Tag Archives: pest records

Album Review – Wurmian / Immemorial Shrine (2025)

Posted on by
Reply

Enter the shrine of first-class Melodic Death and Doom Metal crafted by this one-man project from France, and let the echoes from his debut album guide you on a brooding and immersive journey through sorrow, introspection, and existential desolation.

Founded in 2024 by Antoine Scholtès, the mastermind behind Atmospheric Black Metal project Inherits The Void, Clermont-Ferrand, Auvergne-Rhône-Alpes, France-based act Wurmian emerges with a mission to resurrect the essence of classic Melodic Death and Doom Metal. Drawing inspiration from the melancholic and introspective tones of bands like October Tide, Horrified, and Edge of Sanity, the project’s debut offering, titled Immemorial Shrine, embraces the duality of soaring melodies and crushing heaviness. Mastered by Simon Da Silva at The Empty Hall Studio, and displaying a classic logo by Dipayandas Art and a stunning, doomed artwork by Silvana Massa, Immemorial Shrine is a somber odyssey into solitude and decay, a brooding and immersive journey through sorrow, introspection, and existential desolation, turning it into a compelling listen for fans of both classic and modern death and doom.

Antoine begins embellishing the airwaves with his melodious guitar lines in Aeon Afterglows, reminding me of both old school and contemporary Paradise Lost with a harsher twist; whereas in the title-track Immemorial Shrine he showcases all his passion for Black and Death Metal without forgetting to add a good share of Doom and Gothic Metal to his sound, and the final result is simply beautiful. His Melodic Doom Metal attack goes on in Haven, with his guttural vocals and pounding drums being perfect for some sick headbanging, and our lone wolf speeds things up in Spires of Sorrow, offering a rawer, more direct Death Metal attack led by his classic beats and fills. Then back to a more pensive, melancholic sonority, Antoine roars with tons of anguish in Yearning Unseen, also delivering piercing, sharp riffs, followed by Sleeping Giants, another stunning composition by this multi-talented French musician that overflows Atmospheric Black and Death Metal for our total delight. And the closing song of the album, The Everflowing Stream, is another lecture in Doom Metal, with Antoine enhancing the acidity of his riffs and the depth of his Stygian roars for our vulgar delectation.

In the end, prepare to embark on a melancholic odyssey that echoes the spirit of the 90’s Death and Doom Metal while forging a path into the present in Immemorial Shrine, already available in full on YouTube and on Spotify. Hence, don’t forget to follow the project on Facebook and on Instagram for news, and maybe some live performances in the future in case Antoine assembles a live band for his shows, and above all, to purchase  Immemorial Shrine from  Wurmian’s own BandCamp or from the Pest Records’ BandCamp, or simply by clicking HERE. After all is said and done, simply enter the shrine of first-class Melodic Death and Doom Metal crafted by Wurmian. Let the echoes guide you.

Best moments of the album: Immemorial Shrine, Haven and Sleeping Giants.

Worst moments of the album: None.

Released in 2025 Pest Records

Track listing
1. Aeon Afterglows 4:55
2. Immemorial Shrine 4:54
3. Haven 6:33
4. Spires of Sorrow 4:36
5. Yearning Unseen 5:27
6. Sleeping Giants 5:21
7. The Everflowing Stream 7:19

Band members
Antoine Scholtès – vocals, all instruments

Album Review – Spawn of Evil / Sadistic Missionaries (2023)

Posted on by
Reply

This Israeli Death Metal outfit will crush your senses with their third studio album, representing their spoken word against the sadistic corruption that dominates the world and destroys life in every aspect.

Representing a decade long worth material featuring eight new tracks of traditional Death Metal with melodic guitar lines, furious rhythm section and wrathful vocals that will surely impress fans of bands like Morbid Angel, Benediction, Gorefest and the likes, the third full-length opus by Hadera, Israel-based Death Metal veterans Spawn of Evil, entitled Sadistic Missionaries, perfectly depicts all the passion for extreme music by Moti Rokah on vocals, Miko Haronian and Nir Tamir on the guitars, Hezi Menashe on bass, and Yaron Hakon on drums. Recorded by Hezi Menashe, mixed and mastered by Miko Haronian, and featuring guest guitarists James Reed of Vile Iniquity, Liran Aloni of Primaterra, and Kutna Hora (ex-Spawn of Evil), Sadistic Missionaries is the band’s spoken word against the sadistic corruption that dominates the world and destroys life in every aspect, speaking of those who embrace power to its evil form rather than humanity.

Fierce riffs and the rumbling sound of Hezi’s bass ignite the heavy-as-hell Hell Spawn, an in-your-face, unfiltered Death Metal attack with Moti already growling like a demonic creature, sounding vile yet very melodic from the very first second, and continuing their path of darkness and destruction the band offers us all the hammering, sluggish Storm Of All Sins, dragging our damned souls into the demonic lair ruled by such infernal Israeli entity. Yaron then pounds his drums with no mercy in God Is Fake News, an old school, mid-tempo Death Metal onrush perfect for breaking your neck headbanging, with Moti once again roaring and screaming in the name of evil, followed by the breathtaking Rhea Of The Gods, a song based on the mythological story of Rhea, the mother of all the gods, in her struggle against Krunus, the child eater, showcasing the band’s violence and passion for extreme music in great fashion, with the guitars by Miko and Nir sounding absolutely caustic until the very end.

It’s pedal to the metal with Yaron taking the lead with his massive beats in Human Mind, presenting another incendiary performance by Miko and Nir on the guitars supported by the metallic bass lines by Hezi. Then we have the two part title-track, with the first half Sadistic Missionaries, Pt. 1 bringing forward more of the band’s crushing Death Metal, with Miko and Nir kicking some ass with their demented riffage, therefore providing Moti with exactly what he needs to bark nonstop, whereas the second part, obviously titled Sadistic Missionaries, Pt. 2, sounds a lot faster and more violent and melodic, with the thrashier drums by Yaron adding an extra touch of insanity to their music, resulting in one of the most electrifying of all songs. Lastly, those Israeli death metallers will pierce our souls with over six minutes of dark and grim sounds in Righteous Evil, where despite all elements from the previous songs are present, its total length makes it a bit repetitive after a while.

If you love some good old school Death Metal with an additional dosage of brutality and violence, then you must give the guys from Spawn of Evil a try by listening to their new beast on  YouTube and on Spotify, and of course by purchasing a copy of it from the Pest Records’ BandCamp or webstore, from the Loud Rage Music webstore, or from Apple Music. Furthermore, go check what those Israeli metallers are up to on Facebook and on Instagram, keeping up to date with all things spawn of Evil. Corruption, power and all those evil things that make our world a much worse place have always been the perfect themes for any Death Metal album, and in Sadistic Missionaries it couldn’t have been any different, proving the guys from Spawn of Evil do not carry their name in vain.

Best moments of the album: God Is Fake News, Rhea Of The Gods and Sadistic Missionaries, Pt. 2.

Worst moments of the album: Righteous Evil.

Released in 2023 Loud Rage Music/Pest Records

Track listing
1. Hell Spawn 4:27
2. Storm Of All Sins 4:43
3. God Is Fake News 5:30
4. Rhea Of The Gods 4:19
5. Human Mind 3:52
6. Sadistic Missionaries, Pt. 1 5:18
7. Sadistic Missionaries, Pt. 2 4:35
8. Righteous Evil 6:29

Band members
Moti Rokah – vocals
Miko Haronian – guitars
Nir Tamir – guitars
Hezi Menashe – bass
Yaron Hakon – drums

Guest musicians
James Reed – lead guitars
Liran Aloni – lead guitars
Kutna Hora – lead guitars

Album Review – Tragacanth / The Journey of a Man (2018)

Posted on by
Reply

Follow the tale of a young man’s downward spiral into the abyss to the sound of the symphonic and progressive devastation blasted by this excellent Dutch quintet.

If you’re familiar with the work by Dutch Symphonic/Progressive Black/Death Metal act Tragacanth, having already listened to their 2015 debut full-length album Anthology of the East, you know how those five skilled metallers love to blend their entrancing melodies and symphonic sections with lyrical themes ranging from spiritual wars to mythical creatures, telling the tales of ancient Babylonian times. Now in 2018 it’s time for the band comprised of Terry Stooker on vocals, Erik Brouwer and Adrian Neagoe on the guitars, Mark Oosterbaan on bass and Jasper van Minnen on drums to strike once again with their sophomore opus entitled The Journey of a Man, this time showcasing a lyrical mix between mythological and purely personal topics, being recommended for fans of cult acts such as Nile, Carach Angren, Dimmu Borgir and Behemoth.

Formed in 2014 in Utrecht, a city in the central Netherlands that has been a religious center for centuries, Tragacanth are one of those bands that do not just create music, spicing up their creations with a fantastic storytelling, and their new album is the perfect depiction of their highly-developed musical and lyrical skills. “From the mystical, enigmatic Far East covered in Anthology of the East, this time we travel to Ancient Greek times where a young man finds out he is to perish soon. Wandering the complex maze of emotions and disease running through his veins, The Journey of a Man tells the tale of his downward spiral into the abyss,” commented the band about their newborn spawn, inviting us all to join this young man in his personal and very obscure journey.

Enter the ominous realm of Tragacanth to the sound of the eerie opening track Survival: Stagnate Reality, a lot more progressive than symphonic I might say, with the band’s guitarists Erik and Adrian giving a lecture in Progressive Death Metal, sounding utterly insane, heavy and intricate. And their creepy guitars and bass lines dictate the rhythm in Denial: They are Mistaken, where Terry sounds diabolical with his gnarling in a brilliant fusion of the Symphonic Black Metal by Dimmu Borgir with the Progressive Death Metal by bands like Augury and Virulent Depravity; followed by Anger: Kitrine Chole, a beautiful devastation blasted by Tragacanth where its bass lines will tremble inside your head while Jasper smashes your skull with his complex and powerful beats, not to mention how demonically Terry vociferates the song’s insane lyrics (“A black haze thwarts / My vision’s blurred / Sever the chains / Composure can’t hold / This pent up energy / The rage breaking free / The walls imploding destroying all what once was”).

Their demented feast of Progressive Death Metal and Symphonic Black Metal goes on in the pulverizing Depression: Waning Light, featuring the angelical voice of Romanian vocalist Manuela Marchis, and where the drums by Jasper sound heavier than hell while Terry keeps growling and screaming rabidly, turning it into my favorite song of the album by far.  Then not ready to accept his fate, the man turns to the gods, with the path leading him to Hades, god of the underworld, Thanatos, the personification of death, and eventually to those cruel sisters of fate, the Moirai, resulting in the vibrant Bargaining: Will You Answer Me?, featuring guest vocalist Rik van Schaaik in the role of Hades and Thanatos, among other additional vocal lines, with the music being as infernal and complex as its predecessors thanks to the impressive job done by Erik, Adrian and Mark with their stringed weapons. And a cryptic, Middle-Eastern beginning evolves into a dense and impactful display of Progressive Metal in Nightmare: The Vision, with highlights to its mesmerizing bass punches and ass-kicking drums, ending in a very symphonic and captivating manner.

Once again drinking form the fountain of modern-day Progressive Death Metal, get ready to have your spinal cord broken in half to the brutal headbanging tune Acceptance: My Destiny Awaits, with the guitars by Erik and Adrian bringing a touch of delicacy to this sonic demolition, and their onrush of berserk and intricate sounds goes on in Suffering: The Essence Implodes, where Terry roars like a demon while Jasper shows no mercy for his drums (nor for our necks), also bringing the most pulverizing elements from Death and Black Metal thoroughly added to the musicality. Lastly, darker and more introspective than all previous songs we have Death: Journey’s End, closing the album on a Stygian note, with Erik and Adrian stealing the spotlight with their slashing riffs and soulful solos, not to mention all the poetry flowing form the song’s lyrics (“Let go / Enclaved by the river Styx / Lies a tomb for me / My celestial sanctuary / Let go / An eternal resting place / All alone and forgotten /The Asphodel Meadows”).

As already mentioned, Tragacanth are not your average metal band, being true masters in blending heavy music with a deep and detailed background story, always keeping in mind the band has only a couple of years of existence (which means they still have a lot to grow in the coming years). Hence, The Journey of a Man, available for a full listen on YouTube and on sale from several different locations such as their own BandCamp, the Pest Records’ BandCamp, the Loud Rage Music webstore, iTunes, Amazon and Discogs, is a fantastic materialization of that impressive ability by those four Dutch metallers, beautifully taking us down into the abyss together with the  album’s main character.

Best moments of the album: Anger: Kitrine Chole, Depression: Waning Light and Acceptance: My Destiny Awaits.

Worst moments of the album: Suffering: The Essence Implodes.

Released in 2018 Pest Records

Track listing  
1. Survival: Stagnate Reality 5:24
2. Denial: They are Mistaken 7:21
3. Anger: Kitrine Chole 4:25
4. Depression: Waning Light (feat. Manuela Marchis) 8:40
5. Bargaining: Will You Answer Me? (feat. Rik van Schaaik) 4:36
6. Nightmare: The Vision 4:54
7. Acceptance: My Destiny Awaits 5:18
8. Suffering: The Essence Implodes 4:55
9. Death: Journey’s End 6:34

Band members
Terry Stooker – vocals
Erik Brouwer – guitars
Adrian Neagoe – guitars
Mark Oosterbaan – bass
Jasper van Minnen – drums

Guest musicians
Manuela Marchis – vocals on “Depression: Waning Light”
Rik van Schaaik – vocals on “Bargaining: Will You Answer Me”