Concert Review – Abbath (The Phoenix Concert Theatre, Toronto, ON, 05/12/2024)

Despite a ridiculously small crowd, the iconic Abbath and his horde didn’t care at all about that and put on a fantastic performance in a celebration of pure Black Metal in Toronto.

OPENING ACTS: Final Gasp, Black Anvil and Imperial Triumphant

It was a very weird night at The Phoenix Concert Theatre on Sunday, when FINAL GASP, IMPERIAL TRIUMPHANT, BLACK ANVIL and ABBATH presented their Dread Reaver North America 2024 to maybe less than 200 people (at a venue that supports close to 1,500 people), and I knew something was odd when I got to the venue and, to my total surprise, the parking lot in front of it was absolutely empty, when it’s usually full hours before any concert there. Based on what other people told me, the reasons for that very small crowd were of course Mother’s Day, the show being on a Sunday, and above all that, the fact that Abbath played the night before in Kitchener, which is only one hour from Toronto, so no one from any of the neighboring cities decided to come to Toronto as they could enjoy the same show on a much more pleasant Saturday night. It’s known that Noel Peters of Inertia Entertainment tried to move the show to Lee’s Palace, but that was already booked for something else. There wasn’t even a barrier for the photographers, so Keith Ibbitson of Metal Paparazzi and the others like Kim and Miles simply had to share the floor section with the crowd. It was very weird, but it is what it is, and in the end all four bands kicked ass on stage which is what really matters.

From when the doors opened at 6pm until Boston, Massachusetts-based Gothic Metal/Deathrock band FINAL GASP hit the stage, I don’t think there were even 30 people at the venue, but the band didn’t care about the low attendance and put on a great show, blasting sheer heaviness from their instruments nonstop. I have zero idea of which songs they played, but I know that their 2023 album Mourning Moon is really good, and that everyone should take a nice listen at it on BandCamp or on Spotify. It’s a real bummer that the whole night was a flop in terms of attendance because bands like Final Gasp are very entertaining live, so hopefully they’ll come back to Toronto supporting another metal giant in the coming months, and this time with a decent crowd to bang their heads together with the band.

Band members
Jake Murphy – vocals
James Forsythe – guitars
Peter Micanovic – guitars
Sean Rose – bass
Eric Lester – drums

After a short and very quiet break, New York’s own Black/Thrash Metal beast BLACK ANVIL kicked off their infernal set to a bigger but still ridiculously small crowd, and just like Final Gasp the guys from Black Anvil were extremely professional and put their hearts and souls into their performance without caring at all if there were 10 or 2,000 people in the audience. There were zero mosh pits again, which was very odd, but the show must go on, right? Anyway, their drummer R.G. is a demented beast and it’s worth every penny of the ticket price alone, and hopefully one day he’ll get the recognition he deserves for being so great behind his drums. P.D. was also infernal on vocals and bass, leading his demonic horde in great fashion and getting a very warm feedback form the crowd. Go check their music on BandCamp and on Spotify, like their 2022 album Regenesis, because their music is amazing and perfect for some vigorous headbanging.

Band members
P.D. – vocals, bass
Sos – guitars
Alex Volonino – guitars
R.G. – drums

Another short and silent break, and it was then time for the most unique attraction of the night, New York-based Avant-garde/Technical Black/Death Metal entity IMPERIAL TRIUMPHANT, to blast our faces with an extremely heavy, cryptic and chaotic performance, again sounding very energetic and professional even in front of the night’s tiny crowd. Still promoting their 2022 album Spirit of Ecstasy, the trio formed of Zachary Ezrin on vocals and guitars, Steven Blanco on bass and backing vocals, and Kenny Grohowski on drums showed no mercy for our souls with a dissonant, mesmerizing and way too foggy show, stunning us all and getting us really pumped for Abbath. Steven even hit the floor section with his bass, playing in the middle of the 100 something fans at the venue, making their whole concert more intimate and gripping. Hence, if you know nothing about those mysterious creatures, don’t forget to check their music on BandCamp and on Spotify, as I’m sure you’ll have a good time listening to their eerie creations.

Band members
Zachary Ezrin – vocals, guitars
Steven Blanco – bass, backing vocals
Kenny Grohowski – drums 

ABBATH

As already mentioned, due to the Saturday gig in Kitchener, most fans who were supposed to be in Toronto on Sunday to see Bergen, Norway’s own Black Metal institution ABBATH didn’t come to Sunday’s show, but the brave ones who managed to be at the venue were treated to a very special and intimate concert by Abbath and his horde, and let me tell you that it was infernal, heavy and bold from start to finish. The whole band played all songs from their setlist to perfection, and the mix of songs from Abbath’s three solo albums, those being his self-titled debut, Outstrider, and Dread Reaver, such as To War!, Hecate, Ashes of the Damned, and my favorite of the night, Winterbane, with some Immortal and I songs like In My Kingdom Cold, Warriors, and One by One, turned the night into a true celebration of classic Black Metal. No mosh pits either, which was even more ridiculous, but there wasn’t much we could do about that.

My only complaint about their show was the excessive smoke during all songs, to the point we couldn’t see anything from Abbath’s attire or makeup. Why does he wear all that if the fans can’t see shit due to the smoke? Well, at least the music as phenomenal, which is what truly matters in the end. Speaking of Abbath, the guy was a beast onstage, showing that his rehab was more than successful and that he still has a lot of fuel to burn in the coming years or even decades for our absolute delight. It was a beyond memorable show, even for a ridiculous crowd, but I’m sure Abbath will return to Toronto soon, and next time the scheduling and logistics will be better managed so he can see what the fans in Toronto can do when he’s playing his visceral Black Metal onstage.

Setlist
To War!
Acid Haze
Dream Cull
Hecate
Ashes of the Damned
Dread Reaver
In My Kingdom Cold (Immortal cover)
Beyond the North Waves (Immortal cover)
Nebular Ravens Winter (Immortal cover)
Warriors (I cover)
Battalions (I cover)
The Artifex
One by One (Immortal cover)
Winterbane
All Shall Fall (Immortal cover)

Band members
Abbath – vocals, guitars
Ole André Farstad – lead and acoustic guitars
Andreas Salbu – bass
Ukri Suvilehto – drums

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Concert Review – Cannibal Corpse (The Danforth Music Hall, Toronto, ON, 11/06/2022)

And there we had another fantastic night of sheer brutality and blasphemy in Toronto spearheaded by the Corpse. 

OPENING ACTS: Black Anvil, Immolation and Dark Funeral

What a fantastic night of sheer brutality and blasphemy at The Danforth Music Hall yesterday in Toronto! If you’re a diehard fan of Death and Black Metal you must attend one of the concerts of the North American Tour 2022 this fall with the bands BLACK ANVIL, IMMOLATION, DARK FUNERAL and the unstoppable, unparalleled CANNIBAL FUCKIN’ CORPSE, with the sold out night yesterday in Toronto proving how strong extreme music still is even with all the bad music that’s dumped onto us everyday by the “specialized” media. The weather was perfect and the line to get into the venue started to form really early, maybe even before 4pm, showing it was going to be indeed an unforgettable night to all 1,500 fans who were lucky enough to get a ticket.

The first band to hit the stage was New York-based Black/Thrash Metal outfit BLACK ANVIL, but I had to miss the first few minutes of their setlist due to the massive line to buy merch. Unfortunately, the never-ending merch lines seem to be the new norm as that has happened in every single concert I’ve been to after the end of the pandemic, which makes me wonder if the fans are willing to spend a lot of extra money with shirts and other merch fearing that a new pandemic might hit anytime, or that the organizers have no clue what they’re doing and can’t put together a decent way to serve all fans that want to buy some merch. Anyway, back to the music, as soon as I was able to get into the main hall I could enjoy Black Anvil’s straightforward, no shenanigans performance, with their drummer stealing the spotlight with a solid performance. They’ve just released a new album this Friday, entitled Regenesis, which was basically everything they played last night, so if you know nothing about them and are attending one of their concerts opening for Cannibal Corpse you must listen to their new opus. Well, you should listen to it even if you’re not attending any concert, as those guys are great.

Setlist
The Gates of Brass
In Two
The Bet
29
8-Bit Terror
Grant Us His Love
Castrum Doloris

Band members
P.D. – vocals, bass
Sos – guitars
Travis Bacon – guitars
R.G. – drums

After a very short break (and the main reason for that is because all four bands had to finish their concerts by 11pm at the latest due to the neighborhood where the venue is located), it was then time for American Death Metal masters IMMOLATION to crush our souls with their extremely aggressive and technical creations, blending songs from their newest album Acts of God, such as the title-track An Act of God, Shed the Light and the closing song Apostle, with old school stuff including one song from their 1991 debut album Dawn of Possession, the fulminating Burial Ground, which ignited one of the most ravenous mosh pits of their infernal performance. Vocalist and bassist Ross Dolan was on fire throughout their entire set, while his bandmates made sure the electricity kept flowing between the band and the crowd. I’m sure it won’t take long for Immolation to return to Toronto,  and whenever that happens I’m sure I’ll be there to slam into the pit once again to the sound of their visceral music.

Setlist
Abandoned
An Act of God
The Age of No Light
Swarm of Terror
Noose of Thorns
The Distorting Light
Overtures of the Wicked
Burial Ground
Shed the Light
Of Martyrs and Men
When Halos Burn
Apostle

Band members
Ross Dolan – vocals, bass
Robert Vigna – guitars
Alex Bouks – guitars
Steve Shalaty – drums

Of course I was at The Danforth Music Hall last night mainly to see the headliners Cannibal Corpse, but I was also very excited to witness the scorching Black Metal by Sweden’s own DARK FUNERAL for the very first time live, and let me tell you it was indeed a unique experience as the band spearheaded by the talented frontman Heljarmadr delivered endless obscurity and blasphemy to their avid fans. Promoting their awesome new opus We Are The Apocalypse, Dark Funeral fired a great fusion of their early days and more contemporary creations, with songs the likes of Leviathan, The Secrets of the Black Arts and Let the Devil In receiving a huge roar back from the crowd showing all their admiration for the band. It was also funny seeing Heljarmadr asking every single fan at the venue to scream “HAIL SATAN!” together with him, and I can’t imagine what the girls at the bar and the guys from security felt during such inspirational moments. The top moments of their performance for me were the neck-breaking, evil tune My Funeral, and the closing song Where Shadows Forever Reign, turning Toronto into the worldwide Black Metal capital for one night and, therefore, guaranteeing Dark Funeral will return to the city to darken the skies once again with their undisputed Black Metal in the near future.

Setlist
Unchain My Soul
Hail Murder
Leviathan
My Funeral
The Secrets of the Black Arts
Open the Gates
When I’m Gone
Nail Them to the Cross
Let the Devil In
Where Shadows Forever Reign

Band members
Heljarmadr – vocals
Lord Ahriman – guitars
Chaq Mol – guitars
Adra Melek – bass
Jalomaah – drums

CANNIBAL CORPSE

And finally there they were, three years after their hammering performance at The Opera House back in 2019 (which was by the way my last concert before the world went to shit with the pandemic), Buffalo, New York’s one and only Death Metal institution CANNIBAL CORPSE took the city of Toronto by storm once again with their rage, speed, heaviness, precision and groove, driving the entire floor section mental and, consequently, igniting a massive circle pit that lasted for their entire performance. Frontman George “Corpsegrinder” Fisher (armed with his monstrous neck and his beyond cool T-shirt “Respect the Neck”), guitarists Rob Barrett and Erik Rutan, the bass phenom Alex Webster, and drummer Paul Mazurkiewicz were in absolute sync from start to finish, turning up the eat at the venue to the point you would sweat even if you were not moving at all.

What I love about Cannibal Corpse is that their setlists are always a journey through all of their phases, mixing classics the likes of Unleashing the Bloodthirsty and Stripped, Raped and Strangled with newer stuff such as Kill or Become and Inhumane Harvest, this one form their most recent album Violence Unimagined. Corpsegrinder had the crowd in his bloody hands instantly, delivering not only a savage vocal performance but also interacting in a very fun way with all fans, either by throwing bottles of water to them or by challenging everyone to try to beat him in a headbanging duel during I Cum Blood (and of course, we all failed miserably as Corpsegrinder himself predicted). Another fun moment with Corpsegrinder was before Fucked With a Knife, when he dedicated it to all women and instead of hearing guys cheering that, he actually listened to A LOT of women screaming at the venue. He commented on that by saying there are usually only 20 women in their concerts, which is already a lot in his opinion, and when he asked the ladies to scream again they were even louder. Well, after such nice moment, the circle pit kept moving ferociously to Fucked With a Knife, as expected.

Every single time I write anything about Cannnibal Corpse I need to say how much I admire Mr. Alex Webster and his wicked bass lines, and yesterday in Toronto he proved once again why he’s the best bass player of the entire Death Metal universe. That man is a beast on bass, and the best part is that you can actually listen to each and every note coming from his bass clearly. And while Mr. Webster was demolishing our ears with his bass during masterpieces the likes of Devoured by Vermin, A Skull Full of Maggots and Hammer Smashed Face, the rowdy crowd in Toronto kept having a very good time inside the circle pit in the name of first-class metal music. It’s so nice to be a fan of a band like Cannibal Corpse, as not only all of their albums are amazing, but their live performances are a thing of beauty. There should be a law for the band to play here at least once a month, but as that’s not possible I’m happy if they kept releasing ass-kicking albums and keep coming back to Toronto every couple of years. LONG LIVE THE CORPSE!

Setlist
Scourge of Iron
The Time to Kill Is Now
Inhumane Harvest
Code of the Slashers
Fucked With a Knife
The Wretched Spawn
Gutted
Kill or Become
I Cum Blood
Evisceration Plague
Death Walking Terror
Condemnation Contagion
Necrogenic Resurrection
Unleashing the Bloodthirsty
Devoured by Vermin
A Skull Full of Maggots
Stripped, Raped and Strangled
Hammer Smashed Face

Band members
George “Corpsegrinder” Fisher – vocals
Rob Barrett – lead and rhythm guitar
Erik Rutan – lead guitar
Alex Webster – bass guitar
Paul Mazurkiewicz – drums

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