Album Review – Kreator / Hate Über Alles (2022)

Let the hate flow through you to the sound of the magnificent new opus by one of the trailblazers of the German Thrash Metal scene.

Recorded at Hansa Studios and Studio Wong, both located in Berlin, Germany, produced by Arthur Rizk, and displaying a classy, demonic artwork by renowned Israeli artist Eliran Kantor, Hate Über Alles is not just the fifteenth studio album by German Thrash Metal masters Kreator, but the band’s first studio album since their 2017 opus Gods of Violence, marking the longest gap between studio albums in their career, and the first to feature former DragonForce bassist Frédéric Leclercq, who replaced longtime band member Christian “Speesy” Giesler in 2019. And what do I think about the album? Well, let’s say Kreator more than nailed it once again, with the iconic Miland “Mille” Petrozza on vocals and guitar, Sami Yli-Sirniö also on the guitar, the aforementioned Frédéric Leclercq on bass, and Jürgen “Ventor” Reil on drums delivering sheer violence, blasphemy and hatred with a welcome dosage of progressiveness and experimentations throughout the entire album, therefore keeping the fires of German thrash burning bright for our total delight.

Sergio Corbucci was an Italian film director, screenwriter and producer who directed both very violent Spaghetti Westerns and bloodless Bud Spencer and Terence Hill action comedies, and there’s nothing better than the Spaghetti Western intro Sergio Corbucci Is Dead to set the stage for Kreator to kill in Hate Über Alles, with both Mille and Sami kicking some fuckin’ ass with their undisputed thrashing riffage. Put differently, a new metal anthem is born overflowing fury and hatred, and of course without a single second of boredom. Then in Killer Of Jesus we face an endless amount of brutality spiced up by absolutely austere lyrics (“Tell the hordes / I’ve come to save them all / Could their souls be dead / Or why can’t I hear their words? / Goddess of time / Always by my side / Faithless redemption / Is this what they have been praying for?”), with Ventor sounding demented behind his drums in another must-listen to any fan of our good old Thrash Metal, whereas the tribal beats by Ventor ignite the neck-breaking Crush The Tyrants, with Mille flawlessly vociferating the song’s visceral words. Strongest Of The Strong is very exciting from start to finish, with Mille and Sami delivering first-class riffs and solos throughout the entire song, resulting in another serious candidate to be part of their live performances, followed by Become Immortal, where I must say I love how Kreator are honoring all metal legends (including themselves) in their past few albums, with the song’s  galloping pace inviting us all to raise our horns together with one of the most important Thrash Metal bands of all time.

Conquer And Destroy brings forward old school Kreator for diehard fans of the band, and it will surely ignite some amazing circle pits if played live while Mille leads his horde with both his piercing vocals and melodic but razor-edged riffs and solos; and featuring guest vocalist Sofia Portanet, the hypnotizing Midnight Sun is by far the most experimental of all songs, with the final result being utterly captivating as if we were part of an uncanny, bloodthirsty Scandinavian midsummer festival. Demonic Future offers us all another round of wicked lyrics roared by Mille (“In terror, in riots in war / Just when you thought that you’ve seen it all / Awareness turns to repulsion / From everywhere, echoing chants / A requiem for their bitter lands / Just when you thought a sick society / Died in their final convulsions / Fantasies of omnipotence / Erased they’ll become aware”) while the music is that beautiful Thrash Metal we love so much, with Frédéric and Ventor making the earth tremble with their respective bass and drums, and when the entire album is awesome a song like Pride Comes Before The Fall that’s “just” very good becomes the “worst” one, albeit still showcasing of course Kreator’s unique thrashing sounds. And last but not least, Kreator darken the skies and send an apocalyptic message to everyone in Dying Planet, presenting hints of Doom Metal in their core sonority and, consequently, inspiring us to break our necks headbanging in the name of darkness together with Mille and his crew.

Kreator Hate Über Alles Deluxe Box

It’s time to let the hate blasted by Kreator in their outstanding new album flow through you, and you can do that by streaming it in full on YouTube and on Spotify, and obviously by purchasing it from the band’s own webstore or by clicking HERE or HERE, where you can by the way find the limited deluxe box including the red and black splatter double vinyl with etching on side D in trifold cover, a digibook CD, a digipack live CD, a photobook, the artprint and a pin. Furthermore, Kreator are waiting for you on Facebook, on Instagram and on YouTube for news, tour dates and more of their flammable music. Because in the end as you might already know it’s hate above all, as long as it’s blasted by an undisputed thrashing institution like Kreator.

Best moments of the album: Hate Über Alles, Killer Of Jesus, Strongest Of The Strong, Conquer And Destroy and Demonic Future.

Worst moments of the album: Pride Comes Before The Fall.

Released in 2022 Nuclear Blast

Track listing
1. Sergio Corbucci Is Dead 0:58
2. Hate Über Alles 3:48
3. Killer Of Jesus 4:05
4. Crush The Tyrants 4:10
5. Strongest Of The Strong 4:01
6. Become Immortal 4:23
7. Conquer And Destroy 4:45
8. Midnight Sun (feat. Sofia Portanet) 3:38
9. Demonic Future 4:43
10. Pride Comes Before The Fall 4:48
11. Dying Planet 6:52

Band members
Miland “Mille” Petrozza – vocals, guitar
Sami Yli-Sirniö – guitar
Frédéric Leclercq – bass
Jürgen “Ventor” Reil – drums

Guest musician
Sofia Portanet – female vocals on “Midnight Sun”

Album Review – Kreator / Gods of Violence (2017)

We shall praise the best Teutonic Thrash Metal institution of all time, as the gods of violence come alive.

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kreator_gods-of-violence_worldwideFrom the triumvirate of Teutonic Thrash Metal, comprised of Destruction, Kreator and Sodom, the band led by the iconic Miland “Mille” Petrozza has always been my favorite, delivering top-of-the-line, enraged and apocalyptic music since their inception in Essen, a city in North Rhine-Westphalia, Germany in 1982 when the band was still called Tormentor. And it might have taken almost five years for Mr. Mille Petrozza and his loyal bandmates to release new material since their 2012 opus Phantom Antichrist, marking the longest gap between two studio albums in their career, but after listening to the breathtaking Gods of Violence, their fourteenth studio album, you’ll see the wait for the greatest Thrash Metal band in the history of European metal was definitely worth it.

Featuring an ungodly artwork (both the worldwide and the American versions) by German graphic designer and illustrator Jan Meininghaus, who has already worked with bands like Bolt Thrower, Sacred Steel and U.D.O., as well as Kreator themselves in Phantom Antichrist and their 2013 live album Dying Alive, Gods of Violence is a brilliant lesson in Thrash Metal that, at least for the year of 2017, will change the world capital of the genre from the famous San Francisco Bay Area, in California, to the city of Essen. One might ask how Gods of Violence can be so fantastic if it’s not a revolution in music, as it brings the same old Kreator we’re all used to. Well, that’s the beauty of it, as Kreator didn’t try to be different than what they are in essence. Quite the contrary, they sound more old school than ever in the new album, always drinking from the endless fountain of evil named man, and the amount of passion, aggressiveness and energy they put into each and every song is all that’s needed for Gods of Violence to become a contemporary classic.

The epic marching intro Apocalypticon builds up the expectation of the listener for this Thrash Metal masterpiece, and that’s exactly what Kreator bring forth starting with the sensational, belligerent World War Now, a true high-octane thrashing work-of-art that will sound thunderous when played live, with Mille and Sami Yli-Sirniö blasting their infuriated riffs while Jürgen “Ventor” Reil shows how drums should be played in this type of music. Moreover, it also contains their trademark European melody that makes their music so captivating, which can also be seen in Satan Is Real, a headbanging hymn with all the elements that made the band what they are today. Not only that, Mille sounds menacing with his raspy vocals during the song’s devilish chorus, leading us all to believe that Satan is indeed real.

kreator_2017Totalitarian Terror, a song about the fight for freedom and the war against oppression (and the best song of the album in my humble opinion), is a thrilling, bestial composition where the guitars by Mille and Sami will pierce your mind beautifully. Furthermore, this Teutonic Thrash Metal anthem is filled with fiery solos, frantic beats and a powerful, insurgent chorus (“Totalitarian Terror / Welcome the strike / Wielder to strike / Totalitarian Terror / Feeding the oppressor / Resistance must rise when freedom has died”), or in other words, the perfect combination of elements to turn it into a classic. After a  serene acoustic intro, the title-track Gods of Violence brings forward more traditional Kreator, perfect for going absolutely mental during the band’s live concerts, with Ventor having an outstanding performance on drums while Christian “Speesy” Giesler brings thunder to the musicality with his metallic bass lines.

Get ready for a sonic tempest named Army of Storms, another excellent option for their live concerts presenting poetry in the form of Thrash Metal (“For tornados and hurricanes / Will not hold us back / Ultra void as the ultimate deception / Ride the winds broken free / Now revolt and you will see / Nations and empires reborn / Beyond the blood red horizons you’ll hear us”) and sounding very melodic thanks to the brilliant guitars by Mille and Sami; followed by the mid-tempo classy composition Hail to the Hordes, where Kreator pay a kick-ass homage to their loyal fans (“If night will fall black shadows / Are taking our sight / We carry each other through the darkest / Moments of life, stronger than hate / Stronger than fear, stronger than all / We are one / Hail to the hordes”). Simply break your neck to the pounding drums by Ventor, with the epic sound of guitars inspiring us all to raise our fists in the air to this mighty German thrashing horde.

Kreator’s shredding has always been superb, and the metal whirlwind Lion with Eagle Wings is no exception to that rule. Not only it has a sophisticated and potent name, but the band also sticks to their foundations with a pinch of modern metal music, with the result being obviously awesome; whereas Fallen Brother showcases one of the most touching metal videos (and songs) ever made, a tribute to all our deceased heroes including Lemmy, Dio, Jeff Hanneman, David Bowie, Prince, Chuck Schuldiner, Scott Columbus, Bon Scott, H. R. Giger, Leonard Cohen, among many others. In regards to the music itself, it’s beyond powerful, vibrant and cohesive, a lesson in heavy music by Kreator that will stick to your head forever.

kreator_gods-of-violence_north-america

Gods of Violence North America Cover

Then we have Side by Side, where violent riffs and supersonic drums build the perfect atmosphere for Mille to vociferate the song’s lyrics against all types of prejudice and how we should unite to eradicate that from our society (“As we crush homophobia / Side by side / And we’ll never let the shame / Turn our vision to ice / And I’ll remain by your side”). It amazes me how such brutal album can contain so many references to brotherhood, friendship and unity, proving how high-quality metal can make our lives better. Lastly, Death Becomes My Light might be a melancholic and introspective creation by Mille and his horde, but that doesn’t mean it’s not as heavy as hell presenting crushing riffs and drums, while Speesy keeps galloping his bass guitar. And when the song is over, you’ll just realize there’s not a single moment in Gods of Violence that’s below excellent, as simple as that.

You can get a lot of extra details about Gods of Violence, including tour dates and news, at the special microsite created for the album, and grab your desired version of it at the Nuclear Blast webstore, including the amazing special edition with the bonus Blu-ray/DVD “Live at Wacken 2014”. It’s already a great moment for heavy music in general whenever Kreator release new material, but when the album is as splendid as this, we know it’s our duty to listen to it nonstop and  praise the best Teutonic Thrash Metal institution of all time, as the gods of violence come alive.

Best moments of the album: World War Now, Totalitarian Terror, Gods of Violence, Hail to the Hordes and Fallen Brother.

Worst moments of the album: None.

Released in 2017 Nuclear Blast

Track listing
1. Apocalypticon 1:06
2. World War Now 4:28
3. Satan Is Real 4:38
4. Totalitarian Terror 4:45
5. Gods of Violence 5:51
6. Army of Storms 5:09
7. Hail to the Hordes 4:02
8. Lion with Eagle Wings 5:22
9. Fallen Brother 4:37
10. Side by Side 4:19
11. Death Becomes My Light 7:26

Band members
Miland “Mille” Petrozza – vocals, guitar
Sami Yli-Sirniö – guitar
Christian “Speesy” Giesler – bass
Jürgen “Ventor” Reil – drums

Guest musician
Boris Peifer – bagpipes on “Hail to the Hordes”