Album Review – Stone Cadaver / Memento Mori, Motherfucker (2021)

This amazing Danish trio is back in action with a riff-laden Stoner Rock and Metal journey in the form of their crushing new album, reminding us all of the inevitability of death.

3.5rating

stone-cadaver-memento-mori-motherfucker-2021Having stewed for some time in the darkest and most evil of witch cauldrons, Memento Mori, Motherfucker, the brand new album by Aarhus, Denmark-based Stoner Rock/Metal power trio Stone Cadaver is ready to be let loose upon humanity, following up on their highly acclaimed 2017 release Reject Remove Replace. Just like its predecessor, Memento Mori, Motherfucker is a riff-laden journey through a dynamic soundscape that forms an organic whole, showcasing all the talent of Anders Bech Nielsen on vocals and guitar, Andreas Slocinski on bass and Stevie Dalla-Zuanna on drums. Produced, mixed and mastered by legendary Danish producer Tue Madsen and recorded live in his Antfarm Studio north of the band’s hometown, the album is a strong feast of heavy, down-tuned Stoner Metal with elements of 70’s Progressive and Hard Rock, crushing Doom Metal and classic Heavy Metal that will certainly please all fans of the mighty riff.

The low-tuned, menacing bass by Andreas set the tone in the heavy intro The Reckoning, warming up our senses for the visceral Realm Of Darkness, the perfect choice for cracking your neck headbanging to the classic riffs by Anders accompanied by the slow and steady beast by Stevie in a solid and entertaining feast of old school Doom and Sludge Metal. Then dark clouds of pure doom are above us all in the massive Doom Christ, offering the listener a Stygian wall of sounds crafted by the trio, sounding like a hybrid of the original Black Sabbath sound with their own Dio years, and with the guitar lines by Anders sounding truly infuriated and raw. And it’s time for Stoner Cadaver to bring forward their “tribute” to the catholic church in Whip The Sinners, a straightforward creation inspired by 70’s Doom Metal with Anders once again being on fire with his wicked vocals.

After such intense tune, we’re treated to an instrumental, ethereal interlude entitled Paean, soothing our souls and working as “the calm before the storm” as the band comes hammering our damned souls once again with Diseased Deceased, a flammable Stoner Rock and Metal extravaganza led by the pounding drums by Stevie while Andreas continues to extract devilish, metallic sounds from his bass, flowing into another whimsical bridge titled Fare Thee Well before all hell breaks loose one last time to the sound of the nine-minute Doom Metal aria Murder Mountain, starting with the eerie bass lines by Andreas amidst a background storm. It’s an infernal composition by Stoner Cadaver that will put you in a trance without a shadow of a doubt while Stevie keeps smashing his drums nonstop, also presenting tons of breaks and variations, exhaling groove and thunder and, of course, always praising the riff, with its final acoustic passage putting a climatic ending to the album.

stone-cadaver-2021If you want to know more about Stoner Cadaver, their music, tour dates and so on, you can find those Danish rockers on Facebook, on Instagram, on Spotify and on YouTube, but of course if you want to show your love for underground doom you should definitely purchase Memento Mori, Motherfucker sooner than you can say “motherfucker” by clicking HERE, as well as from imusic.dk in CD or LP format, or from gatewaymusicshop.dk. As you all know, memento mori is an artistic or symbolic reminder of the inevitability of death, which makes me wonder if Stone Cadaver’s goal with their new album was to actually remind us that we’re all going to die one day. If that’s the case, let’s say that not only they did it in great fashion with Memento Mori, Motherfucker, but they also provided us a great option for enjoying our last moments on earth before our inevitable end.

Best moments of the album: Doom Christ and Murder Mountain.

Worst moments of the album: None.

Released in 2021 Yog-Sothoth Records/Gateway Music

Track listing 
1. The Reckoning 1:26
2. Realm Of Darkness 6:50
3. Doom Christ 6:00
4. Whip The Sinners 3:36
5. Paean 1:13
6. Diseased Deceased 6:26
7. Fare Thee Well 1:08
8. Murder Mountain 9:11

Band members
Anders Bech Nielsen – vocals, guitar
Andreas Slocinski – bass
Stevie Dalla-Zuanna – drums

Album Review – Faith No More / Sol Invictus (2015)

It might have taken 18 long years for Mr. Mike Patton and his demented squad to release a new album, but the result is so good it was definitely worth the wait.

Rating4

FNM_frontAt long last, after 18 fuckin’ excruciating years, the demented squad composed by the gentlemen Mike Patton, Jon Hudson, Billy Gould, Roddy Bottum and Mike Bordin, “usually” known as American Alternative Metal/Rock band Faith No More, is back with another freakish experiment entitled Sol Invictus (Latin for “Unconquered Sun”), the seventh studio album in their revolutionary career. Without Faith No More there wouldn’t be Alternative Metal, Funk Metal, Nu Metal, Grunge, contemporary Hard Rock, and so on. And if you think what I’m saying is bullshit, how about what Corey Taylor, frontman of the biggest Alternative Metal group in the world, Slipknot, said after seeing Mike Patton and his crew performing the all-time classic “Epic” at the 1990 MTV Video Music Awards? “I was mesmerized by that. I never felt a moment like that until that moment. It completely turned me around.”, stated the iconic #8.

Perhaps the greatest question in everyone’s minds, after knowing the band was officially getting out of their state of “creative hibernation”, was that if they were going to be capable of releasing something as amazing as their previous albums, especially the masterpieces The Real Thing (1989), Angel Dust (1992) and King for a Day… Fool for a Lifetime (1995). Well, although Sol Invictus doesn’t have any “A Small Victory”, “The Gentle Art of Making Enemies” or “Digging the Grave” among its songs, it’s still a well-set album with lots of thrilling moments, showcasing a band that doesn’t seem to have been on hiatus (not including their sporadic live performances and tours along all those 18 years) since their previous release, the also spectacular Album of the Year, from 1997.

The title-track, Sol Invictus, is just as weird as the album artwork, which means it’s perfect for opening their live performances. It’s short and melancholic, just like they’ve mastered doing through the years, and we all have to agree that with that piano intro and those whispering vocals you know somehow it’s Faith No More even if you’ve never heard anything about the band in your entire life. The same can be said about the awesome Superhero, a very melodic and alternative tune with interesting keyboard notes by Roddy Bottum, where after only two seconds you know it’s pure Faith No More. I guess there’s no need to mention how incredible Mr. Patton’s crazy screams and vocals are, but it’s valid to mention that the lyrics beautifully follow that vocal craziness (“Like an American drug / Makes a mean cock grow / …kill a priest / Makes a superman of glass”).

The next track, Sunny Side Up, sounds a lot like many songs from Album of the Year, with a stylish blend of Jazz, Blues, Rock N’ Roll and everything else. In other words, fans of the band will enjoy it for sure, while others will probably ask themselves “what the fuck is this?” Even if you don’t understand that song really well, you’ll relish Separation Anxiety and its stronger Rock N’ Roll vein. Mike Patton once again steals the show with his wicked voice and proves why he’s among the best and most versatile singers in the world. The only setback in this exciting tune is the drumming: I was expecting more from Mike Bordin, despite him doing a relatively decent job throughout the whole song.

FNMThe dark intro in Cone of Shame corroborates they really enjoy sounding bizarre, with its last part getting a lot more vibrant and intense, while Rise of the Fall offers the listener some elements from Reggae music and more audible guitar lines, as well as more rhythmic beats. Moreover, the crazy screams by Mike Patton end up adding a lot of electricity to a song that’s below average for a band like Faith No More. Following the lowest point of the album we have Black Friday, a song purely inspired by 80’s classic rock music which despite its lack of creativity has a good blend of semi-acoustic parts and heavier riffs and screams.

And just when you think Faith No More cannot get weirder, they come up with the stupendous Motherfucker, another perfect choice for opening their live concerts, where the focus is obviously on Mike Patton’s vocal lines and the song’s eerie lyrics (“Get the motherfucker on the phone, the phone…”), also including the best guitar solo of the entire album. Not only that, I doubt you won’t be singing this song everywhere, even at work with your boss by your side. Unless you don’t know shit about the band, you probably know how much they love songs with Portuguese or Spanish names (and sometimes lyrics), but unfortunately the boring Matador doesn’t get close at all to the marvelous classic “Caralho Voador”, for example. It’s just an average song with nothing new or outstanding, except for the strong bass lines by Billy Gould. And sounding like a B-side from King for a Day… Fool for a Lifetime, From the Dead gives a melancholic ending to Sol Invictus with the band’s trademark. It’s a good listen if you’re at home or in your car, but definitely not recommended for their live performances.

I wish there were a few more guitar solos by Jon Hudson and some faster beats by Mike Bordin in this or that song, as Sol Invictus sounds too calm for me in many of its moments, but at least we can loosen up knowing Faith No More are not “dinosaurs”. They are a more-than-alive group that still got it in them, and from now on (well, they’ve been doing this already) there are even more outstanding tunes in their lunatic arsenal to be masterfully played during their live concerts all around the world. And we’re all very thankful to the unparalleled Mr. Patton and his fellow mates for that, even if it took so many years for them to return.

Best moments of the album: Superhero, Separation Anxiety and Motherfucker.

Worst moments of the album: Rise of the Fall and Matador.

Released in 2015 Reclamation Records

Track listing
1. Sol Invictus 2:37
2. Superhero 5:15
3. Sunny Side Up 2:59
4. Separation Anxiety 3:44
5. Cone of Shame 4:40
6. Rise of the Fall 4:09
7. Black Friday 3:19
8. Motherfucker 3:33
9. Matador 6:08
10. From the Dead 3:06

Band members
Mike Patton – vocals
Jon Hudson – guitar
Billy Gould – bass guitar
Roddy Bottum – keyboards, vocals
Mike Bordin – drums