Album Review – Misanthropia / Envy The Dead (2024)

These Dutch Black Metal veterans are back with a concept album that conjures a dark, gritty atmosphere inspired by historical horrors like Jack The Ripper and necromancy.

For over 20 years, Nijmegen, Netherlands-based Melodic Black Metal horde Misanthropia has been carving a path through the metal scene with their unique blend of blackened fury and Death Metal aggression, and that grim path continues now in 2024 with their fifth full-length offering, entitled Envy The Dead. Engineered, mixed and mastered by Mike Wead (Mercyful Fate, King Diamond), Envy The Dead is a concept album that conjures a dark, gritty atmosphere inspired by historical horrors like Jack The Ripper and necromancy. Moving away from symphonic elements, it embraces a Progressive Death and Thrash Metal vibe with influences from Dimmu Borgir, Cradle of Filth, Necrophobic, Mayhem, and Death, all carefully brought into being by Bram Koller on vocals and guitars, Dennis Schoenmaker also on the guitars, Pepijn Heilbron on bass, and Hugo de Waal on drums.

The cryptic, cinematic intro Envy the Dead will drag you to the world of horrors ruled by Misanthopia before they crush your soul in Malediction and Laughter, where Bram leads his horde with his austere, sulfurous gnarls supported by the violent yet intricate beats and fills by Hugo. Bram and Dennis showcase their passion for the riff in Organs, for a Fair Price, evolving into a bestial fusion of Death and Black Metal; followed by Prosperity by CocaΓ―ne, presenting over five minutes of Melodic Black Metal for the masses spearheaded by the rumbling drums by Hugo with the help of Pepijn’s massive bass lines. And Hugo continues his path of devastation in Maze of Madness, enhancing the visceral reach of the riffage blasted by Bram and Dennis.

River Dumplings reminds me of some old school creations by Dimmu Borgir with the bands own Melodic Death and Black Metal twist, in special the harsh, piercing vociferations by Bram, whereas the quartet delivers another round of their flammable, caustic sounds in Coughing in the Coffin House, led by the classic beats by Hugo and supported by Pepijn’s devilish bass. Fade into the Abyss, the second single of the album, brings forward the band’s most aggressive side, resulting in a feast of Black and Death Metal where Bram’s vocals sound and feel truly haunting; and their last breath of obscurity and fear, entitled A Deadly Embrace, a Sinister Grace, will pierce our minds with it Melodic Black Metal vocalizations and riffs, not to mention how thrilling the drums sound and feel throughout the entire song.

The incendiary, harsh and devilish Envy The Dead is already available in full on YouTube and on Spotify, but of course you can join Misanthropia in their darkened path by purchasing your favorite version of the album by clicking HERE. Don’t forget to also follow those talented Dutch metallers on Facebook, Instagram and YouTube, helping them keep the spirit of both old school and present-day Black Metal alive, therefore inspiring the band to keep moving forward in the name of extreme music for at least another 20 years.

Best moments of the album: Malediction and Laughter, Prosperity by CocaΓ―ne and Fade into the Abyss.

Worst moments of the album: Maze of Madness.

Released in 2024 WormHoleDeath

Track listing
1. Envy the Dead 2:23
2. Malediction and Laughter 6:12
3. Organs, for a Fair Price 5:47
4. Prosperity by CocaΓ―ne 5:37
5. Maze of Madness 6:25
6. River Dumplings 4:21
7. Coughing in the Coffin House 5:10
8. Fade into the Abyss 4:15
9. A Deadly Embrace, a Sinister Grace 0:41

Band members
Bram Koller – vocals, rhythm guitars
Dennis Schoenmaker – lead & rhythm guitars
Pepijn Heilbron – bass
Hugo de Waal – drums

Concert Review – King Diamond (Great Canadian Casino Resort Toronto, Mississauga, ON, 11/03/2024)

The city of Mississauga became a huge hospital full of metal freaks as the iconic King Diamond delivered a memorable performance full of melody, darkness and insanity.

OPENING ACTS: Night Demon and Overkill

If you live in the GTA and love Heavy Metal form the bottom of your blackened heart, I believe you were at the amazing Great Canadian Casino Resort Toronto this Sunday for a night of pure heaviness thanks toΒ NIGHT DEMON, OVERKILLΒ and KING DIAMOND during theirΒ Saint Lucifer’s Hospital 1920 Tour 2024. Unfortunately this time we don’t have the awesome photos byΒ Keith Ibbitson of Metal Paparazzi, only my crappy mobile ones, but that won’t stop me from reviewing such a memorable concert. However, before talking about the music, let me tell you how incredible the venue is. It was my first time ever at the resort and casino, and not only the place is absolutely stunning, clean and neat, but you also get free parking there, plus tons of excellent food and drink options. The theatre itself, where the show happened, is also perfect for theatrical performances like the one by King Diamond, and I would simply love if almost all metal concerts I go to happened there instead of any other venue in Toronto.

After filling my tank up with a nice combo at Mary Brown’s Chicken (while other fans were trying their luck in the casino), it was time for the openers,Β  Ventura, California’s own Heavy Metal brigade NIGHT DEMON, to deliver one of the most electrifying performances I’ve ever seen in my life for an opening band. Jarvis Leatherby, Armand John Anthony and Brian Wilson sounded even heavier and more thrilling than when they opened for Blind Guardian in the city a few months ago, blasting sheer awesomeness in the form of songs like Outsider, The Howling Man and Night Demon, with a fun circle pit moving fast in the middle of the floor section during their entire show. Jarvis even left the stage to play his bass right in the middle of the crowd, more specifically right in front of me (and I don’t have a photo of that for obvious reason), being the perfect depiction of true Rock N’Β  Roll. I’m becoming a huge fan of those guys, and hopefully soon Toronto will get a headlining concert by one of the coolest bands hailing from the current Californian scene.

Setlist
Night of the Demon (Demon song)
Prelude
Outsider
Screams in the Night
Obsidian
The Howling Man
Ritual
The Chalice
Night Demon
Lookin’ Out for No. 1 (UFO song)

Band members
Jarvis Leatherby – vocals, bass
Armand John Anthony – guitars
Brian Wilson – drums

All fans at the venue needed a lot of cardio this Sunday night as right after the devastating performance by Night Demon, we had the utmost pleasure of enjoying a slab of pure and violent Thrash Metal made in New York by the iconic OVERKILL, a breathtaking concert not recommended for the lighthearted. The unstoppable frontman Bobby β€œBlitz” Ellsworth alongside guitarists Dave Linsk and Derek Tailer, plus guest bassist Christian Olde Wolbers (as the awesome D.D. Verni had shoulder surgery earlier this year and unfortunately was forced to sit out of the current tour) and their new live drummer Jeramie Kling (a beast known for his work with bands like Inhuman Condition and Ribspreader), were ruthless during their entire performance, way shorter than I wanted it to be but as incendiary and brutal as any of their full concerts, melting our faces with new songs like Scorched and The Surgeon (from their beautiful 2023 album Scorched) and classic including Bring Me the Night and Ironbound. The show ended with the fun Fuck You, originally recorded by The Subhumans, with Bobby even joking about the Habs to the Toronto crowd, leaving us all eager for more of the thrashing anthems by the green, mean machine in the city in a not-so-distant future.

Setlist
Scorched
Rotten to the Core
Bring Me the Night
Hello From the Gutter
The Surgeon
Ironbound
Elimination
Fuck You (The Subhumans cover)

Band members
Bobby β€œBlitz” Ellsworth – vocals
Dave Linsk – lead guitars
Derek Tailer – rhythm guitars
Christian Olde Wolbers – bass
Jeramie Kling – drums

KING DIAMOND

As the night was getting colder and darker (but only outdoors, because the inside of the casino was amazing), Denmark’s own Heavy Metal entityΒ KING DIAMOND kicked off his fully theatrical and mesmerizing mass for the delight of all admirers of his sensational career. It was only my second time seeing him live, the first being almost 30 years ago, and it’s impressive how he still sounds so heavy, evil and sharp after so many decades. His vocals in the first three songs Arrival, A Mansion in Darkness and Halloween (my favorite of the night, by the way) were insane, sending shivers down our spines in the name of our good old Heavy Metal. Add to that the flawless riffs and solos by Andy LaRocque, and there you have the perfect recipe for a true Halloween party even after Halloween was over.

In addition, the support of the multi-talented, gorgeous MYRKVR (aka Amalie Bruun) on vocals, plus the superb performance by the breathtaking JODI CACHIA who was spot-on with her dance moves and wicked expressions, only made the whole night even more exciting. She definitely deserves our full recognition for bringing so much energy to King Diamond’s already killer performance (and check the WHO section on her website to see what shirt she’s wearing, just to prove how badass she is). She was incredible every time she appeared on stage, period. And what to say about the energy flowing from Sleepless Nights, The Invisible Guests, or the closing song Abigail? King Diamond and his far-reaching falsetto screams are a thing of beauty, something that makes his shows truly unique, and if you’ve never seen him live don’t miss the chance if he ever visits your hometown. After the band’s stellar show some fans even got back to the casino for some post-concert fun, and I gotta say if I didn’t have to wake up so early the next morning I would have joined them for sure. Or maybe I should say I would have joined “Them”.

Setlist
Funeral
Arrival
A Mansion in Darkness
Halloween
Voodoo
“Them”
Spider Lilly
Two Little Girls
Sleepless Nights
Out From the Asylum
Welcome Home
The Invisible Guests
The Candle
Masquerade of Madness
Eye of the Witch
Burn
Electro Therapy

Encore:
Abigail
Insanity

Band members
King Diamond – vocals
Andy LaRocque – guitars
Mike Wead – guitars
Pontus Egberg – bass
Matt Thompson – drums
Myrkur – additional vocals, organ

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