Album Review – Chaoseum / The Third Eye (2022)

This Lausanne, Switzerland-based Nu Metal/Metalcore outfit welcomes us all back to their museum of chaos to the sound of their fourth full-length album.

The talented vocalist CK Smile, guitarists Loïc Duruz and Valery Veings, and drummer Greg Turini, collectively known as the unstoppable Lausanne, Switzerland-based Nu Metal/Metalcore outfit Chaoseum, are welcoming us all back to their “museum of chaos” with the release of their fourth full-length album, entitled The Third Eye, following up on their critically acclaimed 2020 album Second Life. Recorded by Chaoseum at Chaos Studio and Conatus Studios, mixed and mastered by Gwen Kerjan at Slab Sound Studio, and again displaying a grim artwork by Brazilian artist Gustavo Sazes, The Third Eye showcases a more mature and dynamic Chaoseum, who are never afraid of experimenting with new sounds while staying true to their roots throughout the entire album.

I, Sexy Zombie already provides us all with a classy fusion of Alternative Metal and Metalcore where CK’s vocals are at the same time enraged and wicked, while Loïc and Valery extract sheer groove from their stringed weapons; and drinking form the same fountain as renowned acts the likes of Korn and Marilyn Manson the band offers us Unreal, perfect for raising your horns at a sick Halloween party while also showcasing an amazing guitar job done by the band’s talented axe duo. Dance on My Grave is modern and electrifying form the very first second, with Loïc, Valery and Greg making the earth tremble, offering CK exactly what he needs to declaim the song’s dark lyrics (and all spiced up by the song’s incendiary backing screams), whereas the interlude The Third Eye brings to our avid ears somber and atmospheric passages before exploding into Fly Away, inviting us all to jump up and down and bang our heads nonstop to the furious beats by Greg, also displaying the band’s trademark melody and modernized sounds.

Rumbling bass lines and chaotic riffs and beats ignite the dense tune My Wonderland, where once again CK is on fire on vocals in another great sample of how the band’s musicality has evolved in an exciting way through the years. Then it’s time to hit the dance floor together with Chaoseum and succumb to pitch black darkness to the sound of Welcome Home, a fantastic modern-day Metalcore and Alternative Metal extravaganza led by CK’s anguished vocals, followed by the dark ballad Until The End, with Greg dictating the pace with his sluggish beats while also presenting another amazing guitar work done by Loïc and Valery. Their second to last blast of modern and groovy sounds, entitled Sanctum Cinerem, will hammer your head mercilessly from the very first second, with CK sounding possessed on vocals as usual; and What If is perhaps the most experimental of all songs while still bringing the band’s core Alternative Metal, offering our ears solid instrumental pieces by all band members and, therefore, turning it into a great option for their live performances.

If you want to savor The Third Eye in its entirety you can stream the album on YouTube and on Spotify, but of course the guys from Chaoseum would love to see their new album added to your personal collection by purchasing it from their own webstore, from their BandCamp page, from Le Lapin Blanc (as a CD or an LP), from Apple Music, or from Amazon. Furthermore, don’t forget to give them a shout on Facebook and on Instagram, and to subscribe to their YouTube channel for more of their unique creations. I don’t know what’s next for Chaoseum, but if they keep working so hard and so focused, delivering great music like what they did in The Third Eye, we can rest assured their “museum of chaos” will remain open and expanding in the most exciting way imaginable.

Best moments of the album: Unreal, Dance on My Grave and Welcome Home.

Worst moments of the album: None.

Released in 2022 Independent

Track listing
1. I, Sexy Zombie 4:05
2. Unreal 5:09
3. Dance on My Grave 3:53
4. The Third Eye 1:33
5. Fly Away 4:24
6. My Wonderland 5:00
7. Welcome Home 6:33
8. Until The End 4:00
9. Sanctum Cinerem 5:38
10. What If 5:56

Band members
CK Smile – vocals
Loïc Duruz – guitars, bass
Valery Veings – guitars
Greg Turini – drums

Album Review – Chaoseum / Second Life (2020)

After taking their first step to hell, it’s time for those Swiss metallers to stun us all with their sophomore album, showcasing a thrilling fusion of Metalcore and Nu Metal with a theatrical twist.

Founded in 2018 by Loïc Duruz and Valery Veings, both former guitarists of Symphonic Metal band Elferya, the up-and-coming Lausanne, Switzerland-based Metalcore act Chaoseum is back in action in 2020 with their sophomore album entitled Second Life, presenting the band’s trademark amalgamation of styles including Metalcore, Power Crossover and Nu Metal, among others. Recorded at both Chaos Studio and Conatus Studios, mixed by Gwen Kerjan from Slab Sound Studio, and featuring a beautiful artwork by Brazilian artist Gustavo Sazes, Second Life brings forward a new (and more theatrical) era in the career of Chaoseum, with its 11 original compositions thoroughly crafted by Loïc and Valery together with fontman CK Smile and drummer Greg Turini appealing to all fans of the modern metal music played by bands such as Lacuna Coil, Korn, Trivium, Killswitch Engage and Slipknot, among others.

The creepy, cinematic intro XXV-IX-MMXX (or September 15, 2020, the official release date of the album) will send shivers down your spine before the quartet comes crushing with their vicious Metalcore in Hell Has No Way Out, with Greg sounding like a machine gun on drums while Loïc and Valery fire melodious riffs for our total delight and CK roars and sings with tons of anguish. The melodic and aggressive title-track Second Life starts in an atmospheric way before exploding into a visceral fusion of Metalcore and Melodic Death Metal, with the rumbling sounds of the bass by Loïc punching us hard in the head, followed by Into My Split, a fulminating Alternative Metal tune tailored for banging our heads nonstop or simply enjoying the gentle guitars and beats by the band, all spiced up by CK’s introspective performance. Then we have the excellent Smile Again, clearly inspired by Nu Metal masters Korn, with CK doing his best Jonathan Davis impersonation while Loïc and Valery keep delivering pure metallic lines through their riffs and bass punches; whereas it’s time to speed things up and offer the listener the sinister and alternative Scream, with Loïc, Valery and Greg bringing tons of progressiveness to their wicked sonority, and with its futuristic and modern vibe being all CK needs to shine on vocals.

Stick Under My Skin is another song with a cryptic, mesmerizing intro, evolving into a feast of Alternative, Groove and Progressive Metal where CK’s clean and harsh vocals are nicely supported by his bandmates’ backing vocals, while Burn My Eyes is a solid rock and metal creation by Chaoseum, albeit a bit generic if compared to the rest of the album, with both Loïc and Valery doing a great job with their flammable guitars. And you better get ready as there’s still a lot more of the music by Chaoseum, starting with Feel, a modern, industrialized party perfect for their live performances where the quartet enhances their rage, punch and insanity. Put differently, this is a heavier version of traditional Alternative Metal led by the classic beats by Greg, while things can’t get more alternative nor groovier than in Sex In Hell, a suggestive song name that matches perfectly with the heavy but sexy music played by the band, resulting in a dark ballad where CK steals the spotlight with his devilish vocals. Lastly, there’s more of their groovy bass punches and rhythmic beats intertwined with futuristic background elements and the raspy vocals by CK in Frozen, a song which fans of Korn, Lacuna Coil and other modern metal bands will surely love.

In a nutshell, it doesn’t matter if you’re a longtime fan of Alternative and Nu Metal or if you’re taking your first steps in this more modern side of heavy music, you should definitely add Second Life to your daily playlist (and you can do so by streaming the album in full on Spotify). Chaoseum put their hearts and souls into the making of their new opus, and you can sense that passion and hard work in each and every track of the album, proving those Swiss metallers are o the right path to stardom. Hence, don’t forget to show them your support by following them on Facebook and on Instagram, by subscribing to their YouTube channel and, above all that, by purchasing their new album from their own BandCamp page or webstore (where you can by the way find tons of ass-kicking merch as well), from Apple Music or from Amazon. Chaoseum’s “first step to hell” was already solid and vibrant, but it’s under this new era, or maybe I should call it their “second life”, that the band is ready to show the world what their music is all about.

Best moments of the album: Hell Has No Way Out, Scream and Stick Under My Skin.

Worst moments of the album: Burn My Eyes.

Released in 2020 Independent

Track listing
1. XXV-IX-MMXX 0:58
2. Hell Has No Way Out 4:07
3. Second Life 4:18
4. Into My Split 4:18
5. Smile Again 4:27
6. Scream 3:38
7. Stick Under My Skin 4:51
8. Burn My Eyes 3:31
9. Feel 4:39
10. Sex In Hell 5:41
11. Frozen 4:41

Band members
CK Smile – vocals
Loïc Duruz – guitars, bass
Valery Veings – guitars
Greg Turini – drums

Album Review – Borgne / [∞] (2018)

A cold, mechanical and inhumane hybrid of Industrial and Black Metal, as martial as it is hypnotic, bred by a veteran Swiss entity celebrating twenty years of chaos in the underground scene.

The path of Swiss Industrial Metal entity Borgne has never been straight. Founded by veteran multi-instrumentalist Bornyhake in 1998 in Lausanne, a city on Lake Geneva, in the French-speaking region of Vaud, Switzerland, when Borgne (which is French for “one-eyed”) debuted with a demo, the project went off the radar for almost a decade, coming back at full throttle in 2007 with two full-length albums released almost simultaneously. Another ten years and four full-length albums after, this idiosyncratic Swiss band, which recently became a two-piece army with longtime live keyboardist Lady Kaos becoming a permanent member, returns with their eight and most enigmatic opus to date, titled [∞], a cold, mechanical and inhumane hybrid of Industrial and Black Metal, as martial as it is hypnotic, beautifully freezing your every feeling.

Darker, more industrial and much more personal, [∞] will offer your metallic ears blistering Black Metal done in a synthetic way with a dense, suffocating sound and some dark ambient passages, going towards everything Borgne did in the past. “8 / ∞” is not only a number but a symbol, symbol of infinity, infinity you close inside brackets. 8 is not only a number but a word, word of hatred to break all the brackets. After twenty years of chaos, [∞] is the 8th Borgne full-length album. Featuring 8 tracks of non-traditional Black Metal, written in French and English. Chaos, darkness, feelings, loneliness, anger, insanity, suffering and death… 8 words to describe it. The most electric and complicated, fragile and deep, industrial and cold, strange and tormented album Borgne ever did,” said Bornyhake about his newborn spawn.

And the duo builds an enfolding and creepy atmosphere with their keys, beats and background effects in the opening track La Porte Du Chaos (or “the door of chaos” in English), with the music exploding into a modern and imposing hybrid of Industrial and Black Metal, an insane and mesmerizing amalgamation of sounds where Bornyhake desperately screams and gnarls from the bottom of his Stygian heart. Then there’s not a single empty space in the whimsical and modernized Peu Importe Si Elle M’Aura Aveuglé (which means something like “it doesn’t matter if she has blinded me”), with both Bornyhake and Lady Kaos kicking ass with their blast beats and ominous keys, respectively, with an epic and darkened aura permeating the air. Moreover, Bornyhake’s roars in French will certainly pierce your mind throughout this multi-layered Industrial Black Metal extravaganza. In the stunning Un Temps Périt (or “a time perishes”), a gentle intro led by Lady Kaos’ hypnotizing keys evolves into a mournful musicality, presenting hints of Blackened Doom and Doom Metal and, therefore, feeling ethereal and somber at the same time from start to finish. And in Comme Si Ça S’Arrêtera… / Stone (or “as if it will stop… / stone”), get ready for over 10 minutes of absolute madness, electricity and darkness, with Bornyhake generating a path of devastation with his modernized blast beats, while the second half of the song is an intricate musical journey of pulverizing drums, obscure keyboards and endless dementia.

Bornyhake and Lady Kaos don’t stop captivating our senses with their unique sonority in I Tear Apart My Blackened Wings pt.1, another slow and melancholic creation by the duo where they deliver obscurity and hope all at once, or in other words, simply close your eyes and get lost in this thrilling hymn of modern industrial music. I Tear Apart My Blackened Wings pt.2 / Sun, the second part of this grandiose aria by Borgne, will blow your senses with its demonic drumming and scorching riffage in a very detailed and complete blend of the violence of Black Metal with the innovative approach of Industrial Metal, changing its shape and form quite a few times before its stylish acoustic ending, followed by Mis À Mort, Mis À Nu (which means “put to death, exposed”), a blast of sonic experimentations and piercing tones and noises, with Lady Kaos once again bringing tons of epicness to the overall musicality with her distinguished keys while Bornyhake keeps haunting our souls with his gnarls and slashing riffs. If anyone asks you what Borgne is all about, you can use this song to show what the duo is capable of, flawlessly depicting all the band’s creativity, stamina and rage. Lastly, be prepared to be embraced by a whirlwind of soothing sounds in Chuter, an “extended” outro to a beautiful album of contemporary extreme music where both Bornyhake and Lady Kaos showcase their refined techniques by creating a captivating ambience and, as a consequence, dominating our minds.

You can take a detailed listen at the flammable [∞] on YouTube, and purchase the album directly from Borgne’s BandCamp or Big Cartel (in CD or tape format), as well as from the Avantgarde Music’s BandCamp or Big Cartel. Also, don’t forget to check their Facebook page for some nice-to-know details about the band including their tour dates, something that does happen a lot as Bornyhake and Lady Kaos have the help of bassist Tumulash and guitarist Onbra Oscoura during their live performances. To sum up, [∞] is not just the brand new album by Borgne, but a solid statement that modern and mechanized extreme music is stronger than ever (especially in places like Switzerland, where the scene has always been extremely fertile), and that Borgne is one of those bands any type of metalhead should try at least once in their lifetime to change their perception of dark and underground music.

Best moments of the album: La Porte Du Chaos, Un Temps Périt and Mis À Mort, Mis À Nu.

Worst moments of the album: None.

Released in 2018 Avantgarde Music

Track listing
1. La Porte Du Chaos 7:17
2. Peu Importe Si Elle M’Aura Aveuglé 7:12
3. Un Temps Périt 6:03
4. Comme Si Ça S’Arrêtera… / Stone 10:20
5. I Tear Apart My Blackened Wings pt.1 9:02
6. I Tear Apart My Blackened Wings pt.2 / Sun 8:04
7. Mis À Mort, Mis À Nu 6:59
8. Chuter 7:05

Band members
Bornyhake – vocals, guitars, drums
Lady Kaos – keyboards