Loverboy, Devin Townsend and so on. On the other hand, she mentioned Mötley Crüe as one of the bands she doesn’t want to see live again, as the last time she saw them it was quite embarrassing for the band and their fans (despite Joey loving their music very much). She also mentioned that she can’t stand still at a concert by American Southern Rock band Dan Baird & Homemade Sin, or at a concert by any of Dan Baird’s bands. And if you also love the thrill of live concerts like Joey, click HERE and go catch Mystic Prophecy live, as I’m sure you’ll love to have your ass kicked by Joey and her ruthless bass together with her talented bandmates.

Not only an accomplished musician, Joey has also ventured through other industries and markets, all connected to rock and metal, and all related to the visual aspects of the business. For instance, she’s the creative designer at JR with the Scissorhands, crafting handmade, authentic Rock N’ Roll clothing; she’s the manager (or at least used to be the manager) at Roxx Off Concerts; and she’s also a former “mad hatter” (yes, like the character from Alice in Wonderland, designing cowboy hats and custom shirts) and custom cutter at Souls of Rock Clothing, showing all her versatility in our rock and metal universe. Although she lives and breathes music one hundred percent of her time, she mentioned in an interview that that she’s probably one of the few people who has never sung in the shower, and that there’s no such amount of alcohol in the world (by the way, she’s a a beer and single malt whiskey girl) that would make her sing along to a hit song (unless maybe Eisgekühlter Bommerlunder, a song by Die Toten Hosen). And last but not least, she said that if one day she ever gets married, she hopes there’s an Elvis there, because she will probably be drunk in Las Vegas with him as her best man. I thought Elvis is always supposed to be the priest at those famous Vegas weddings, but if Joey wants him to be her best man, who are we to go against one of the most versatile and badass bass players hailing from the current European heavy music scene, right? Jokes aside, this is just her way of saying that she will never ever get married and have a family, because the chances of her being drunk in Vegas again are pretty low to zero, and those marriages are not official in Europe and can be annulated within 24 hours, which FOR SURE would be the case if ever that might happen to her for some sort of strange reasons.

Joey Roxx’s Official Facebook page
Joey Roxx’s Official Instagram
Mystic Prophecy’s Official Facebook page
Mystic Prophecy’s Official Instagram
Mystic Prophecy’s Official YouTube channel

“I’m quite open to anything that’s played with a lot of passion and real instruments. I can even find hip-hop to be of good quality and enjoy it live with a band, even if I’ll never really like it.” – Joey Roxx

Metal Chick of the Month – Anni Kokkonen

Your love is poison… Running through my veins!

As it’s getting colder and colder in the Northern Hemisphere, we needed a metal lady for the month of December who’s not only used to this chilly, frosty weather, but who can also warm up our hearts with her undisputed talent, charisma and passion for heavy music. Hailing from the beautiful land of ice and snow, commonly referred to as Finland, she’s the lead singer for Symphonic/Melodic Power Metal band Nevicate, and for Symphonic/Melodic Groove Metal band Stormbreaker, as well as a lyricist and a pianist, always putting a huge smile on our faces and inspiring us to raise our horns with her powerful voice and whimsical keys. If you have no idea who Anni Kokkonen is, get ready to be stunned by one of the must-see names of the current underground scene in Finland, taking you on a wild journey through the realms of Melodic Metal in her homeland.

Anni started her career in music as the vocalist for Joensuu, Finland-based Symphonic/Melodic Power Metal outfit Nevicate (which by the way means “snowfall” in Italian) back in 2014, when the band was actually formed. Sometimes labeled as a band that plays “Pop Metal”, the music by Nevicate projects a great deal of musical features including modern EDM, classically orchestrated “drama-music” and dark, mystical Nordic atmospheres, or in other words, it’s a mixture of symphonic tones, pop vibes and electronic elements, with all lyrics revolving around psychological themes, dealing with the fragile human mind and wounds caused by adversity, resulting in a blend of feminine power, masculine headbanging and melancholic moodiness. So far, the band formed of our diva Anni Kokkonen on vocals, Lassi Porali on the guitars and backing vocals, Lumi Ollila on keyboards and backing vocals, Oskari Hevonkoski on bass and Toni Manninen on drums released their self-titled debut demo in 2016, followed by the singles Shattered, in 2017, The Surface, in 2019, and Dewdrops, in 2021, with Anni being responsible for the vocals and lyrics in all of them.

The band began to gain more ground in 2015 after participating and getting more encouragement in a project called Rock Academy in Joensuu, during which the band developed their own personal sound that reaches both catchy and heavy spheres. Having a strong musical background which can be heard from their meandering song arrangements and rigorous co-playing, all band members exploit both their steady musical knowledge and the emotion and interpretation entailed by years of playing experience. If you want to explore in more detail the mystical world ruled by Nevicate, you can find them on Facebook, Instagram, BandCamp, Spotify, and YouTube, where by the way you can watch their videos for the songs Dewdrops, The Surface, and Shattered, as well as other nice videos of making of’s and playthroughs. No idea at all if the band is on hold, if they called it quits, or if they’re just taking their time before their next release, but one thing is certain, and that is we need more of the music by Nevicate.

We can all say that right now Anni is fully focused on her Symphonic/Melodic Groove Metal band Stormbreaker, playing melodic but deliciously aggressive metal music. Founded in 2021 in Joensuu, the band currently comprised of Anni alongside veteran musician Petri Tarvainen on vocals, Jaakko Kauppinen and Tomi Virtanen on the guitars, Tatu Heikkinen on bass and Sami Ratilainen on drums was originally formed as a solo project of Petri Tarvainen, employing a host of familiar traits including a dynamic male and female vocal approach, stunning musicianship, and classic arrangements, being therefore recommended for fans of Arch Enemy, Beast In Black and Nightwish, among others. Earlier this year the band released their debut effort, a four-track EP overflowing adrenaline, harmony and rage entitled Vengeance, available for a full listen on YouTube, Spotify, BandCamp, Tidal and Apple Music, or click HERE for all things Stormbreaker.

Apart form her amazing work with Nevicate and Stormbreaker, we can also enjoy Anni and her hypnotizing vocals as a guest backing vocalist in the 2022 six-track EP Age of Mist, by Joensuu-based Melodic Death Metal band Cerebral Mist. The band is currently inactive due to the death of founding member Antti Parviainen in February 2018, with Age of Mist being finished posthumously by the remaining members of the band four years later to honour him and his work. Hence, you can enjoy the music by Cerebral Mist and celebrate the life of the deceased Antti Parviainen by listening to the EP in its entirety on BandCamp, on Spotify, or on YouTube. Furthermore, you can also enjoy Anni’s powerful vocals as a guest in the single Singularity (available on BandCamp, on Spotify, on YouTube, and on other streaming services), released in 2019 by Finnish Melodic Death Metal act Decrowned.

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Not only a fantastic vocalist, Anni is also a skillful pianist who does improvisations and covers on her Instagram profile @piano_b_onfire, and as Anni states in the profile herself, she plays the piano “just for fun”. As a matter of fact, I’m pretty sure the fact Anni can play the piano so well is extremely helpful for her when it comes to writing music for any of her bands, and speaking about her influences, she mentioned her own feelings as one of the driving forces in her writing process. “Usually, my current life situation gets me to write down my feelings which gradually develop into a lyric form. Also, whenever I’m touched by some other things that can make me put my thoughts on paper,” commented our Melodic Death Metal diva.

It’s also important to mention how dynamic the duo of Anni and Petri is for Stormbreaker, with Anni not only doing the clean parts in paradox to Petri’s harsh growls, but also showcasing her more venomous side and doing some screams as well, again proving how versatile her vocals can be. Her vocals will remind you of a young Doro Pesch at times, ad also of the iconic Kimberly Goss (of bands like Sinergy and Avernus), and all that range and versatility can be appreciated in all of its glory when Anni hits the stage, as she truly loves to perform live. “Live performances are one of the most important things to us. They tell the listeners what the band is truly about and can easily reach new fans at the same time. And to me being on stage is the best part of doing music,” she commented.

Anni doesn’t only love to be on stage and bring her music to life in front of an audience, but she also believes music videos are another crucial part of any band. “Music videos are a great way to promote bands in order to get gigs, and making them can give new exciting experiences which is always great and motivational,” she said, and we must all agree it’s always great to see a charismatic performer like her on screen, right? And lastly, when asked in one of her interviews if she prefers physical copies like CD’s, LP’s and cassettes, or if she’s a fan of digital downloads, she actually answered both are necessary in our world today. “Both have their pros and cons. Digital downloads are easy to share and spread all over the world but of course it’s a different matter to put an actual CD on a shelf. That’s why we like to make physical copies as well so we can really feel our accomplishment in our own hands.” Hence, what are you waiting for to buy the music by Anni’s amazing bands in digital or physical format, or even both? I’m sure she’ll be more than happy with that, inspiring her to keep creating thrilling and beautiful music, always embellishing the airwaves of her homeland Finland and anywhere else where good music is appreciated with her striking voice.

Anni Kokkonen’s Official Instagram
Anni Kokkonen (piano)’s Official Instagram
Stormbreaker’s Official Facebook page
Stormbreaker’s Official Instagram
Stormbreaker’s Official YouTube channel
Nevicate’s Official Facebook page
Nevicate’s Official Instagram
Nevicate’s Official YouTube channel

“Live performances are one of the most important things to us. They tell the listeners what the band is truly about and can easily reach new fans at the same time. And to me being on stage is the best part of doing music.” – Anni Kokkonen

Concert Review – Lamb of God & Megadeth (Budweiser Stage, Toronto, ON, 05/18/2022)

After two years of waiting, Toronto was finally able to witness all the energy and heaviness of “The Metal Tour of the Year”… and it was absolutely awesome!

OPENING ACTS: In Flames and Trivium

Ladies and gentlemen, or whatever way you like to be referred as, what an incredible night of first-class, high-octane, infernal Heavy Metal we had yesterday in Toronto at the unparalleled Budweiser Stage, with IN FLAMES, TRIVIUM, LAMB OF GOD and the one and only MEGADETH showing us all why their tour was named The Metal Tour of the Year! As a matter of fact, last night’s concert was originally scheduled to happen in 2020, but of course due to the shitty COVID-19 pandemic (which apparently seems to be finally over), it had to be rescheduled countless times. Anyway, the wait was totally worth it, as all bands were simply awesome yesterday, putting a huge smile on the faces of everyone at the venue (and the fans didn’t seem to care about the fact the temperature in the city dropped from the mid-30’s to the low-10’s in just a couple of days). Well, I believe Sweden’s own Melodic Groove Metal/Metalcore icons IN FLAMES were awesome as well, as due to work and traffic I wasn’t able to make it to their concert, but a friend that arrived earlier said they kicked ass.

Setlist
Cloud Connected
Behind Space
Everything’s Gone
Where the Dead Ships Dwell
Call My Name
All for Me
I Am Above
Take This Life

Band members
Anders Fridén – vocals
Björn Gelotte – guitar
Chris Broderick – guitar
Bryce Paul Newman – bass
Niels Nielsen – keyboards
Tanner Wayne – drums

I was scared I wouldn’t be able to make it to see Orlando, Florida-based Heavy Metal maniacs TRIVIUM, but fortunately I arrived at the venue around 10 minutes before they hit the stage with their short but extremely powerful performance. Matt Heafy, Corey Beaulieu, Paolo Gregoletto and Alex Bent were beyond happy to be back in Toronto after almost five years (yes, their last concert in the city was in the distant year of 2017), and add to that the superb tracks from their most recent album In the Court of the Dragon, those being the title-track In the Court of the Dragon and my favorite one of the album, Like a Sword Over Damocles, and there you have a recipe for success (and mosh pits). “Throes of Perdition” and “Feast of Fire”, which were on the setlist in the US dates, were replaced by Strife and Pull Harder on the Strings of Your Martyr, and let’s say those new additions to their setlist received a killer feedback from the crowd, who engaged in several mosh pits while the band was on fire onstage. And what can I say about the jumping up and down ignited by Matt during their hit In Waves? That was outstanding to say the least. Furthermore, Matt mentioned this was the biggest show of the entire North American tour, proving how much us Torontonians love all bands involved, and hopefully that will inspired Trivium to return to Toronto for a full-bodied performance on their own in a not-so-distant future.

Setlist
X
In the Court of the Dragon
Like a Sword Over Damocles
Beyond Oblivion
Strife
Rain
Pull Harder on the Strings of Your Martyr
Capsizing the Sea
In Waves

Band members
Matt Heafy – lead vocals, guitar
Corey Beaulieu – guitar, backing vocals
Paolo Gregoletto – bass guitar, backing vocals
Alex Bent – drums, percussion

LAMB OF GOD

If there’s a band that knows how to inspire any type of person in the world to slam into the mosh pit, that’s undoubtedly Richmond, Virginia’s Groove Metal horde LAMB OF GOD, who precisely at 8:10pm hit the stage for the total delight of all metalmaniacs ready for a good dosage of heaviness, rage and insanity. Still promoting their 2020 self-titled masterpiece, the unstoppable Randy Blythe and his henchmen put on an unforgettable show, from the opening song Memento Mori, until the very last second of their all-time classic Redneck. It’s beautiful to see the rise of Lamb of God to the status of metal giants, as now they even have fire onstage like what they provided us with in Walk With Me in Hell, which was by the way flawless and one of the top moments of the entire night. It doesn’t matter if they played darker, more introspective songs like 512 or if they exhaled sheer violence like in Contractor, everything was perfect, and Toronto definitely shared their love for the band with all horns in the air, all screaming, and of course the frantic, never-stopping mosh pits in the floor section. As expected, Randy, who seemed possessed throughout their entire set, delivered a couple of Woooooo!’s as his personal tribute to the “Nature Boy” Ric Flair, and dedicated Redneck to the guy who in 2018 tried to swim back to that same venue during their tour with Slayer. Toronto can’t wait to have Lamb of God again in the city, an I can’t wait to slam into the pit to the sound of one of my favorite metal bands of the past decade.

Setlist
Memento Mori
Ruin
Walk With Me in Hell
Resurrection Man
Now You’ve Got Something to Die For
Contractor
11th Hour
512
Ghost Walking
Vigil
Laid to Rest
Redneck

Band members
Randy Blythe – vocals
Phil Demmel – guitar
Mark Morton – guitar
John Campbell – bass
Art Cruz – drums

MEGADETH

As expected, most fans at the Budweiser Stage were there to witness “MegaDave” Mustaine and his Thrash/Speed Metal institution MEGADETH distill their unique classics in the city again after so many years, and when the clock hit 9:45pm our dreams came true as the first notes from Hangar 18 (right after the intro Prince of Darkness) were played by Dave and his bandmates Kiko Loureiro, James LoMenzo and Dirk Verbeuren. Is there a better way to kick off a show than with such classic, followed by the underrated tunes Dread and the Fugitive Mind and Angry Again? What a brilliant start to their set, winning the hearts and minds of everyone instantly. Dave and Kiko played their guitars to perfection as usual during the entire concert, making our jaws drop and inspiring us to show them the horns during and after each song played. I loved the fact they’re still playing the superb Trust after so many decades, and although they replaced another pulverizing song, “She-Wolf”, with A Tout Le Monde, that didn’t do any harm to their concert. Who doesn’t love to sing such stunning ballad together with Dave, screaming the song’s French words at the top of his or her lungs? In addition, a few different versions of Vic Rattlehead appeared onstage during the songs Conquer or Die!, Dystopia and Peace Sells, adding an extra touch of awesomeness to the show, culminating with their undisputed hymn Holy Wars… The Punishment Due. By the end of the concert, Dave mentioned the band is recording the follow-up to their 2016 album Dystopia and that the album should see the light of day this summer, so all we need to do now is wait for it and for another night of our beloved Megadeth in Toronto… and Dave promised he’ll return to the city, oh yeah!

Setlist
Prince of Darkness
Hangar 18
Dread and the Fugitive Mind
Angry Again
Conquer or Die!
Dystopia
The Conjuring
Trust
Sweating Bullets
A Tout Le Monde
Symphony of Destruction
Peace Sells

Encore:
Holy Wars… The Punishment Due
Silent Scorn
My Way
Shadow of Deth

Band members
Dave Mustaine – vocals, guitars
Kiko Loureiro – guitars, backing vocals
James LoMenzo – bass, backing vocals
Dirk Verbeuren – drums

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Metal Chick of the Month – Haydee Irizarry

Blame the witch! Shame the witch! Hang the witch!

As the days are getting shorter and colder in the Northern Hemisphere, let’s warm things up here at The Headbanging Moose this November with the incendiary vocals and performance of our metal lady of the month, the multi-talented Haydee Irizarry, or Haydée Irizarry if you prefer. Vocalist for Melodic Groove/Death Metal act Carnivora, vocalist, multi-instrumentalist and composer for Alternative Rock/Metal project Zahra Lux, and vocalist and composer for her own solo project, not to mention her six years as the vocalist for Melodic Death Metal outfit Aversed, Haydee owns a very potent and dynamic voice, delivering a wide range of styles that go from smooth, clean vocals to deep and visceral growls, positioning her as one of the most interesting names of the current American underground scene. Having said that, are you ready to know a little more about Haydee, her bands and projects, her influences, and her passion for all types of music?

Born on February 28, 1995 in Chicago, Illinois, in the United States, but currently residing in Salem, Massachusetts, and of Mexican and Puerto Rican descent, Haydee graduated in 2013 from Lincoln Park High School in Chicago and then moved on to study jazz, classical and contemporary music writing and production at the Berklee College of Music in Boston, Massachusetts that same year, where she also became the lead singer for her classmates’ band Aversed. However, before we start talking about her professional career in music, let’s take a step back and go all the way to her childhood years, more specifically to when she was only four years old. At that age, Haydee received a keyboard that ignited her interest in studying and writing songs on the piano, while her grade school was a Lutheran school that introduced hymnals and sight reading to her and prompted her to join choirs at the age of eight, when she realized she had a natural talent and love for singing that was undeniable and she knew she wanted to be a vocalist. Not only a vocalist, but a metal vocalist, as while she remembers her family listened to everything from Redding’s soul to their Latin culture’s salsa when she was a kid in Chicago, she also became enchanted by Rock N’ Roll and Heavy Metal. When asked what attracted her to the harder stuff, she said metal offered release and salvation as she struggled with her parents’ divorce, an abusive brother and her mental health. “When I was getting started, I really connected to the aggression because of all the things I was feeling at the time,” she explained. “I was feeling a lot of dark, intense things that I didn’t really quite know how to express outside of music.” Then at the age of 16 she joined the Chicago School of Rock so she could perform and develop as a performing frontwoman, having also studied guitar, piano and bass through private teachers, and through that plus her choral experience she achieved many honors and had the ability to play Lollapalooza and many other local festivals in Chicago. She learned pop, rock, jazz, blues, metal and so on, all of which directed her to the Berklee College of Music, as already mentioned.

Since 2017, Haydee has been the voice of American Melodic Groove/Death Metal act Carnivora, with whom she has already recorded three singles, those being Bogdweller, in 2019, Witch City, in 2020, and more recently Hypnogenic, featuring guests Jon Donais (Anthrax, Shadows Fall) and Matt Bachand (Shadows Fall, Act Of Defiance). The band’s guitarist Cody Michaud believes Haydee is helping Carnivora evolve in a more sophisticated, more accessible, less testosterone-fueled direction, helping them transition their sound from Metalcore and Melodic Death Metal to a more groove-oriented Heavy Metal with Death Metal influences. “If you’re a fan of folk music, there’s folk metal, and there’s symphonic metal,” commented Haydee in one of her interviews. “It doesn’t have to be the Cookie Monster screams. It isn’t always aggressive. It can be very beautiful.” She also explained how she ended up becoming the band’s new vocalist a few years ago. “I had met the Carnivora members at an early Aversed gig and we had become friends and performed with each others bands’ many times. They were interested in transitioning their style and believed my vocal skills and personality was compatible and here we are!”

Speaking about Boston, Massachusetts-based Progressive/Melodic Death Metal act Aversed, Haydee was the band’s vocalist from 2015 until September 1, 2021, having recorded with the band their 2016 EP Renewal and the full-length opus Impermanent earlier in 2021, not to mention the live album Abandoned in Charlestown, released in August 2021. You can enjoy Haydee kicking some ass with Aversed in the official videos for the songs Laboratory, Impermanent, and Close My Eyes, or simply click HERE to enjoy the album in its entirety. When asked how she was invited to join Aversed, she said the band had been active since 2009, before she lived in Boston, and as she was attending Berklee College of Music she had met many local metal musicians and bands and had been referred to be their new vocalist and joined them in 2015. In addition, Haydee mentioned that she had studied gutturals before joining them and it proved to be a great transition to practice performing the new technique that she had been developing.

Apart from her time with Carnivora and Aversed, our beloved vocalist has also lent her beautiful voice to an array of distinct bands through the years, with the first ever metal band she was officially in, called Ephemeral Sunrise, being a huge learning experience as she was able to get a taste of where she needed to grow and what the local scene was like. Another amazing project she’s currently involved with is called Zahra Lux, which translates to “beautiful light” or “flower light”, combining classical, rock and blues music to form one heavy and delicate musical experience featuring gorgeous piano lines, soulful vocals and orchestral arrangements. “Before I went down the surprising road of melodic death metal and guttural vocals I had thought that I would strictly be a blues and heavy metal vocalist that would sound more like Evanescence, and other female fronted rock and metal bands,” said Haydee, having already released under her Zahra Lux project the EP’s The Deam (2018) and Rosewater (2020), and more recently the single Say No More, in August this year.

You can also enjoy Heydee’s powerful vocals in other bands and projects, such as Symphonic/Progressive Power Metal band Widows Rite, with whom she recorded the album Volume 1 back in 2018, and Queen Boudicca Metal Opera. Haydee has also been a guest in distinct albums by excellent underground bands, those being vocals on the song Shutter, from the 2020 EP Eulogy by American Gothic/Death/Doom Metal band Autumn’s Ashes; vocals on Per Erebus, from the 2018 album Per Erebus ad Astra by American Blackened Thrash Metal band Graviton; vocals as “The Soldier” on Terror of the Cybernetic Space Monster, from the 2018 album Terror of the Cybernetic Space Monster by American Power Metal band Helion Prime; and vocals on A Gathering of Storms, from the 2018 album Genetically Engineered to Enslave, by American Death Metal band Solium Fatalis.

As aforementioned, Haydee grew up listening to all kinds of music such as blues, classic rock, classical, and Latin music, but when the music in question is our beloved Heavy Metal her main influences range from Joe Duplantier of Gojira and Alissa White-Gluz of Arch Enemy to all classic metal vocalists such as Dio, Ozzy and Rob Halford. Her first ever record which introduced her to heavy music was Fallen, by Evanescence, when she was eight years old, taking her down the rabbit hole that would eventually lead her to find Judas Priest, Black Sabbath and all of the icons of early metal, also delving into the early punk scene. Nowadays you can find pretty much anything on her playlist including Chelsea Wolfe, Bjork, Black Sabbath and At The Gates, as well as “guilty pleasures” such as Katy Perry, Sia and Lady Gaga, as long as it’s well-written pop music, of course. When asked which three songs would be perfect for someone listening to her for the first time, Haydee mentioned her cover versions for Sia’s Everyday is Christmas and Arch Enemy’s As The Pages Burn, plus Aversed’s Renewal, because they are diverse and represent her as she is now, still growing but slowly establishing a strong voice within the music industry. By the way, if you want to see how wide Haydee’s range can be and how eclectic her taste for music is, you can take a shot at her cover versions for Iron Maiden’s Hallowed Be Thy Name, Alanis Morissette’s Uninvited, Leonard Cohen’s Chelsea Hotel, and Prince’s Purple Rain, among several others on her personal YouTube channel.

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Absolutely engaged in the music no matter which band she’s in, Haydee not only has an incendiary voice, but her onstage performance is just as flammable and electrifying, earning her a few unique nicknames including Haydee the Hyena, Metal J.Lo and Metal Selena. “I love the Metal Selena and Metal J.Lo because I like to embrace my culture,” she said, “like wearing my hoops.” Furthermore, she mentioned in one of her interviews the importance of understanding R&B and classical music to become a better metal vocalist. “Both styles have extreme soul and depth that is definitely important in metal music in both style and vocal delivery. Having experienced performing many different songs with different stories and intentions I have a large understanding of what level of emotions, strength, and movements to deliver to any song to make it as effective as it can be. I couldn’t do that if those many styles had not molded my range to be the way it is now as well. Every life and musical experience finds itself in each new performance that you share and it’s really wonderful.”

Regarding touring, Haydee said that she dreams of touring the world with Carnivora and of being able to make a living from her art without having to work a day job. having already played in many small to large stages in a wide variety of local bars and clubs, she would also love to play some major festivals the likes of Maryland Death Fest, NAMM and SWSW, and return to Chicago Open Air, a festival that holds a spot in her heart. “At Chicago Open Air 2017 Aversed and I had performed on the last day alongside acts such as Slayer, Behemoth, and Ozzy Osbourne to name a few. Nearing the end of Ozzy’s set our tour bus crew was giving the band a last call to get on the bus or else it was leaving without us! My phone has been dead and I didn’t know. By the grace of the metal gods I ran into my band mates while I was getting a pretzel and ran back with them. Everyone was there besides our guitarist Sungwoo Jeong. After an awful 10 minutes of frantic calling, searching, and figuring out a way for him to fly back to Boston on his own, we searched the bus one last time and found he’d been asleep the whole time. I had immense luck and Sungwoo cracked us all up and it made one hell of a story.” In addition, her first metal experience as a vocalist was the Iron Maiden vs. Judas Priest show at the Chicago School of Rock in 2011, a huge moment for her because it had really transitioned her from a bedroom performer to a real one, pushing her to keep doing it.

As Carnivora is now a female-fronted metal band, Haydee was asked her opinion about the role of women in the current metal scene. She said that the face of metal is shifting a lot towards women, but the metal community still has a lot to learn and that can be frustrating, mainly because bands with female lead singers often get lumped together even if they’re creating radically different sub-styles, although she’s fine with the label “female-fronted metal”. In addition, she said that as a growing force, women get a lot of attention that may not be given as frequently to an all-male group because there is something different brought to the table that is intriguing. Women have the same depth and aggression as men, and to have an artistic platform to display that (as well as their delicate nature) is a new and amazing thing. The only disadvantage that she sees is the play on sexism and creating sex appeal that purposefully overshadows or interferes with the platform for ones natural talent. “Women work hard to do what they do and they do not need to hide behind sex appeal to be respected for their time, talent, and work. Knowing that and showing that is important,” commented Haydee.

Last but not least, Haydee also provided her comments about things that she learned recording new music during the COVID-19 pandemic, starting by saying how important it was for her to put a strong focus on songwriting, something that we all know cannot be done properly when the musician is on the road most of the time, saying the simplicity of “one-on-one” writing with guitarist Cody Michaud allowed them to present something more refined to the rest of the team. Secondly, she mentioned how hard the entire band worked on the recording process of their demos, saying she pushed herself to knock out vocal takes and stacked harmonies. Then Haydee moved on to talking about their jam sessions, how important it was for them to get back to practicing together as soon as it was safe to meet up, and how tighter their playing got after that, followed by how important it was to release new music during the pandemic even without being able to tour during that time. And last but not least, she mentioned a fun game Carnivora had during the video shoot for Hypnogenic, the first time they had to load in and get together since everything shut down, where each band member had to wear their newest Vans shoes acquired during quarantine and compare them. Let’s say this is indeed a very healthy competition for a group of metalheads eager to get back on the road, and those shoes are beyond awesome for any trip or for a demanding activity like kicking ass on stage, and we cannot wait to see Haydee and Carnivora eating our flesh alive during their upcoming concerts.

Haydee Irizarry’s Official Facebook page
Haydee Irizarry’s Official Instagram
Haydee Irizarry’s Official Twitter
Haydee Irizarry’s Official YouTube channel
Carnivora’s Official Facebook page
Carnivora’s Official Instagram
Carnivora’s Official Twitter
Carnivora’s Official YouTube channel

“The face of metal is shifting a lot towards women and women from all different countries that look so different. It’s awesome to be a part of that change.” – Haydee Irizarry

Album Review – Mütherload / Ü EP (2021)

This regrouped tour-de-force from Canada is ready to kill with a six-track introduction of their thrashy, groovy and melodic death sound.

3.0rating

mütherload-ü-ep-2021After two years of creating and crafting their own sound, along with being the local opening support for touring bands the likes of Threat Signal, Green Jëllo, Beyond Creation and The Blood of Christ, London, Canada-based Melodic Death/Groove Metal unity Mütherload, a regrouped tour-de-force birthed from the ashes of Heaven Ablaze, is now ready to present their first offering in the form of an EP simply entitled Ü, a six-track introduction of Mütherload’s thrashy, groovy, melodic death sound recommended for fans of Lamb of God, In Flames, Mastodon, Opeth and Tool. Produced, mixed and mastered by Thomas Ireland and featuring a sick artwork by tattoo artist Dave Schultz, the EP offers us a very good and incendiary sample of what vocalist Derek Lee, guitarists Patrick Davison and Derek Haley, bassist Chris McKichan and drummer Matt Ashton are capable of.

And Patrick and Derek Haley begin slashing their guitars in great fashion in Insect, accompanied by the groovy bass jabs by Chris and the rhythmic beats by Matt in an awesome display of Groove Metal, all of course spiced up by the demented roars by Derek Lee; and continuing their path of devastation with a melodic touch, we’re treated to The Visitor, offering us all more of the flammable riffage by the band’s guitar duo while Derek Lee doesn’t stop screaming like a beast, living up to the legacy of renowned bands like Lamb of God. Then in the interlude Ü a sinister dialogue between two guys about their future quickly explodes into Iniquity, another infernal creation by the quintet presenting hints of Brutal Death Metal in Derek Lee’s vocals while Chris and Matt make the earth tremble with their respective bass lines and beats, morphing into a serene instrumental interlude entitled Thaügüst, where acoustic guitars will soothe your souls before we face Lamia, the darkest composition of the EP. This Stygian tune will pierce your mind mercilessly, with the entire band being on absolute fire delivering heavier-than-hell growls, riffs, bass punches and blast beats, inspiring you to bang your head nonstop in the name of our beloved metal music.

mütherload-2021“The Ü EP is our first step back into the metal scene after years of silence. We feel this small collection of music represents the focus that we’ve developed as a band in our songwriting for the first time in years. Musically, we’ve stretched our reach into new territory with open tunings, and more space for vocals. This EP deserves to be played loud, so crank it up,” commented Patrick about the band’s newborn spawn, and you can enjoy each second of music from Ü by streaming the full EP on Spotify. In addition, don’t forget to show your support to this newly formed band of metal veterans by following them on Facebook and on Instagram, and by grabbing your copy of the EP from their own BandCamp page. The EP might be the band’s first step back into the scene, as mentioned by Patrick, but what a great step it is, and I can’t wait to see what’s next for Mütherload and to witness them kicking some serious ass on Canadian stages soon with their awesome creations.

Best moments of the album: Insect and Lamia.

Worst moments of the album: None.

Released in 2021 Independent

Track listing 
1. Insect 3:54
2. The Visitor 3:39
3. Ü 0:44
4. Iniquity 3:06
5. Thaügüst 1:43
6. Lamia 3:24

Band members
Derek Lee – vocals
Patrick Davison – guitar
Derek Haley – guitar
Chris McKichan – bass
Matt Ashton – drums

Album Review – Mikaela / Nocturne In Red (2020)

Succumb to the dark and personal fusion of Metalcore, Deathcore, Progressive and Nu Metal by one of the most prominent voices of the Maltese metal scene in her debut solo album.

A few months after leaving her previous band MartYrium due to personal issues with the other band members, Maltese metal goddess Mikaela Attard is unleashing upon humanity under her newborn Metalcore solo project Mikaela her debut opus entitled Nocturne In Red, featuring guitarist and bassist Kyle Farrugia (from Maltese Active Metal band Align the Tide) and drummer Marco Minnemann as her loyal henchmen throughout the entire album. Written and produced by Mikaela herself, and mixed and mastered by Tue Madsen at Antfarm Studio, the pivotal concept behind Nocturne In Red highlights subjects surrounding personal experiences and states of the mind, but according to Mikaela it is up to the listener and viewer to perceive them on how it’s relative to their lives. Not only that, the album also provides an incendiary mixture of Metalcore, Deathcore, Progressive and Nu Metal, and even nuances of Black and Death Metal, all spiced up by Miakela’s native language Maltese carefully added to some of the tracks from the album, being therefore recommended for fans of the music by Pantera, Godsmack, Mastodon and Lamb Of God, among several others.

The cinematic and creepy intro Into a New Hell opens the gates of the underworld for the she-demon Mikaela to stun us all in Bring Me Blood, showcasing darkly poetic lyrics declaimed by Mikaela (“I flew high on black wings when death looked me closer in the eye / I may have pushed up daisies before, I gasped and wanted more / Now, hell came to me to show you what I see / The blade won’t reign on me, you sick fuck, it ends when you can’t breathe”) embraced by the solid fusion of Metalcore and Deathcore blasted by Kyle and Marco. And her insanity in the form of music keeps flowing nonstop in the also heavy and groovy Chaotic Mind, once again presenting psychological lyrics growled by our talented diva (“A whisper of existence / A face wrapped in maleficent greed / Silence even grins at you / Delusion creeps in the lies let lose”), smashing drums by Marco and Groove Metal-inspired riffs and bass punches by Kyle; followed by Disenthralled, highly recommended for fans of the demented music by Slipknot and Jinjer, where Mikaela is on fire with both her violent roars and strident clean vocals, and with the riffage and solos by Kyle sounding even more piercing than before. Then it’s time to break your neck headbanging to the venomous Alternative Metal hymn Nightmare, with Mikaela’s growling ranging from deep guttural to hellish gnarls while Marco brings his dosage of heaviness with his progressive beats.

In Death Dance we face more of Kyle’s metallic, rumbling bass jabs accompanied by Marco’s smashing drums and the mesmerizing vocals by Mikaela, blending elements from Metalcore with Melodic Death and Groove Metal, albeit going on for a bit too long, though, whereas Abyss is a piano-infused dark ballad by Mikaela where the sharp guitars by Kyle walk hand in hand with her passionate vocal performance, sounding very personal, epic and obscure from start to finish and presenting a unique and captivating side of our banshee. Back to her beastly she-wolf mode, our dauntless diva of darkness and her henchmen will penetrate deep inside our psyche once again with the Metalcore extravaganza titled Enthalpy Rage, feeling like an electrifying fusion of the current music played by Arch Enemy with modern-day Deathcore, while Ophidian’s Whisper is another solid composition by the trio with Marco dictating the pace with his infernal and intricate drumming, and with Mikaela once again alternating between demonic screams and melodious clean lines. And lastly, we’re treated to a sinister atmosphere embellished by a melancholic piano and the gorgeous voice by Mikaela, morphing into one final metal attack titled Room Hell, with both Marco and Kyle being on absolute fire with their sonic weapons, providing all Mikaela needs to shine on vocals and, consequently, ending the album in a truly devilish way.

Mikaela’s musical journey to hell and back can be appreciated in its entirety on Spotify and on Deezer, but of course you should purchase a copy of such amazing album of modern-day Metalcore from her own webstore, from Apple Music or from Amazon, also showing your support to one of Malta’s most prominent names in metal music by following her on Facebook and on Instagram, and by subscribing to her YouTube channel for more of her darkly enchanting official videos. Nocturne In Red is a very personal album by Mikaela that will undoubtedly please all fans of Metalcore, Deathcore and all related styles, showing us all the darkest side of such talented artist while at the same time adding the charming Republic of Malta to the worldwide map of contemporary metal music.

Best moments of the album: Bring Me Blood, Disenthralled and Enthalpy Rage.

Worst moments of the album: Death Dance.

Released in 2020 Independent

Track listing
1. Into a New Hell – Intro 2:29
2. Bring Me Blood 4:25
3. Chaotic Mind 4:35
4. Disenthralled 5:44
5. Nightmare 6:37
6. Death Dance 6:20
7. Abyss 4:56
8. Enthalpy Rage 4:41
9. Ophidian’s Whisper 5:23
10. Room Hell 5:00

Band members
Mikaela Attard – vocals

Guest musicians
Kyle Farrugia – guitars, bass
Marco Minnemann – drums

Album Review – Deified / Anthrobscene EP (2020)

Playing dark, angry, philosophical and downright nihilistic Groove Metal, this UK-based outfit is ready to discuss everything that’s wrong in our society with their brand new EP.

Playing a dark, angry, philosophical and downright nihilistic fusion of Groove Metal, Metalcore and Melodic Death Metal since their inception in 2013, reflecting on some of the worst parts of today’s status quo and always targeting key political figures, nuclear annihilation and conscious degradation, Merseyside, England-based outfit Deified is unleashing upon humanity their third EP and fourth official album (taking into account their 2015 full-length opus Ascension), entitled Anthrobscene, following up on their critically acclaimed 2018 EP Inhuman Manifesto. A time capsule discussing modern times, Anthrobscene doesn’t hold back with its commentary on social media, the digital revolution, mental health, climate change, politics and more, showcasing all the talent and rage from frontman Jamie Hughes, guitarists Matthew Pike (who also produced, mixed and mastered the album) and Alistair Blackhall, bassist Tom Simm and drummer Jordan Stanley-Jones and, therefore, being highly recommended for admirers of the caustic metal blasted by renowned bands like Lamb Of God and Sylosis.

The cinematic intro Prelude heightens our senses for the acid Dark Desires, a visceral Lamb Of God-inspired tune where Jamie roars demonically accompanied by the razor-edged riffs by Matthew and Alistair, resulting in a high-speed dirty extravaganza overflowing madness and wrath, not to mention how Tom and Jordan give a lesson in groove with their respective bass and drums. Then it’s  time to bang our heads to the strident and melodic Broken Matrix, a modern-day Melodic Death and Groove Metal for the masses showcasing an ass-kicking shredding and classic beats, providing Jamie all he needs to bark like a beast, whereas sounding like a stone crusher on drums Jordan dictates the rhythm in Enemies Within, while Jamie declaims the song’s austere lyrics and Matthew and Alistair once again demolish our minds with their unrelenting guitars, all spiced up by Tom’s rumbling bass lines.

Following such electrifying display of modern metal music, a brief, futuristic Intermission sets the stage for Deified to kill once again in the frantic and sharper-than-a-knife Apotheosis/Rebirth, where the entire band sounds furious and vile from start to finish, with Jamie taking the lead with his maniacal vocals while Tom and Jordan make the earth tremble with their avalanche of low-tuned and thunderous sounds. The second to last blast of Deified’s well-balanced music comes in the form of Blood Under the Bridge, where the band’s stringed trio is on absolute fire with their riffage and thunderous bass jabs, sounding absolutely perfect for headbanging nonstop or crushing your skull into the pit, consequently keeping the album at a high level of adrenaline, before the closing song An Ode to Armageddon comes ripping with its epic start and its explosion of fulminating Groove Metal, or in other words, it’s an instrumental outro showcasing crisp riffs, piercing solos and endless stamina flowing from its bass and drums for our total delight.

In a nutshell, it’s impressive how dynamic, versatile and meaningful Deified were able to sound in only 28 minutes of music in Anthrobscene, proving how skillful the band is and why they’ve been on a roll since they started back in 2013, having already being crowned the winners of Bloodstock M2TM in 2015 and having already toured with iconic bands the likes of Cattle Decapitation, Exodus, Incite and Krysthla. Hence, don’t forget to show the guys from Deified your support by following them on Facebook and on Instagram, to subscribe to their YouTube channel and, above all, to grab your copy of their brand new EP from their own BandCamp page or from Apple Music. Anthrobscene is about everything we fear the most, and at the same time about everything we can’t live without, showing how rotten our minds are and, of course, how heavy music is yet again one of the best ways to represent all that’s wrong with the society we live in, and we must thank the guys from Deified for offering us metalheads such high quality and honest music with each and every single one of their albums.

Best moments of the album: Dark Desires and Apotheosis/Rebirth.

Worst moments of the album: None.

Released in 2020 Independent

Track listing
1. Prelude 1:01
2. Dark Desires 4:33
3. Broken Matrix 4:05
4. Enemies Within 3:49
5. Intermission 0:48
6. Apotheosis/Rebirth 5:18
7. Blood Under the Bridge 5:40
8. An Ode to Armageddon 3:04

Band members
Jamie Hughes – vocals
Matthew Pike – guitars
Alistair Blackhall – guitars
Tom Simm – bass
Jordan Stanley-Jones – drums

Album Review – Mindead / Mindead (2019)

Playing a gritty kind of Melodic Groove Metal, this German squad is ready to put Stuttgart on the world map of modern metal music with their brand new album.

Hailing from the beautiful city of Stuttgart, capital of southwest Germany’s Baden-Württemberg state, Thrash/Groove Metal five-piece act Mindead plays a gritty kind of modern metal music with lots of passion and a unique flavor, having quickly established themselves in the local scene surrounding Ludwigsburg and Stuttgart since their inception in 2001. After the release of their debut EP Still Empty in 2004, followed by their first full-length album Abandon All Hope in 2008 (re-released in 2016, by the way) and more recently their sophomore opus Controlling The Tides in 2015, it’s time for Mindead to strike once again with their third installment, self-titled Mindead, a solid statement showing the band has become aware of their own self and that they are proud of what they currently stand for.

And the band comprised of frontman Timo Fielker, guitarists Pablo Mateo and Chris Lohrmann, bassist Benedikt Wagner and drummer Benjamin Hölle had a strong and clear idea of what they wanted to do in their new album, translating that into nine solid and vibrant compositions where the quintet never repeats themselves. “Let’s do something different, deeper, more intense, heavier. We’ll still sound like us, no matter what others may say,” commented Mindead about what the listener can expect to find in the album, an amalgamation of heavy and melodic styles highly recommended for fans of bands like Slipknot, Lamb Of God, Killswitch Engage, Tool, Machine Head and Deftones, just to name a few.

An atmospheric intro is gradually “invaded” by the classic beats by Benjamin and the crushing riffs by Pablo and Chris in The Edge, evolving into a modern-day Melodic Groove Metal feast and sounding neck-breaking and very harmonious from start to finish; whereas Killing The Flame is as groovy as it can be thanks to the rumbling bass by Benedikt, while frontman Timo alternates between deranged screams and darker, more serene vocals, also bringing elements from more contemporary styles like Metalcore and Deathcore. The band’s electrifying party goes on in One Last Time, presenting a similar sound as the current American metal scene and feeling a lot more introspective and melodic than its predecessors. Moreover, pay attention to the amazing job done by Benedikt with his metallic bass lines, adding more stamina to the overall result.

And the dark clouds from the previous song keep blocking any sunlight in At The Borderline while the band blasts minimalist sounds and a female voice sends an obscure message, before Timo begins roaring with a lot of anguish and rage. In the even more modern and melodic Every Second, Timo sounds absolutely enraged on vocals while the rest of the band keeps the ambience grim and pensive with their razor-edged riffs and rhythmic beats, generating a catchy musicality full of interesting breaks and variations. Then drinking from the same ravenous fountain as Lamb Of God the quintet fires the excellent The Narcissist King, an ass-kicking Groove Metal tune with Timo stealing the spotlight with his growls while Pablo and Chris continue to slash our ears with their riffage.

All That’s Left is a touching and gripping ballad by Mindead where Benjamin adds some punch to the acoustic guitars with his precise beats, while Timo delivers his most passionate vocal performance of the whole album, and distorted lines permeate the air in To Fight A Demon, igniting the most Slipknot-inspired song of the album and presenting classic and heavy-as-hell riffs by the band’s dynamic guitar duo, which provide Timo all he needs to thrive with his Black Metal-ish vocals. Lastly, closing the alum we have the obscure and groovy Tired, where Pablo, Chris and Benedikt sound at the same time aggressive and gentle with their stringed weapons. In my humble opinion, the only issues with this song is that it goes on for a little too long, albeit still dense and entertaining. Moreover, in most versions of the album you’ll also be treated to an acoustic version of All That’s Left, a beautiful rendition of what’s already a damn good song, enhancing the reach and all  other details of Timo’s vocals considerably.

In summary, the talented Mindead are more than ready to put their hometown Stuttgart and the entire Germany on the map of modern metal music with their new album, breaking free from the confines of local stardom by effectively blending classic and modern-day elements in their inspiring creations and pointing to a bright future ahead of them. Hence, don’t forget to follow the band on Facebook, to subscribe to their YouTube channel, to listen to more of their music on Spotify and, of course, to purchase their self-titled opus from your favorite location by clicking HERE. In case modern and very melodic Groove Metal is your cup of tea, simply give Mindead a chance and you won’t regret at all; quite the contrary, I bet you’ll end up at a concert venue in Stuttgart having a beer and raising your horns to such up-and-coming Teutonic squad.

Best moments of the album: The Edge, The Narcissist King and All That’s Left.

Worst moments of the album: Tired.

Released in 2019 Metalapolis Records

Track listing
1. The Edge 4:30
2. Killing The Flame 3:48
3. One Last Time 5:25
4. At The Borderline 4:37
5. Every Second 3:53
6. The Narcissist King 3:44
7. All That’s Left 3:13
8. To Fight A Demon 5:26
9. Tired 6:07
10. All That’s Left (Acoustic) (Hidden track) 3:06

Band members
Timo Fielker – vocals
Pablo Mateo – guitar
Chris Lohrmann – guitar
Benedikt Wagner – bass
Benjamin Hölle – drums

Concert Review – Iron Maiden (Budweiser Stage, Toronto, ON, 08/10/2019)

Who’s ready for another night of Iron Maiden and their ass-kicking Legacy of the Beast Tour 2019 in Toronto?

INTRODUCTION: “No FTTB nor The Raven Age for you”

As I wasn’t selected for the First To The Barrier experience by the Iron Maiden Fan Club for the second night of the one and only Iron Maiden in Toronto at the always pleasant Budweiser Stage, and as a few friends invited me to a BBQ with lots of beer and metal music before the concert, let’s say that I “had to” miss the opening act THE RAVEN AGE, which in the end was more than good for me because watching their concert in full from the first row on Friday wasn’t what we can call a very entertaining experience. If you were there on the second day and saw The Raven Age, I’m pretty sure it was the exact same thing as the previous night, with the same band’s lineup, the same setlist, and the same confusing sonority. However, if you missed The Raven Age both days you can take a look at how their concert was by clicking HERE.

IRON MAIDEN

Just like what happened on Friday, 15 thousand fans from the most diverse countries such as Australia, Peru, India, Brazil, El Salvador, Germany, Colombia, Sweden and so on (including WWE badass superstar and a true metalhead Erick Rowan, whose real name is Joseph Ruud) were gathered together at the Budweiser Stage at around 9pm to enjoy another round of classics by the one and only IRON MAIDEN, once again as part of their Legacy of the Beast Tour 2019. Their setlist was the absolute same as Friday, of course, but because I wasn’t so close to the stage let’s say I was able to move more, to jump up and down a lot more, and to have a much more complete view of the stage, including Janick Gers who I must confess I couldn’t see much on the previous night. I was really tired from the previous day and I thought I was going to take it easy on Saturday, but you know what? As soon as Doctor Doctor started playing on the speakers, it was pure madness one more time.

As I mentioned, this time I could enjoy their full stage without having to force my neck up, right or left too much, and my neck is very thankful for that. The whole band was on fire as usual, with Dave and Adrian delivering their traditional crisp and crystal clear riffs and solos while Steve was the beast incarnate on stage. How can he do that? He doesn’t stop smashing his bass chords, singing, running around the stage and jumping up and down not even for a single second, and he’s already 63 years old! It’s absolutely impressive, reminding me why I admire and respect his work and passion for Iron Maiden so much. It’s always a pleasure to watch him play The Trooper, “galloping” his bass as if he was riding a horse into the battlefield, and his endless energy while screaming the famous “Oooh! Ooo-oooo-oooh!” together with the crowd during Fear of the Dark. After another superb and impeccable performance by Bruce, Steve & Co. was over (and this time Bruce’s flame thrower worked during Flight of Icarus), I started thinking how boring the world of music will be without Iron Maiden when they call it quits, but that’s something we don’t need to worry about at least for the next few years, as Bruce himself promised they’ll return to Toronto, most probably after the release of their upcoming studio album. I wish I could attend more concerts from their current tour, but for obvious reasons like time and money, for now I’ll have to  content with two nights in Toronto I’ll never forget. UP THE IRONS!

Setlist
Transylvania
Doctor Doctor (UFO song)
Churchill’s Speech
Aces High
Where Eagles Dare
2 Minutes to Midnight
The Clansman
The Trooper
Revelations
For the Greater Good of God
The Wicker Man
Sign of the Cross
Flight of Icarus
Fear of the Dark
The Number of the Beast
Iron Maiden

Encore:
The Evil That Men Do
Hallowed Be Thy Name
Run to the Hills
Always Look on the Bright Side of Life (Monty Python song)

Band members
Bruce Dickinson – lead vocals
Steve Harris – bass
Dave Murray – guitar
Adrian Smith – guitar
Janick Gers – guitar
Nicko McBrain – drums

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