Album Review – Barshasketh / Antinomian Asceticism (2025)

This Scotland-based Black Metal beast returns with their first full-length in five years, their most direct album to date evoking authentic, purple-blue visions of the late 90’s.

It’s been a long and winding road for Black Metal beast Barshasketh from their earliest days in 2007 as a solo project of KG aka Krigeist in his native Wellington, New Zealand on to his relocation to Edinburgh, Scotland and building an actual band, from breakout third album Ophidian Henosis in 2015 on to the even-mightier Barshasketh in 2019, but even amidst all the lineup shuffles and geographical distance covered, one fact has remained firm, and that’s purest Black Metal, intentionally free of genre cross-pollination, chiseled and refined with patience and persistence, which is also the case with their newborn spawn Antinomian Asceticism, their first full-length in five years. Recorded by the band’s guitarist GM at Sonorous Studio and Necromorbus Studio, mixed and mastered by Tore Stjerna at Necromorbus Studio, and displaying a beautifully sinister artwork by Rodrigo Pereira Salvatierra (with additional illustrations and layout by Fenomeno Design), the new album by the aforementioned KG on vocals, guitars and keyboards, GM on the guitars, BB on bass, and MK on drums, vocals and keyboards is their most direct and concise record in many a year, with its melding of mysticism and might evoking authentic, purple-blue visions of the late 90’s as soundly as it stands upon palatably modern ground.

The bells tolling warn the listener of the brutal Black Metal attack that’s about to come in Radiant Aperture, with the devilish vocals by KG sounding truly haunting and evil; and KG and GM sound ruthless with their piercing, caustic Black Metal riffage in Nitimur in Vetitum, supported by the rumbling bass by BB. Lebenswelt Below is a Blackened Doom extravaganza where MK hammers his drums in absolute darkness, exploding into sheer savagery made in the pits of the underworld, whereas they continue to evoke the fires of the netherworld in Charnel Quietism, a classic Black Metal feast where KG once again vociferates like a demonic entity.

Phaneron Engulf is another song with a beyond sinister start, darkening our minds and hearts to the minimalist guitar lines by KG and GM, but the fact it’s an instrumental piece takes away a bit of its strength; followed by the title-track Antinomian Asceticism, keeping the album’s overall vibe grim and vile with MK’s sluggish, visceral beats inspiring us all to headbang in the name of evil. And the album ends with the fulminating Black Metal aria Exultation of Ceaseless Defiance, again presenting the band’s trademark riffs, beats and the always infernal gnarls by KG.

Torches ablaze, hearts enflamed. Eternal strife is the fuel. Barshasketh, which by the way derives from the Hebrew term Be’er Shachat, roughly translating as “pit of corruption”, are on absolute fire throughout their entire new album, proving that the five-year wait for new material from such an amazing horde was absolutely worth it. You can get more information about them on Facebook and on Instagram, stream their music on Spotify or on Apple Music, and of course purchase a copy of the caustic Antinomian Asceticism from BandCamp or from the W.T.C.Productions webstore, fueling the band’s Black Metal machine to keep roaring in the name of pure darkness and evil for all eternity from the bottomless pit with more amazing albums like their demented new offering.

Best moments of the album: Radiant Aperture, Lebenswelt Below and Antinomian Asceticism.

Worst moments of the album: Phaneron Engulf.

Released in 2025 W.T.C.Productions

Track listing
1. Radiant Aperture 6:47
2. Nitimur in Vetitum 5:46
3. Lebenswelt Below 6:48
4. Charnel Quietism 7:14
5. Phaneron Engulf 4:21
6. Antinomian Asceticism 7:26
7. Exultation of Ceaseless Defiance 5:08

Band members
KG – vocals, guitars, keyboards
GM – guitars
BB – bass
MK – drums, vocals, keyboards

Album Review – Barshasketh / Barshasketh (2019)

Dive deep into the pit of corruption crafted by an evil entity of pure, undiluted second-wave Black Metal to the sound of their highly anticipated fourth full-length opus.

Forged in the scorching fires of Wellington, New Zealand in 2007 as a solo project by KG (also known as Krigeist) with the intention of creating pure Black Metal, but currently located in Edinburgh, Scotland, the obscure and devilish entity known as Barshasketh is unleashing upon humanity their highly anticipated fourth album, simply self-titled Barshasketh, conceptually centered on Be’er Shachat, from which the band’s name derives. This term roughly translates as “pit of corruption”, a multifaceted esoteric idea concerning the self existing in a cyclical process that goes through phases of destruction, purification, and ultimate adversarial rebirth. Indeed, that conceptual arc poignantly and perfectly illustrates Barshasketh’s evolution over the years, and finds its apotheosis within the winding corridors of Barshasketh.

During its uniquely vast-yet-compact 54-minute run-time, the quartet comprised of KG on vocals, guitars and synths, GM on the guitars, BB on bass and MK on drums, vocals and synths is truly firing on all cylinders, exploring new territory with ambitious compositions and showcasing a certain percussive savagery previously unheard on previous recordings, all within the remit of pure, undiluted second-wave Black Metal. Featuring a menacing cover art and additional illustrations by Artem Grigoryev (Black Typography), Barshasketh’s brand new opus is the purest distillation of the band’s essence to date, pointing to a dark and vile future for mankind as a black sun rises at the dawn of 2019.

A somber and menacing atmosphere enfolds the band in the opening track Vacillation, a highly recommended song for admirers of the most obscure fusion of classic Black Metal with Atmospheric and Melodic Black Metal where KG gnarls demonically from the very first note while MK showcases all his skills as the excellent extreme drummer he is, followed by the also grim Resolve, continuing from where the previous tune ended (which obviously means an ode to darkness). Furthermore, KG and GM are in total sync with their scorching riffs, while BB and MK generate a dense background atmosphere with their devilish instruments. Then drinking from the fountain of old school Norwegian Black Metal we have Consciousness I, another visceral creation by the band spearheaded by MK and his unstoppable blast beats, with KG roaring and growling like a true creature form the netherworld, not to mention how the background keys also boost the song’s taste and impact considerably, whereas Consciousness II brings to our avid ears over eight minutes of damned sounds and tones, starting in a cryptic manner before exploding into classic Black Metal for our total delight. The stringed trio KG, GM and BB simply slash our senses with their axes, with the music also presenting some disturbing Blackened Doom-inspired passages.

Ruin I sounds and feels brutal and piercing form the very first second, a lecture in Black Metal not for the lighthearted with all band member extracting pure evil from their instruments, in special MK and his demolishing drums, while the second act entitled Ruin II sounds a lot more melodic and obscure, crushing our senses in over seven minutes of putrid Black Metal spearheaded by KG’s infernal growls and MK’s visceral beats, all enfolded by the hellish riffs by KG and GM and flowing majestically until its grand finale. The second to last blast of extreme music by Barshasketh, named Rebirth, is just as demonic as its predecessors, with all instruments exhaling demonic notes, especially KG and GM who penetrate deep inside our damned souls with their guitar lines, setting the tone for the closing song Recrudescense, a tribute to all things evil where the smell of death and despair reeks in the air for over nine minutes, with KG leading his horde of darkness with his visceral growls. Moreover, it’s truly impressive how the music gets more intense and vile as time goes by, with all violence and hatred giving place to a phantasmagorical ending that will haunt our souls forever and ever.

Actually, you don’t need all the detailed review and explanation above to purchase your copy of Barshasketh from the W.T.C.Productions BandCamp. All you need to know is that it’s vile, macabre and thunderous, just the way we all love in true Black Metal. Also, don’t forget to follow the band on Facebook, therefore showing your true support to underground extreme music, and finally succumb to the darkest side of Black Metal to the sound of their infernal but at the same time very melodic and dense new album, diving deep into their “pit of corruption”. However, I must warn you that once you join Barshasketh down there, there’s no turning back (as if you would want to return from such distinct place, I might say).

Best moments of the album: Vacillation, Consciousness I and Recrudescense.

Worst moments of the album: Rebirth.

Released in 2019 W.T.C.Productions

Track listing
1. Vacillation 5:29
2. Resolve 5:10
3. Consciousness I 6:24
4. Consciousness II 7:53
5. Ruin I 4:47
6. Ruin II 7:26
7. Rebirth 6:30
8. Recrudescense 9:31

Band members
KG – vocals, guitars, synths
GM – guitars
BB – bass
MK – drums, vocals, synths